A Wrinkle in Time: 50th Anniversary Commemorative Edition

A Wrinkle in Time: 50th Anniversary Commemorative Edition

4.3 1463
by Madeleine L'Engle

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Madeleine L'Engle is the author of more than forty-five books for all ages, among them the beloved A Wrinkle in Time, awarded the Newbery Medal; A Ring of Endless Light, a Newbery Honor Book; A Swiftly Tilting Planet, winner of the American Book Award; and the Austin family series of which Troubling a Star is the fifth book. L'Engle was…  See more details below


Madeleine L'Engle is the author of more than forty-five books for all ages, among them the beloved A Wrinkle in Time, awarded the Newbery Medal; A Ring of Endless Light, a Newbery Honor Book; A Swiftly Tilting Planet, winner of the American Book Award; and the Austin family series of which Troubling a Star is the fifth book. L'Engle was named the 1998 recipient of the Margaret A. Edwards award, honoring her lifetime contribution in writing for teens.

Ms. L'Engle was born in 1918 in New York City, late in her parents' lives, an only child growing up in an adult world. Her father was a journalist who had been a foreign correspondent, and although he suffered from mustard gas poisoning in World War I, his work still took him abroad a great deal. Her mother was a musician; the house was filled with her parents' friends: artists, writers, and musicians. "Their lives were very full and they didn't really have time for a child," she says. "So I turned to writing to amuse myself."

When she was 12, Ms. L'Engle moved with her family to the French Alps in search of purer air for her father's lungs. She was sent to an English boarding school --"dreadful," she says. When she was 14, her family returned to America and she went to boarding school once again, Ashley Hall in Charleston, South Carolina--which she loved. When she was 17, her father died.

Ms. L'Engle spent the next four years at Smith College. After graduating cum laude, she and an assortment of friends moved to an apartment in Greenwich Village. "I still wanted to be a writer; I always wanted to be a writer, but Ihad to pay the bills, so I went to work in the theater," she says.

Touring as an actress seems to have been a catalyst for her. She wrote her first book, The Small Rain, while touring with Eva Le Gallienne in Uncle Harry. She met Hugh Franklin, to whom she was married until his death in 1986, while they were rehearsing The Cherry Orchard, and they were married on tour during a run of The Joyous Season, starring Ethel Barrymore.

Ms. L'Engle retired from the stage after her marriage, and the Franklins moved to northwest Connecticut and opened a general store. "The surrounding area was real dairy farmland then, and very rural. Some of the children had never seen books when they began their first year of school," she remembers. The Franklins raised three children--Josephine, Maria, and Bion. Ms. L'Engle's first book in the Austin quintet, Meet the Austins, an ALA Notable Children's Book, has strong parallels with her life in the country. But she says, "I identify with Vicky rather than with Mrs. Austin, since I share all of Vicky's insecurities, enthusiasms, and times of sadness and growth."

When, after a decade in Connecticut, the family returned to New York, Ms. L'Engle rejoiced. "In some ways, I was back in the real world." Mr. Franklin resumed acting, and became well known as Dr. Charles Tyler in the television series All My Children. Two-Part Invention is Ms. L'Engle's touching and critically acclaimed story of their long and loving marriage.

The Time quintet--A Wrinkle in Time, A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time--are among her most famous books, but it took years to get a publisher to accept A Wrinkle in Time. "Every major publisher turned it down. No one knew what to do with it," she says. When Farrar, Straus & Giroux finally accepted the manuscript, she insisted that they publish it as a children's book. It was the beginning of their children's list."

Today, Ms. L'Engle lives in New York City and Connecticut, writing at home and at the Cathedral of St. John the Divine, where she is variously the librarian and the writer-in-residence. "It depends from day-to-day on what they want to call me. I do keep the library collection--largely theology, philosophy, a lot of good reference books--open on a volunteer basis."

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Editorial Reviews

How does a work of fiction become beloved by generations of readers? Not merely admired but positively embraced like an intimate relative or friend?

Plainly, mere perfection of composition, while hardly a detriment, is not sufficient: many flawlessly written books do not excite this bond. A work that triggers primal emotions, is suspenseful and surprising, and juggles meaningful archetypes in an eternal pattern will stand a better chance at becoming cherished than one that only stimulates the intellect — though, paradoxically, it's intellectual heft that gives a great story longevity in the imagination. The tale's characters, of whatever morality, must resonate in a lifelike manner and appeal to our sympathies. And of course, if a particular story vibrates with the zeitgeist, it gets taken up more instinctively, however much it risks falling out of favor when times change.

