Woodstock 1999 [Explicit Lyrics]

Editorial Reviews

Barnes & Noble - Jon Dolan
As a commemorative live album, WOODSTOCK '99 fulfills its role as a chronicle of the infamously epochal concert event of the New Rock Nation. Here are both the musical mayhem and the stark -- at times grim -- cultural snapshots of the three-day event that glorified nudity and beer rather than peace and love. "We don't want anyone to get hurt," the show's hapless promoters warn, sounding a bit like ineffectual parents as the sons and daughters okay, mostly the sons of the original Woodstock generation torch the place while the Red Hot Chili Peppers rock out on Jimi Hendrix's "Fire." Still, there's plenty of musical fireworks on hand, with the rap-metal contingent rabidly ...
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Editorial Reviews

Barnes & Noble - Jon Dolan
As a commemorative live album, WOODSTOCK '99 fulfills its role as a chronicle of the infamously epochal concert event of the New Rock Nation. Here are both the musical mayhem and the stark -- at times grim -- cultural snapshots of the three-day event that glorified nudity and beer rather than peace and love. "We don't want anyone to get hurt," the show's hapless promoters warn, sounding a bit like ineffectual parents as the sons and daughters okay, mostly the sons of the original Woodstock generation torch the place while the Red Hot Chili Peppers rock out on Jimi Hendrix's "Fire." Still, there's plenty of musical fireworks on hand, with the rap-metal contingent rabidly storming Planet Pop like the arachnid monsters from "Starship Troopers." Leading the way are Korn, Limp Bizkit, Creed, Kid Rock, Godsmack, Sevendust, Buckcherry, and the Offspring, who rock, rap, and slam out thunderous power chords, making even DMX's blathering ghetto bizkit "Stop Being Greedy" sound a smidge limp in the testosterone-soaked setting. The result is menacing and, beyond the shadow of a doubt, viscerally exhilarating: the sound of a terrible booty being born. More benignly, Korn's Herculean "Blind" and Kid Rock's acid-hop anthem "Bawitdaba" get at least a couple of ya-yas out. Still, after you crawl away from the first disc's mosh pit, licking your wounds and wishing the 'Stock's profiteers had hired better security, chill out with the hippiecentric second disc, which gets in touch with the fest's communal vibe via an ace Roots jam, a sunny, impassioned Dave Matthews tune, and a Chemical Brothers workout on "Block Rockin' Beats," that's fluid and funky enough to be a live groove band. Other highlights include Everlast's tough, alt-folk rockin' "Ends," G. Love's refreshing "Cold Beverages," and supercharged shots from Live and Bush. Just goes to show that the revolution, for better or worse, has been polarized.
All Music Guide - Stephen Thomas Erlewine
The 25th anniversary of Woodstock was such a resounding success, both commercially and critically, that it was inevitable that Woodstock 99 would appear on the 30th anniversary of the legendary free rock festival. Woodstock 99 was a different beast than any of its predecessors, however. The promoters designed it as a mercenary event, trying to earn as much money as possible in the course of three days. They picked a massive abandoned air force base in Rome, NY, and built plywood fences around the perimeters so they wouldn't have any gatecrashers. They decided to not allow any outside containers -- a common and logical safeguard, but that also meant everyone had to pay for water in the middle of the summer. All this was a prelude to a weekend of mayhem that ended in riots and rape. Some may argue that the riots were a reaction to the greed of the promoters, and they have a point -- but that doesn't excuse the numerous sexual assaults and rapes that occurred during the festival. Those assaults and the fires and the aggressively macho alt-metal acts became the legacy of Woodstock 99, and that's probably not what Epic had in mind when they signed a deal to release a double-disc set of highlights in October 1999. Woodstock 99 appeared on time, divided into one disc of metal and one disc that contains everything else that was at the festival. With the exception of Live, who sounds glaringly out of place, the first disc contains all the testosterone-driven acts, including highlights from the notorious sets by Korn, Kid Rock, Limp Bizkit, and Red Hot Chili Peppers. The second is much more sedate, thanks to bands as diverse as Dave Matthews Band, the Brian Setzer Orchestra, Sheryl Crow, Everlast, Everclear, Jewel, Elvis Costello, Alanis Morissette, Jamiroquai, Chemical Brothers, the Roots, Rusted Root, and Bruce Hornsby. Dividing Woodstock 99 makes it more listenable, but it also points out the inherent flaw in the festival -- while the artists on the second disc were true to the intentions of the original festivals, everyone except Live on the first disc were added to the bill to attract young males, who were ready to embrace Woodstock 99 as an opportunity to "f*** sh** up." Consequently, not only was the festival haunted by violence, it also was musically schizophrenic instead of eclectic. There was no reconciling aggro-metal with funk, dance, folk, pop, swing, and straight rock & roll, since the aggression just bulldozed everything else. That doesn't happen with the recording of Woodstock 99, since the discs are separated from each other like misbehaving children, but that very tactic raises the question of who is this for. They're sequenced for two separate audiences, and each would embrace one disc while hating the other -- therefore, it would have been better to release them separately. Even if they released Woodstock 99 this way, it would have been a problematic release because the quality of the music is uneven on both discs. Not only are there some average artists, not every above-average artist turns in a worthy performance. This unevenness does nothing to contradict the notion that Woodstock 99 was an ill-conceived commercial venture from the get-go -- and it doesn't erase the bad taste left by the riots, rapes, assaults, and mayhem, either.
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Product Details

