Wonder Woman: The Complete Historyby Les Daniels, Chip Kidd
She is STRONG. She is INVINCIBLE. She is WONDER WOMAN—the most popular super heroine of all time. Les Daniels honors her superhuman strength, her peace-seeking mission, and her fabulous outfits throughout the years. The unconventional Dr. William Moulton Marston originally created her as "psychological propaganda for the new type of woman who should rule the… See more details below
She is STRONG. She is INVINCIBLE. She is WONDER WOMAN—the most popular super heroine of all time. Les Daniels honors her superhuman strength, her peace-seeking mission, and her fabulous outfits throughout the years. The unconventional Dr. William Moulton Marston originally created her as "psychological propaganda for the new type of woman who should rule the world." And Wonder Woman—known to her friends as Diana—has triumphed for sixty years, whether battling evil fascists or ensnaring villains with her magic lasso. Filled with a fascinating array of archival comic book art, photographs, and paraphernalia, and designed by Chip Kidd, Wonder Woman follows on the heels of the successful Batman and Superman histories to complete this popular super hero series. Not only a sure hit with collectors and fans, this celebration of Wonder Woman's independent spirit will also appeal to the larger girl-power audience of today. Colorful, complete, and captivating, Wonder Woman: The Complete History is a true tribute to this splendid super hero.
But, ah, those names, how they thrilled and fed our imaginations: the Flash, Green Lantern, Green Arrow, Aqua-Man and Hawkman, the Mighty Thor, and a little later the Silver Surfer, Spiderman and the X-Men. To the ignorant eyes of parents, our carefully tended stacks of 20, 50 or 200 issues of Action Comics, World's Finest, Detective Comics, Marvel Comics and so many others merely appeared to tell the same story, again and yet again: A gaudily costumed crime fighter battles a seemingly unbeatable enemy -- sometimes the oddly loquacious alien from another planet or dimension, sometimes the white-coated mad scientist with his destructo-ray, often (and best of all) the monstrous result of some laboratory experiment gone horribly wrong.
Never such innocence again. Nowadays, comics have grown up and taken steroids: They are swarthy, mean, perverse, complex, adult. They even require specialized stores -- like X-rated videos -- and aspire to literature. "Graphic novels" can be intricate and wonderful -- ask any student of Neil Gaiman's The Sandman or look at the pastiche brilliance of Alan Moore's The League of Extraordinary Gentlemen -- but they would likely frighten or puzzle the children who lingered for hours over the early adventures of Superman, Batman and Wonder Woman.
Three oversized histories now document the life and times of these most durable of all the comic-book legends. Les Daniels's cleanly written text reveals not only the artistic, business and marketing decisions that have made Superman, Batman and Wonder Woman recognizable round the world, but also the ways in which each of their comics differs from the others in style and tone.
Superman's adventures, for instance, were nearly always laced with humor and frequently relied on slightly screwball situations: For instance, Mr. Mxyzptlk -- the impish troublemaker from the future -- and Lois Lane's niece Susie Tompkins generally treated the Man of Steel as either an amusing buffoon or a playtime doll. Bizzarro -- the simple-minded partial clone of Superman, who resembled a crystallized Frankenstein's monster -- provoked endless chaos without being truly threatening. The entire reporting cast of the Daily Planet often tended to be exploited just for laughs: wide-eyed Jimmy Olsen, love-struck Lois Lane, even gruff editor Perry White with his favorite ejaculation, "Great Caesar's ghost!"
By contrast, Batman dealt with obsession in all its forms (a theme underscored in Tim Burton's two Batman films). Bruce Wayne transforms himself into a caped crusader to avenge the brutal death of his parents. But his opponents are even more seriously damaged individuals, usually driven to crime by psychological trauma: the Joker, who yearns to be acclaimed the world's greatest comedian; Two-Face, who struggles with a Jekyll-and-Hyde personality after his disfigurement; Cat-Woman, a mousy secretary who escapes repression by releasing her inner tigress.
Wonder Woman is, of course, the supreme avatar of that particular myth. The ludicrously bespectacled Diana Prince is actually an Amazon princess, at ease with her physical strength and beauty. She grew up in a world -- Paradise Island -- where sisterhood was truly powerful (and telepathic to boot). As a result, she pr
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