But above all, to become loved a book has to first offer love: Openeness, affection for the reader, a sense that its universe exists on a substrate of agape. Ray Bradbury — perhaps the paradigmatic writer of this school — identified the phenomenon in his essay "Zen & the Art of Writing," where he urges an outpouring of the heart upon the page to win over readers. The romance between book and person is no different than that between two people. "And in the end, the love you take is equal to the love you make," to quote a bunch of lads just starting out fifty years ago, when Madeleine L'Engle's A Wrinkle in Time first appeared. And if ever a book offered love and received love in return, Wrinkle qualifies.

Appearing in 1962 after a host of rejections nearly scuttled its publication, this Young Adult science fiction novel immediately began to captivate readers of all ages and critics as well, picking up a Newbery Award the very next year. Its popularity has never since waned, and the handsome new hardcover edition from its original publisher, Farrar Straus and Giroux, celebrates the occasion with class and verve, offering plenty of ancillary material. But that's only the wrapping around the original gift from author to readers, one whose sturdy and inspired and affectionate lineaments still shine forth.

For the few who don't know its story well — or for those whose memory of it has dimmed — A Wrinke in Time follows the otherworldly exploits of the tightly knit and quirky Murry family. Kate and Alex Murry, a pair of married scientists, are parents to a pair of well-adjusted twins and two quite different children: five-year-old prodigy Charles Wallace and Margaret, or Meg, a drama-derailed brainy adolescent whose slow-blooming talents will eventually manifest themselves when most in need. At book's outset, Mr. Murry has been absent from home for a full year, whereabouts unknown, putting the family dynamics under dark strain.

Quickly and almost simultaneously, some outsiders enter the picture: a likable neighbor boy named Calvin O'Keefe and three aliens dubbed Mrs. Whatsit, Mrs. Who, and Mrs. Which. The Murry kids and Calvin quickly find themselves swept up in a galactic-scale battle against an evil force known as IT, an entity who has already ensnared Mr. Murry and soon entrains Charles Wallace as well. Ultimately, IT is conquered by nothing more nor less than the sheer force of Meg's pure love, and once again baby- boomer readers — the cohort that first clutched Wrinkle to its bosom — might hear strains of the Beatles, this time harmonizing on "All You Need Is Love."

Its virtues, of course, far exceed the sketch of its main action. Perhaps most appealing to young readers is the tender and clear-eyed depiction of a real family dynamic, an ensemble of varying personalities who all love each other intensely but whose strong, genius egos sometimes raise conflicts. As the focal character, imperfect Meg is inhabited with great intimacy by the author, and her emotional roller coaster is both exciting and deeply familiar. But the love between the adult Murrys emerges fully as well, as does the touching nascent romance between Meg and Calvin, and the social isolation of Charles Wallace. By allowing us into the normally hidden labyrinths of any family's mutual existence, L'Engle ensures readerly solidarity.

In the line of archetypical storytelling, L'Engle is no slouch either. Her fairy- tale tropes — abducted parent; arrival of the Gandalfian stranger(s) initiating a quest; far-voyaging; realms under a spell; well-met comrades; exotic vistas — are superbly arrayed yet never programmatic. Everything feels organic. One underplayed aspect of the telling is L'Engle's real sense of humor: the meeting between Meg and Calvin owes more than a little to Grant and Hepburn in Bringing Up Baby. Satirical touches abound as well, and a line such as "IT sometimes calls ITself the Happiest Sadist" comes across as pure Lenny Bruce. But none of this undercuts the high stakes and suspense.

That L'Engle casts her tale as hard-edged science fiction rather than fantasy is another plus. SF has always been the underdog in YA novels of fantastika, appearing less often and selling in smaller numbers — at least till the triumph of The Hunger Games. And yet there's a power to well-done SF that fantasy just can't match. Narnia is captivating but arbitrary and unlikely of attainment. Heinlein's Have Space Suit — Will Travel is a map of a youngster's reachable or aspirational future.