  • Release Date: 10/19/1999
  • Label: Sony
  • UPC: 074646377048
  • Catalog Number: 63770

Tracks

Disc 1
  1. 1 Blind - Korn (4:03)
  2. 2 The Kids Aren't Alright - The Offspring (3:02)
  3. 3 For - Lit (3:04)
  4. 4 Lit Up - Buckcherry (4:40)
  5. 5 Bawitdaba - Kid Rock (4:16)
  6. 6 Show Me What You Got - Limp Bizkit (3:44)
  7. 7 Bulls on Parade - Rage Against the Machine (3:49)
  8. 8 Creeping Death - Metallica (6:49)
  9. 9 Roadhouse Blues - Robby Krieger (5:49)
  10. 10 Bitch - Sevendust (5:23)
  11. 11 Stop Being Greedy - DMX (2:20)
  12. 12 Keep Away - Godsmack (4:39)
  13. 13 Secret Place - Megadeth (4:24)
  14. 14 Everything Zen - Bush (6:18)
  15. 15 I Alone - Live (6:00)
  16. 16 Fire - Red Hot Chili Peppers (1:15)
Disc 2
  1. 1 Tripping Billies - Dave Matthews Band (5:23)
  2. 2 Rock This Town - The Brian Setzer Orchestra (6:44)
  3. 3 If It Makes You Happy - Sheryl Crow (5:39)
  4. 4 Ends - Everlast (5:08)
  5. 5 Santa Monica - Everclear (5:18)
  6. 6 Down So Long - Jewel (5:28)
  7. 7 Alison - Elvis Costello (2:52)
  8. 8 So Pure - Alanis Morissette (2:58)
  9. 9 Black Capricorn Day - Jamiroquai (3:47)
  10. 10 Cold Beverage - G. Love & Special Sauce (5:05)
  11. 11 Block Rockin' Beats - The Chemical Brothers (4:03)
  12. 12 Adrenaline! - The Roots (4:15)
  13. 13 Airport Song - Guster (3:30)
  14. 14 Superman's Dead - Our Lady Peace (4:58)
  15. 15 Ecstasy - Rusted Root (4:41)
  16. 16 Resting Place - Bruce Hornsby (6:41)
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Album Credits

Performance Credits
Elvis Costello Track Performer
Megadeth Track Performer
Metallica Track Performer
Red Hot Chili Peppers Track Performer
Everlast Track Performer
Kid Rock Track Performer
Live Track Performer
Rage Against the Machine Track Performer
Sheryl Crow Track Performer
The Offspring Track Performer
G. Love & Special Sauce Track Performer
Rusted Root Track Performer
DMX Track Performer
Bush Track Performer
Jamiroquai Track Performer
Korn Track Performer
Alanis Morissette Vocals, Track Performer
The Chemical Brothers Track Performer
Everclear Track Performer
The Roots Track Performer
Our Lady Peace Track Performer
The Brian Setzer Orchestra Track Performer
Dave Matthews Band Track Performer
Guster Track Performer
Lit Track Performer
Sevendust Track Performer
Limp Bizkit Track Performer
Godsmack Track Performer
Buckcherry Track Performer
Robby Krieger Track Performer
Technical Credits
Dave Edmunds Composer
Jim Morrison Composer
Kid Rock Composer
Ray Manzarek Composer
Dave Matthews Composer
John Densmore Composer
Rage Against the Machine Composer
Brian Setzer Composer
Glen Ballard Composer
Zack de la Rocha Composer
Kirk Hammett Composer
John Harris Engineer
Jimi Hendrix Composer
James Hetfield Composer
John Holbrook Engineer
Jason Kay Composer
Michael Masser Composer
Kooster McAllister Engineer
Mark Schafer Composer
Don Schinn Composer
Scott Spencer Storch Composer
David Thoener Engineer
Lars Ulrich Composer
Jamiroquai Composer
Korn Composer
Alanis Morissette Composer
Mitch Maketansky Producer
Cliff Burton Composer
G. Love Composer
The Roots Composer
Paul Special Engineer
Vic Anesini Mastering
Mark Hutchins Engineer
Sean McClintock Engineer
Craig Montoya Composer
Brian Kingman Engineer
Black Thought Composer
Art Alexakis Composer
Phil Gitomer Engineer
Fred Durst Composer
Ryan Hewitt Engineer
Mike Lawton Cover Photo
?uestlove Composer
Al Cafaro Executive Producer
Charlie Campbell Engineer
Greg Eklund Composer
Earl Simmons Composer
Jason Krause Composer
A. Fields Composer
Skip Kent Engineer
Ryan Shuck Composer
Joe Bates Engineer
D. Hewitt Engineer
Marshall Fawcett Engineer
Nathaniel Hewitt Engineer
Wes Borland Composer
Hardi Kamsani Engineer
Paul Wolff Engineer
John Otto Composer
Steve Sich Engineer
Greg Langford Engineer
Robby Krieger Composer
Sam Rivers Composer
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  • Anonymous

    Posted October 1, 2010

    Woodstock sells all

    Tnis cd is very ausome in the first half but as second half goes on it becomes lame.

    Was this review helpful? Yes  No   Report this review
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