Wyrmsby Orson Scott Card
A New York Times Best Book of the Year
New York Times bestselling author of Ender's Shadow
The sphere is alien in origin, but has been controlled by man for millennia. A legend as old as the stars rules this constructed world: When the seventh seventh seventh human Heptarch is crowned, he will be the Kristos and will bring/p>/i>/i>/p>/b>/i>
A New York Times Best Book of the Year
New York Times bestselling author of Ender's Shadow
The sphere is alien in origin, but has been controlled by man for millennia. A legend as old as the stars rules this constructed world: When the seventh seventh seventh human Heptarch is crowned, he will be the Kristos and will bring eternal salvation . . . or the destruction of the cosmos.
Patience is the only daughter of the rightful Heptarch, but she, like her father before her, serves the usurper who has destroyed her family. For she has learned the true ruler's honor: Duty to one's race is more important than duty to one's self.
But the time for prudence has passed, and that which has slept for ages has awakened. And Patience must journey to the heartsoul of this planet to confront her destiny . . . and her world's.
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“One of the most gripping SF adventure novels of recent years.” Science Fiction Chronicle
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By Orson Scott Card
Tom Doherty AssociatesCopyright © 1987 Orson Scott Card
All rights reserved.
The Heptarch's Daughter
Her tutor woke her well before dawn. Patience felt the chill of the morning through her thin blanket, and her muscles were stiff from sleeping on a hard mat on the floor. Summer was definitely over, and she allowed herself to wish, however briefly, that the north-facing window of her room might be glazed — or at least shuttered — for the winter.
It was all part of Father's training, to harden and toughen her, to make her despise the luxuries of court and the people who lived for them. She assumed that Angel's ungentle hand on her shoulder was a part of the regimen. What, did I smile in my sleep? Did it look like my dreams were sweet? Thank you, Angel, for rescuing me before I was corrupted forever by some imaginary delight.
But when she saw Angel's face, his worried look told her that something was quite wrong. It was not so disturbing that he worried, as that he let her see he worried; ordinarily he could hide or show any emotion at will, and had trained her to do the same.
"The King has a task for you," whispered Angel.
Patience cast off her blanket, took up the bowl of icy water on the windowsill, and poured it over her head. She refused to let her body flinch at the cold. She toweled herself roughly with burlap until the skin all over her body tingled.
"Does Father know?" she asked.
"Lord Peace is in Lakon," said Angel. "Whether he knows or not is no help to you here."
She knelt quickly beneath the ikon that was her room's only decoration. It was a shimmering engraving of the starship Konkeptoine, cut into bright green crystal. It was worth more than the price of a poor man's house. Patience liked the contrast between the deliberate poverty of her room and the opulence of her religious display. The priests would call it piety. She thought of it as irony.
Patience murmured the Come Kristos in eight seconds — she had it down to a science — kissed her fingers and touched them to the Konkeptoine. The crystal was warm. After all these years, still alive. No doubt it was almost hot when her mother touched it, when she was a girl. And long before Patience would have a daughter, it would be cold and dead, the light gone out of it.
She spoke to Angel over her shoulder. "Tell me the task King Oruc has set for me."
"I don't know. Only that he called for you. But you can guess, can't you?"
Angel was testing her, of course. It was the story of her life, test after test. She complained about it, sometimes, but the truth was she enjoyed it, took pleasure in solving the diplomatic puzzles that Father and Angel constantly put to her.
So — what could King Oruc want her to do? The Heptarch had never called for her before. She had often been in Heptagon House, of course, but only when summoned to play with one of the Heptarch's children, never to perform a task for the Heptarch himself. Which was to be expected. At the age of thirteen, she was hardly old enough to expect a calling from the King.
Yesterday, though, an embassy had arrived from Tassali, a kingdom in the East which, in ancient times, had once been under the suzerainty of the Heptarch of Korfu. That meant little: All seven parts of the world had once been ruled by the Heptarchy, and Tassali had been free of Korfu for a thousand years. Prekeptor, the only prince and heir presumptive of Tassali, a sixteen-year-old boy, had come with an array of high-ranking Tassaliki and very expensive gifts. From this information Patience had already concluded the obvious — that the embassy was there to conclude a marriage treaty with one of King Oruc's three daughters.
The dowry had no doubt been negotiated a year ago, before the embassy set out. One does not send a royal heir to meet the bride until most of the details of the treaty are set. But Patience could guess easily enough that one remaining point of negotiation was bound to be the question: Which daughter? Lyra, the eldest daughter, fourteen years old and second in line to the Heptarchy? Rika, who was only a year younger than Patience and easily the brightest of the Heptarch's children? Or the baby, Klea, now only seven years old but certainly old enough to be married off if politics demanded it?
