Writing Down the Bones: Freeing the Writer Within

Writing Down the Bones: Freeing the Writer Within

4.3 46
by Natalie Goldberg
     
 

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With insight, humor, and practicality, Natalie Goldberg inspires writers and would-be writers to take the leap into writing creatively and well. She offers suggestions, encouragement, and solid advice on many aspects of the writer's craft: on writing from "first thoughts" (keep your hand moving, don't cross out, just get it on paper), on listening (writing is ninety…  See more details below

Overview

With insight, humor, and practicality, Natalie Goldberg inspires writers and would-be writers to take the leap into writing creatively and well. She offers suggestions, encouragement, and solid advice on many aspects of the writer's craft: on writing from "first thoughts" (keep your hand moving, don't cross out, just get it on paper), on listening (writing is ninety percent listening; the deeper you listen, the better you write), on using verbs (verbs provide the energy of the sentence), on overcoming doubts (doubt is torture; don't listen to it) - even on choosing a restaurant in which to write. Goldberg, who has conducted writing workshops for beginners as well as professionals all over the United States, sees writing as a practice that helps writers comprehend the value of their lives. The advice in her book, provided in short, easy-to-read chapters with titles that reflect the author's witty approach ("Writing Is Not a McDonald's Hamburger," "Man Eats Car," "Be an Animal"), will inspire anyone who writes - or who longs to.

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Editorial Reviews

From the Publisher
"I'm convinced that none of the writers of my acquaintance can go another day without a copy of Natalie Goldberg's magical manual Writing Down the Bones."—Linda Weltner, The Boston Globe

"The secret of creativity, Natalie Goldberg makes clear, is to subtract rules for writing, not add them. It's a process of 'uneducation' rather than education. Proof that she knows what she's talking about is abundant in her own sentences. They flow with speed and grace and accuracy and simplicity. It looks easy to a reader, but writers know it is the hardest writing of all."—Robert Pirsig, author of Zen and the Art of Motorcycle Maintenance

School Library Journal
YA Goldberg will catch readers interested in writing with her opening confession that she was a ``goody-two-shoes all through school'' and should hold them until she pulls the last page from her typewriter, one ``Sunday night at eleven.'' Part writing guide, part Zen philosophy, and part personal diary, this book has the smooth, fast flow of a conversation with a good friend who, while struggling with her own writing, has picked up more than a few tips that she eagerly shares. Definitely not another ``how to write better themes'' or a rehash of the writing process, Goldberg's short, quirky chapters give the finer points of how to write in a restaurant and why bother to write at all. The earnest, slightly Bohemian, occasionally vulnerable voice will endear her to young writers who are looking not so much for a teacher or text as for validation that they can write and for some simple but intriguing tips to get them started. While there are the required chapters on using detail and keeping a journal, the most important thing Goldberg has to say to young people is that ``we have lived. Our moments are important. This is what it is to be a writer: to be the carrier of details that make up history. ''Carolyn Praytor Boyd, Episcopal High School, Bellaire, Tex.
Library Journal
02/01/2016
With warmth and enthusiasm, Goldberg combines Zen meditation with the practice of writing, advising writers to compose without inhibitions. (SLJ 2/87)

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Product Details

ISBN-13:
9781590302613
Publisher:
Shambhala Publications, Inc.
Publication date:
12/06/2005
Edition description:
Expanded
Pages:
224
Sales rank:
58,675
Product dimensions:
5.44(w) x 8.41(h) x 0.56(d)

Read an Excerpt

Foreword
 
"Julia, come on in! It’s great!" Natalie Goldberg’s voice carried over the roar of the Rio Grande river. She had invited me to go swimming, assuring me that our jumping-off point would be safe and placid. It was nothing like safe and placid. The river’s current was strong, and it took a strong swimmer—like Natalie—to brave its depths.

"Come on in," she called again, "You’ll love it." And so, egged on by her enthusiasm, I stepped into the current. It was both strong and swift. Losing my footing, I found myself sputtering. Natalie laughed. "Don’t you love it?" she called. "Just relax." True to her word, Natalie herself rode the current. "You’re doing fine," she assured me, as I mentally wrote my obituary, "Writer takes the plunge and drowns."

Asked to write a foreword to this, the thirtieth anniversary edition of Writing Down the Bones, I found myself remembering that afternoon on the Rio, and the way that Natalie’s bold enthusiasm lured me from the shore. “Why, it’s just like her teachings,” I realized. A million-plus readers have followed Natalie’s bold plunge into the world of words. "Just dive in," urges Natalie, teaching, "Begin where you are." Inspired by her conviction that all of us have lively stories to tell, Natalie’s students put pen to the page, following her enticing leads. Writing Down the Bones is a book of short essays. True to her word, she begins at the beginning: "Beginner’s mind, pen and paper." From there, it’s time to push off from the shore. "Keep your hand moving," she commands. "Don’t cross out, don’t worry about spelling, punctuation and grammar; lose control, don’t think, don’t get logical, go for the jugular."

