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The Wrong Stuff (Jane Wheel Series #3)

The Wrong Stuff (Jane Wheel Series #3)

4.3 3
by Sharon Fiffer

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"Sharon Fiffer is a great writer of guilty pleasures. I've read every one of her mysteries. My rally cry: Give Me More Stuff!" -Alice Sebold, author of The Lovely Bones

Flea Market Treasures...Worth Dying For

Jane Wheel is an antiques picker, cruising garage sales looking for items she can turn around and sell to dealers for a tidy


"Sharon Fiffer is a great writer of guilty pleasures. I've read every one of her mysteries. My rally cry: Give Me More Stuff!" -Alice Sebold, author of The Lovely Bones

Flea Market Treasures...Worth Dying For

Jane Wheel is an antiques picker, cruising garage sales looking for items she can turn around and sell to dealers for a tidy profit. She also has a knack for finding clues and solving crimes...

But her vast collection of junk has landed her in an emotional quagmire. When a school permission slip gets lost among the towering boxes in Jane's kitchen, causing her son Nick to miss a field trip, Jane vows to get rid of it all, organizing her house and, she hopes, her life. A call from detective Bruce Oh asking for help on a homicide promises a new career direction. Jane can hardly wait to investigate, until she learns the identity of the accused: it's antiques dealer Claire Oh, wife of her new partner. And the trail leads right back into the heart of her passion for other people's stuff...and into a deadly joining of old passions, new secrets, and imminent danger.

"Smart, funny, and rich with antique lore. Sharon Fiffer has the right stuff!"

-Parnell Hall, author of the Puzzle Lady crossword-puzzle mysteries

"[Jane's] addiction to Bakelite and other unusual relics of the American past will endear her to many cozy readers, especially those who are fans of TV's Antiques Roadshow."

-Publishers Weekly

Editorial Reviews

Publishers Weekly
In Sharon Fiffer's third winning antiques mystery (after 2002's Dead Guy's Stuff), The Wrong Stuff, series heroine Jane Wheel goes undercover to investigate a dealer accused of murder as part of a counterfeit furniture operation, but the case has a personal angle she didn't anticipate. Haunters of flea markets and yard sales are in for a collectible treat. Copyright 2003 Reed Business Information.
Library Journal
Series sleuth/antique picker Jane Wheel (Killer Stuff) begins work in a P.I. office with friend Bruce Oh. Her first murder case involves an antiques dealer and counterfeit furniture, so she feels right at home. Unfortunately, the dealer accused happens to be Bruce's wife. A lively diversion. Copyright 2003 Reed Business Information.
Kirkus Reviews
Something for nothing turns out to be a really bad buy. When antique dealer Claire Oh admires a battered old chest in a basement, the owners, thinking it’s trash, present it to her. Believing it’s a genuine, extremely rare Westman Sunflower Chest, Claire carts it home, sells it to Horace Cutler, another dealer, for a nice profit, and agrees to drive it to the Campbell and LaSalle country workshops for restoring. When Cutler gets it back, though, he screams that it’s a fake. Then he turns up dead with a lovely carved bone handle knife in him and Claire is accused of murder, which does not sit well with her husband, a retired police detective, and his new p.i. apprentice Jane Wheel, who salvages antiques herself, mostly from yard sales, flea markets, and street corners (Dead Guy’s Stuff, 2002, etc.). Jane and her best friend, the ebulliently gay floral and interior designer Tim, reconnoiter the toney Campbell and LaSalle enclave, a live-in community of artisans, and befriend Rick Moore, who may or may not have restored that chest. When Rick is drowned, Sgt. Murkel closes the premises, and the race is on to find the killer before the killer finds Jane. The plot is merely serviceable, but Jane and Tim, who fantasize about their pretend offspring, the darling Patina and the smart Veneer, are absolutely charming. Added bonus: the amusing admonitions to pack rats that head up each chapter. Agent: Gail Hochman/Brandt and Hochman
From the Publisher
Praise For Sharon Fiffer And Her Novels

"Absolutely charming. Added bonus: the amusing admonitions to pack rats that head up each chapter."-Kirkus Reviews

"Sharon Fiffer writes very clever 'stuff.' Think Antiques Roadshow meets I Love Lucy and prepare to enjoy."-Jerrilyn Farmer, author of the bestselling Madeline Bean mysteries

