The Wrong Man

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Overview

Scott Freeman is a man of reason–a college professor grounded in the rational and practical. But he becomes uneasy after finding an anonymous love letter hidden in his daughter’s room: “No one could ever love you like I do. No one ever will. We will be together forever. One way or another.” But the reality of Ashley’s plight far exceeds Scott’s worst suspicions.

One drink too many had led Ashley, a beautiful, bright art student, into what she thought was just a fling with a ...

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Overview

Scott Freeman is a man of reason–a college professor grounded in the rational and practical. But he becomes uneasy after finding an anonymous love letter hidden in his daughter’s room: “No one could ever love you like I do. No one ever will. We will be together forever. One way or another.” But the reality of Ashley’s plight far exceeds Scott’s worst suspicions.

One drink too many had led Ashley, a beautiful, bright art student, into what she thought was just a fling with a blue-collar bad boy. But now, no amount of pleading or reasoning can discourage his phone calls, ardent e-mails, and constant, watchful gaze.

Michael O’Connell is but a malignant shadow of a man. His brash, handsome features conceal a black and empty soul. Control is his religion. Cunning and criminal skill are his stock-in-trade. Rage is his language.

The harder Ashley tries to break free, the deeper Michael burrows into every aspect of her life, so she turns in desperation to her divorced parents and her mother’s new partner–three people still locked in a coldly civilized triangle of resentment. But their fierce devotion to Ashley is the common bond that will draw them together to face down a predator.

For Ashley’s family, it is a test of primal love that will drive them to the extreme edge–and beyond–in a battle of wills that escalates into a life-or-death war to protect their own.

From the bestselling master of suspense, John Katzenbach, The Wrong Man is an elegantly crafted and breathtakingly intense read that asks the question, “How far would you go to save the child you love?”

From the Hardcover edition.

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Editorial Reviews

Patrick Anderson
Stalkers. We read lurid stories about them in the papers. In New York and Los Angeles, obsessive creeps harass gorgeous actresses and models. In the heartland, ex-husbands and ex-boyfriends abuse or kill women who've rejected them. I'd never given these lowlifes much thought, but now I have, thanks to the veteran crime novelist John Katzenbach, who has put a psychopathic stalker at the center of one of the scariest novels I've ever read … This is superior storytelling -- a thriller that cuts deep.
— The Washington Post
Publishers Weekly
Bestseller Katzenbach (The Traveler) manages the impressive feat of taking a thriller clich and using it as the basis for a powerful and complex story. The one-night stand that Ashley Freeman, a Boston art history grad student, has with Michael O'Connell, a determined psychopath, leads to dire consequences. O'Connell quickly moves to obsessively control every aspect of Ashley's life, coupling a relentless will with ingenuity and computer skills that soon ensnare Ashley's loved ones as they seek to protect her from him. When their feeble attempts to buy or scare off O'Connell fail, Ashley's divorced parents, as well as her mother's lesbian partner, embark on a convoluted but ingenious plot of their own. The author deftly shifts perspective among his central characters, raising this page-turner above the run-of-the-mill by making all of them emotionally credible. (Sept.) Copyright 2006 Reed Business Information.
Library Journal
Michael doesn't just love Ashley, he's obsessed with her. Soon, she and her parents concoct a plan that could literally be the end of Michael. Copyright 2006 Reed Business Information.
From the Publisher
Praise for John Katzenbach’s The Madman’s Tale

“A tour de force . . . superior storytelling.”
–The Washington Post

“This haunting story will linger in your mind long after you’ve left the asylum. . . . Katzenbach’s wonderful, tense narrative flows effortlessly, drawing you deeper and deeper into a chilling atmosphere of evil, darkness, and shadows.”
–The Miami Herald

“Beautifully written, thoroughly engrossing.”
–The Boston Globe

“[An] impossible-to-put-down thriller.”
–Publishers Weekly (starred review)

From the Hardcover edition.

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Product Details

  • ISBN-13: 9780345464835
  • Publisher: Random House Publishing Group
  • Publication date: 9/26/2006
  • Pages: 480
  • Product dimensions: 6.30 (w) x 9.30 (h) x 1.60 (d)

Meet the Author

John Katzenbach is the New York Times bestselling author of nine previous novels: the Edgar Award—nominated In the Heat of the Summer, which was adapted for the screen as The Mean Season; The Traveler; Day of Reckoning; Just Cause, which was also made into a movie; The Shadow Man (another Edgar nominee); State of Mind; Hart’s War, which was also a major motion picture; The Analyst; and The Madman’s Tale. Katzenbach has been a criminal court reporter for The Miami Herald and Miami News and a featured writer for the Herald’s Tropic magazine. He lives in western Massachusetts.