Patience could think of only one task she might perform in connection with this visit. She was fluent in Tassalik, and she seriously doubted that Prince Prekeptor spoke a word of Agarant. They were quite provincial in Tassali and clung to their dialect tenaciously. If a meeting were to take place between Prekeptor and one of Oruc's daughters, Patience would be an excellent interpreter. And since Klea was an unlikely candidate and Rika could speak passable Tassalik, it was most likely that the chosen daughter was Lyra.
All this reasoning took place while Patience pulled on her silk chemise. She turned to face Angel then, and smiled. "I'm to be the interpreter between Prekeptor and Lyra, when they meet today so they can decide whether they detest each other so much it is worth causing an international quarrel to avoid being married."
Angel smiled. "It seems the most likely thing."
"Then I must dress to take part in an official meeting between future sovereigns. Would you call Nails and Calico to me?"
"I will," said Angel. But he stopped at the door. "You must realize," he said, "that Prekeptor will know who you are."
It was a warning, and Patience understood very well that King Oruc was playing a dangerous game, putting her in the middle of a political situation so closely involved with royal succession. Especially with Father away. Oruc must have planned this for some time, to have Father away on a trivial matter. Ordinarily, Lord Peace would have been at the heart of the negotiations over such a vital alliance.
Nails and Calico, her dressing maids, came in, trying to seem light and cheerful, when obviously they had been aroused from deep — and, in Calico's case, drunken — slumber. Patience selected her gown and wig and endured their ministrations as they turned her into a poppet.
"Called to the King," Nails kept saying. "What honor, for a daughter of a slave."
It was annoying to have her father called a slave over and over again, but she knew that Nails was not being malicious, merely stupid. And as Father always said, Never be angry when fools behave like fools. It's better when fools identify themselves, Patience reminded herself. It removes so much uncertainty.
When the women were finished, the sun was just coming up. She dismissed them and opened the small brass case that contained the diplomatic equipment Father and Angel had decided she was old enough to use discreetly.
For self-defense, a loop, of course. It was a long strand of incredibly strong plastic, so fine that it was almost invisible. It could cut through flesh with only a little pressure. It had knobs of plastic on both ends, so Patience could grasp it without slicing off her fingers.
And for attack, a glass pendant which contained a swarm of pinks, almost invisibly tiny insects that homed in on human eyes and in a matter of minutes would build honeycomb nests that always resulted in blindness within hours. If the eyes were not removed quickly, the pinks would bore through to the brain and cause chronic, permanent palsy. A vicious weapon, but Angel always said that a diplomat who is not prepared to kill had better be prepared to die. She tipped back her head and put drops in her eyes, of a liquid that would kill pinks on contact. It would stay in her eyes for hours. As Father said, Never carry a weapon that can be used against you.
As she prepared herself, she tried to figure out what King Oruc had in mind for her. There were other interpreters he could use. The choice of Patience was fraught with implications, especially if Prekeptor knew who she really was. There was no circumstance Patience could think of where anything would be helped by using her as interpreter; and she could think of dozens of things that might go wrong, to have the daughter of Lord Peace standing beside the daughter of King Oruc, when the heir to a powerful kingdom came to meet his possible wife.
Patience had been aware throughout her childhood that she was not an ordinary slave in the Heptarch's household. One of the first lessons a child in King's Hill had to learn was to treat each slave according to the strictest protocols of rank. Whores and chamberslaves needed no more respect than dogs; ambassadors and ministers of state, like her father, Peace, were treated with as much honor as any lord except the Heptarch himself or the heads of the Fourteen Families.
But even among the children of the most noble of the King's slaves, Patience was given special treatment. Adults whispered when they saw her; many of them surreptitiously found opportunities to touch her lips with the back of a hand, as if in a symbolic kiss.
She had told Father of this one day when she was five. He immediately grew stern.
"If anyone does it again, tell me at once. But better than tell afterward, try to stand away from them, and not give them an opportunity."
He was so serious that she was sure she had done something wrong.
"No, child," said Father. "First, do not show me that you are afraid and ashamed. Your face must never show such things."
She relaxed her face, as her tutor, Angel, had taught her.
"And second," said Father, "you have done nothing wrong. But for these adults, who should know better, to do such things is —"
Patience expected him to say something like "wrong" or "sinful," because the priests had been hinting about certain things that people did with children's bodies that were very bad.
So she was startled when he said, "Treason."
