Yellow Dog

( 3 )

Overview

Brilliant, painful, dazzling, and funny as hell, Yellow Dog is Martin Amis’ highly anticipated first novel in seven years and a stunning return to the fictional form.

When “dream husband” Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head injury, and personality change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system — one among many to be found in these pages. We are ...

See more details below
Paperback (Reprint)
$9.96
BN.com price
(Save 33%)$14.95 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Paperback)
  • All (34) from $1.99   
  • New (10) from $2.70   
  • Used (24) from $1.99   
Yellow Dog

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$11.99
BN.com price

Overview

Brilliant, painful, dazzling, and funny as hell, Yellow Dog is Martin Amis’ highly anticipated first novel in seven years and a stunning return to the fictional form.

When “dream husband” Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head injury, and personality change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system — one among many to be found in these pages. We are introduced to the inverted worlds of the “yellow” journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; and the porno tycoon, Cora Susan. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zhezun; his fifteen-year-old daughter, Victoria, the victim of a filmed “intrusion” that rivets the world — because she is the future Queen of England, and her father, Henry IX, is its King. The connections between these characters provide the pattern and drive of Yellow Dog.

If, in the 21st century, the moral reality is changing, then the novel is changing too, whether it likes it or not. Yellow Dog is a model of how the novel, or more particularly the comic novel, can respond to this transformation.

But Martin Amis is also concerned here with what is changeless and perhaps unchangeable. Patriarchy, and the entire edifice of masculinity; the enormous category-error of violence, arising between man and man; the tortuous alliances between men and women; and the vanished dream (probably always an illusion, but now a clear delusion) that we can protect our future and our progeny.

Meo heard no footsteps; what he heard was the swish, the shingly soft-shoe of the hefted sap. Then the sharp two-finger prod on his shoulder. It wasn’t meant to happen like this. They expected him to turn and he didn’t turn — he half-turned, then veered and ducked. So the blow intended merely to break his cheekbone or his jawbone was instead received by the cranium, that spacey bulge (in this instance still quite marriageably forested) where so many delicate and important powers are so trustingly encased.

He crashed, he crunched to his knees, in obliterating defeat. . . . — from Yellow Dog

Read More Show Less

Editorial Reviews

From the Publisher
“[Yellow Dog is] raucously funny, relentlessly fast-paced, delightfully intricate. . . . A marvelous novel, a powerful book, a work of pain and madness and love . . . a work of seriousness. A work of beauty.” –Baltimore Sun

“Amis is a force unto himself. . . . There is, quite simply, no one else like him.” –The Washington Post Book World

“Fizzingly intelligent . . . . mind-tinglingly good . . . Like all great writers, [Amis] seems to have guessed what you thought about the world, and then expressed it far better than you ever could. . . . As he probes a human world increasingly disconnected from itself, Amis has found a subject to match the tessellated polish of his style. Here it all adds up.” –The Observer

“Viciously funny . . . zingingly vivid.” –The Spectator

“Brilliant and hilarious, and the insights into contemporary culture are disturbingly prescient. . . . A novel of many pleasures–and a novel to be reckoned with.” –Publishers Weekly

“Martin Amis [has] come back kicking and screaming.” –San Francisco Chronicle

“Martin Amis at his best, in all his shifting registers, his drolleries and ferocities, his unsparing comic drive, his aesthetic dawdlings and beguilements, his wry, confident relish of his own astonishing effects.” –The Guardian