"Fiffer has created an attractive and entertaining detective."-Dallas Morning News

"Sharon Fiffer's first mystery is a must-have...this is a keeper."-Chicago Tribune on Killer Stuff

"Readers whose idea of heaven is picking through boxes of junk at a dusty flea market are certain to love this entertaining first novel starring Chicagoan Jane Wheel...an auspicious debut featuring a popular pastime." -Booklist on Killer Stuff

"Clever...well-developed, entertaining characters...pack rats and fans of lighter mystery fare should be perfectly satisfied." -Publishers Weekly on Dead Guy's Stuff

"A promising springboard for future tales." —Orlando Sentinel on Killer Stuff

Product Details

St. Martin's Press
Publication date:
Jane Wheel Series , #3
Edition description:
First Edition
Product dimensions:
5.76(w) x 8.54(h) x 1.02(d)

Read an Excerpt



St. Martin's Minotaur

Copyright © 2003 Sharon Fiffer
All right reserved.

ISBN: 0-312-31414-0

Chapter One

Okay, so these are silver plate, and I really don't collect silver plate or silver or anything shiny like that, except maybe hotel silver when I can find it, when it slips through the fingers of the damn Basswood twins who pick for that trendy hotel and restaurant ware shop. What's the name? Oh yeah, "Check Please." Jeez, since that opened up, you can't even find those Buffalo China cups anymore with the brown ring around the top that even Nellie got sick of at the EZ Way Inn. And please, even if I don't collect silver plate, these are candlesticks and you can always find people who want these, especially around the holidays, especially the way Tim will glitz them up, display them surrounded by green boughs and gold ribbons and lit up like Martha Stewart's stock portfolio.

Jane Wheel kept up her frantic inner monologue as she stuffed the last small candelabra into her blue plaid shopping bag. Talking to herself calmed her somehow, made her act rather than react. If she gave herself too much time to think, she'd debate every item, every vintage stapler and Bakelite pencil sharpener that rattled in the bottom of one of her overstuffed bags. This candlestick made six. They were badly tarnished and she didn't have time to check for a mark with Big Elvis breathing down the back of her neck. What was he doing out of the book room, anyway? Had he finally succeeded in steamrollering over every other shopper and taping off the room for himself with a big SOLD sign?

He had about a dozen record albums tucked under his arm and was peering over her shoulder, poised on the balls of his feet, ready to pounce on anything she didn't stuff into her bag. His six-foot-four-inch frame-six-feet-six-and-a-half-inch, if you counted his pompadour-gave him an advantage at these sales. He could see over and reach past almost any shopper who had carved out space closer to the jam-packed tables. Jane smelled him even before he cast his shadow over her. She suspected he didn't brush his teeth or bathe as an offensive weapon in the battle for killer stuff. If he couldn't get there first, he could drive you away faster, overwhelming you with his bulk, his bravado, and his body odor.

What were all these dealers and pickers like Big Elvis doing at St. Perpetua's rummage sale anyway? Jane handicapped garage sales the way a racetrack tout eyeballed the ponies. She studied the classifieds and looked for all the clues that meant a good sale, but not one so good that it promised to be overcrowded-the kind where dealers slept in their cars the night before and collected all the early numbers so a loner like Jane wouldn't even get through the door until the third hour of the sale. Sure, she could doze in her car with the best of them, waiting for the sun to rise and the front door of the sale house to open; but most weekends, Jane preferred finding the sleeper, the underdog, the darkhorse sale, and laying her money down there.

Besides, Jane had a husband and a son who expected her to sleep at home most nights and keep some kind of cereal box in the cupboard and to occasionally check the expiration date on the milk carton. For Charley's and Nick's sakes, she had to maintain the vestiges of normal life, so she picked her sales not only by the most tempting description of items but also by proximity and size. A smaller rummage sale at an out-of-the-way church like St. Perpetua's on Chicago's northwest side might yield more for her than one of the big Northshore estate sales, where dealers had already made deals and pickers like Big Elvis had already homesteaded on the lawn for two days.

So why? she asked herself again, fingering a gaudy pink ashtray from the forties that had SOUVENIR OF CORAL GABLES written across a flamingo's back, slowly turning it in her hand, savoring the fact that another picker was salivating behind her, were Big E and some of the other regulars poking around the tables here? She nestled the ashtray into the bubblewrap she had in one of her bags and backed away.

