X [Bonus Track]

X [Bonus Track]

5.0 1
by Kylie Minogue
     
 

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By the time of 2004's Body Language, Kylie Minogue was seemingly unassailable, with three hit albums (both critically and commercially), a number of hit singles, and a recharged career that only a few years before had seemed precarious at best. She backed up the new material with a collection (Ultimate Kylie) that boasted excellent new material as well.

Overview

By the time of 2004's Body Language, Kylie Minogue was seemingly unassailable, with three hit albums (both critically and commercially), a number of hit singles, and a recharged career that only a few years before had seemed precarious at best. She backed up the new material with a collection (Ultimate Kylie) that boasted excellent new material as well. All things seemed to be destined for further glory. And then, unfortunately, cancer hit. While she did recover fully from her illness and ordeal, there was some speculation on how she would deal with this event, and how her music and choice of collaborators would be affected. Many artists have come back from a potentially life-threatening disease with work that is a flat-out declaration of victory, songs and images that are thinly shrouded metaphors for rebirth or newfound strength. Therefore, it must have surprised many that the leadoff from Kylie's new record would be "2 Hearts," a '70s-style Roxy Music-esque glam jam that clocks in at under three minutes, and is -- seemingly -- devoid of any sort of "I'm back from the brink" anthemizing. Couple this pop gem with the gaudy early-'80s artwork, and the buzz was that Kylie was not only back, but back with a Me Decade swagger and ready to take back the momentum she'd been building since 2000. But to call X an '80s record is really only getting halfway there. Sure, the cover art is vintage 1982, and the majority of the record calls on production tricks and techniques that are of the same time, but much of the record calls on different eras -- not generalized decades as such, but eras in Kylie's own career. Most of the tracks could have fit in on earlier work, answering the question: what does a pop artist do when she's come full circle? She's been influenced as of late by '70s disco and '80s electro, but with X, it feels like Kylie has decided to take inspiration from Kylie herself. But there's more here than just that. From a musical standpoint, X is all over the map. If that's due in part or in whole to reassessing one's career, that's all well and good, but after the last three albums, it is not what her fans have really come to expect. To break it all down: after the nod to the days of Roxy and Bowie and Bolan in the aforementioned lead single (and fantastic album opener) -- which has a very warm, organic feel to it, almost conjuring up the heart musically -- the electronics kick in and an icy chill fills the room. From then on the album bounces back and forth from cold, calculated dance-pop that is more indicative of her recent work ("Like a Drug," "In My Arms," "Heart Beat Rock," "The One") and more personal, expansive work à la 1997'sImpossible Princess and 1994's Kylie Minogue ("Sensitized," "Stars," "Cosmic"). While some of it is very very good (Guy Ritchie's "Sensitized" is arguably the best track on the album, so much so that it's disappointing that she didn't work with him more on X), most of it lacks -- when all presented as a whole -- what the last few collections really had: consistency. X isn't a "piece" as, say, Light Years was. It feels more like an artist trying to make sure she has all her bases covered. She even touches -- for the most part -- on her recent illness with the admittedly strong "No More Rain." But while tracks like "Nu-di-ty" and "Speakerphone" would have sounded better on the last Robbie Williams record and working with Bloodshy & Avant is questionable from time to time, the majority of X is exactly what it's meant to be: a collection of songs by a pop artist who is aware of her past achievements and doubly aware of her need to stay relevant in the face of unwanted diversion. [The U.S. edition of the album adds a bonus track: a version of "All I See" with a guest rap from Mims.] ~ Christopher M. True

Editorial Reviews

Rolling Stone - Jody Rosen
Minogue's tenth album arrives on the heels of her battle with breast cancer; thankfully, the experience hasn't made her music discernibly deeper. X compiles wall-to-wall club thumpers — the clomping electro-pop single "2 Hearts" has been a dance-floor smash for months — and songs about sex, dancing and sexed-up dancing. 1/2