I bring up Heinlein deliberately at this juncture to examine an issue that intrigues me: Madeleine L'Engle's possible familiarity with genre SF. I postulate that she was well acquainted with the major works in the field prior to her book. Her fluid use of genre tropes and conventions is just too powerful and assured. Had she not read anything prior, Wrinkle would have been the most miraculous ex nihilo reinvention of the wheel in literature. The Heinlein book had to be on her mind. In that 1958 novel, a young lad named Kip (with quirky Dad) is swept up in outer-space intrigue, adopted by a benevolent alien named the "Mother Thing" to fight an evil being dubbed "Wormface." The Heinlein model is too precisely followed — with unique changes, true — to be the product of chance.

Of course, one of L'Engle's key innovations lacking in Heinlein was the metaphysical angle, not precisely doctrinal Christianity but a kind of ecstatic theology of cosmic consciousness fully in tune with and foreshadowing the era of the High Sixties. In this mash-up of science and religion I see a deliberate echo of C. S. Lewis's great Ransom Trilogy, in which similar spiritual dimensions overlay conventional space travel.

Two other outstanding motifs recall another pair of genre writers. The whole Homo superior riff involving the Murry kids (L'Engle actually used the word mutant in the text before excising it) recalls Wilmar Shiras's Children of the Atom and a host of allied titles. And the monolithic establishment of "CENTRAL Central Intelligence" on Camazotz could be straight out of half a dozen A. E. van Vogt novels. Finally, L'Engle's allegorical layerings — is the totalitarian IT regime an analogue of communism or even of suburban USA ticky-tacky conformity? — are pure Galaxy magazine stylings.

But in any case, L'Engle marvelously altered and adapted a host of precedents and her own inventions and emotions to create a novel that tugged at the heartstrings, intrigued the imagination, and rode the wave of a generational sea change to a permanent place on the shelf. When at her moment of testing Meg is told, "We want nothing from you that you do without grace?or that you do without understanding," the young reader is given the honor of being treated as an adult with free agency and the capacity to plummet or soar.

Proud and self-sufficient, Wrinkle stood alone for eleven years before a direct sequel arrived. But L'Engle did make a lateral, second- generation excursion almost immediately. In 1965 came The Arm of the Starfish. Meg and Calvin were married, and parents to a new heroine, twelve-year-old Polly O'Keefe, one of seven siblings. (Polly would subsequently star in Dragons in the Waters from 1976 and A House like a Lotus from 1984.)

But it probably would have been impossible for any writer to resist creating further adventures for Charles Wallace and Meg. Eventually, by 1989, discounting the three Polly O'Keefe books, A Wrinkle in Time emerged as the foundation of a quintet. And while the four follow-ups are eminently readable, they lack the majesty and integral essentialness and lovability of the first. They're simply well done and fun and even illuminating, without being endearing.

Wrinkle ends with the line "[T]here was a gust of wind, and they were gone." So it's fitting that another wind brings adventure back into the life of Meg Murry and her posse. When A Wind in the Door opens, a year or so has passed for the characters. It's autumn again — L'Engle's avowed favorite season — and indeed all the volumes of the quintet take place either in that season or in winter. Charles Wallace has started school and is being bullied. Mr. Murry is gone on assignment (the missing-father motif without quite the same urgency), Meg and Calvin are trying to define their relationship, and suddenly a "dragon" manifests. The dragon turns out to be an alien (or an angel — a distinction always carefully elided in L?Engle?s books) called ?a cherubim? and named Proginoskes, accompanied by a Teacher alien named Blajeny. They bring news of another quest for Meg, against the evil Echthroi — and to save the life of a sickened Charles Wallace.

While the story is enthralling, it's a bit more diffuse, slow-paced, and nebulous than Wrinkle?s interstellar rescue mission. Having much of the action occur within a metaphysical structure known as "the postulatom Metron Ariston" is akin to staging a tale in virtual reality: one loses tangibility and physicality, and anything seems possible, perceptually anyhow. Moreover, with Charles Wallace out of commission, dying in bed, we lose his active presence. Likewise, Calvin seems underutilized to me. Lastly, a curious instance of retconning: Wrinkle firmly inhabited the New Frontier, Cold War reality of 1962, but all of a sudden in Wind, just "one year later," we're living in post–Richard Nixon Eco-doom 1973. It's a tad jarring, as when current Batman comics have him growing up in the 1980s rather than the 1930s of his first origins.

