Wondrous Love

( 3 )

Editorial Reviews

All Music Guide - Zac Johnson
Contemporary bluegrass supergroup Blue Highway's gospel album Wondrous Love shines brightly with reverent harmonies and hard-earned precision. Expertly recorded and produced, each voice gets equal space and every instrument's strum is clean and warm, intimate and clear. Peppering their repertoire with a handful of a cappella spirituals, the band not only demonstrates their ability to harmonize like a choir, but when the music kicks back in after these vocals-only tracks it reminds the listener of Blue Highway's strong pickin' ability as well. Pure and honest, reverent and welcoming, bright and rollicking, clear and convicted, Blue Highway have continued their winning streak...
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Editorial Reviews

All Music Guide - Zac Johnson
Contemporary bluegrass supergroup Blue Highway's gospel album Wondrous Love shines brightly with reverent harmonies and hard-earned precision. Expertly recorded and produced, each voice gets equal space and every instrument's strum is clean and warm, intimate and clear. Peppering their repertoire with a handful of a cappella spirituals, the band not only demonstrates their ability to harmonize like a choir, but when the music kicks back in after these vocals-only tracks it reminds the listener of Blue Highway's strong pickin' ability as well. Pure and honest, reverent and welcoming, bright and rollicking, clear and convicted, Blue Highway have continued their winning streak of terrific albums by picking a theme close to their hearts and making it available to everyone who will listen. Far beyond being just one of the best bluegrass-gospel albums of the year, Wondrous Love could easily stand on critics' lists as one of the best albums of the year.
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Product Details

  • Release Date: 6/24/2003
  • Label: Rounder / Umgd
  • UPC: 011661052420
  • Catalog Number: 610524
  • Sales rank: 104,385

Album Credits

Performance Credits
Blue Highway Primary Artist
Rob Ickes Dobro, Guitar, Vocals
Alan O'Bryant Harmony, Guest Appearance
Tim Stafford Guitar, Rhythm Guitar, Vocals, Baritone (Vocal)
Wayne Taylor Bass, Vocals
Sonya Isaacs Baritone (Vocal), Harmony, Guest Appearance
Jason Burleson Banjo, Guitar, Mandolin, Bass (Vocal), Rhythm Guitar, Vocals
Shawn Lane Fiddle, Guitar, Mandolin, Vocals, Tenor (Vocal)
Technical Credits
Merle Haggard Composer
Doc Watson Liner Notes
Jack Tottle Liner Notes
Rob Ickes Arranger
Brent King Engineer
Alan O'Bryant Producer
Tim Roberts Engineer
Tim Stafford Arranger, Introduction
Wayne Taylor Arranger
Senor McGuire Cover Photo
Jason Burleson Arranger
George Bennard Composer
Traditional Composer
Hank Williams Mastering
Shawn Lane Arranger, Composer, Introduction
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Customer Reviews

Average Rating 5
( 3 )
Rating Distribution

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    ``A WINNER "

    Abosolutely some of the best and most inspiring Bluegrass Gospel I have ever had the pleasure of hearing!

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  • Anonymous

    Posted October 1, 2010

    Powerful album that will help you find true inwardness from the gospel messages

    It was only two years after Tennessee-based contemporary bluegrass supergroup, Blue Highway, formed that they were taking home IBMA awards for "Emerging Artist of 1996" and "Album of the Year" (for "It's a Long, Long Road"). A year later, the band won "Gospel Recorded Performance of the Year" for the song "God Moves in a Windstorm." Why they've waited six years longer to release their first gospel album is a mystery. This project is long overdue, and it is certainly a heavenly treat with their brand-name harmonies and instrumental virtuosity. The band features five consummate players and vocalists: Tim Stafford (guitar), Shawn Lane (mandolin, fiddle), Wayne Taylor (bass), Rob Ickes (resophonic guitar), and Jason Burleson (banjo, guitar). Ickes is a five-time winner of the IBMA Dobro Player of the Year award. The title cut opens the project with a sparse mandolin prelude, followed by a cappella harmonies that build to a full studio-enhanced chorus of multiple Blue Highwaymen, including guest Alan O'Bryant. "Traveling Preacher" is a bouncy tale of a man of faith, while Shawn Lane's "I'm Asking You" is an introspective ballad with an uplifting and inspirational message. Another song without instruments, Tim Stafford's "Chasing After the Wind" exhorts listeners to find the Hand of God. Wayne Taylor's songwriting collaboration on "Seven Sundays in a Row" (with Kim Williams and Larry Shell) reinforces the fact that the band's bass player is also a gifted bluegrass songcrafter, as are Lane and Stafford who also penned songs on this album. Besides their original material, Blue Highway does a very commendable job with more standard material like Wicked Path of Sin, This World is not My Home, and Old Brush Arbor. "The Ground is Level at the Foot of the Cross" has an important message - no matter how different people are, we all stand in the same relationship before God. Rob Ickes closes the album with a wondrously moving instrumental rendition of The Old Rugged Cross. Guest artist Sonya Isaacs adds harmony on two cuts. Blue Highway has built a reputation for brilliant instrumental prowess, soaring harmonies, driving rhythms, well-crafted original material, and creative arrangements. Wondrous Love is a topnotch gospel album from a band that continues to be foremost in their profession and presentation. Blue Highway's got the power, and this is an album that will help you find true inwardness from the gospel messages presented in their spiritual songs. (Joe Ross, staff writer, Bluegrass Now)

