The Wraiths of Will and Pleasure (Wraeththu Histories Series #1)

The Wraiths of Will and Pleasure (Wraeththu Histories Series #1)

4.7 10
by Storm Constantine

View All Available Formats & Editions

First in the Wraeththu Histories trilogy.

Storm Constantine returns to the world of Wraeththu with a stunning new trilogy that explores the deepest secrets of the androgynous race.

Though they believe themselves to have inherited the earth, Wraeththu have yet to learn the truth about their origins. After a magical Festival night that surpassed all


First in the Wraeththu Histories trilogy.

Storm Constantine returns to the world of Wraeththu with a stunning new trilogy that explores the deepest secrets of the androgynous race.

Though they believe themselves to have inherited the earth, Wraeththu have yet to learn the truth about their origins. After a magical Festival night that surpassed all others, two hara, Ulaume and Flick, embark upon separate journeys in search of meaning and truth. Their paths cross, and they find they share a single destiny: to discover the truth about who holds power in the fabled city of Immanion and to defend the outcast harling Lileem, who is linked with the strange Kamagrian tribe.

Fitting chronologically between the novels The Bewitchments of Love and Hate, and The Fulfilments of Fate and Desire, Wraiths takes up the tale of many characters from the original trilogy, and what happened to them while Pellaz and Cal were involved in their own destinies.

Editorial Reviews

Publishers Weekly
British author Constantine (The Enchantments of Flesh and Spirit) expands on her vision of a hermaphroditic human future in this somewhat unwieldy start to a new fantasy trilogy, which falls chronologically between the second and third books of the original Wraeththu series. The outcast Ulaume, vilified in the previous trilogy, serves as the focus for a number of loosely connected "histories" that explore the many consequences of the death and rebirth of the ruler Pellaz. Told in third person from the perspective of such relatively minor characters as Cal, Flick and Orien, these disparate histories will make most sense to readers familiar with the preexisting animosities and power struggles. A new race of post-humans, the parazha, who are born (or "incepted") with more developed female than male organs, pose a challenge to the androgynous Wraeththu (or hara). The cultural conflict between the two races gets lost at times, though, amid the nostalgic reminiscences of Ulaume and company, in effect glosses on Pellaz's narrative of his suffering and triumph in the original trilogy. Relying less on the graphic violence and sadomasochism that marked her recent Magravandias Chronicles (The Crown of Silence, etc.), Constantine delivers a complicated and ultimately engaging novel sure to be embraced by existing fans. Agents, Robert Kirby and Howard Morhaim. (July 2) FYI: In a note, the author directs new readers to the Wraeththu Companion, a Web site that's "an on-line encyclopaedia of events, terms, and characters." Copyright 2003 Reed Business Information.
Library Journal
The birth of a girl-child and the temporary "death" of the future king, occurring on one particular festival night, forever change the destiny of the Wraeththu, setting these androgen tribal people on a course that leads to their mastery of Earth and its dwindling human population. Returning after a long hiatus to her Wraeththu series (e.g., The Enchantments of Flesh and Spirit; The Bewitchments of Love and Hate), Constantine explores the unrevealed history and origins of this race of mystical creatures. The author's feel for sensory detail and her deft characterizations, reminiscent of the sensual prose of Tanith Lee and Anne Rice, result in a richly textured tale of passion and prophecy suitable for mature fantasy readers. Recommended for fans of the original series as well as the author's "Magravandias Chronicles." Copyright 2003 Reed Business Information.
Kirkus Reviews
Dream-laden fantasy kicks off this British author’s latest Gothic exercise. The Books of the Wraeththu Histories, a bit of mythmaking, follows up Constantine’s earlier Wraeththu Trilogy (The Enchantments of Flesh and Spirit, 1986, etc.). Going back to the origins of the Wraeththu, this tale fits chronologically between the second and third books of the original series, all of whose involvements are spelled out on Constantine’s encyclopedic online site the Wraeththu Companion. The current metaphysical feminist volume is supposed to be a stand-alone, but new readers who have no idea what the post-apocalyptic Wraeththu are will have to dig hard to get some ground under their feet. Psychic mutants, disease-resistant and long-lived, the beautiful Wraeththu have displaced mankind, which has only a few remnants pocketed about the Earth. The unisexual Wraeththu are hermaphroditic, often homosexual, and have dismissed mankind for not respecting females. All Constantine’s stories are slow-moving and character-driven without strong plotting, so readers must fit themselves into various conflicting Wraeththu minds and tribes as they drop all human trimmings and morph into a new race entirely. Constantine answers her fans’ endless demands.
From the Publisher

