Once again confounding expectations, Alexander McCall Smith has written a mystery novel unlike any other. Inspired by a chance encounter with Tales of the City novelist Armistead Maupin, the author of the No. 1 Ladies' Detective Agency decided to write a novel under the pressure of daily serialization. Originally published in 110 installments in The Scotsman, 44 Scotland Street recounts the intersecting lives of inhabitants of a multiple-occupancy building in Edinburgh. At the center of the entertaining entanglement is Pat, a 20-year-old gallery employee who makes a startling discovery about a lost masterpiece.
It is clear even to an outsider that someone who knows Edinburgh would recognize many people and places in ''44 Scotland Street.'' But an outsider can still relish McCall Smith's depiction of this place ''of angled streets and northern light,'' and enjoy his tolerant, good-humored company.
The New York Times
In this latest installment of McCall Smith’s 44 Scotland Street series, Robert Ian Mackenzie portrays Bertie as the overly intelligent and articulate six-year-old that he is meant to be, but when Bertie is among his classmates Tofu, Hiawatha, Larch and Olive, Mackenzie is hard-pressed to individualize the children’s voices. A similar problem arises as more and more women are added to the cast. Now that Domenica and Antonia are neighbors, their voices are almost as similar as their flats. Miss Harmony, Bertie’s teacher, could be Antonia’s twin sister. While Mackenzie has clearly run out of new voices, he does better with his male characters, especially with Angus’s basso and Matthew’s hesitant voice that matches his timid demeanor. Mackenzie keeps this enjoyable, lighthearted romp moving along quickly. An Anchor paperback (Reviews, June 30). (Nov.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Originally serialized in the Scotsman, this latest novel from Smith (The No.1 Ladies' Detective Agency) revolves around the inhabitants of an Edinburgh apartment house. The newest resident is 20-year-old Pat, who rents a room from the slightly older and irresistibly handsome Bruce. Pat's eccentric neighbors include Dominica, an artsy and wise widow; Bertie, a five-year-old saxophone player; and Bertie's overbearing mother, Irene. In order to make ends meet, Pat takes a job as a receptionist at a nearby art gallery. Her boss is the ineffectual Matthew, whose father owns the gallery. When Pat gets a hunch that one of the gallery's paintings might be valuable, and then the piece of work goes missing, the action takes off. Other storylines include Bruce struggling over an appropriate career path and conflicted Bertie undergoing therapy. The novel is made up of several short chapters that leave the reader wondering what will happen next. This, along with McCall Smith's insightful and comic observations, makes for an amusing and absorbing look at Edinburgh society. Recommended for most popular fiction collections. [See also Smith's In the Company of Cheerful Ladies, reviewed in Mystery on p. 69.-Ed.]-Karen Core, Kent District Lib., Grand Rapids, MI Copyright 2005 Reed Business Information.
One hundred more slices of life from 44 Scotland Street and environs (Love Over Scotland, 2007, etc.). The return of art student Pat's narcissistic former flatmate Bruce from London to Edinburgh tempts Pat to fall for him once more-a situation, as she sagely realizes, that's "precisely the sort of thing that novelists liked to write about." Not this novelist, however: Bruce insinuates himself into vapid, good-humored Julia's flat, and Pat gets on with her life, which is mainly devoted to discouraging the sincere, diffident advances of Matthew, her fabulously wealthy but hopelessly unglamorous boss at the Something Special Gallery. Back at 44 Scotland Street, anthropologist Domenica, returned from the Malacca Straits, is certain that her friend Antonia, who has taken the flat across the landing, nicked one of Domenica's Spode cups while she was minding her flat. Domenica's friend Angus hasn't been able to paint ever since his dog Cyril was accused of biting three neighbors and incarcerated, presumably to await a lethal injection. Downstairs from Domenica and Antonia, statistician Stuart and his overbearing wife Irene continue as the very model of dysfunctional parents, their family now expanded by the arrival of baby Ulysses, who's about to have quite an adventure for a four-month-old. But the heart of Smith's episodic tale, which combines selfishness and tenderness, blather and unexpected insight, is Ulysses' older brother Bertie, a six-year-old savant. Even though Irene has laid the groundwork for some serious sibling rivalry by demanding that he change his brother's nappies and help her express breast milk for him, Bertie's fondest wish is that Ulysses be spared the round of Mozart,saxophone lessons and psychotherapy with which his mother afflicts him. The best parts go to horrible Bruce, treasurable Bertie and Bertie's monstrous little schoolmate Olive. To be continued.
From the Publisher
“McCall Smith delivers yet another delightful installment to his Scotland Street series.... Subplots abound, and McCall Smith details with dependable whimsical flair the romantic progress of Scotland Street familiars Matthew, Pat and Bruce. Series fans know what to expect, and they get it by the truckload.” Publishers Weekly
“McCall Smith’s confident brush picks out vivid and entertaining characters.... A deliciously engaging Edinburgh comedy.” Financial Times
Read an Excerpt
In Hanover Street. Watch Out, Pat, Bruce Is Back . . . Or Is He?
