The World's Finest Mystery and Crime Stories: 1: First Annual Collection

The World's Finest Mystery and Crime Stories: 1: First Annual Collection

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by Ed Gorman

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In the tradition of The Year's Best Fantasy and Horror and The Year's Best Science Fiction, The World's Finest Crime and Mystery Stories, First Annual Edition finally fills the void for those with a hunger for the best mystery and suspense stories of the past year.
Including such bestselling authors as Jeffrey Deaver, Elizabeth George, Faye


In the tradition of The Year's Best Fantasy and Horror and The Year's Best Science Fiction, The World's Finest Crime and Mystery Stories, First Annual Edition finally fills the void for those with a hunger for the best mystery and suspense stories of the past year.
Including such bestselling authors as Jeffrey Deaver, Elizabeth George, Faye Kellerman, Jonathan Kellerman, Ed McBain, Anne Perry, and Ruth Rendell, plus many, many others, this volume will positively blow the competition away. For, unlike the other various mystery anthologies, The World's Finest Crime and Mystery Stories collects stories from writers around the globe, including Britain's Silver Dagger short-fiction award winners. It will also be almost twice as big, weighing in at more than 200,000 words, and will arrive two months before the competition.

This comprehensive anthology promises to be the definitive annual collection of the very best mystery and suspense stories the world over.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

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Tom Doherty Associates
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World's Finest Mystery & Crime , #1
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The World's Finest Mystery and Crime Stories

First Annual Collection

By Ed Gorman, James Frenkel

Tom Doherty Associates

Copyright © 2000 Tekno Books and Ed Gorman
All rights reserved.
ISBN: 978-1-4299-5841-7


Anne Perry


ANNE PERRY has made Victorian England so much her own that one hesitates to read anything else on the subject because it might dull or lessen the period to which Perry has given such vivid color. From the start with The Cater Street Hangman, Anne Perry has given us Victorian England with all the real angst and poetry left in. The Thomas Pitt and the William Monk series are alike in their steadfast re-creation of their time. In her more recent novels, Traitor's Gate, Cain His Brother, and Pentecost Alley, Perry has expanded the range of her books so that the portraits of Victoria's time are richer than ever. While her excellent novels have won her all sorts of well-deserved awards, she should also be lauded for her shorter work. She is a first-rate practitioner of the short story, and readers hope that there will soon be a collection of her shorter works to prove it. This story first appeared in Murder and Obsession.


[Anne Perry

Nights were always the worst, and in winter they lasted from dusk at about four o'clock until dawn again toward eight the following morning. Sometimes star shells lit the sky, showing the black zigzags of the trenches stretching as far as the eye could see to left and right. Apparently now they went right across France and Belgium all the way from the Alps to the Channel. But Joseph was only concerned with this short stretch of the Ypres Salient.

In the gloom near him someone coughed, a deep, hacking sound coming from down in the chest. They were in the support line, farthest from the front, the most complex of the three rows of trenches. Here were the kitchens, the latrines and the stores and mortar positions. Fifteen-foot shafts led to caves about five paces wide and high enough for most men to stand upright. Joseph made his way in the half dark now, the slippery wood under his boots and his hands feeling the mud walls, held up by timber and wire. There was an awful lot of water. One of the sumps must be blocked.

There was a glow of light ahead and a moment later he was in the comparative warmth of the dugout. There were two candles burning and the brazier gave off heat and a sharp smell of soot. The air was blue with tobacco smoke, and a pile of boots and greatcoats steamed a little. Two officers sat on canvas chairs talking together. One of them recited a joke — gallows humor, and they both laughed. A gramophone sat silent on a camp table, and a small pile of records of the latest music-hall songs was carefully protected in a tin box.

"Hello, Chaplain," one of them said cheerfully. "How's God these days?"

"Gone home on sick leave," the other answered quickly, before Joseph could reply. There was disgust in his voice, but no intended irreverence. Death was too close here for men to mock faith.

"Have a seat," the first offered, waving toward a third chair. "Morris got it today. Killed outright. That bloody sniper again."

"He's somewhere out there, just about opposite us," the second said grimly. "One of those blighters the other day claimed he'd got forty-three for sure."

"I can believe it," Joseph answered, accepting the seat. He knew better than most what the casualties were. It was his job to comfort the terrified, the dying, to carry stretchers, often to write letters to the bereaved. Sometimes he thought it was harder than actually fighting, but he refused to stay back in the comparative safety of the field hospitals and depots. This was where he was most needed.