“Storm Constantine is a mythmaking Gothic queen, whose lush tales are compulsive reading. Her stories are poetic, involving, delightful, and depraved. I wouldn't swap her for a dozen Anne Rices!” —Neil Gaiman

Product Details

Immanion Press
Publication date:
Wraeththu Histories Series , #1
Sold by:
Sales rank:
File size:
680 KB
Age Range:
18 Years

Read an Excerpt

The Wraiths of Will and Pleasure

The First Book of the Wraeththu Histories

By Storm Constantine, Beth Meacham

Tom Doherty Associates

Copyright © 2003 Storm Constantine
All rights reserved.
ISBN: 978-0-7653-0346-2


On the night of the last full moon before the winter solstice, the hara of the desert Wraeththu tribe of Kakkahaar cast off their sand-colored robes and dance naked beneath the stars. It is, for them, the festival of Hubisag, a pitiless hermaphrodite deity of death and dark magic. The Kakkahaar dance around a hungry fire; sparks spiral up into the darkness. Their voices utter mantras to earth and stone. Their fists clench against the sky, then punch the ground. They sway and spin and stamp. Their skins are painted with the blood of sacrifice. They have Medusa hair beneath the moon's stark light. They are proud and fierce, full of secrets and the mysteries of life, and the knowledge that they are superior among their kind.

It is the most important night of the year, when pledges are made to the god and boons petitioned for. It is not unknown for hara to disappear into the desert before the sun rises and never come out again. Hubisag occasionally takes his own sacrifices. He is not partial to prayers.

But the legends of the Kakkahaar speak of a festival night that surpassed all others. It was the night when the world changed. The world of Wraeththu. Perhaps it was when all hara, whether consciously or not, turned purposefully to approach their own potential, rather than career mindlessly along in wild, ungoverned chaos. In Kakkahaar history, two events happened on this night that brought the tribe closer to Wraeththu destiny than they otherwise might have been.

There were no omens in the sky to herald this change, nor in the entrails of vultures into which the shamans of the tribe peered so closely. There was no warning at all. No one knew that somewhere, far away, other hara of other tribes, who also believed themselves to be superior among their kind, made decisions and consequently pulled threads upon the web of wyrd. A decision. An order. A result. Perhaps without thought for how far the reverberations on the plucked web would be sensed. For those who had eyes to see. For those with eyes inside.

Ulaume was not Kakkahaar, although he lived among them. In fact, the tribe leader, Lianvis, had bought him some years back, from a traveling band of Colurastes, who had taken care not to mention exactly why they were prepared to sell one of their own into slavery. Lianvis had seen only the surface beauty — he liked pretty, sparkling things — and had perhaps smelled a sense of danger that reminded him very much of himself. The deal had been concluded with almost indecent haste and very little bartering, which even the Colurastes had known was unusual for Kakkahaar. They hadn't cared about it. They'd simply blessed their gods in silence as the goods changed hands. Then they'd gone away — swiftly.

Ulaume knew his people had been relieved and pleased to see the back of him. He bore little resentment. Slavery existed only in the mind. He felt utterly free. Lianvis approved of most of what he did, and actually seemed pleased when Ulaume did something that he could disapprove of, because there was very little Lianvis wouldn't do himself. From the very first moment he'd looked into Ulaume's eyes, the Kakkahaar leader had known he wasn't looking at a slave. It had been an unspoken message, which Ulaume had been very clear about in his silence. Still, they played the game of master and not-master, even though it was only a game, and a darker, more complex relationship existed between them.

The dwelling of Lianvis was a warren of canopies that looked very permanent, although hara of the tribe could dismantle it within an hour, scour the site to eradicate signs of their presence, and melt into the desert as if they'd never been there. The Kakkahaar were adept at illusion.

