Writing Lives: Biography and Textuality, Identity and Representation in Early Modern England

Writing Lives: Biography and Textuality, Identity and Representation in Early Modern England

by Kevin Sharpe
     
 


Biography appears to thrive as never before; and there clearly remains a broad readership for literary biography. But the methods and approaches of recent criticism which have contributed rich insights and asked new questions about the ways in which we interrogate and appreciate literature have scarcely influenced biography. Biography as a form has been largely… See more details below

Overview


Biography appears to thrive as never before; and there clearly remains a broad readership for literary biography. But the methods and approaches of recent criticism which have contributed rich insights and asked new questions about the ways in which we interrogate and appreciate literature have scarcely influenced biography. Biography as a form has been largely unaffected by either new critical or historical perspectives. For early-modern scholars the biographical model, fashioned as a stable form in the eighteenth century, has been, in some respects, a distorting lens onto early-modern lives. In the Renaissance and early-modern period rather the biography's organic and developmental narratives of a coherent subject, lives were written and represented in a bewildering array of textual sites and generic forms. And such lives were clearly imagined and written not to entertain or even simply to inform, but to edify and instruct, to counsel and polemicize. It is only when we understand how early moderns imagined and narrated lives, only that is through a full return to history and an exact historicizing, that we can newly conceive the meaning of those lives and begin to rewrite their histories free of the imperatives and teleologies of Enlightenment.

In Writing Lives literary scholars, cultural critics, and historians of ideas and visual media, currently engaged both with early modern conceptions of the life and our own conceptualizing of the biographical project, reflect on the problems of writing lives from the various perspectives of their own research and in the form of case studies informed by new questions.

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Product Details

ISBN-13:
9780199217014
Publisher:
Oxford University Press, USA
Publication date:
08/15/2008
Pages:
384
Product dimensions:
5.70(w) x 8.50(h) x 1.10(d)

Table of Contents

Preface and Acknowledgments
I. Introducing Lives
Introduction, Kevin Sharpe and Steven N. Zwicker
II. Lives and Borders
1. Biography and Modernity: Some Thoughts on Origins, Stella Tillyard
2. An Irregular Life: Not a Biography of Constantijn Huygens, Lisa Jardine
II. Literatures and Lives
3. 'Secrets and Lies': The Life of Edmund Spenser, Andrew Hadfield
4. The Early Lives of John Milton, Thomas N. Corns
5. Gossip and Biography, Harold Love
6. Considering the Ancients: Dryden and the Uses of Biography, Steven N. Zwicker
III. Painting Lives
7. 'Naught But Illusion'? Buckingham's Painted Selves, Alastair Bellany
8. Painting a Life: The Case of Barbara Villiers, Duchess of Cleveland (1640-1709), Julia Marciari Alexander
IV. Materials and Monarchs
9. Two Queens, One Inventory: The Lives of Mary and Elizabeth Tudor, Paulina Kewes
10. Elizabeth on Elizabeth: Underexamined Episodes in an Overexamined Life, Leah S. Marcus
11. Whose Life Is It Anyway? Writing Early Modern Monarchs and the 'Life' of James II, Kevin Sharpe
V. Spiritual Selves
12. 'This girl hath a spirit averse from Calvin': reading the Life, hearing the voice(s), Annabel Patterson
13. 'Alchemy and Monstrous Love': Sir Robert Moray and the Representation of Early Modern Lives, Frances Harris
14. Reading Clarke's Lives in Political and Polemical Context, Peter Lake
15. The Servant and the Grave Robber: Walton's Lives in Restoration England, Andrea Walkden
VI. Towards Biography
16. Biography and Fiction, Michael McKeon
List of Contributors

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