It was a gorgeous October Friday, all full of sun and crisp air that sliced through your window at 4:00 A.M.-3:00 A.M. if you had any real driving to do-when a picker's alarm went off. And this was a day when there were at least four conducted estate sales that sounded choice. Two of these were run by professionals who actually seemed to like their work, priced fairly, and didn't stare you down when you were in line to pay, gambling on how much they could demand for the unmarked item you so clearly lusted after. There was even another rummage sale, a much larger one at a church in Glenview, which boasted a furniture tent and a treasure room. It was the kind of Friday morning when Jane should have had St. Perpetua's to herself.

Since Jane had agreed to pick for her friend Tim Lowry in addition to her mentor, Miriam, whose shop in Ohio she had been supplying with vintage linens, pottery, old tools, school primers, Alice and Jerry readers, Pyrex mixing bowls, bird prints, group photographs, maps, old frames, and anything else that could be spotted, grabbed, stuffed, inventoried, priced, repacked, and shipped, she found herself playing the smart little pig to Big Elvis's big bad wolf more and more. No matter how early the big bad wolf said to meet him at the apple tree, little piggy Jane would get up earlier and beat him there. Or she would try to find a sweeter orchard.

She had been reveling in this sale at St. Perpetua's, spending the time it took to search through books for foxing, the worn brown spots that dramatically downgraded their collectiblity. She had actually taken the time to unfold colorful old tablecloths to look for stains. Her fellow shoppers had been neighborhood people, parishioners, and thrifty mothers looking for bargains on toys and children's clothes. Now she was elbow to elbow with the piranhas of the picking world, whom she had been so smug about avoiding.

The answer to the puzzle hit her as she was in line to pay. As she removed all the objects from her bags for a nun whose speed and accuracy on the calculator only added to her tough-as-nails, all-business demeanor, she glanced at the vintage watch pin Sister Higgins wore right under her name tag. The clock face was upside down to the world, but right side up to the nun, who would have been able to glance down and know in a heartbeat if Little Bobby had actually spent the required five minutes presenting his oral book report. Jane, staring straight ahead at the hawk-eyed nun, after years in the advertising world presiding over meetings she had wanted to be long over, could easily read the time upside down.

Never wanting to look at her own watch, insulting the people to whom she was supposed to be raptly listening, she'd nod seriously, flutter her eyelids, and glance across the conference table at an account executive's Rolex. If the group had been arguing the merits of a tired television campaign or more than sixty minutes, Jane could take action. No one wanted a meeting to last more than an hour, so she could sympathetically look at the speaker, hold up a kindly hand, and ask if anyone had the time since she knew there were other meetings scheduled and her own Timex had once again stopped. Knowing full well the time from the Armani suit's Rolex, she'd listen to someone say it aloud, then stand and shrug, promising to schedule another meeting as soon as possible to clean up the loose ends. How had she lasted sixteen years in that business?

It was 10:45 A.M. according to Sister Higgins's bosom. No wonder Big E and the rest were lurking-they had fished out the other sales and were winding up their morning shopping at St. Perpetua's. Could she really have spent almost four hours at one sale? Even though she was surprised for the moment, Jane knew in the next that she could account for every second. It was, in fact, all the leafing through pages, all the unfolding that she had luxuriated in. The dealers and pickers had ricocheted through the other sales like stray bullets and now had honed in on her territory. It was time for her to go home and unpack the bags. She had promised Charley to meet him there for lunch, and she wasn't sure if there was anything edible in the refrigerator. She'd zip home, unload, wash her hands, and pick up a lunch they couldn't afford at the gourmet shop near their house. Luckily Foodstuffs accepted credit cards. Sister Higgins and St. Perpetua's had claimed all her cash.

Jane patted her pockets to make sure she had her wallet and cell phone and slid into the car. She flipped down the visor and opened the mirror to check her face for streaks of dirt. When she'd first started making the rounds of the morning sales, she had returned home, looked in the mirror, and seen herself: wild-eyed and glazed with streaks of grime. Pawing through the leavings of others could be a dirty business. These days she stocked the car with a picker's essentials; power bars, water bottles, antibacterial ointment, Band-Aids, and cleaning-up supplies.

