The World in Six Songs: How the Musical Brain Created Human Natureby Daniel J. Levitin
The author of the New York Times bestseller This Is Your Brain on Music reveals music’s role in the evolution of human culture—and “will leave you awestruck” (The New York Times)Daniel J. Levitin’s astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music… See more details below
The author of the New York Times bestseller This Is Your Brain on Music reveals music’s role in the evolution of human culture—and “will leave you awestruck” (The New York Times)Daniel J. Levitin’s astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second New York Times bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history.Dr. Levitin identifies six fundamental song functions or types—friendship, joy, comfort, religion, knowledge, and love—then shows how each in its own way has enabled the social bonding necessary for human culture and society to evolve. He shows, in effect, how these “six songs” work in our brains to preserve the emotional history of our lives and species.Dr. Levitin combines cutting-edge scientific research from his music cognition lab at McGill University and work in an array of related fields; his own sometimes hilarious experiences in the music business; and illuminating interviews with musicians such as Sting and David Byrne, as well as conductors, anthropologists, and evolutionary biologists. The World in Six Songs is, ultimately, a revolution in our understanding of how human nature evolved—right up to the iPod.
In this follow-up to his New York Times best-selling This Is Your Brain on Music: The Science of a Human Obsession, Levitin argues that every song ever written can fall within six categories and that music "is a core element of our identity as a species, an activity that paved the way for more complex behaviors." While he includes a wide variety of song examples to support his argument, his explanations of evolutionary causations for music become repetitive. As for his narration, it is dry and, at times, embarrassing-as when he reads lighthearted song lyrics meant to be sung. Sloppy editing causes some tracks to start mid-word, and the discs lack sequential announcements. Surprisingly, the recording does not take advantage of the medium by including any significant music samplings. Further, the notes from the hardcover edition are omitted here. Of limited interest to public and perhaps high school libraries. [Audio clip available through
"An exemplary mix of scientist and artist, student and teacher, performer and listener."
-Library Journal, starred review
"A fantastic ride."
"Leading researchers in music cognition are already singing its praises."
- Penguin Publishing Group
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Meet the Author
Daniel J. Levitin runs the Levitin Laboratory for Musical Perception, Cognition, and Expertise at McGill University, where he holds the Bell Chair in the Psychology of Electronic Communications. Before becoming a neuroscientist, he was a record producer with gold records to his credit and professional musician. He has published extensively in scientific journals and music trade magazines such as Grammy and Billboard.
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