Pat saw Bruce at ten o’clock on a Saturday morning, or at least that is when she thought she saw him. An element of doubt there certainly was. This centred not on the time of the sighting, but on the identity of the person sighted; for this was one of those occasions when one wonders whether the eye, or even the memory, has played a trick. And such tricks can be extraordinary, as when one is convinced that one has seen the late General de Gaulle coming out of a cinema, or when, against all reasonable probability, one thinks one has spotted Luciano Pavarotti on a train between Glasgow and Paisley; risible events, of course, but ones which underline the proposition that one’s eyes are not always to be believed.
She saw Bruce while she was travelling on a bus from one side of Edinburgh – the South Side, where she now lived – to the New Town, on the north side of the city, where she worked three days a week in the gallery owned by her boyfriend, Matthew. The bus had descended with lumbering stateliness down the Mound, past the National Gallery of Scotland, and had turned into Hanover Street, narrowly missing an insouciant pedestrian at the corner. Pat had seen the near-miss – it was by the merest whisker, she thought – and had winced, but it was just at that moment, as the bus laboured up Hanover Street towards the statue of George IV, that she saw a young man walking in the opposite direction, a tall figure with Bruce’s characteristic en brosse hairstyle and wearing precisely the sort of clothes that Bruce liked to wear on a Saturday: a rugby jersey celebrating Scotland’s increasingly ancient Triple Crown victory and a pair of stone-coloured trousers.
Her eye being caught by the rugby jersey and the stone-coloured trousers, she turned her head sharply. Bruce! But now she could see only the back of his head, and after a moment she could not see even that; Bruce, or his double, had merged into a knot of people standing on the corner of Princes Street and Pat lost sight of him. She looked ahead. The bus would stop in a few yards; she could disembark and make her way down to Princes Street to see if it really was him. But then she reminded herself that if she did that she would arrive late at the gallery, and Matthew needed her to be there on time; he had stressed that. He had an appointment, he said, with a client who was proposing to place several important Colourist pictures on the market. She did not want to hold him up, and quite apart from that there was the question of whether she would want to see Bruce, even if it proved to be him. She thought on balance that she did not.
Bruce had been her flatmate when she had first moved into 44 Scotland Street. At first, she had been rather in awe of him – after all, he was so confident in his manner, so self-assured – and she at the time had been so much more diffident. Then things had changed. Bruce was undoubtedly good-looking – a fact of which he was fully aware and of which he was very willing to take advantage; he knew very well that women found him attractive, and he assumed that Pat would prove no exception. Unfortunately, it transpired that he was right, and Pat found herself drawn to Bruce in a way which she did not altogether like. All this could have become very messy, but at the last moment, before her longing had been translated into anything beyond mere looking, she had come to her senses and decided that Bruce was an impossible narcissist. She fought to free herself of his spell, and she did. And then, having lost his job at the firm of surveyors (after being seen enjoying an intimate lunch in the Café St Honoré with the wife of the firm’s senior partner), Bruce decided that Edinburgh was too small for him and had moved to London. People who do that often then discover that London is too big for them, much to the amusement of those who stayed behind in Edinburgh in the belief that it was just the right size. This sometimes leads to the comment that the only sensible reason for leaving Scotland for London was to take up the job of prime minister, a remark that might have been made by Samuel Johnson, had he not been so prejudiced on this particular matter and thought quite the opposite.
Pat had been relieved that Bruce had gone to London, and it had not occurred to her that he might return. It did not matter much to her, of course, as she moved in different circles from those frequented by Bruce, and she would not have to mix with him even if he did return. But at the same time she felt slightly unsettled by the possible sighting, especially as the experience made her feel an indefinable excitement, an increase in heart rate, that was not altogether welcome. Was it just the feeling one gets on meeting with an old lover, years afterwards? Try as one might to treat such occasions as ordinary events, there is a thrill which marks them out from the quotidian. And that is what Pat felt now.
She completed the rest of the bus journey down to Dundas Street in a thoughtful state. She imagined what she might say if she were to meet him and what he in turn might say to her. Would he have been improved by living in London, or would he have become even worse? It was difficult to tell. There must be those for whom living in London is an enriching experience, and there must be those who are quite unchanged by it. Pat had a feeling that Bruce would not have learned anything, as he had never shown any signs of learning anything when he was in Edinburgh. He would just be Bruce.
She got off her bus a few steps from Matthew’s gallery. Through the window, she saw Matthew at his desk, immersed in paperwork. She looked at him fondly from a distance: dear Matthew, she thought; dear Matthew, in your distressed-oatmeal sweater, so ordinary, so safe; fond thoughts, certainly, but unaccompanied by any quickening of the pulse.