She took out a tissue and doused it with some of the liquid "waterless" soap she kept in the glove compartment and wiped her cheek. She saw that she still had the glazed and frantic look she sometimes wore at a sale. Yes, she had gotten calmer and become more professional, but she still could get worked up into a picker's frenzy when she worked a solid little sale like this. And until the last few minutes, she'd felt like she had all of St. Perpetua's rummage to herself-a picker's dream. She closed her brown eyes and took a deep breath before opening them, smiled, and reclaimed her face.

Jane loved her work. Unlike her former days at the agency producing television commercials, when she felt she should be issuing hourly apologies for cluttering people's minds and hearts with meaningless messages, making them want the frivolous, buy the unnecessary, she now did honest work. She recycled, reclaimed, and relocated. She took on the unwanted and the frivolous and gave it meaning. Instead of cluttering people's minds, she now filled them with ... what? Desire for another kind of clutter? Retro reminders of the good and bad old days? No, absolutely not. She provided the tokens and talismans that people needed to express their true selves, or at least that's what it felt like on a good day.

On a bad day, the perfect-looking vase in the bottom of the box that might have been a McCoy had a crack and no maker's mark. The ten-pound tin of buttons were all dirty, broken, white shirt buttons and melted sixties plastic-no Bakelite cookie in the bunch. And the sweet little train case with the sticky lock finally popped open at Jane's kitchen table to reveal a dead mouse-or worse. She had found a few other nonvintage, noncollectibles in her travels. There was neighbor Sandy Balance's dead body, and then Oscar Bateman's severed finger.... Yes, the picking life had its share of bad days.

Today wouldn't be one of them, Jane was sure. She had a bagful of silver that Tim would love and at least ten great forties' tablecloths, unused, still tagged, that Miriam would pay top dollar for. Jane had also found four wide Bakelite bangles in the bottom of a shoebox full of costume jewelry. She'd paid three dollars for the whole box. It was one of those "Eureka" moments that still had her heart racing. The bracelets weren't carved or fancy in any way, but two were red, one was butterscotch, and one was creamed corn, her favorite colors, and had a lovely thickness and patina. She'd have to test them, of course, but she was sure after she dabbed a bit of Simichrome polish on them, her cotton swab would have the yellowish tint of victory. She felt like singing.

Besides, she reasoned with herself, even the bad days-the body-finding days-had led to the crime-solving days, and she knew that might be leading her in another direction altogether. Det. Bruce Oh had seen the value in her keen eye and sharp sense of objects. He had asked her to consider working with him as a PI. And on a day like today, when she had found all the right stuff and been there first, she thought she just might be able to do it all-be a picker and a PI and live happily ever after.

Jane backed her maroon Altima into the driveway-all the better to unpack the trunk efficiently-but when the garage door opened, she saw that it would be impossible to park her car next to the makeshift shelves where she wrapped and packaged goods to mail to Miriam in Ohio. Charley's old Jeep was already parked inside the two-car space, made barely one car because of the boxes, bags, and stacks of books, records, piles of picture frames, three-legged chairs, and broken dresser drawers that Jane intended to make into shadow-box frames. One corner of the garage was devoted to a pile of more than thirty old wooden shutters that Jane had hauled away from a Dumpster parked at a neighborhood teardown that she thought might make cool CD racks if cleaned and hung properly. She had seen it in a magazine and thought she might turn a few of these into well-crafted, recycled pieces of usable art. When she had some spare time.

Why had she promised Charley a nice lunch on a Friday?

More to the point, why had he beaten her home?

Jane, still carrying two plaid overstuffed shopping bags, shouldered her way into the house through the narrow laundry room. The shelves over the washing machine and dryer had been claimed by stacks of vintage cookbooks and boxes of "souvenir kitchenalia" that Jane had to sort before sending out to Ohio. State map tablecloths, dish towels, and aprons; spoon rests in the shape of Florida oranges, California avocados, and Arizona cacti were wedged next to a bottle of laundry detergent and a dusty box of fabric softener sheets that Jane had never opened. She stepped over an overflowing laundry basket and wondered for a moment whether the clothes were clean or dirty.

"Charley?" Jane called. She could hear muffled voices from his study, a euphemism for a closet-sized former sun-porch they had converted for him just off the dining room. "Are you on the phone?"