In other words, take the plunge.
 
"Do you want a tomato?" It’s another afternoon with Natalie, twenty years later. This time, we are standing at her kitchen counter, and she is urging me to just take one succulent bite. The tomato is home-grown, plucked by Natalie’s own hand. And though I’m not used to eating a tomato like a peach, Natalie models the daring it takes to consider the tomato an end in itself, and not a mere ingredient.

"Why, it’s just like her teaching," I caught myself thinking. It’s a matter of appetite. It’s a matter of satisfaction. Natalie’s writing is filled with savory details. The tomato she plucked from her garden can yield an entire essay.

"Include original detail," Natalie urges her students. Our lives are filled with details, like the ripe red tomato plucked from the vine. Natalie’s writing is filled with food, and her appetite for life gives us food for thought.
 
—Julia Cameron, author of The Artist’s Way
July 2015

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Meet the Author

NATALIE GOLDBERG is the author of fourteen books, including Writing Down the Bones, which has changed the way writing is taught in this country. She teaches retreats nationally and internationally. She lives in New Mexico.

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Writing Down the Bones 4.4 out of 5 based on 0 ratings. 48 reviews.
Richard_Szponder More than 1 year ago
So many books on writing delve specifically into the craft of writing, explaining how to structure sentences, create memorable characters, move plotline along, or write interesting dialogue. Writing Down The Bones: Freeing the Writer Within by Natalie Goldberg is not one of those books. In her writing how-to, Goldberg discusses the writing life, including why writers write, how to engage with the universe through the act of writing, and how to get past the internal blocks and censors that would prevent writers from writing. Natalie Goldberg is a writing teacher, and in Writing Down The Bones, she promotes the act of writing practice. Writing practice is daily journal writing, handwritten and free flowing thought. Goldberg refers to this type of writing as "first thought," the rich and vibrant thought that accompanies the act of letting go. A student of Zen and meditation, Goldberg marries the two concepts, often quoting her Zen teachers and discussing making writing a part of daily life. Those interested in understanding how to craft a novel or write memoir or delve into poetry can all benefit from this little book. No, it will not specify the secrets to public success as a writer. However, it will provide the encouragement and explain the reward with allowing oneself to be a writer. Goldberg specifically discusses the concept of what she refers to as "monkey mind," that internal censor that challenges all artists. It asks them, "Who do you think you are?" when delving into creative endeavors. She strategizes methods of dealing with money mind and shutting down the censor, returning to writing as the solution. Goldberg is a proponent of writing mirroring life, and she challenges writers to explore all aspects of their lives in writing, explaining that avoiding uncomfortable topics will be evident to readers. Often, Writing Down The Bones gets quite abstract and new age. She explains that writing has less to do with talent than it does with practice, and she insists that writers write using all of their senses, engaging their readers with detailed explanations the environment in which the event is occurring. For writers of fast-paced or genre fiction, Goldberg's tactics may seem more useful to someone writing in other genres. However, Goldberg's perspective of writing as art and as having higher meaning as a form of art serves as a reminder to all artists the higher power they, themselves, are serving. Goldberg meets her topics with humor and enthusiasm, challenging common writing dilemmas like where to write, how to write, when to write, and finding time. Her simple solution? Two words that can sum up all of the concepts in Writing Down The Bones: just write. Make no excuses, for the internal censor will be very creative itself in encouraging writers not to write. Just write, and appreciate life, and bring that appreciation and understanding to the page.
Anonymous More than 1 year ago
Natalie Goldberg makes you want to write, even if you have no desire or ability. She is inspiring. Whether you have an interest in writing or not, this is a good book to have in your library. It could be helpful for anyone who does any type of writing. She forces you to think in detail and to be more descriptive.
Guest More than 1 year ago
This book is a virtual bible in the creative writing circles on the process of freeing the writer within. Before Julia Cameron¿s bestselling Artist¿s Way there was Natalie Goldberg¿s Writing Down the Bones in 1986 and now a staple in workshops around North America. Goldberg¿s Zen meditation training has greatly influenced her teaching style and methodology which is reflective in this book. Writing Down the Bones brings a collection of techniques and practices for writers at various stages in their career, published or not. Goldberg mixes her methods with her Zen wisdom for a rich text on using the sensory faculties to bring out narrative whilst maintaining the clear mind focus required completing a creative project. There is no systematic rigid method in this book which allows a reader to jump around and still benefit from Goldberg¿s guidance. The fundamental of Writing Down the Bones is stimulating our senses and primal reactions to scent or sight to inspire what one writes about. There are real nuggets of gold in this book and one has to be quite a prospector when going