Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature

by Joseph Ford

Overview

Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature examines how literature—and the way we read, classify, and critique literature—impacts our understanding of the world at a time of conflict. Using the bitterly-contested Algerian Civil War as a case study, Joseph Ford argues that, while literature is frequently understood as an illuminating and emancipatory tool, it can, in fact, restrain our understanding of the world during a time of crisis and further entrench the polarized discourses that lead to conflict in the first place. Ford demonstrates how Francophone Algerian literature, along with the cultural and academic criticism that has surrounded it, has mobilized visions of Algeria over the past thirty years that often belie the complex and multi-layered realities of power, resistance, and conflict in the region. Scholars of literature, history, Francophone studies, and international relations will find this book particularly useful.

Product Details

ISBN-13:	9781498581882
Publisher:	Bloomsbury Academic
Publication date:	08/18/2022
Series:	After the Empire: The Francophone World and Postcolonial France
Pages:	178
Product dimensions:	6.00(w) x 9.00(h) x 0.41(d)

About the Author

Joseph Ford is lecturer in French studies at the Institute of Modern Languages Research, School of Advanced Study, University of London.

Table of Contents

Acknowledgments

Introduction: Writing the Black Decade

Chapter 1: Rethinking Testimonial Literature in Rachid Mimouni, Assia Djebar and Maïssa Bey

Chapter 2: Exploring Complicity in Salim Bachi

Chapter 3: Beyond a Grotesque Aesthetics of the Black Decade in Habib Ayyoub

Chapter 4: Specters of the Black Decade in Kamel Daoud’s Meursault, contre-enquête

Chapter 5: Deconstructing Oppositional Criticism in Mustapha Benfodil’s Archéologie du chaos [amoureux]

Conclusion: Beyond the Language of Crisis and Conflict

Bibliography

About the Author

Editorial Reviews

Ford assesses the focus of Algerian writers, artists, and journalists' focus on the events of Algeria's Black Decade (1990s) in their literary and journalistic narratives. He argues that particular authors relied on familiar—recidivist—tropes of Algerian violence inherited from the 1954–62 Algerian War of Independence, mirroring the headlines in the French press. Ford proposes the tropes were appropriated in three ways: some gathered literary accounts rooted in oppositional rendering (Rachid Mimouni, Assia Djebar, and Maïssa Bey [Samia Benameur]); others (Salim Bachi and Habib Ayyoub) inserted their testimonials in allegorical or mythical frameworks…. In dialogue with Valérie Orlando's The Algerian New Novel and Jane Hiddleston’s Writing after Postcolonialism, this informative work problematizes the position of writers facing national tragedy. Recommended. Upper-division undergraduates through faculty.

Choice Reviews

Writing the Black Decade is a lively and incisive analysis of francophone literature focused on Algeria’s civil war of the 1990s. Ford’s approach is refreshing and original in that it both offers nuanced analysis of a range of important works not generally well-known to anglophone audiences and probes the effects of the media debates to which they have given rise. While attentive to the subtleties of the works under scrutiny, Ford astutely points out the ways in which literature too can contribute to the binary and conflictual structures they set out to criticise. This study makes a highly significant intervention at once into the study of Algerian literature and into debates on the politics of literary criticism.

Jane Hiddleston

Ford assesses the focus of Algerian writers, artists, and journalists' focus on the events of Algeria's Black Decade (1990s) in their literary and journalistic narratives. He argues that particular authors relied on familiar—recidivist—tropes of Algerian violence inherited from the 1954–62 Algerian War of Independence, mirroring the headlines in the French press. Ford proposes the tropes were appropriated in three ways: some gathered literary accounts rooted in oppositional rendering (Rachid Mimouni, Assia Djebar, and Maïssa Bey [Samia Benameur]); others (Salim Bachi and Habib Ayyoub) inserted their testimonials in allegorical or mythical frameworks…. In dialogue with Valérie Orlando's The Algerian New Novel and Jane Hiddleston’s Writing after Postcolonialism, this informative work problematizes the position of writers facing national tragedy. Recommended. Upper-division undergraduates through faculty.

Choice

This is undoubtedly a thorough and well-argued book, which offers an important source for those interested in contemporary Algerian literature, and Algerian culture more broadly.

Modern Language Review

This welcome book is a prompt to think more deeply and with greater nuance about literary representations of Algeria’s ‘Black Decade’. Ford asks a fundamental question about how to understand literature in a time of conflict and he responds with an assured and necessary corrective to the celebration of literature as a form of emancipation. Deftly, and through a range of compelling readings, Ford argues that much Algerian literature written in French distorted or obscured the messy realities that were at play. And yet Ford refuses a simple binary concluding that while literary works in Algeria have been shaped by their material conditions of production and reception, they have also contributed to shaping ideas that circulate within Algeria and its broader transnational public sphere. Ford makes a fresh contribution to an important debate and his book will be a key reference for scholars working on Francophone Algerian literature since 1988.

Patrick Crowley