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Wyatt prefers to work alone, but this is Eddie Oberin's job. Eddie's very smart ex-wife Lydia has the inside information. Add Wyatt's planning genius and meticulous preparation,...
Wyatt prefers to work alone, but this is Eddie Oberin's job. Eddie's very smart ex-wife Lydia has the inside information. Add Wyatt's planning genius and meticulous preparation, and what could possibly go wrong?
Plenty. And when you wrong Wyatt, you don't get to just walk away.
Taut plots, brilliant writing and relentless pace; plus an unforgettable cast, including the ever-elusive Wyatt himself: these are the hallmarks of Garry Disher's Wyatt series.
“The first U.S. appearance of this series, and it's just brilliant.”
"Once again Disher takes us back to the golden age of thrillers, a time when they were fast, taut and dependably suspenseful."
—Kirkus Reviews, Starred Review
“A jewel heist that appears straightforward proves anything but in Australian author Disher's outstanding seventh thriller featuring Melbourne bank robber Wyatt Wareen, last seen in 1997's The Fallout.... The spare, economical prose perfectly suits this tale of mad love and crimes gone wrong ... and should boost the reputation of Disher, winner of Australia's Ned Kelly Award, in the U.S.”
—Publishers Weekly, Starred Review
“Wyatt Wareen has been away for awhile, but he’s back in Melbourne and looking for a score.... Disher also writes the excellent Inspector Hal Challis procedurals (Chain of Evidence, 2007), but a new Wyatt novel—we’ve described the series as “criminal procedurals” (Kick Back, 1993)—is cause for celebration. Though the ensemble cast is sharply drawn, the heart of the story is Wyatt, a cool-headed, taciturn, unsentimental thief with a code ... Wyatt may be a man out of time, but crime fiction like this is timeless.
—Booklist, Starred Review
“Disher’s depiction of Melbourne’s underworld is a revelation—undeniably lurid and harsh yet humming with a vibrancy that lends a soulful note to the story. In his first Wyatt thriller in 13 years, Disher, author of the Hal Challis police procedurals (The Dragon Man; Blood Moon) excels at capturing the complexity and tension of life on the run, and his characters exude a visceral energy as they compete to survive. Highly recommended for readers who enjoy atmospheric, character-driven crime thrillers.”
—Library Journal, Starred Review
“I’ve read my way across the landscape of caper novels. Somehow, though, I missed Australia, particularly Garry Disher’s series with thief Wyatt. Thankfully, that has now been remedied. Although Wyatt is Disher’s seventh featuring his inscrutable hero, it was a terrific place to start.”
“The plot is solid, pacing excellent, and the characterization first-rate. Fans of Barry Eisler and Ted Bell should also appreciate Disher.”
“If you want an armchair trip to Australia, try this cool caper.... Readers familiar with Garry Disher's procedural series featuring Hal Challis will recognize the author's straightforward style and his ability to create an ensemble cast of three-dimensional characters with a few deft strokes.”
“If you’ve read Ripley you’ll understand...”
—Jeff Park, Front Row (BBC)
Wyatt was waiting to rob a man of $75,000.
It was a Friday afternoon in spring, and he was parked near a split-level house in Mount Eliza, forty-five minutes around the bay from the city. The house belonged to a harbourmaster for the
Port of Melbourne and offered water views but was an architectural nightmare—not that Wyatt cared, he’d always known that wealth and crassness went together. He was only interested in the money.
So far, he was down $500, the brokerage fee he’d paid Eddie
Oberin for the harbourmaster tip. The way Eddie explained it,
the waterside unions were powerful, but so was this harbourmaster.
It was in everyone’s best interests for ships to moor, unload, load and depart as swiftly as possible, but some delays were unavoidable—a Filipino sailor breaking his neck in a fall, for example; a customs raid, or a strike. And some delays were of the harbourmaster’s own making: three or four times a year he would quarantine a ship.
The guy’s salary was pretty good, but he had expenses—
gambling debts, child support and the cost of running two dwellings. An apartment near the docks, where he lived five days a week, and this split-level monstrosity in Mount Eliza. He’d paid a lot for his view of the bay, the repayments were killing him, and so from time to time he quarantined ships. Another term for it was extortion: give me seventy-five grand, Mr Ship Owner, and
I’ll give your ship a clean bill of health.
Time passed, Wyatt waited, and he thought about Eddie
Oberin. Eddie had been a useful gunman and wheelman—a couple of credit union robberies, a payroll hit—but now he was mostly a fence and the kind of man who hears whispers and then sells or trades the things he hears. Five hundred bucks for a whisper in the right ear, thought Wyatt.