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  • Anonymous

    Posted October 1, 2010

    This collection should win gospel fans to bluegrass, bluegrass fans to gospel, and lots of fans to Blue Highway

    Gospel music, like fiddle tunes and blues, has always been at the heart of bluegrass, but that strain in its purest form is usually associated with traditional acts. Nevertheless Blue Highway, the most lauded of contemporary bluegrass bands, has put together a near-perfect gospel collection with their newest release, Wondrous Love. Of course this should be no surprise. This band has always kept one foot in the lonesome mountain sound of pre-bluegrass, with their penchant for flat thirds and sevenths. Too, they feature among their vocal combinations the very best "old-time brother duet" now working, Wayne Taylor and Shawn Lane, a pair that is sure to delight listeners of the Blue Sky Boys, the Delmore Brothers, and the Monroe Brothers. But as with the band's secular albums, their ability to discover, arrange, and write material that is a cut above what even their finest peers are doing is what sets this gospel masterpiece apart. The title cut begins with a solo mandolin stating the melody against dulcimer-like drones; then Wayne Taylor enters with a solo vocal. Harmonies are added in imitation of the opening mandolin riff, and by the climax the sound has evolved into a shape-note fuguing piece. Suddenly we're sitting in the parking lot of some little cinderblock church house in East Kentucky, listening to the ancient saints through the window. Maybe one of the most interesting instances of musical evolution here is what the fellows do with A.P. Carter's "Live On Down the Line." With characteristic modal notes, they make it sound like something from the lost tapes of Ralph Stanley, and they deliver it with an intensity that would make Dock Boggs proud. In fact, Blue Highway is known for writing new songs that sound ancient, and for putting out stunning new acappella numbers. Tim Stafford has done the honors here with the mystical "Chasing After Wind." But they don't stay too long in the 20s. The back-beat shuffle of Shawn Lane's moving "I'm Asking You," complemented by Sonja Issac's harmony, could leave the casual listener wondering which Allison Krauss and Union Station album this appeared on, and it should earn the band some fans from the Contemporary Christian Music converts. With understated facility, these gentlemen move from complexly arranged numbers to sparsely charted pieces such as Shawn Lane's "Ahead of the Storm" and "It Won't Be Long (co-written with Gerald Ellenburg)-two songs sure to show up soon at festival campfires, and I might wager that within a few years they'll be referred to as ancient tunes somebody's neighbor learned from a cousin's uncle-they're that good, that squarely in the tradition. And of course no Blue Highway album would be complete without a solid story song, and here they fill that slot doubly with Ellenburg's "Traveling Preacher" and Wayne Taylor's "Seven Sundays In A Row" (with credits shared by Kim Williams and Larry Shell). I won't tell you how the stories come out, though. Listen for yourself. Not only do they write great original tunes, and draw upon mountain music roots, but they do more than tip their hats to the originators of bluegrass proper. Their version of "Wicked Path of Sin" is a respectful clone of Monroe's masterpiece, with Shawn Lane slipping up to do the tenor in a way that would've made the old man proud. And their renditions of the often covered "This World Is Not My Home" and "Old Brush Arbors" are presented with respect and musicality-they manage to make the chestnuts sound new without making them sound different for the sake of difference. I hope that what you've read already will make you listen to, maybe even buy, Wondrous Love. If you do, you'll agree that it was worth the money. And then-then-you can listen to their closer, Rob Ickes's new take on "The Old Rugged Cross," and accept it as a wonderful surprise you received for free. So w

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