Product Details

Release Date:
04/01/2008
Label:
Capitol
UPC:
5099921299421
catalogNumber:
12994

Related Subjects

Tracks

Album Credits

Performance Credits

Kylie Minogue   Primary Artist
Cathy Dennis   Background Vocals
Guy Chambers   Keyboards
Ian Kirkham   Alto Saxophone,Electronic Winds
Richard Flack   Background Vocals
Karen Ann Poole   Background Vocals
Russell Small   Percussion
Seton Daunt   Guitar
Henrik Jonback   Guitar
Julian Peake   Bass,Keyboards
Paul Stanborough   Electric Guitar
Amanda Wilson   Vocals
Jonas Jeberg   Keyboards
Richard "Biff" Stannard   Bass,Keyboards

Technical Credits

Kylie Minogue   Composer
Serge Gainsbourg   Composer
Cathy Dennis   Composer,Producer
Raymond Calhoun   Composer
Guy Chambers   Composer,Producer
Cutfather   Producer
Greg Kurstin   Composer,Producer,Engineer,Instrumentation
Eddie Miller   Engineer
James Wiltshire   Composer
Ash Howes   Programming,Engineer
Adam Powers   Composer,Vocal Arrangements
Richard Flack   Programming,Engineer
Klas Åhlund   Composer
Karen Ann Poole   Composer,Vocal Producer
Eg White   Composer,Producer,Instrumentation
Russell Small   Composer
Johan Emmoth   Composer
Henrik Jonback   Composer
Emma Holmgren   Composer
Julian Peake   Composer
Paul Stanborough   Programming,Engineer
Mich Hedin Hansen   Composer
Jonas Jeberg   Composer,Programming,Producer,Engineer,Vocal Arrangements
Jonas Quant   Composer,Programming
Jim Eliot   Composer
Pontus Winnberg   Composer
Richard "Biff" Stannard   Composer,Producer

Customer Reviews

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X 4.8 out of 5 based on 0 ratings. 4 reviews.
PrinceAdonis1 More than 1 year ago
X is an amazing album that combines the elements of Dance, Electronica, Pop, and Rock in an inspiring fashion. Kylie makes sure she isn't going anywhere with X. Kylie displays her harmonical, soft vocals in the perfect manner in songs like "2 Hearts". Also, an amazing writing style unique from everything on the radio like in songs "The One" and "Cosmic". This album is relateable, yet dance floor fun~ the illicit combination that is Kylie Minogue! These are the top songs off the album: 1.The One 2.2 Hearts 3.Like A Drug
Guest More than 1 year ago
Transformers, G.I. Joe and Voltron were hit cartoons. Glam rock "hair bands" were all the rage, and spiked hair, colorful cloths and east coast rap were in full force. This album revisits a time when I was just a kid. "X" spans not just the early 80's, but the entire decade altogether. Crowning Kylie Minogue the queen of retro 80's music. Where were you in 80 something?
Guest More than 1 year ago
I'm an old-fart, stuck-in-the-80's metal head and a jazz nut, but every now and then a pop record comes along that makes me go "WOW! That's good!". "Fever" was one of those for me. Body Language was sensual, but just ok for me. I listened to this on Yahoo and I can't wait to get it next week. The lyrics are a little risque for my little ones to go around repeating, but I'm quite okay with the idea of my wife giving me a wink and singing one of these songs to me at night:-) This CD crosses a slew of pop sounds but somehow maintains a very strong continuity. The opening track saunters across your ears like a stripper walking across the stage ready to seduce you. The next three songs(Like a drug, In My Arms and my favorite, Speakerphone) and a few other tracks are sexually charged throwbacks to 80's synth bands like Stacey Q (and SSQ) that keep the mood going. Songs like Sensitized, Nu-Di-Ty, and Heart Beat Rock make sure that there is only one thing on your mind while listening, and it ain't world peace. In between, there are songs with cool lilting hooks and trademake sweet, soft, sexy vocals like "All I see", which could be a Janet Jackson, Brandy or Tony Braxton song from the mid 90's, and "No More Rain" with a beautiful melody line and a beat that makes me close my eyes think of the days when I used to drive my convertible along the beach at sunset with my then-beautiful-blonde-girlfriend (now wife) at my side. It's good to throw a little love into the lovin'. The CD closes with the vocally-centric Cosmic, kind of like having a sweet nightcap after all of that energy expended for the first 13 tracks. Sometimes I like to put on Sade or Basia or even Enya for "night love" music. But every now and then you want something just a little funkier and sweet and smooth and cool and this CD pulls it off perfectly. I love it.
Anonymous More than 1 year ago