Just then a Lexus nosed out of the harbourmaster’s steep driveway, a smooth, silvery car quite unlike the man himself, who was pale, sweaty and beer-fed, with small features crammed together at the centre of a large, balding head. Wyatt knew all that from having shadowed him for several days, and everything said the harbourmaster would be no threat. Unless he’d brought a hard man with him this afternoon, riding shotgun.
He hadn’t. Wyatt turned the key in the ignition of a battered
Holden utility with ‘Pete the Painter’ logoed on both doors and tailed the Lexus out of the street. Eddie Oberin had rented him the vehicle. There really was a painter named Pete, currently serving two years for burglary and unable to enjoy what Wyatt was enjoying: the bay waters smooth and shiny as ice, the distant towers of Melbourne like a dreamscape in the haze, the sun beating from the windshields of the vehicles toiling around the dips and folds of Mount Eliza, the opportunity to steal $75,000.
Soon the harbourmaster was heading down Oliver’s Hill to where Frankston lay flat and disappointed beside the bay. Frankston was testament to the notion that you couldn’t have too much commerce, but it was cheap, noisy, exhausted commerce, for this was an area of high unemployment and social distress. Wastedlooking junkies lurked around the station, overweight shoppers crowded the footpaths and sixteen-year-old mothers slopped along,
snatching mouthfuls of cigarette smoke and urging their kids to drink Coke laced with downers to keep them docile. The fast-food joints did a roaring trade and little girls paid too much for plastic jewellery in the specialty shops.
And so Wyatt was surprised when the harbourmaster turned off the Nepean Highway into the shopping precinct. Perhaps he wanted a haircut or had run out of bread and milk, and wasn’t here to collect an envelope containing $75,000.
The Lexus turned and turned again, eventually pulling into an undercover car park beneath a cinema complex. Wyatt considered his unbending first rule: always have an escape route.
He didn’t want to drive into the car park. He didn’t want to be boxed in by concrete pillars, people pushing shopping carts, delays at the boom gates. He parked Pete’s utility in a fifteen-minute zone, wiped his prints off the wheel, gear knob and door handles,
and entered the car park on foot.
He found the Lexus in a far corner. The harbourmaster was locking the doors with a remote before pausing to glance around uncertainly. He was carrying a cheap vinyl briefcase. Was this the drop-off point? Wyatt hung back beside a pillar, where the weak light from outside and from a handful of overhead fluorescents barely penetrated. The air smelt of urine and trapped exhaust fumes. There was something sticky on the underside of his shoe.
His hands felt grimy.
He waited. Waiting was a condition of Wyatt’s life. He didn’t fidget or get impatient but stayed composed and alert. He knew that nothing might come of the waiting. He continued to watch the harbourmaster, ready for a sound or a smell or a shift in the quality of the air that meant he’d better run or fight. In particular,
he was watching for certain signs in the people nearby: the way a man carried himself if he was armed, listening to an earpiece or staking out the car park; the clothing that didn’t look right for the conditions or the season but was intended to conceal.
Suddenly the harbourmaster was on the move again. Wyatt held back as he tailed the man out of the car park and through heavy glass doors that led to the cinema foyer. The harbourmaster led him across the vast space and out onto the footpath. Here
Frankston’s extremes were most apparent: the glittery new multiplex on one side, a strip of miserable two-dollar shops, a butcher, a camera store and a chemist on the other. The harbourmaster crossed the road and went down into a short mall,
where a busker tuned his guitar, racks of cheap dresses crowded the pavement, and exhausted shoppers sat hunched over coffee at a few outside tables.
Soon Wyatt knew how the payment would go down. Seated at an otherwise empty table was a man wearing a suit, an identical vinyl briefcase at his feet. He was young, disgusted-looking, and
Wyatt guessed that he worked for the shipping company. The suit knew why he was there. He watched sourly as the harbourmaster nodded hello, put down his briefcase and pulled out an adjacent chair. No talking: the young man drained his coffee, grabbed the harbourmaster’s briefcase and walked away.
That’s when Wyatt moved. He was counting on swiftness and surprise. He wore a faded blue towelling hat, sunglasses, jeans and a roomy Hawaiian shirt worn over a white T-shirt. Clothing that distracted attention from his face. His features were attractive on the rare occasions he smiled or was lifted by some emotion;
otherwise repressive, unimpressed, as if he understood everything.
Knowing this, he always hid his face.
He slipped into the vacated chair and his slender fingers clamped over the harbourmaster’s wrist.
The harbourmaster recoiled. ‘Who the fuck are you?’
Wyatt murmured, ‘Look at my belt.’
The man did and went white.
‘It’s real,’ Wyatt said, and it was. A little .32 automatic.
‘What do you want?’