"Treason?" How would it injure the Heptarch to touch the lips of the daughter of a slave?
Father studied her calmly, then said, "I have decided you can know, now, or else you won't be able to protect yourself against these thoughtless traitors. Your grandfather was Heptarch until the day he died. I have no brothers or sisters."
She was only five. She knew something of the laws of succession, but it did not occur to her to apply them to herself. Father pointedly glanced toward the parlor, where the servants would be listening. All the servants except Angel were chosen by the King, and frankly spied for him. Father smiled at her and said, "How is your Geblic?" Then he wrote in Geblic on a piece of paper:
Compose a brief letter to this person: Agaranthamoi Heptest
She had been trained in the protocols of names and titles from her first words. The labyrinthine network of precedence, rank, and royal favor was second nature to her. So were all the ins and outs of the royal titles. The surname of the ruling Heptarch's family was always rooted in Hept; the forename of any person of royal blood was always rooted in Agaranth.
She also knew that only the ruling Heptarch could bear the surname Heptest, and Agaranthamoi meant "eldest son and only child." Thus, Agaranthamoi Heptest by definition meant the Heptarch, who had no brothers or sisters. Since Oruc, the ruling Heptarch, had several siblings, his dynastic name was Agaranthikil. This could not possibly be his name, and to call any living person but Oruc by the surname Heptest was treason.
But the test was not merely to decipher the meaning of the names, she knew. Father had just told her that her grandfather was ruling Heptarch all his life, and Father was his only child. Therefore Agaranthamoi was a perfectly proper forename for him. Father was telling her that he was the rightful King of Korfu.
So she wrote a short letter:
Agaranthamoi Heptest, Lord and Father:
Your unworthiest daughter begs you to be discreet, for to utter your name is death.
Humbly, Agaranthemem Heptek
Her hand trembled as she signed this strange name for the first time. Agaranthemem meant "eldest daughter and only child." Heptek meant "heir to the reigning Heptarch." It was a name as treasonable as the one her father had written. But it was her true name. Somehow, in the movement of history, her father had been deprived of his throne, and she of her place as his heir. It was a staggering burden for a child of five to bear. But she was Patience, the daughter of Lord Peace and pupil of Angel the Almost-Wise, and in the eight years since then she had never once uttered either name, or given the slightest sign to anyone, by word or act, to show that she knew what her rank and birthright ought to be.
Father burned the paper with their names on it, and combed the ashes to dust. Ever since that day, Patience had watched her father, trying to determine what his life meant. For King Oruc had no more faithful and loyal slave than Lord Peace, the man who should be Heptarch.
Even in private, even when no one could hear, Father often said to her, "Child, King Oruc is the best Heptarch the world could hope for at this time. In the five thousand years since the starship first brought human beings to the world Imakulata, it has never been more important to maintain a King on his throne than it is, today, to preserve King Oruc."
He meant it. He did everything he could to prove to her that he meant it.
It caused her untold agony of heart, trying to discover why Father gave such love and loyalty to the man who exercised power and received honor that by rights should have belonged to Lord Peace. Was Father so weak that he could not even reach for what ought to be his own?
Once, when she was ten years old, she hinted to him of how this question perplexed her. And his only answer was to place his fingers on her lips, not as some traitors had done, to receive the kiss of blessing from the mouth of the King's daughter, but to silence her.
Then, gazing intently into her eyes, he said for the first time: "The King cares only for the good of the King's House. But the King's House is all the world."
That was the only answer she got from him. In the years since then, though, she had begun to grasp what he meant. That the Heptarch, the true Heptarch, always acted for the benefit of the whole world. Other lords could act to preserve their dynasty or enrich themselves, but the true Heptarch would even give up the Heptagon House and let a usurper rule in Heptam, the capital of Korfu — if, for some unfathomable reason, such a thing was to the greater benefit of the whole world.
What she could never understand was how her father's displacement from his proper place benefited anyone. For as she grew more learned and skillful in the arts of diplomacy and government, observing the great public councils and hearing of the delicate negotiations and compromises that gathered ever more power to Heptagon House, she saw plainly that the most brilliant mind, the prime mover in consolidating King Oruc's hold on Korfu, was Lord Peace.
As always, she had finally had to conclude that her education was not complete. That someday, if she learned enough and thought enough, she would understand what Father was trying to do by working so loyally to keep the usurper in power.