Jane set her bags down on the kitchen table, already covered with the remains of two morning papers, Nick's breakfast, and yesterday's mail. She had also put two old wooden "tills" on the table-thick wooden trays that had carved-out valleys to hold change from what she hoped was an old general store. The one indentation that was so worn that it was mended with a thin piece of board tacked on from the bottom especially charmed her. It must have held the pennies, she had thought at the flea market when she first ran her own fingers over the worn wood. Now the spaces held Bakelite buttons sorted by size and color. She was thinking about displaying them somehow, but had not yet determined the means.

Two voices in the study? Maybe Charley had invited a graduate student for lunch. She hoped not.


Excerpted from THE WRONG Stuff by SHARON FIFFER Copyright © 2003 by Sharon Fiffer. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

From the Publisher
"Sharon Fiffer is a great writer of guilty pleasures. I've read every one of her mysteries. My rally cry: GIVE ME MORE STUFF!"—Alice Sebold, author of The Lovely Bones

Meet the Author

Sharon Fiffer collects buttons, Bakelite, pottery, vintage potholders, keys, locks, and other killer stuff. She is coeditor of the anthologies Home: American Writers Remember Rooms of Their Own; Body; and Family: American Writers Remember Their Own, and the author of Killer Stuff and Dead Guy's Stuff, the previous two Jane Wheel mysteries, and Imagining America. She lives near Chicago.

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Wrong Stuff (Jane Wheel Series #3) 5 out of 5 based on 0 ratings. 2 reviews.
Guest More than 1 year ago
Jane forgets to sign a school permission slip for her son. So, she vows to clean up her act and get rid of all her stuff. Easier said than done. She is an antiques picker and a packrat. While her husband and son are away at a conference, Jane begins this process by purchasing a book , ¿Overstuffed.¿ She has been trying to decide between two offers ¿ to become an associate with Tim, her friend, in his antiques dealership or to become a consultant in a private investigations firm with Bruce Oh, a former police detective she met in previous cases. Tim and Jane head up to a furniture restoration place. It is more like a commune. The artists live there. Jane discovers one of them face down in a stream out back. Once again she is embroiled in a murder investigation. Bruce Oh¿s wife is an antiques dealer and already the suspect in a murder back home. Now she is implicated in this as well. Can Tim and Jane, with the help of Bruce Oh undercover, discover the real murderer and how and why it was done? During all this she has to deal with her mother and father by phone. This is not an easy task under normal situations but her father is going in for some medical tests that Jane was unaware of before. Can she handle all this and still organize her life at home? This is a fun series to read. I really enjoy reading about Jane¿s adventures. She is very entertaining. Her character is very rich and detailed. The antiques world is a lot of fun to be exposed to and the author does a great job of weaving that in without bogging down the mystery. I like that there is plenty of investigation throughout the story as well. I highly recommend this book.
harstan More than 1 year ago
Antiques dealer Jane Wheel uses her home as her warehouse so personal things tend to vanish amidst the forest of items. Her son knows first hand the frustration of simply putting something down and not finding it for seemingly centuries afterward. Jane vows to do better, but she also works in Bruce Oh's private investigative firm, which means even less time to catalogue and clean up the house.

As Jane struggles at home, Bruce's wife antique dealer Claire admires a battered chest but the owners, believing it's trash, simply want to save money and effort to cart it off so they give it to her. Claire feels she has obtained an extremely rare Westman Sunflower Chest. She sells her treasure to dealer Horace Cutler, another dealer and takes the item to get it restored. However, when Horace receives his goods he goes wild calling Claire a cheat as he insists the chest is a fake. Not long afterward someone kills Horace and the police suspect Claire committed the homicide. Bruce and Jane set out to prove his spouse is innocent while traveling the cutthroat antiques' world seeking clues.

The who-done-it is fine, but takes a back seat to the strong cast. Jane is a delightful heroine struggling between clutter and oxygen with amusing asides at the beginning of each chapter that will amuse readers especially the pack rats who throw away nothing. Just ask her son about that. Jane's friend Tim Lowry adds humor and further insight to the apprentice sleuth. Sharon Fiffer provides a jocular private investigative yarn that the cozy crowd will believe is the right stuff.

Harriet Klausner