‘You know exactly what I want,’ Wyatt said, increasing the pressure and leaning down for the briefcase. ‘I want you to sit here quietly for five minutes and then go home.’
His voice was mild, soft, calming. That was the way he worked.
Most situations demanded it. In most situations it was failsafe. He didn’t want a panic, a scuffle.
The harbourmaster took in the hardness and long muscles of
Wyatt’s shoulders, arms and legs. ‘Are you from the shipping company? I’ll just detain your next ship, you stupid prick.’
‘I’ll be there to intercept that ransom, too,’ Wyatt said expressionlessly.
The harbourmaster adjusted his impression of the man who was robbing him, seeing behind the dark glasses a relaxed,
immobile face, the face of a man who might have been sitting alone in a room. He swallowed and said, ‘Go your hardest, pal.’
‘A wise decision,’ Wyatt said.
He got to his feet, mildly irritated for saying too much, playing this out for too long. The little mall was thronging with the lunchtime crowd and he began to edge into it when a voice shouted,
‘Police! On the ground! Both of you! Now!’
There were three of them, two hyped-up young guys in suits,
and the busker. Uniformed police were probably guarding each end of the mall. Wyatt ran at the detectives, windmilling with the briefcase, which struck an umbrella stanchion and flew open,
tumbling a large, crammed envelope into the air. Wyatt caught it neatly, a small part of him wondering if in fact it held only paper scraps, the main part telling him to escape or die.
People were screaming or struck dumb, seeing the detectives with drawn .38s, the broken crockery and now racks of cheap clothing rolling along the footpath and into the street. A stonedlooking bikie whooped as Wyatt tipped over tables and chairs and ducked into a narrow space between racks of dresses and T-shirts in the adjoining shop.
It was dim inside, cramped, the air percussive. Wyatt didn’t recognise the music. It wasn’t music. It was loud, that’s all, and supposed to attract customers. There were no customers, only one shop assistant avidly watching out of the main window and another snapping gum behind the cash register in the rear.
‘Can I help you with anything?’ she asked. She didn’t think she could help the man, who was tall and prohibitive and gave off waves of coiled energy, but it was her job to ask. He passed her unhurriedly and her jaws continued to chomp.
Wyatt found himself in a short corridor, with a staff washroom on one side and a storeroom on the other. Peeling floor tiles, a broken-wheeled clothing rack, a bin of coat hangers and a wad of thick plastic shopping bags, deep purple, bearing the store logo.
He crammed the harbourmaster’s ransom money into one of the shopping bags and kept going, out into the alley.
The alley was empty, but Wyatt took no comfort from that. He didn’t want to shoot it out with the Frankston cops, or be arrested carrying the .32, so he wiped it down and tossed it up onto the roof of the clothing store. He heard it clatter to stillness on the galvanised iron. Then he tore off the brightly coloured shirt and the towelling hat and crammed both into a rusty downpipe further along the alley. That left the sunglasses. He wiped them too, smashed the lenses under his heel and tossed them into a dump bin. Now he no longer resembled the man who had hijacked the harbourmaster’s ransom money.
But he needed to get out of Frankston. Forget about a train,
bus or taxi. Forget about waiting around for the heat to die down,
too. The police would soon be at saturation strength on the streets and in and around the station and the bus stops.
Still carrying the harbourmaster’s cash in the purple bag,
Wyatt headed away from the warren of lanes and turned in to the
Aussie Disposals on Beach Street. He bought combat pants, purple mirrored sunglasses, a black T-shirt, an Army forage cap and a daypack, reflecting that women had it easier in this game. Small alterations—a ribbon, a scarf, hair up or swinging free—could be an entire makeover. The kid who served him was incurious: she had seen it all before, homeless guys who’d come into a few dollars,
students trying out a new image. Wyatt in his jeans and T-shirt was just another guy.
Bundling his old clothes and the purple bag into the pack,
Wyatt thumbed the ugly sunglasses onto his nose and headed down side streets toward the waters of the bay, a block south-west of the Nepean Highway. As soon as he reached the sand he intended to stroll away from danger, bearing north towards the city for five or ten kilometres, which would bring him to the beachside suburbs of Seaford, Carrum and Chelsea. He could risk catching a train or bus from there. But then, as he was crossing the Nepean, he saw the service station.
It was like every fuel stop on every highway: fill the tank,
check your tyre pressure, buy a pack of cigarettes or a stale donut,
use the restroom.
At this one you could also book your car in for an oil change and tune. You dropped your car off in the morning, went to work,
and collected it that afternoon. The mechanics were busy: if all you wanted was a simple service, they’d do it quickly to free up the hoists for more demanding jobs. They’d park your car outside,
next to the rental trailers and the barbecue gas. Sometimes they’d lock your car and hang the keys on a hook in the office. If they knew you they might leave your car unlocked, keys in the footwell.
