"Playful and lighthearted, Wrack and Ruin has an accidental elegance that is un-self-conscious and refreshing."
"The author of Yellow (2001) and Country of Origin (2004) delivers another warmly humorous take on identity in this entertaining novel…a highly appealing novel that swerves ever so gracefully from rollicking humor to poignant moments of reflection."
"A modern day, multicultural, environmental, and existential farce…wildly colorful and articulate…an interesting and humorous cross-section of life in a small town with big personalities."
"Wrack and Ruin is magnificent: bold, beautiful, heartfelt, witty, broad of scope, and yet as intimate as love given, or love received."
"Entertaining…a darn good story."
Brilliant farce conveys a sense of the characters' agony, and that is true here. But there are also moments of gentle joy, and the author's affection for this little corner of the world can be infectious. Despite the calamitous-sounding title, this is ultimately the story of a man coping with flux by repositioning himself rather than letting himself be ruined. As richly satisfying as his first two books were (his other novel, Country of Origin, won both an Edgar and an American Book Award), Lee has outdone himself here. His prose moves and sparkles. He gives his characters a depth and thoroughness not commonly achieved by practitioners of the comic novel, a label that seems almost a disservice to a book as thoughtful as this one. Lee shows us, right from the outset, that these are people we're going to care about, even if we do enjoy watching them flounder.
—The Washington Post
Lee (Country of Origin, 2004, etc.) whimsically examines the intertwining of some rather fey lives over a Labor Day weekend in a small California community. The title is both apposite and ironic, for Lyndon Song's life seems to be heading south. Living in Rosarita Bay, Lyndon is a refugee from his former life as a successful sculptor in New York City. He has now opted for a more Arcadian lifestyle as a Brussels sprout farmer-and on the side he grows an impressive crop of marijuana. Family matters also grow thick when Lyndon's brother Woody decides to visit. Woody is a formerly hot movie producer whose specialty is taking Asian action movies and "translating" them into English, but his recent projects have been derailed. The brothers haven't seen one another for 16 years, and Lyndon would be perfectly happy to keep Woody away for another 16. Lee tries to harmonize multiple strands of the narrative, as Woody tries to lure Yi Ling Ling, an aging and out-of-control kung-fu actress, into his project. Meanwhile, Lyndon continues to fight off two powerful forces, both economic (a powerful developer wants his farm) and personal (Lyndon's former lover, the current mayor of Rosarita Bay, is angry with him and keeps slashing his tires). Lyndon finds himself attracted to Laura D'az-McClatchey, a masseuse who eases his tense muscles, but who also, we find out later, is a former museum curator interested in his work. Lyndon would like to keep his life intact, for it's at least pleasant if not perfect, but over the weekend everything threatens to spin out of control (see title); an anarchic energy emerges that infects and unites both Lyndon and Woody. Subplots propagate like bunnies, as Woody tries totrack down why an old acquaintance committed suicide. (Woody also gets involved with two lesbian environmentalists studying snowy plovers.)Over-the-top complications sometimes get in the way of Lee's wry commentary on contemporary life. Agent: Maria Massie/Inkwell Management