Ulaume had his own rooms within the pavilion, where the walls were never still, prey to the insidious breezes that breathed sand into every corner. He had a mirror that was exactly his own height and it was very old. Somehar had stolen it from the silent ruins of a rich human's house and then, sometime later, had sold it to Lianvis, once they'd realized it was actually quite cumbersome to haul around the desert. For this reason, Lianvis had acquired it at a very good price. Its glass was flawless and the frame looked as if it had been designed by an evil witch queen, writhing as it was with smirking demons, which suited both Lianvis's and Ulaume's tastes perfectly. Ulaume liked to admire himself in this mirror and Lianvis liked to watch him doing so.

But tonight, Ulaume was alone. He applied scented oil, mixed with his own blood, slowly and languorously to his supple limbs, his body swaying slightly as if he danced to a distant song. And so he did, because he was of the Colurastes, the serpent tribe, and their hearing is more acute than most hara's. It was the song of the stars Ulaume heard, the song of the moon, calling so softly. All of his senses were especially alert. He could hear the brushwood being dragged across the sand almost a mile from the camp. He could smell the first peppery tang of new flame. This night was important to him because he intended to work a potent curse against somehar who he considered had wronged him. Somehar who had been the cause of the first harsh words Lianvis had ever spoken to him. Somehar who would pay most dearly for their interference, and who would most certainly never forget the name of Ulaume, har of the Colurastes, har of the serpent people.

Ulaume stared at himself in the shadowy glass, his head thrown back, his glance haughty. He smoothed his tawny flanks and tossed his hair, which fell to his knees and possessed properties that hair normally did not have. Sometimes, he had to twist hanks of it fiercely to make it behave. Satisfied with what he saw, Ulaume hissed expressively and made a small pounce toward his reflection. Then he laughed quietly, in utter self-absorbed pleasure. "Pellaz," he said, leaning close to breathe upon the mirror. "Remember me. I wish you the greatest, most exquisite pain."

He leaned his cheek against the glass, then decided he'd had enough self-indulgence and prepared to leave the pavilion for the festival site. Lianvis would already be there, supervising the arrangements. It was supposed to be a wild night of abandonment, but in fact Lianvis planned it very carefully and made sure that nothing was omitted, left at the camp, or overlooked.

Ulaume threw a dun-colored cloak around his shoulders to cover his naked body and padded out into the night. He felt so powerful he was sure his footprints must be smoking, and the sand would turn to glass wherever he trod. Hara would see those footprints in the future and they would say to one another that they were the legacy of the night on which Ulaume of the Colurastes cursed the wretched har, Pellaz. But who was Pellaz? some might ask. A nohar.

It is almost beneath me to do this, Ulaume thought. Self-righteous fool. Who will ever hear of you, while I, naturally, am destined to be legendary? So, I will make you legendary too, you reeking tower of piety, and you really do not deserve it. Be glad you have offended me.

Cheered by this idea, Ulaume stalked away from the camp, his cloak blowing about him. What a pretty picture of death I must make, he thought.

Other hara were also making their way to the site, although none of them approached Ulaume or appeared even to notice him. This was not deliberate ignorance, but just an acknowledgment of his status. When he led the dance this night, power would surge to the tribe from the cold distant reaches of the universe. When he sang, stars would shatter in distant galaxies. Ulaume had no friends, other than Lianvis, but possessed a horde of helpless admirers, who all feared him greatly. Such had it always been. It was one of the reasons why the Colurastes had done what they had to him. Ulaume had no time for fear. He despised it in others. Lianvis's lack of it made him worthy of respect. Only one other had not feared him. Only one. Ulaume sneered instinctively, then got control of himself. Anger was weakness. He must remain focused.

Not far from the camp, there were ruins, constructed in ancient times by humans who had possessed more knowledge than their descendents who had lost the world. The Kakkahaar had appropriated this place for themselves and journeyed to its location several times a year for specific rites. The ruins were mostly underground, but for Hubisag's festival, the ceremonies would be held outside, because the god should not be worshipped in hidden, secret places. It would be an affront to his power.