That’s what Wyatt was counting on, and it got him a wellcared-
for Toyota Cressida. He checked behind the rear seats because he always did, and was gone before anyone noticed. As he drove, Wyatt visualised the owner, a man of precise habits. A
man like himself in fact, but older and from the other side of the fence.
Wyatt kept to the Nepean Highway as far as Mentone, where he took Warrigal Road and then Centre Road into Bentleigh, an endless tract of small brick veneer houses and modest, easily dashed expectations. The people of these suburbs were the backbone of governments that taxed them dry and sent their sons to die in foreign wars. Wyatt found Lithgow Street, looking for a particular house. Especially the granny flat in the backyard, where six years ago he’d secreted a .38 Smith & Wesson, $5000 in cash and papers in the name of Tierney.
The house no longer existed. In its place was a block of flats in a carpet of concrete. He turned around and drove out of there,
wondering if they’d found his stash. Maybe it was buried in a landfill somewhere.
He headed across the city to Footscray and another house,
weatherboard this time. The house was still there. It hadn’t been altered. The street hadn’t been altered. But the residents had.
There were two police cars out the front, another in the driveway,
lights flashing, and surging around them were a dozen Somali teenagers, abusing the cops who were arresting their friends.
Wyatt drove by.
Battling heavy traffic, he pulled into the car park at the rear of a Sydney Road pub, where he checked the harbourmaster’s pay-off. He’d been partly right about the contents of the envelope.
There were eight tight wads of cash in it, green-toned hundreddollar bills showing top and bottom, so that at a glance the harbourmaster would have counted seven bundles of ten grand each and one of five, buying the police time to move in and arrest him. But between the genuine bills it was all scrap paper. So Wyatt was wealthier by only $1600 and poorer by one handgun.
The gun mattered. It was an essential tool in his line of work.
Ditching the car, Wyatt caught a tram back into the city. It was almost 5 p.m. He didn’t want to miss Ma.
If she was still alive.
If she was still in the game.
Posted September 27, 2013
Posted October 12, 2011
Had read Disher"s previous Australian cop procedural series and it was very good. but this novel is like a Parker like character from a Richard Stark book and it is incredibleWas this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted October 4, 2011
Garry Disher's, Wyatt will appear to the American reader as the Australian heir apparent to Donald Westlake's (aka Richard Stark) Parker. Both are thieves, who plan minutely detailed crimes with the intensity of a man defusing a bomb and still things go wrong. But, Wyatt is no mere Parker knock-off. Disher has crafted a character, that while baring similar characteristics, is wholly original with an appeal of his own. This is crime writing at it's absolute best, and noir, not of misty late night rivers and neon of rain soaked asphalt, but noir the color of flint and hard edged steel.
The prose are hard, clean and sparse. Much like Wyatt "when he was working, his instructions to bank tellers, security guards, witnesses or people working along side of him were calm and efficient. The words had a job to do and were not to be squandered." and Disher doesn't squander them either. Yet, this is no stock, two dimensional character, no mad-dog loose with a gun, and for a story that is driven by such an outstanding plot, the character development is subtle, complex and perfect as well. As Wyatt muses another time, "He was curious to find himself capable of a range of fugitive emotions, old, lost and new." And it is this masters touch of just enough emotion, just enough mix of the hard with the soft that breathes life into Wyatt and makes him a character to look forward to.
Posted August 10, 2011
Posted July 3, 2011
In Mount Eliza around the bay from Melbourne, Wyatt Warren waits for the right moment to rob $75,000 from a harbour master; his cost besides time so far is a $500 broker fee to tipster Eddie Oberin. However, the stealing of the ransom money turns nasty when the Frankston police arrive. By the time he escapes in a stolen car, Wyatt shows a profit of $1600 and out a gun.
Wyatt still needs a quick reward. Eddie arranges for him to meet his ex wife Lydia Stark who outlines a delivery of jewelry that Wyatt knows will be easy to steal from the courier and even easier to fence. The master thief accomplished the theft but it is not the easy jewelry he gets; instead it is much more valuable bonds but also much more difficult to pawn. His associates betray him and the courier is a pro coming for him.
Mindful of Parker (especially in Flashfire) by Richard Stark, Wyatt is an exciting return to thieving by the Australian career criminal. The story line is entertaining due to the lead character's criminal abilities that Garry Disher effortlessly brings alive in the roller coaster (no one goes up and down as frequently as Wyatt does) fast-paced plot. Fans and new readers will enjoy this well-written, tale while seeking out previous books that go back to the nineties of one of the best anti-heroes