A cousin wind flows through A Swiftly Tilting Planet, but it's the wind of time. Some ten years have gone by for Meg. She's married to Calvin (lamentably offstage for the whole book) and pregnant with unborn Polly. Thanksgiving finds the whole clan reunited, along with Calvin's irascible mother. A geopolitical crisis is brewing (courtesy of the distantly plotting Echthroi), and Charles Wallace is tasked with solving it. His voyage of comprehending involves astral time travel via corporeal possession of past residents of their New England village, courtesy of a unicorn guide named Gaudior. Meg stays mentally bonded to her brother during the whole chrono-odyssey, thanks to the skill of "kything" she learned in the prior book. Charles Wallace's tinkering with the continuum resets the timeline, and all is well. L'Engle achieves a nice frisson by equating years of subjective time-travel with a single night in Meg's perceptions, but Meg's role as passive observer and support are disappointing, and Charles Wallace's adventures in historical time hardly rival the trip to Camazotz.

The fourth volume, Many Waters, is surely the most anomalous and least satisfying. First, it's an interstitial adventure, set at the period when Meg was still a college student. And it stars the twin brothers of the Murry family, Sandy and Dennys, figures I've failed to mention before due to their utter normality and prior employment as spear carriers. Not precisely banal, they now carry the entire weight of the novel, as we are bereft of Meg, Charles Wallace, and all the others. Tampering with Mr. Murry's equipment, the boys end up back in the biblical Middle East and discover a supernatural domain true to Scripture. Seraphim and nephilim exist, as do a host of other mystical creatures, and humans live for centuries like Methuselah. As physical castaways in time, the boys do not have Charles Wallace's astral protection, and they face rigors and challenges that do contribute to a new maturity on their part. As well, parallels are drawn between biblical legends and quantum physics. But the James Michener ambiance of this outing — I'm thinking of The Source — is not in the same league with the cosmic adventures of the previous books.

The quintet concludes with An Acceptable Time, an installment that also brings Polly's spinoff solo adventures to a close. Polly, now seventeen, is visiting her grandparents at the ancestral New England home. She discovers a time gate she is able to use by her inherent ability to "tesser," the same skill her grandfather developed in the first book. She and a family friend, Bishop Colubra, as well as a boy her own age, Zach, journey back 3,000 years to an era when the People of the Wind inhabited the land. A Goddess-worshipping society, hybridized with Druid visitors from across the Atlantic, they welcome Polly as a celestial being of power. But she almost ends up as a human sacrifice before all is resolved.

This final volume features a passage that addresses Meg Murry's offstage domesticity and apparent lack of a more glorious destiny, with Mrs. Murry and Polly having a talk about Meg. Mrs. Murry blames Meg's lack of self- confidence and lowered career expectations on herself, to some degree, but she ultimately affirms Meg's lot as a satisfying and worthy one. This alibi is not a patch on having Meg present as her feisty teenage self, but it's something. L'Engle reaffirms her vision of love as central (Dr. Louise Colubra: "Whatever we give, we have to give out of love. That, I believe, is the nature of God.") and the only real bad guy in the book, Zach, exhibits the fatal flaw of being unable to love anyone but himself.

Ultimately, A Wind in the Door comes closest to replicating the joys and vistas of Wrinkle: the subsequent three books in the series seem constricted and limited by comparison, taking place in smaller, Earthbound arenas and bereft of the same compelling family dynamics. Moreover, despite some scientific rationalizations, none achieve the amalgam of space opera and theurgy that saturates the chapters of Wrinkle. Madeleine L'Engle channeled a burst of agape-rich storytelling when she wrote Wrinkle, a work that has gloriously endured. Her follow-up tales are a saint's attempts to recapture and recount the epiphany that is no longer immanent.

Author of several acclaimed novels and story collections, including Fractal Paisleys, Little Doors, and Neutrino Drag, Paul Di Filippo was nominated for a Sturgeon Award, a Hugo Award, and a World Fantasy Award — all in a single year. William Gibson has called his work "spooky, haunting, and hilarious." His reviews have appeared in The Washington Post, Science Fiction Weekly, Asimov's Magazine, andThe San Francisco Chronicle.

Reviewer: Paul Di Filippo

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Product Details

Farrar, Straus and Giroux
Publication date:
Time Quintet Series, #1
Edition description:
Special Edition, 50th Anniversary Commemorative Edition
Sales rank:
Product dimensions:
5.78(w) x 8.56(h) x 1.01(d)
Age Range:
11 - 15 Years

Read an Excerpt


"Now, don't be frightened, loves," Mrs. Whatsit said. Her plump little body began to shimmer, to quiver, to shift. The wild colors of her clothes became muted, whitened. The pudding-bag shape stretched, lengthened, merged. And suddenly before the children was a creature more beautiful than any Meg had even imagined, and the beauty lay in far more than the outward description. Outwardly Mrs. Whatsit was surely no longer a Mrs. Whatsit. She was a marble-white body with powerful flanks, something like a horse but at the same time completely unlike a horse, for from the magnificently modeled back sprang a nobly formed torso, arms, and a head resembling a man's, but a man with a perfection of dignity and virtue, an exaltation of joy such as Meg had never before seen. No, she thought, it's not like a Greek centaur. Not in the least.