From the Hardcover edition.

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Read an Excerpt

The History Professor and the Two Women

When Scott Freeman first read the letter that he found in his daughter’s top bureau drawer, crumpled up and stuffed behind some old white athletic socks, he knew immediately that someone was going to die.

It was not the sort of sensation that he could instantly have defined, but it overcame him in much the same way that any feeling of impending dread might, finding a distinct cold place deep within his chest. He remained rooted in his place, while his eyes repeatedly traveled the words on the sheet of paper: No one could ever love you like I do. No one ever will. We were meant for each other and nothing will prevent that. Nothing. We will be together forever. One way or another.

The letter was not signed.

It had been typed on common computer paper. The type font had been italicized, to give it an almost antique sensitivity. He could not find the envelope that it had been delivered in, so there was no handy return address, not even a postmark that he could check. He put the letter down on the bureau and tried to smooth out the creases that gave it an angry, urgent appearance. He looked again at the words and tried to imagine them to be benign. A puppylike protest of love, nothing more than a temporary infatuation on the part of some college classmate of Ashley’s, a crush, and that she had kept it concealed for no real reason, other than some misplaced romantic foolishness. Really, he told himself, you are overreacting.

But nothing he imagined in that moment could overcome the sensation icing him inside.

Scott Freeman did not think of himself as a rash man, nor was he quick to anger, or prone to swift decisions. He liked to consider every facet of any choice, peering at each aspect of his life as if it were the edge of a diamond, examined under a microscope. He was an academic both in trade and nature; he wore his hair shaggy-long, to remind himself of his youth in the late sixties, liked to wear jeans and sneakers and a well-worn corduroy sports coat that had leather patches on the elbows. He wore one set of glasses for reading, another for driving, and he was always careful to have both pairs with him at all times. He kept fit by a daily dedication to exercise, often running outdoors when the weather was suitable, moving inside to a treadmill for the long New England winters. He did this, in part, to compensate for the occasions when he would drink heavily alone, sometimes mixing a marijuana cigarette with Scotch on the rocks. Scott took pride in his teaching, which allowed him a certain daily flamboyant showmanship when he looked out across a packed auditorium. He loved his field of study and looked forward to each September with enthusiasm, and little of the cynicism that afflicted many of his colleagues at the college. He thought he had the most steady of lives and feared that he put too much excitement in the details of the past, so occasionally he indulged in some contradictory behavior: a ten-year-old Porsche 911 that he drove every day unless it snowed, rock and roll blaring from the stereo. He kept a battered, old pickup truck for the winters. He had an occasional affair, but only with women near his own age, who were more realistic in their expectations, saving his passions for the Red Sox, the Patriots, the Celtics, and the Bruins, and all the college’s sports teams.

He believed that he was a man of routine, and sometimes he thought that he’d had but three real adventures in his adult life: Once, while kayaking with some friends along the rocky Maine coast, he’d been separated from his companions by a strong current and sudden fog and found himself floating for hours in a gray soup of quiet; the only noise surrounding him had been the lapping of the wavelets against the plastic kayak sides, and the occasional sucking sound of a seal or porpoise surfacing close by. The cold and damp had enveloped him, creeping closer, dimming his vision. He had understood that he was in danger, and that the extent of his trouble might be far greater than he could imagine, but he’d kept calm and waited until a coast guard boat had emerged from the vaporous mist that had enclosed him. The captain had pointed out that he’d only been yards away from a powerful offshore current that in all likelihood would have swept him seaward, and so he became sig- nificantly more frightened after his rescue than he’d been when he’d actually been at risk.

That had been one adventure. The other two were of greater duration. When Scott was eighteen and a freshman in college in 1968, he had refused to obtain a student deferment from the draft, because he felt it morally unacceptable to allow others to be exposed to dangers that he was unwilling to share. This heady romanticism had sounded high-minded at the time, but had been eviscerated by the arrival of a letter from the draft board. In short order he’d found himself drafted, trained, and on his way to a combat support unit in Vietnam. For eleven months he’d served in an artillery unit. His job had been to relay coordinates received over the radio to the fire mission commander, who would adjust the height and distance on the battery of guns, then order the rounds released with a great whooshing sound that always seemed much deeper and more profound than any thunderclap. Later, he had nightmares about being a part of killing beyond his sight, beyond his reach, almost out of his hearing, wondering, when he’d awakened in the deep of night, if he had killed dozens, maybe hundreds, or perhaps no one. He’d rotated home after a year, never once having actually fired a weapon at anyone he could see.