Now, however, she did not face so theoretical a problem. She was thirteen years old, far younger than the age at which a diplomatic career usually began, and King Oruc had called her to begin service. It was so obviously a trap that she almost believed his purpose might be innocent. What good could possibly come to King Oruc by inserting the rightful heir to the throne into the middle of a delicate dynastic negotiation? How could it help Oruc to remind the Tassaliki that his own family had held the Heptagon House for a mere fifty years? That there was a marriageable daughter of the original ruling family, whose claim to the Heptarchy went back hundreds of generations, five thousand years to the first human beings to set foot on Imakulata? It was so reckless that it was hard to believe Oruc stood to gain anything that might offset the potential risk.
Nevertheless. I will go where the King requests, do what the King desires, to accomplish the King's hopes.
Excerpted from Wyrms by Orson Scott Card. Copyright © 1987 Orson Scott Card. Excerpted by permission of Tom Doherty Associates.
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Meet the Author
Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead. Ender's Game and Speaker for the Dead both won Hugo and Nebula Awards, making Card the only author to win these two top prizes in consecutive years. There are seven other novels to date in The Ender Universe series. Card has also written fantasy: The Tales of Alvin Maker is a series of fantasy novels set in frontier America; his most recent novel, The Lost Gate, is a contemporary magical fantasy. Card has written many other stand-alone sf and fantasy novels, as well as movie tie-ins and games, and publishes an internet-based science fiction and fantasy magazine, Orson Scott Card's Intergalactic Medicine Show. Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, Card directs plays and teaches writing and literature at Southern Virginia University. He lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, and youngest daughter, Zina Margaret.
Orson Scott Card is best known for his science fiction novel Ender's Game and its many sequels that expand the Ender Universe into the far future and the near past. Those books are organized into the Ender Quintet, the five books that chronicle the life of Ender Wiggin; the Shadow Series, that follows on the novel Ender's Shadow and are set on Earth; and the Formic Wars series, written with co-author Aaron Johnston, that tells of the terrible first contact between humans and the alien "Buggers." Card has been a working writer since the 1970s. Beginning with dozens of plays and musical comedies produced in the 1960s and 70s, Card's first published fiction appeared in 1977 -- the short story "Gert Fram" in the July issue of The Ensign, and the novelette version of "Ender's Game" in the August issue of Analog. The novel-length version of Ender's Game, published in 1984 and continuously in print since then, became the basis of the 2013 film, starring Asa Butterfield, Harrison Ford, Ben Kingsley, Hailee Steinfeld, Viola Davis, and Abigail Breslin. Card was born in Washington state, and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he runs occasional writers' workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University.
He is the author many sf and fantasy novels, including the American frontier fantasy series "The Tales of Alvin Maker" (beginning with Seventh Son), There are also stand-alone science fiction and fantasy novels like Pastwatch and Hart's Hope. He has collaborated with his daughter Emily Card on a manga series, Laddertop. He has also written contemporary thrillers like Empire and historical novels like the monumental Saints and the religious novels Sarah and Rachel and Leah. Card's recent work includes the Mithermages books (Lost Gate, Gate Thief), contemporary magical fantasy for readers both young and old. Card lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, He and Kristine are the parents of five children and several grandchildren.
- Greensboro, North Carolina
- Date of Birth:
- August 24, 1951
- Place of Birth:
- Richland, Washington
- B.A. in theater, Brigham Young University, 1975; M.A. in English, University of Utah, 1981
Most Helpful Customer Reviews
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Over a millennium ago, humans established a religious colony on Imakulata. The newcomers keep as far away from the native Geblics, abuse the empathic Gauntish, and enslave the slow thinking Dwelfs. Since the beginning of the star ship landing, the Heptarchs have ruled humanity on this orb............................... However, concern surfaces over The Starship Captain's prophecy. The prediction is that the seventh seventh seventh daughter or the 343rd since the first Heptarch will be the mother of Kristos, either the savior or destroyer of the human race. Patience is the daughter of the rightful Heptarch, Lord Peace, slave to the pretender, King Oruc. Peace and his slave Angel teach Patience to live up to her name in order to avoid war. When Lord Peace dies, Patience knows her protection died with her father¿s death. Before the Oruc can end the prophecy by killing her, she flees. Her adventure begins, but will she fulfill the prophecy while on the run?.................................. WYRMS is Orson Scott Card at his world building best as he creates a complex social system with several races that feel sociologically authentic. As he always does Mr. Card poses moral dilemmas that seem almost paradoxical as he nudges his readers to consider right vs. wrong, but offers no simple turpitude. There is plenty of action and the cast, especially the heroine, is very complex and brave so it is easy to see why this is an award-winning tale..................... Harriet Klausner
This is a great book!!! READ IT!!!!