From the shoulders slowly a pair of wings unfolded, wings made of rainbows, of light upon water, of poetry.

Calvin fell to his knees.

"No," Mrs. Whatsit said, though her voice was not Mrs. Whatsit's voice. "Not to me, Calvin. Never to me. Stand up."

"Ccarrry themm," Mrs. Which commanded.

With a gesture both delicate and strong Mrs. Whatsit knelt in front of the children, stretching her wings wide and holding them steady, but quivering. "Onto my back, now," the new voice said.

The children took hesitant steps toward the beautiful creature.

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A Wrinkle in Time (Large Format) 4.3 out of 5 based on 0 ratings. 1463 reviews.
esuh More than 1 year ago
this book is soo good. its such a heartwarming story and i just LOVE the ending. i can read this book over and over again for sure
Anonymous More than 1 year ago
I purchased this book for my granddaughter to read. She and I took turns reading the book to one another. We found it most delightful. We were able to vocalize the various parts and it was great fun. Great reading for all ages.
SuperGrrl More than 1 year ago
This classic tale of Meg and her brother Charles Wallace has been in my subconscious ever since I read it when I was a child. The themes of good versus evil, the hero being a young misfit girl who I could readily identify with, all gave me hope that I would one day be someone who could make a difference (although I didn't see how). This book is more than just a book - it is a message that "everything is going to be all right" without sugarcoating the evil that lurks outside and without hiding the fact that you, the next generation, is what has to fight it. A MUST READ for every YA reader. If it wasn't on my Nook, I'd sleep with it under my pillow.
Anonymous More than 1 year ago
I have read the entire series. It is so creative, well paced, adventurous, and absolutly AMAZING! Please buy it! You will be enthralled with it!
Anonymous More than 1 year ago
This book is truely unique, I must say. Reading the other reviews, I see it aint everyone's cup 'o tea. And that's completely acceptable! People have different tastes and intrests and I respect that. You cant judge this book by its covor, nor can you take one's word for it. This book took me to Meg's house and the planet Uri in surprising, beautiful detail. , its 100% Kid friendly, (For the moms reading this that are looking for appropriate books for their children to read) and very good Christain qualities. I wont give any of the bool away, but if you have your spiritual eyes open you can see those quallities right away. In other words, I personally loved it and I reccomend that one would at least give it a chance.
JoannaTX More than 1 year ago
Just kidding; I still like Harry Potter. But Madeleine L'Engle is definately supieror when it comes to character development. Meg - the protagonist - is really likeable, and I also enjoy the evident closeness displayed between her and her brother Charles Wallace. I rmember reading this just barely out of Elementary - I loved it! I'm 20 now and have read it twice more since then and still enjoy it. Great for all ages and a perfect 5 stars!
Anonymous More than 1 year ago
This book was one of my favorites as a child and I re-read it as an adult as well as reading all of the companion books (A Wind in the Door, Swiftly Tilting Planet, etc.) I loved them both as a child and an adult. The characters show a whole range of personalities and struggles as well as character traits such as bravery and kindness.
Gratias More than 1 year ago
I read "A Wrinkle in Time" first when i was in grade school...i loved it then..Now, almost 30 years later barnes&noble has a new edition on nook..bought it..still love it as much now as i did when i was a kid!
Anonymous More than 1 year ago
4th grade and up, all should read it, then re-read it every 10 years so you don't forget the importance of imagination in our lives to help us find new and better ways to use our gifts to serve others and create our own lives.
zoomzoom More than 1 year ago
I loved the book when I read it. But its not a book that sticks in your mind. I watched the movie and I remember more but before the movie I only remember the basic and the parts that the kids in my class highlighted.
Anonymous More than 1 year ago
This book was ok, but the author had a whole bunch of confusing made-up words that were not in the dictionary, there were no pictures to show what was going on, and so much talking with nonsense words that it made it pretty boring. Don't waste your time and money and just don't buy it. You will probably not like it. I suggest spending your money on books that have real, understandable words.
Anonymous More than 1 year ago
I truely hated this and trust me im very open about books and try to find something ok with them but i couldn't with this book it is really boring i froced myself to read to the end if this is someones favortive it must only book they've ever read. PLEASE don't waste your time reading this book
Balina More than 1 year ago