After his service, he’d avoided the politics that gripped the nation and delved into his studies with a single-mindedness that surprised even himself. After seeing war, or, at least, an aspect of it, history comforted him, its decisions already made, its passions reverberating in time passed. He did not speak of his time in the military and now, middle-aged and carrying a degree of tenured respect, doubted that any of his colleagues knew he’d been a part of the war. In truth, it often seemed to him as if it had been a dream, perhaps a nightmare, and he’d come to think that his year of conflict and death only barely existed.

His third adventure, he knew, had been Ashley.

Scott Freeman took the letter in his hand and went over and sat down on the edge of Ashley’s bed. It had three pillows on it, one of which, inscribed with a needlepoint heart, he’d given her on Valentine’s Day more than ten years earlier. There were also two stuffed bears, which she’d named Alphonse and Gaston, and a frayed quilt, which had been given her when she was born. Scott looked at the quilt and remembered that it had been a small joke, in the weeks before Ashley’s birth, when both her prospective grandmothers had given the child-to-be quilts. The other one, he knew, was on a similar bed, in a similar room, at her mother’s house.

His eyes traveled over the rest of the room. Photographs of Ashley and friends taped to one wall; knickknacks; handwritten notes in the flowing, precise script of teenage girls. There were posters of athletes and poets, a framed poem by William Butler Yeats that ended with the words I sigh that kiss you, for I must own, that I shall miss you when you have grown, which he’d given her on her fifth birthday, and which he’d often whispered to her as she fell into sleep. There were photographs of her various soccer and softball teams, and a framed prom picture, taken in that precise moment of teenage perfection, when her dress clung to her every newfound curve, her hair dropped perfectly to her bare shoulders, and her skin glowed. Scott Freeman realized that what he was looking out upon was the collected stuff of memories, childhood documented in typical fashion, probably no different from any other young person’s room, but unique in its own way. An archaeology of grow- ing up.

There was one picture of the three of them, taken when Ashley was six, perhaps a month before her mother left him. It had been on a family vacation to the shore, and he thought the smiles they all wore had a helpless under- current to them, for they only barely masked the tension that had dominated their lives. Ashley had built a sand castle with her mother that day. The rising tide and waves poured over their every effort, washing every structure aside despite their frantic digging of moats and pushing together of sand walls.

He searched the walls and desk and bureau top, and he could see no sign of anything even the slightest bit out of place. This worried him more.

Scott looked down at the letter. No one could ever love you like I do.

He shook his head. That was untrue, he thought. Everyone loved Ashley.

What frightened him was the notion that someone could believe the sentiment expressed in the letter. For a moment, he tried again to tell himself that he was being foolish and overprotective. Ashley was no longer a teenager, no longer even a college student. She was on the verge of joining a graduate program in art history in Boston and had her own life.

It was unsigned. That meant she knew who sent her the letter. Anonymity was as strong a signature as any written name.

By the side of Ashley’s bed was a pink telephone. He picked it up and dialed her cell phone number.

She answered on the second ring.

“Hi, Dad! What’s up?”

Her voice was filled with youth, enthusiasm, and trust. He breathed out slowly, instantly reassured.

“What’s up with you?” he asked. “I just wanted to hear your voice.”

A momentary hesitation.

He didn’t like that.

“Not too much. School is fine. Work is, well, work. But you know all that. In fact, nothing seems to have changed since I was home the other week.”

He took a deep breath. “I hardly saw you. And we didn’t get much chance to talk. I just wanted to make sure that everything is okay. No troubles with the new boss or any of your professors? Have you heard anything from that program you’ve applied to?”

Again, she paused. “No. Nothing really.”

He coughed once. “How about boys? Men, I guess. Anything I should know about?”

She did not immediately answer.

“Ashley?”

“No,” she said quickly. “Nothing, really. Nothing special. Nothing I can’t handle.”

He waited, but she didn’t say anything else.

“Is there something you want to tell me about?” he asked.

“No. Not really. So, Dad, what’s with the third degree?”

She asked this question with a lightheartedness that didn’t match his own sense of worry.

“Just trying to keep up. Your life zooms along,” he said. “And sometimes I just need to chase you down.”

She laughed, but with a slightly hollow tone. “Well, that old car of yours is fast enough.”

“Anything we need to talk about?” he repeated, then scowled, because he knew she would notice the redundancy.

She answered quickly, “No. For the second time. Why do you ask? Is everything okay with you?”

“Yes, yes, I’m fine.”

“What about Mom? And Hope? She’s okay, isn’t she?”

He caught his breath. The familiar way she used the name of her mother’s partner always took him aback, though he knew he shouldn’t be surprised after so many years.