Ulaume noticed Lianvis standing beside the fledgling fire, his arms folded and his expression that of contemplation. He did not know what Ulaume planned to do and Ulaume did not intend to enlighten him, because part of the reason for his incandescent fury was that Lianvis had a soft spot for the loathsome Pellaz, even though he wouldn't admit it. It was this softness that had inspired Lianvis to upbraid Ulaume for his behavior after Pellaz had left the Kakkahaar camp. Ulaume hadn't intended to attack Pellaz physically. He'd had seduction in mind: seduction in the manner he most enjoyed, which invariably involved some kind of struggle for power. Pellaz had not been interested. He'd revealed his contempt, so what other choice had Ulaume had other than to lash out? His hair often had a mind of its own. With hindsight, Ulaume realized it might have been better not to have allowed it to try and strangle Pellaz. Afterward, Pellaz must have whined to Lianvis about the incident, because the Kakkahaar leader had punished Ulaume: first with scorn, then with silence. It had been weeks before Ulaume had won back Lianvis's favor.

Now, the need for secrecy interfered somewhat with Ulaume's desire for everyhar to know what could happen to those who crossed him, but he would work out the details of how to spread the news later. Events were still too raw to be addressed with Lianvis now. Pellaz had been gone for less than a year.

Perhaps Lianvis was now thinking of Pellaz too. He might be remembering the jet-black hair, the jet-black fire of condemnation and virtue that could shoot from Pellaz's eyes. He had despised the Kakkahaar, full of judgment and morality. Stupid, misguided, and outdated human notions. Fear hid inside it all. No true Wraeththu, he. Lianvis must not think of him. No, as a leader, he must be considering other things: his own power, how to increase it. Fair Lianvis. Fair and wicked king. His hair was the color of honey made by bees that feasted on poisonous flowers and was braided into three plaits, each of four sections of hair. Two hung over his breast to his waist, the other trailed like a serpent down his back. His face was like that of an ancient Egyptian pharaoh. His pale robe was embroidered with a grimoire of arcane symbols. By any standards, he looked like a divine sovereign and knew how to behave like one. Ulaume prowled to his side and laid a hand on Lianvis's shoulder. Lianvis started in surprise, then smiled. "You fold out of the darkness," he said.

"Or into it," Ulaume said.

Lianvis took hold of Ulaume's hand and kissed it. "Work well tonight. I've a feeling we have need of it."

"You look thoughtful. What worries you?" Ulaume supposed that Lianvis's sharp, sensitive mind might well be picking up on his own intention. He must allay such suspicions.

"I am unsure," Lianvis said, frowning slightly. "There is a flex to the air tonight. A strange feeling. Can't you sense it?"

Ulaume could sense nothing but his own desire, which was strong enough to eclipse all other sensations, and smelled strongly of smoke and blood. It filled his entire being. "No," he said. "I can't imagine why you should feel like this."

Lianvis gave him a considered glance, because it was rare he could feel something Ulaume could not. "Then perhaps I am wrong," he said, in a somewhat dry tone.

"Perhaps you sense what is to come," Ulaume purred. "Perhaps we shall conjure something tonight beyond our imaginations."

Lianvis laughed. "I am not sure I would like to confront something beyond my imagination — or yours, for that matter. But for that reason, it is an idea to cherish."

Hara were gathering thickly around the fire now, which had begun to reach for the stars with more intensity, fed by tinder and intention. The high cabal of tribe shamans was already circling the flames. They dragged carved staffs through the dusty sand, marking an area of sanctity. Ulaume's arrival at the site had signaled the ceremony must begin.

Lianvis judged the moment and stepped away from Ulaume. He raised his arms and immediately everyhar became silent and still. For some moments, he appeared to bask in the hellish light of the fire, his eyes closed. Ulaume stood like a statue behind him, the hood of his cloak shadowing his face.

"Hubisag!" Lianvis called in a hollow, chilling voice. "We call to you, Father of Eternity, Lord of Iniquity, whose stride spans the abyss. We call to you. We conjure and command your presence on this, the night of your holy festival. Hubisag, we are your children, and all acts we commit, we do so in your name. Come to us now! Instill within us the might of your power and wisdom! Hubisag, come!"

The shamans began a low rumbling chant in an unintelligible tongue that was reputedly the language Hubisag obeyed. Out of the darkness, as if they'd manifested from the desert sand itself, a troupe of hara clad only in their own thigh-length hair, insinuated themselves lithely between the motionless lesser hara of the tribe. These were Fire Dancers, of the Pyralis level of the Ulani caste. They prowled around the perimeter of the flames, snarling, their fingers curling on the air. Beyond the circle of the congregation, drummers started up a throbbing tribal rhythm.