"Thought about setting up a trench raid," the major said slowly, weighing his words and looking at Joseph. "Good for morale. Make it seem as if we were actually doing something. But our chances of getting the blighter are pretty small. Only lose a lot of men for nothing. Feel even worse afterward."

The captain did not add anything. They all knew morale was sinking. Losses were high, the news bad. Word of terrible slaughter seeped through from the Somme and Verdun and all along the line right to the sea. Physical hardship took its toll, the dirt, the cold, and the alternation between boredom and terror. The winter of 1916 lay ahead.

"Cigarette?" the major held out his pack to Joseph.

"No thanks," Joseph declined with a smile. "Got any tea going?"

They poured him a mugful, strong and bitter, but hot. He drank it, and half an hour later made his way forward to the open air again and the travel trench. A star shell exploded high and bright. Automatically he ducked, keeping his head below the rim. They were about four feet deep, and in order not to provide a target, a man had to move in a half crouch. There was a rattle of machine-gun fire out ahead and, closer to, a thud as a rat was dislodged and fell into the mud beside the duckboards.

Other men were moving about close to him. The normal order of things was reversed here. Nothing much happened during the day. Trench repair work was done, munitions shifted, weapons cleaned, a little rest taken. Most of the activity was at night, most of the death.

"'Lo, Chaplain," a voice whispered in the dark. "Say a prayer we get that bloody sniper, will you?"

"Maybe God's a Jerry?" someone suggested in the dark.

"Don't be stupid!" a third retorted derisively. "Everyone knows God's an Englishman! Didn't they teach you nothing at school?"

There was a burst of laughter. Joseph joined in. He promised to offer up the appropriate prayers and moved on forward. He had known many of the men all his life. They came from the same Northumbrian town as he did, or the surrounding villages. They had gone to school together, nicked apples from the same trees, fished in the same rivers, and walked the same lanes.

It was a little after six when he reached the firing trench beyond whose sandbag parapet lay no-man'sland with its four or five hundred yards of mud, barbed wire, and shell holes. Half a dozen burnt tree stumps looked in the sudden flares like men. Those gray wraiths could be fog, or gas.

Funny that in summer this blood- and horror-soaked soil could still bloom with honeysuckle, forgetme-nots, and wild larkspur, and most of all with poppies. You would think nothing would ever grow there again.

More star shells went up, lighting the ground, the jagged scars of the trenches black, the men on the fire steps with rifles on their shoulders illuminated for a few, blinding moments. Sniper shots rang out.

Joseph stood still. He knew the terror of the night watch out beyond the parapet, crawling around in the mud. Some of them would be at the head of saps out from the trench, most would be in shell holes, surrounded by heavy barricades of wire. Their purpose was to check enemy patrols for unusual movement, any signs of increased activity, as if there might be an attack planned.

More star shells lit the sky. It was beginning to rain. A crackle of machine-gun fire, and heavier artillery somewhere over to the left. Then the sharp whine of sniper fire, again and again.

Joseph shuddered. He thought of the men out there, beyond his vision, and prayed for strength to endure with them in their pain, not to try to deaden himself to it.

There were shouts somewhere ahead, heavy shells now, shrapnel bursting. There was a flurry of movement, flares, and a man came sliding over the parapet, shouting for help.

Joseph plunged forward, sliding in the mud, grabbing for the wooden props to hold himself up. Another flare of light. He saw quite clearly Captain Holt lurching toward him, another man over his shoulder, deadweight.

"He's hurt!" Holt gasped. "Pretty badly. One of the night patrol. Panicked. Just about got us all killed." He eased the man down into Joseph's arms and let his rifle slide forward, bayonet covered in an old sock to hide its gleam. His face was grotesque in the lantern light, smeared with mud and a wide streak of blood over the burnt cork that blackened it, as all night patrol had.

Others were coming to help. There was still a terrible noise of fire going on and the occasional flare.

The man in Joseph's arms did not stir. His body was limp and it was difficult to support him. Joseph felt the wetness and the smell of blood. Wordlessly others materialized out of the gloom and took the weight.

"Is he alive?" Holt said urgently. "There was a hell of a lot of shot up there." His voice was shaking, almost on the edge of control.

"Don't know," Joseph answered. "We'll get him back to the bunker and see. You've done all you can." He knew how desperate men felt when they risked their lives to save another man and did not succeed. A kind of despair set in, a sense of very personal failure, almost a guilt for having survived themselves. "Are you hurt?"

"Not much," Holt answered. "Couple of grazes."