“She’s fine. They’re both fine, I guess.”

“So what’s with the call? Something else bugging you?”

He looked at the letter in front of him.

“No, not at all. No particular reason. Just catching up. And anyway, that’s what dads do: We’re always bugged. We worry. All we can imagine are worst-case scenarios. Doom, despair, and difficulty, lurking at every turn. It’s what makes us the uniquely boring and deadly dull people we are.”

He listened to her laugh, which made him feel a little bit better.

“Look, I’m heading into the museum and we’re going to lose service. Let’s talk again soon, okay?”

“Sure. Love you.”

“I love you, Dad. Bye.”

He placed the phone back on the cradle and thought that sometimes what you don’t hear is much more important than what you do. And, on this occasion, he had heard nothing but trouble.

Hope Frazier watched the opposing team’s outside midfielder closely. The young woman tended to overplay her side of the field, leaving the defender behind her exposed. Hope’s own player, marking back closely, didn’t yet see the way she could use the risks taken by her opposite number to create a counterattack of her own. Hope paced a small ways down the sideline, thought for a moment about making a substitution, then decided against it. She removed a small pad of paper from her back pocket, seized a stub of pencil from her jacket, and made a quick notation. Something to mention in training, she thought. Behind her, she heard a murmur from the girls on the bench; they were accustomed to seeing the notebook come whipping out. Sometimes this meant praise, other times it turned into laps after the next day’s practice. Hope turned to the girls.

“Does anyone see what I see?”

From the Hardcover edition.

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Customer Reviews

Average Rating 4
( 8 )
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Sort by: Showing all of 8 Customer Reviews
  • Posted December 9, 2008

    more from this reviewer

    A one sitting tense thriller

    Boston art history grad student Ashley Freeman has sex with Michael O'Connell. Where she saw it as a one night, he saw it as forever. Michael obsesses over Ashley and plans to make her his though she insists she does not want to see him. He does not leave her alone being everywhere she is and running off anyone who spends time with her. He uses his computer skills to cause havoc for her divorced parents and her mother¿s lesbian lover as well as taking control of Ashley¿s life at school, her finances and in other ways.----------------- Her loving parents try to buy him off, but Michael ignores their efforts they try to frighten him into leaving their daughter alone, but instead he scares them with his obstinate intensity. Nothing legally works so the desperate Ashley and her family decide to go after Michael with the same fixation he applied when he devastated their lives with illegal and amoral tactics.----------------------- On the surface this may seem like an extended Fatal Attraction, but talented John Katzenbach brings his own spin to predatory obsession as Michael and Ashley¿s family go at it like champions meeting in a fifteen round bout. Each of the five prime players seem genuine and the reactions and feelings of Ashley¿s parents and the lover towards their beleaguered offspring feels real so that when the legal approaches fail, the audience will have no problem with their efforts to reverse the stalking. This is a one sitting tense thriller as readers will want to know who survived trench warfare.-------------- Harriet Klausner

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 10, 2007

    A reviewer

    This is one of those proverbial 'cannot put it down' that is not hype for a book. Read this one in one and one half evening. You are gripped from the beginning and the bad guy is so chilling you could scream. No need to discuss the plot trust me. Buy this one

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 24, 2007

    The thriller with an twist

    Written partially like an interview and also a campfire story, Mr. Katzenbach effectively engages his readers into each characters emotional state. He doesn't waste time with unnecessary details. In fact, Mr. Katzenbach used a limited number of characters and focused on the story from start to finish. Mr Katzenbach portayal of the villian in this work was very interesting. There is always something to be said about someone who can instill fear into the opposition with their eyes only. Ultimately, The Wrong Man is an exciting thriller.

    1 out of 1 people found this review helpful.

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  • Posted March 9, 2014

    This is a real suspense thriller. Other reviewers have said enou

    This is a real suspense thriller. Other reviewers have said enough about the plot, so if you like this kind of read, buy it! I do and I did and I couldn't wait until the end. I will say that I hate books that end that way, but it was a really good book.

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  • Anonymous

    Posted January 25, 2007

    End Justifies Means?

    This psychological thriller raises the question 'Does the end justify the means?' Always? Sometimes? Never? The question must be answered by each individual in their own way, and that answer isn't always clear. Another question posed is 'Can something truely be ended, or will a bit of it always stay with you, in some way?' An engrossing read that begins slowly but gains momentum as the characters become more 'real' to the reader, and to the 'reporter' who is telling the tale.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 31, 2014

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  • Anonymous

    Posted November 14, 2008

    No text was provided for this review.

  • Anonymous

    Posted March 10, 2012

    No text was provided for this review.

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