Ulaume stirred restlessly within the disguise of his cloak. His body yearned to burst free, now, this moment, but he must judge the right time. It was not yet. The Fire Dancers must weave the web of power before he could dance upon it himself.

The whole tribe had begun to sway in time to the hypnotic rhythm and now the dancers' prowl was punctuated by abrupt leaps and yelping cries. They spun in circles, lunging at members of the tribe, who did not flinch, but who threw back their heads, uttering ecstatic gasps.

Ulaume felt the power building up. He sensed it as smoking blue-white light emanating from the hot skins of the dancers. It too was spinning, swirling counterclockwise around the circle. The drums grew louder and faster, and the hara of the tribe added their voices to that of the shamans. The power was reaching a peak. Ulaume noticed Lianvis throw him a covert glance, as if to indicate that now was the time to join the dance, but Ulaume waited a few more precious seconds. He wanted that power to ache for him, to be taken beyond the point of no return, to demand the release of his body's energy thrust into it. His eyes were half closed and he fancied that he could perceive a gigantic nebulous figure forming from the smoke and sparks of the fire. Hubisag, he said in his mind. Grant me my boon. I will show it to you now.

With a fierce and guttural cry, Ulaume threw off the cloak and leapt forward, right into the midst of the dancers. The others went for him, growling and lashing out with their clawed hands, but Ulaume spun away from them, around and around the shouting flames. The roar filled his head. I will show you! I will show you! He conjured in his mind a picture of Pellaz, offering it up to the god like a severed head on a silver salver. Now, my Lord of Iniquity, do unto this ...

Pain. Total. Instant. Consuming. Ulaume screamed and shot several feet into the air, his body twisting in unnatural contortions. The silent petition was stilled in his mind. It was as if a fist of hard air had reached into his head and squeezed his brain. Agonizing sensations flooded through his body. Every nerve screamed in torment. Something had punched a hole in his head. His life was running out of it. He collapsed onto the ground as if he'd been thrown there.

Movement, voices, flickering light. Ulaume lay panting, facedown, on the sand, his fingers flexing weakly in the sifting grains. He felt like a rare creature that had been shot and awaited the inevitable approach of the hunter for the coup de grâce. He was aware of every labored breath he drew into his body. He could hear his heart slowing down. The drums were fading away. Hara were silent around him. There was only the night and himself. Slower, slower, the heartbeat's drum. His breath was the roar of the ocean, so hard to draw it. So hard.


Excerpted from The Wraiths of Will and Pleasure by Storm Constantine, Beth Meacham. Copyright © 2003 Storm Constantine. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Storm Constantine is an internationally-published author of over thirty books, both fiction and non-fiction. She is the founder of Immanion Press, originally created to keep her back catalogue novels in print, but which now publishes many other authors. Best known for her Wraeththu novels, involving an androgynous and powerful race of beings that arise from humanity, Storm has also written non-fiction titles, some of which are available from Immanion Press. Storm is also a teacher of creative writing, an editor and a Reiki Teacher, among many other interests.

Customer Reviews

Average Review:

Write a Review

and post it to your social network


Most Helpful Customer Reviews

See all customer reviews >

The Wraiths of Will and Pleasure (Wraeththu Histories Series #1) 4.7 out of 5 based on 0 ratings. 10 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
Storm's Wraeththu series is one of the best narratives to come, different from the rather tiresome panorama of Tolkien's imitators. After the enchanting, bewitching first Wraeththu trilogy we hoped to see more of these beautiful characters. And now, Storm gives us an expanded and enlarged perspective of the Wraeththu world. In the first trilogy we shared the POV's of individuals - Pellaz, Swift and Calanthe, destined to become rulers.In Wraiths we see the point of view of the average hara, represented by naive Flick. We witness the tragedy of the murder of Orien (set in a nearly Kafkian athmosphere) through his innocent eyes. Meanwhile, the death of the soon to be reborn Pellaz is sensed by an Ulaume who shall let go his Shambleau mode for the gentle caring of Lileem, cruelly abandoned in the desert. Flick and Ulaume will meet at Pell's old cable farm. Here they will save and recover what remains of Pell's family, Mima and Terez. Gentleness, charity, respect for the less fortunate: I think that beneath a gothic neopagan veneer, a very Christian sensibility inhabits Storm's soul. We witness the somewhat ambiguous Seel's political career, his obsession whit Cal, his strange behavior in Imbrilim and Galhea, when he treats poor Flick quite ignobly.Finally, We marvel at the otherwordly flight of Lileem (one of the best moments of the book). Here we're shown a grand panorama of the Wraeththu geography and history . From the desert tents of the Kakkahaar, the soda lakes of Saltrock, the haunts of Ricardo House, the river who bring Flick,Lileem,Mima and Ulaume to the house of Forever, so rich in memories; and the shining towers of Immanion, the mystical haunts of Shilalama...It's a wonderful vista of a world as superbly detailed as Tolkien's Lord of the Rings.
Guest More than 1 year ago
Unlike some other online reviews I've read so far, I didn't read the original Wraeththu trilogy as a teenager, but rather as an adult. I think this at least in part explains why my reaction to this book is so very different than theirs. While those reviewers express disappointment and a feeling that the 'magic' is gone, I on the other hand feel that Storm Constantine has breathed life into the series and written a novel which although different from the original, is a wonderful complement and furthermore surely the beginning of yet another wonderful trilogy. In reviewing Wraiths, some have voiced complaints about the narrative and the way it uses the third person rather than the original books¿ first person. They seem to miss the point, as Wraiths is the first volume in a new trilogy that presents the history of the Wraeththu, not the diaries of the Wraeththu elite. The book employs the third person to show a more complete picture of the Wraeththu world. Set in a time period which stretches the length of most of the original trilogy, Wraiths offers fresh perspectives on those events previously described from the first-person narrative. We learn that things are not always what they seem and that one har's perspective on events may be limited. As for those complaints about Wraiths lacking the 'magic' of the original books, I have to say I disagree with that as well. It's true that Wraiths is different than those books, but then again the shift in feeling is quite appropriate given that this new trilogy is a history not the musings of individual hara. Wraiths sets before us a world without the distortion of all the fuzzy gauze of the original books. To me, it's as if those books are stories told from within a dream, but in Wraiths we have the actual, solid world that has materialized over the years. Let me go on to the parts of the book I loved. First off, it might not be some people's cup of tea, but I was blown away by the first chapter which features a death and a birth. Absolutely gripping stuff that is really profound and signals a change from what was Wraeththu WAS to what it becomes from that point forward. After that, the interweaving storylines were fascinating and I loved seeing the way the characters came together and then developed their personalities and relationships over time. There are some new characters who turn up as well as old characters like Ulaume, Flick and Seel who we see a lot more of. We also get a whole cast of characters in the 'dehara,' a god/goddess system Flick discovers and which exists as a product of the collective Wraeththu soul. There are lots of fun, juicy scenes in the book, like Flick and Ulaume going to a party at Forever which takes a serious left turn. And Seel's scenes certainly contain some major shocks!
harstan More than 1 year ago
The number of humans is dropping rapidly but no species has stepped forth to claim planetary superiority. The hermaphrodite Wraeththu are on the verge of being the next master race adding to the reduction of the human populace by ¿converting¿ captured males into their species. The Wraeththu celebrate the Festival amidst their tribe, but this year is different as the tribes begin to realize what they can become.

The desert tribe Kakkahaar exiles a member Ulaume. In his solo travel, Ulaume finds an abandoned infant Lileen, whom he takes with him. Soon the Wraeththu follow, as Lileen is a special individual who defies the accepted normal order of the race and its Gods. Ulaume vows to keep the baby safe.

This novel takes place somewhere in the middle of the previous Wraththu trilogy. As such events and references that previously occurred will prove confusing to newcomers. To obtain a full savoring of this complex tale, read the others first. Different individuals looking back in time tell the tale of THE WRAITHS OF WILL AND PLEASURE. This makes for an interesting complicated perspective that at times seems convoluted yet really works if the reader keeps in mind that an individual brings their interpretation to the mix. Storm Constantine provides a powerful look at several key players from her previous trilogy that her fans will appreciate as the Wraththu universe keenly expands.

Harriet Klausner