this book is amazing. It's one of my favourites. would recommend to everyone.
CaViarLaVar More than 1 year ago
This book made me think so much. My imagination ran wild!
Anonymous More than 1 year ago
I was so engrossed by this book and so empathized with the character of Meg that I think it really affected me for the rest of my life. The science-fiction fantasy element and the emotional heart of the book make it winning for readers who love adventure, and those looking for a warm-hearted family story. I must have read the book a dozen times as a child- and even as an adult, I'd love to curl up with it again. L'engle's imagination is nothing short of inspiring, and her characters win your heart.
bayard More than 1 year ago
The greatest part about this story is the lesson,be careful what you wish for,I don't want to ruin anything so I won't go into detail, but that is what I got out of the story.
Undercover_Puppy More than 1 year ago
I read this book for a project in school and it is wonderful. It has so many adventures and it is so exciting!
Ronrose More than 1 year ago
I enjoyed this book very much. It tells a story of three children, Meg and Charles Wallace are siblings, and their friend Calvin, who go on an adventure to find Meg's missing father. They are helped by three mysterious, though lovable characters, Mrs. Whatsit, Mrs. Who, and Mrs. Which, who turn out to be much more than they appear. I especially liked the quotations from famous figures from around the world that are frequently elucidated by the mysterious ladies. The story has an underlying theme of the power of love and the strength it gives us all to face the world around us.
Anonymous More than 1 year ago
I first read this book when I was 11 or 12 years old. From that moment I was hooked on science fiction. The science ideas touched on in this book were way ahead of their time and are still cutting-edge today.
Guest More than 1 year ago
My son brought the book home as required reading and it looked like a great read. And so it is! A very interesting, well spun story. However, the author purposely dethrones Jesus as the Son of God by mentioning him as a mere man just like other great men who have lived on this earth. We need to be careful to know what our children are being 'taught' even in fun and intriguing literature.
Guest More than 1 year ago
I read this book for the first time when I was ten, and it was one of the very first books I remember enjoying. Ten years later, I picked it up again, and while it brought me back to my childhood experience, re-reading also allowed me to see deeper into this book's themes, like the commentary it offers on communism. A Wrinkle in Time is a must-read for people of every age!
Guest More than 1 year ago
I LOVE this book. The plot's wonderful (I won't go into it because I destroy things when I try to summarize them and anyway you probably already know what it is). But I like the characters. Meg isn't quite accepted at her school. She's sort of an outcast, and I especially like that because I can relate to that. Much as I like Meg, though, I think my favorite character (at least of L'engle's works, if not in all the works I've read) is Calvin. He sort of masquerades as a 'beautiful person' - in with the popular crowd, basketball star, etc. But once we get to know him, he fits in more with the Murrys, who (for a lack of suitable words) just plain care more. Well, I may have ruined this attempt at a review...oh, well. It's a great book! Read it!
Guest More than 1 year ago
Do you know those books where you accidentally yell out loud to a character to run or hide because you are so tied into the book? The book, A Wrinkle In Time, is one of those books. The book started out with an unearthly stranger coming to visit the Wallaces house at midnight. The visitor was Mrs. Which. Most people thought she was a ghost who haunted the black house deep in the wood. She wanted to help Meg and Charles Wallaces find their missing father. The author, Madeleine L¿Engle, described setting, characters, and plot very detailed. It gave me a feeling that I was right there with them the whole time. Somehow it had the power to keep me reading the book rather than giving it up. At first, I agreed with what Meg and Charles were doing. But then I realized it was also a book with two endings. It all depends on what kind of personality you have. Some people choose one ending while others choose another. I did expect some surprising events toward the end. But it turned out to be a usual ending. The ending was just like those of other books.
Anonymous More than 1 year ago
My mom doesn't really like it when I write reviews about bad products but I will tell you the truth: this book was a disappointment. this is the first book by madeline l'engle i've read and  because of this horrible book, I can assure you I won't read any more of her books. the books is plain stupid and confusing. I would never read a book like this. this book is insanely creepy and not good for young readers and too lame for older readers. 
Anonymous More than 1 year ago