Year's Best Fantasy 5

Year's Best Fantasy 5

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by David G. Hartwell, Kathryn Cramer
     
 

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Magic lives in remarkable realms -- and in the short fiction of today's top fantasists. In this fifth breathtaking volume of the year's best flights of the fantastic, award-winning editors David G. Hartwell and Kathryn Cramer present a dazzling new array of wonders -- stories that break through the time-honored conventions of the genre to carry the reader to

Overview

Magic lives in remarkable realms -- and in the short fiction of today's top fantasists. In this fifth breathtaking volume of the year's best flights of the fantastic, award-winning editors David G. Hartwell and Kathryn Cramer present a dazzling new array of wonders -- stories that break through the time-honored conventions of the genre to carry the reader to astonishing places that only the most ingenious minds could conceive.

In the able hands of Neil Gaiman, Kage Baker, Tim Powers, and others, miracles become tangible and true, impossible creatures roam unfettered, and fairy tales are reshaped, sharpened, and freed from the restrictive bonds of childhood.

Lose yourself in these pages and in these worlds -- and discover the power, the beauty, the unparalleled enchantment of fantasy at its finest.

Product Details

ISBN-13:
9780061757730
Publisher:
HarperCollins Publishers
Publication date:
10/13/2009
Series:
Year's Best Fantasy Series , #5
Sold by:
HARPERCOLLINS
Format:
NOOK Book
Pages:
512
Sales rank:
921,278
File size:
1 MB

Related Subjects

Read an Excerpt

Year's Best Fantasy 5


By David Hartwell

HarperCollins Publishers, Inc.

Copyright © 2005 David Hartwell
All right reserved.

ISBN: 0060776056

The Dragons of Summer Gulch

Robert Reed

A hard winter can lift rocks as well as old bones, shoving all that is loose up through the most stubborn earth. Then snowmelt and flash floods will sweep across the ground, wiping away the gravel and clay. And later, when a man with good vision and exceptional luck rides past, all of the world might suddenly change.

"Would you look at that," the man said to himself in a firm, deep voice. "A claw, isn't it? From a mature dragon, isn't it? Good Lord, Mr. Barrow. And there's two more claws set beside that treasure!"

Barrow was a giant fellow with a narrow face and a heavy cap of black hair that grew from his scalp and the back of his neck and between the blades of his strong shoulders. Born on one of the Northern Isles, he had left his homeland as a young man to escape one war, coming to this new country just in time to be thrown into a massive and prolonged civil conflict. Ten thousand miseries had abused him over the next years. But he survived the fighting, and upon his discharge from the Army of the Center, a grateful nation had given him both his citizenship and a bonus of gold coins. Barrow purchased a one-way ticket on the Western railroad, aiming to find his fortune in the wilderness. His journey ended in one of the new prairie towns--a place famous for hyrax herds and dragon bones. There he had purchased a pair of quality camels, ample supplies for six months of solitude, and with shovels enough to move a hillside, he had set out into the washlands.

Sliding off the lead camel, he said, "Hold."

The beast gave a low snort, adjusting its hooves to find the most comfortable pose.

Barrow knelt, carefully touching the dragon's middle claw. Ancient as this artifact was, he knew from painful experience that even the most weathered claw was sharp enough to slash. Just as the fossil teeth could puncture the thickest leather gloves, and the edges of the great scales were nastier than any saw blade sharpened on the hardest whetstone.

The claw was a vivid deep purple color--a sure sign of good preservation. With his favorite little pick, Barrow worked loose the mudstone beneath it, exposing its full length and the place where it joined into the front paw. He wasn't an educated man, but Barrow knew his trade: this had been a flying dragon, one of the monsters who once patrolled the skies above a vanished seacoast. The giant paw was meant for gripping. Presumably the dragons used their four feet much as a coon-rascal does, holding their prey and for other simple manipulations. These finger claws were always valuable, but the thick thumb claw--the Claw of God--would be worth even more to buyers. As night fell, Barrow dug by the smoky light of a little fire, picking away at the mudstone until the paw was revealed--a palm-down hand large enough to stand upon and, after ages of being entombed, still displaying the dull red color made by the interlocking scales.

The man didn't sleep ten blinks. Then with first light he followed a hunch, walking half a dozen long strides up the gully and thrusting a shovel into what looked like a mound of ordinary clay.

The shovel was good steel, but a dull thunk announced that something beneath was harder by a long ways.

Barrow used the shovel and a big pickax, working fast and sloppy, investing the morning to uncover a long piece of the dragon's back--several daggerlike spines rising from perhaps thirty big plates of ruddy armor.

Exhaustion forced him to take a break, eating his fill and drinking the last of his water. Then, because they were hungry and a little thirsty, he led both of his loyal camels down the gully, finding a flat plain where sagebrush grew and seepage too foul for a man to drink stood in a shallow alkaline pond.

The happy camels drank and grazed, wandering as far as their long leashes allowed.

Barrow returned to his treasure. Twice he dug into fresh ground, and twice he guessed wrong, finding nothing. The monster's head was almost surely missing. Heads almost always were. But he tried a third time, and his luck held. Not only was the skull entombed along with the rest of the carcass, it was still attached to the body, the long muscular neck having twisted hard to the left as the creature passed from the living.

It had been a quick death, he was certain.

There were larger specimens, but the head was magnifi- cent. What Barrow could see was as long as he was tall, narrow and elegant, a little reminiscent of a pelican's head, but prettier, the giant mouth bristling with a forest of teeth, each tooth bigger than his thumb. The giant dragon eyes had vanished, but the large sockets remained, filled with mudstone and aimed forward like a hawk's eyes. And behind the eyes lay a braincase several times bigger than any man's.

"How did you die?" he asked his new friend.

Back in town, an educated fellow had explained to Barrow what science knew today and what it was guessing. Sometimes the dragons had been buried in mud, on land or underwater, and the mud protected the corpse from its hungry cousins and gnawing rats. If there were no oxygen, then there couldn't be any rot. And that was the best of circumstances. Without rot, and buried inside a stable deep grave, an entire dragon could be kept intact, waiting for the blessed man to ride by on his happy camel.

Barrow was thirsty enough to moan, but he couldn't afford to stop now ...

Continues...


Excerpted from Year's Best Fantasy 5 by David Hartwell Copyright © 2005 by David Hartwell. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

David G. Hartwell is a senior editor of Tor/Forge Books. His doctorate is in Comparative Medieval Literature. He is the proprietor of Dragon Press, publisher and bookseller, which publishes The New York Review of Science Fiction, and the president of David G. Hartwell, Inc. He is the author of Age of Wonders and the editor of many anthologies, including The Dark Descent, The World Treasury of Science Fiction, The Hard SF Renaissance, The Space Opera Renaissance, and a number of Christmas anthologies, among others. Recently he co-edited his fifteenth annual paperback volume of Year's Best SF, and co-edited the ninth Year's Best Fantasy. John Updike, reviewing The World Treasury of Science Fiction in The New Yorker, characterized him as a "loving expert." He is on the board of the IAFA, is co-chairman of the board of the World Fantasy Convention, and an administrator of the Philip K. Dick Award. He has won the Eaton Award, the World Fantasy Award, and has been nominated for the Hugo Award forty times to date, winning as Best Editor in 2006, 2008, and 2009.


Kathryn Cramer is a writer, critic, and anthologist, and was coeditor of the Year's Best Fantasy and Year's Best SF series. A consulting editor at Tor Books, she won a World Fantasy Award for her anthology The Architecture of Fear.

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