"Better have them dressed, before they get poisoned," Joseph advised, his feet slipping on the wet boards and banging his shoulder against a jutting post. The whole trench wall was crooked, giving way under the weight of mud. The founds had eroded.

The man helping him swore.

Awkwardly carrying the wounded man, they staggered back through the travel line to the support trench and into the light and shelter of a bunker.

Holt looked dreadful. Beneath the cork and blood his face was ashen. He was soaked with rain and mud and there were dark patches of blood across his back and shoulders.

Someone gave him a cigarette. Back here it was safe to strike a match. He drew in smoke deeply. "Thanks," he murmured, still staring at the wounded man.

Joseph looked down at him now, and it was only too plain where the blood had come from. It was young Ashton. He knew him quite well. He had been at school with his older brother.

The soldier who had helped carry him in let out a cry of dismay, strangled in his throat. It was Mordaff, Ashton's closest friend, and he could see what Joseph now could also. Ashton was dead, his chest torn open, the blood no longer pumping, and a bullet hole through his head.

"I'm sorry," Holt said quietly. "I did what I could. I can't have got to him in time. He panicked."

Mordaff jerked his head up. "He never would!" The cry was desperate, a shout of denial against a shame too great to be borne. "Not Will!"

Holt stiffened. "I'm sorry," he said hoarsely. "It happens."

"Not with Will Ashton, it don't!" Mordaff retorted, his eyes blazing, pupils circled with white in the candlelight, his face gray. He had been in the front line two weeks now, a long stretch without a break from the ceaseless tension, filth, cold, and intermittent silence and noise. He was nineteen.

"You'd better go and get that arm dressed, and your side," Joseph said to Holt. He made his voice firm, as to a child.

Holt glanced again at the body of Ashton, then up at Joseph.

"Don't stand there bleeding," Joseph ordered. "You did all you could. There's nothing else. I'll look after Mordaff."

"I tried!" Holt repeated. "There's nothing but mud and darkness and wire, and bullets coming in all directions." There was a sharp thread of terror under his shell-thin veneer of control. He had seen too many men die. "It's enough to make anyone lose his nerve. You want to be a hero — you mean to be — and then it overwhelms you — "

"Not Will!" Mordaff said again, his voice choking off in a sob.

Holt looked at Joseph again, then staggered out.

Joseph turned to Mordaff. He had done this before, too many times, tried to comfort men who had just seen childhood friends blown to pieces, or killed by a sniper's bullet, looking as if they should still be alive, perfect except for the small, blue hole through the brain. There was little to say. Most men found talk of God meaningless at that moment. They were shocked, fighting against belief and yet seeing all the terrible waste and loss of the truth in front of them. Usually it was best just to stay with them, let them speak about the past, what the friend had been like, times they had shared, just as if he were only wounded and would be back, at the end of the war, in some world one could only imagine, in England, perhaps on a summer day with sunlight on the grass, birds singing, a quiet riverbank somewhere, the sound of laughter, and women's voices.

Mordaff refused to be comforted. He accepted Ashton's death; the physical reality of that was too clear to deny, and he had seen too many other men he knew killed in the year and a half he had been in Belgium. But he could not, would not accept that Ashton had panicked. He knew what panic out there cost, how many other lives it jeopardized. It was the ultimate failure.

"How am I going to tell his mam?" he begged Joseph. "It'll be all I can do to tell her he's dead! His pa'll never get over it. That proud of him, they were. He's the only boy. Three sisters he had, Mary, Lizzie, and Alice. Thought he was the greatest lad in the world. I can't tell'em he panicked! He couldn't have, Chaplain! He just wouldn't!"

Joseph did not know what to say. How could people at home in England even begin to imagine what it was like in the mud and noise out here? But he knew how deep shame burned. A lifetime could be consumed by it.

"Maybe he just lost sense of direction," he said gently. "He wouldn't be the first." War changed men. People did panic. Mordaff knew that, and half his horror was because it could be true. But Joseph did not say so. "I'll write to his family," he went on. "There's a lot of good to say about him. I could send pages. I'll not need to tell them much about tonight."

"Will you?" Mordaff was eager. "Thanks ... thanks, Chaplain. Can I stay with him ... until they come for him?"

"Yes, of course," Joseph agreed. "I'm going forward anyway. Get yourself a hot cup of tea. See you in an hour or so."

He left Mordaff squatting on the earth floor beside Ashton's body and fumbled his way back over the slimy duckboards toward the travel line, then forward again to the front and the crack of gunfire and the occasional high flare of a star shell.