through its sections. Some of the best advice for a writer includes the following from Goldberg: ¿ Timed writing ¿ keep your hand moving for 10 to 20 minutes without stopping. This is a form of ¿stream of consciousness¿ writing. ¿ No editing while doing timed writing. ¿ Forget spelling and grammar ¿ just go and write, write, write! ¿ Lose control in the narrative ¿ just say it with the pen without restraint! ¿ Don¿t think. Don¿t get logical. Lose yourself in the experience and get raw with your writing. ¿ Go for the jugular ¿ say with your writing exactly what you have in mind and forget about rules for a while. This is an intimate experience for you only so no external judgment will come upon you. ¿ Keep a list of writing ideas ¿ Try to fill a notebook a month ¿ Forget writer¿s guilt over unfinished products or breaks in your writing practice. ¿ Don¿t use writing for love ¿ a key wise woman saying especially given the propensity for melancholy in literary types 'ouch!' lest one get addicted to journaling instead of publishing and polishing their writing craft! ¿ The action of a sentence ¿ chapter on using verb as the energy behind a sentence and Natalie¿s exercise on constructing a connection between nouns. ¿ Consider participating in a story circle for creative support. ¿ Have a writing marathon once in a while. There are actual weekend writers¿ marathons throughout North America. One concept that Goldberg talks about in the ¿Afterward¿ section of the expanded edition of Writing Down the Bones is the importance of place. Location, just like real estate, is everything. Goldberg states that environment can really make a particular writing project come alive. For her, a place is the third character, particularly in novels. No wonder some authors love to go away to another part of the world to complete a story. The sensory experience of a town or city or building can evoke with intimacy a sense of story that goes deeper than a textbook description. Writing Down the Bones frees the writer within by pulling them out through their own senses. Goldberg¿s book is another mainstay for writers everywhere to keep their art fresh, engaging, and alive.
Anonymous More than 1 year ago
I love the ideas she expresses. It helps you realize that not everything has to be perfect to be just that. It's helped my writing, as soon as stop havin to use it as a sourse for a stupid essay for english it will be twice as enjoyable!! Essays are such kill joys. Only thing dragging it down. Funny, matter of fact, to the point, yet poetic. I like the short chapter lengths so I don't have to stop in thr middle and be confused when I come back. Seriously, buy the book. But wouldn't recomend a nook copy. Get a hard copy, teust me, you'll wanna mark this up.
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It takes you by surprise it enters your nostrils and sits in our lungs
Anonymous More than 1 year ago
Given how heavily this book is promoted to new writers I was shocked at how disappointed I was in it. "Writing Down The Bones" may have been more aptly titled "If You Write Poetry and Need a Cheerleader, I'm Here for You". I really did try to like this book and in that spirit I should add that while I immensely enjoyed the personal stories that, say, Stephen King and David Morrell shared in their memoirs, WRITING DOWN THE BONES  felt like it was all about her, her, her. And how can I possibly pretend to identify with the horrible problem of being so obsessed with her friend's roommate's chocolate brownies that she (a) can't concentrate on a movie and (b) blows off her friends so that she can rush home to eat the aforementioned brownies? I'm not sure what the point of her chocolate obsession story ultimately wasn't funny and it colored the way I saw the author as I slogged through the rest of the book. If you're looking for a deeply personal read written by a poet for other poets, this book will serve you well. If you're looking for a book that actually delves into craft and technique, particularly for novel writers, I suggest Stephen King's ON WRITING or David Morrell's  THE SUCCESSFUL NOVELIST. If you're looking for a particularly "female" memoir with writing advice, go with Janet Evanovich's HOW I WRITE.  Even that book, which is too shallow for anyone other than the absolute beginner, is more useful than WRITING DOWN THE BONES. I really did try to like this book but the title is misleading and I didn't get what I expected. Unfortunately, even after adjusting my expectations I still little of use here.
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Natalie Goldberg keeps it real and goes deep. A must have for anyone that loves to write
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slartibartfast-lh More than 1 year ago
I was very impressed with the style of this book. It was very easy-going, there were none of those prescribed ideas of writers being "qualified" to write or such and such. The content is somewhat redundant at times. I feel as though she could have squished some short chapters together because of their similarity in content. However, she is very insistent on the idea of PRACTICE writing, in which the writer literally just has to sit down and write in order to produce anything. Had to read for a class, but I blew through it pretty fast and am so glad that I did have to read it! I recommend it to anyone that even has an inkling of journaling or writing.
Aspired2Write More than 1 year ago
I really enjoyed reading this book. I have only written a few short articles and would like to write childrens stories and this book was very inspirational. I recommend it to everyone who has thought about writing or all ready is a writer.
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