He did not see Mordaff again, but he thought nothing of it. He could have passed twenty men he knew and not recognized them, muffled in greatcoats, heads bent as they moved, rattling along the duckboards, or standing on the fire steps, rifles to shoulder, trying to see in the gloom for something to aim at.

Now and again he heard a cough, or the scamper of rats' feet and the splash of rain and mud. He spent a little time with two men swapping jokes, joining in their laughter. It was black humor, self-mocking, but he did not miss the courage in it, or the fellowship, the need to release emotion in some sane and human way.

About midnight the rain stopped.

A little after five the night patrol came scrambling through the wire, whispered passwords to the sentries, then came tumbling over the parapet of sandbags down into the trench, shivering with cold and relief. One of them had caught a shot in the arm.

Joseph went back with them to the support line. In one of the dugouts a gramophone was playing a music-hall song. A couple of men sang along with it; one of them had a beautiful voice, a soft, lyric tenor. It was a silly song, trivial, but it sounded almost like a hymn out here, a praise of life.

A couple of hours and the day would begin: endless, methodical duties of housekeeping, mindless routine, but it was better than doing nothing.

There was still a sporadic crackle of machine-gun fire and the whine of sniper bullets.

An hour till dawn.

Joseph was sitting on an upturned ration case when Sergeant Renshaw came into the bunker, pulling the gas curtain aside to peer in.


Joseph looked up. He could see bad news in the man's face.

"I'm afraid Mordaff got it tonight," he said, coming in and letting the curtain fall again. "Sorry. Don't really know what happened. Ashton's death seems to have ... well, he lost his nerve. More or less went over the top all by himself. Suppose he was determined to go and give Fritz a bloody nose, on Ashton's account. Stupid bastard! Sorry, Chaplain."

He did not need to explain himself, or to apologize. Joseph knew exactly the fury and the grief he felt at such a futile waste. To this was added a sense of guilt that he had not stopped it. He should have realized Mordaff was so close to breaking. He should have seen it. That was his job.

He stood up slowly. "Thanks for telling me, Sergeant. Where is he?"

"He's gone, Chaplain." Renshaw remained near the doorway. "You can't help'im now."

"I know that. I just want to ... I don't know ... apologize to him. I let him down. I didn't understand he was ... so ..."

"You can't be everybody's keeper," Renshaw said gently. "Too many of us. It's not been a bad night otherwise. Got a trench raid coming off soon. Just wish we could get that damn sniper across the way there." He scraped a match and lit his cigarette. "But morale's good. That was a brave thing Captain Holt did out there. He wanted the chance to do something to hearten the men. He saw it and took it. Pity about Ashton, but that doesn't alter Holt's courage. Could see him, you know, by the star shells. Right out there beyond the last wire, bent double, carrying Ashton on his back. Poor devil went crazy. Running around like a fool. Have got the whole patrol killed if Holt hadn't gone after him. Hell of a job getting him back. Fell a couple of times. Reckon that's worth a mention in dispatches, at least. Heartens the men, knowing our officers have got that kind of spirit."


Excerpted from The World's Finest Mystery and Crime Stories by Ed Gorman, James Frenkel. Copyright © 2000 Tekno Books and Ed Gorman. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Ed Gorman has been nominated for the Edgar and Bram Stoker Awards and lives in Cedar Rapids, Iowa.

Ed Gorman, the Shamus Award winning author of more than a dozen novels and many short stories, has edited a number of anthologies, including The World's Finest Mystery and Crime Stories series. He lives in Cedar Rapids, Iowa.

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The World's Finest Mystery and Crime Stories 4.5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
I love mystery short stories and am so glad I found this anthology Enjoyed reading every story Was also happy to see so many of my favorite authors included and many new to me
harstan More than 1 year ago
As usual the G and G (great goldies) team has put together a powerful anthology consisting of thirty-nine tales from 2001 that run the mystery-crime-thriller spectrum. Obviously all the inclusions have seen print elsewhere, but not under one tome before this compilation. The contributions for the most part are excellent depending on the reader¿s taste, but none are terrible regardless of palate. In addition three articles report on the general state of the genre during 2001 and four country specific reports (Great Britain, Australia, Canada, and Germany) furnish insight into the trends. THE WORLD'S FINEST MYSTERY AND CRIME STORIES, THIRD ANNUAL COLLECTION, VOL. 3 provides the audience with a delightful slice of some of the year¿s better short stories. Harriet Klausner