The New York Times
… the writing is still agile and exact, the hyperbole driven and punishing and the characters -- when he lets them be -- charismatically repulsive. — Walter Kirn
Publishers Weekly
In this much-anticipated 10th novel-which has already fomented a furor in Britain-the prose is brilliant and often hilarious, and the insights into contemporary culture are disturbingly prescient. But the book's many successes cannot hide its fundamental flaw: an overly complex and needlessly opaque narrative structure. The wildly plotted novel begins when modern "Renaissance man" (actor/writer) Xan Meo is viciously assaulted; his head injury changes this "dream husband" into an oversexed, sadistic lout, ultimately forcing his wife to cast him out. But the attack isn't an act of random violence. As one of his assailants, Mal, cryptically puts it, "You went and named him... J-o-s-e-p-h A-n-d-r-e-w-s." From this enigmatic opening, Amis weaves a complex tapestry of narrative threads: Xan Meo is trying to recover his lost personality and his family's loving embrace; teenage Princess Victoria-a future queen of England-is being blackmailed with a video of her in the bath; tabloid journalist Clint Smoker-emasculated by a laughably small penis-extracts his revenge by being relentlessly misogynistic in print. Meanwhile, the recidivist, violent criminal Joseph Andrews-now a pornography impresario in Los Angeles-is plotting a way to return to England to die. Making these intersecting narratives cohere would be a challenge for any writer, but Amis reaches even further with a backdrop of apocalyptic violence (a transatlantic flight that's doomed to crash, a meteor that might hit the planet). That background clouds his core themes, which are more than dramatic enough to be compelling: violence and its intimate connections to sex and gender, the "obscenification" of everyday life and the 21st-century preoccupation with fame. (A typical Amis aper u: "Fame had so democratised itself that obscurity was felt as a deprivation or even a punishment.") Thanks to Amis's pitch-perfect dialogue, his I-can't-believe-he-wrote-that humor and his perceptive critique of contemporary morals, this is still a novel of many pleasures-and still a novel to be reckoned with. (Nov.) Forecast: A rant by Tibor Fischer in the British press ("It's like your favourite uncle being caught in a school playground, masturbating") fueled literary gossip mills for weeks and stoked reader interest, already high. Scandal aside, this is Amis's first novel in more than five years, and it should sell strongly. 14-city author tour. Copyright 2003 Reed Business Information.
Library Journal
In his first novel in seven years, Amis examines the "obscenification of everyday life" via four narratives that spindle toward one another on a literal collision course. First is the story of Xan Meo, an actor with a dark past who suffers a personality-altering head injury after a savage attack. In the second, a fictionalized royal family is blackmailed as they face a legion of other potential scandals. The third is the saga of Clint Smoker, an insecure tabloid journalist, whose interaction with several unsavory denizens of the criminal underworld brings the other stories together. In the background, Amis interjects the odd but compelling story of a casket-bound corpse resolute on crashing the airplane transporting it. That all of these disparate plots connect in an intelligent and hilarious fashion is to Amis's credit, but readers might also be distracted by the persistent misogyny, which serves the story well but leaves an unsettling cloud over the work. Highly recommended for comprehensive literature collections.-David Hellman, San Francisco State Univ. Lib. Copyright 2003 Reed Business Information.
Kirkus Reviews
London crooks nurse old grievances and settle older scores as Amis has his witty way with porno, Hollywood, modern marriage, airline terror, incest, chatrooms, the Royals, and the gutter press. The narrative stream is thick here, and, if this is possible in a book, kind of loud, like the ramblings of an extremely entertaining if rather boozy raconteur in a noisy pub. And if the listener is American, there's something of the translation problem as Amis (Koba the Dread, 2002, etc.) lays on the criminal class argot with a trowel, but it's huge fun even at 85% comprehension what with the great goofy targets and Amis's evil humor that goes to the brain's bad pleasure receptors like the very best drugs. The setup is the mysterious mugging of Xan Meo, a London film personage of criminal descent. Well and very successfully into his second marriage, Meo is alone and celebrating his maturity with a couple of drinks when a pair of toughs clobber him into insensibility, advising him between blows of his error: the mention in print of a Joseph Andrews. Joseph Andrews? Amis follows Meo through his recuperation and efforts to make sense of the nonsensical beating and the culpable connection to a Fielding novel. Concurrently, England's King Henry IX whose resemblance to a real-world prince is unmistakable, wrestles limply with extortionists who have pictures of the Princess Royal in the bath, and the slovenly star "reporter" of the gamiest tabloid in the solar system seeks love and a more manly manhood. Meo's search for meaning is grievously hampered by addled memories and very unpleasant personality alterations, and his marriage is in great peril. Sorting it out involves a beautiful and bent porno star,a trip to sleaziest California, and much consultation with Meo's breathtakingly violent career-criminal relatives. The King's diggings will tap into some of the same veins that Meo's working. Raucous, confusing, hilarious, and, when least expected, furiously intelligent and touching. Author tour. Agent: Andrew Wylie
Read More Show Less

Product Details

  • ISBN-13: 9781400077274
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 1/4/2005
  • Series: Vintage International Series
  • Edition description: Reprint
  • Pages: 352
  • Sales rank: 526,366
  • Product dimensions: 5.22 (w) x 7.98 (h) x 0.78 (d)

Meet the Author

Martin Amis

Martin Amis’ most recent book was Koba the Dread. He lives in London.

Biography

The son of legendary English writer Kingley Amis, Martin Amis was born in Oxford in 1949 and attended a number of schools in Great Britain, Spain, and America. By his own admission he was a lackluster student. He spent much of his youth reading comic books, until his stepmother, the novelist Elizabeth Jane Howard, took him under her wing, introducing him to literature and encouraging him to study for university entrance. After months of furious cramming, he was accepted into Exeter College in Oxford, graduating with First Class Honors in English.

After graduation, Amis went to work as an editorial assistant at The Times Literary Supplement. In 1973, at the tender of age of 24, he published his award-winning debut novel, The Rachel Papers. Rife with the mordant black humor that would characterize all his fiction, this comic coming-of-age tale was a fitting debut for a career that would be fixated on sex, drugs, and the seamier aspects of modern culture. It also proved to be the first in a long string of bestsellers.

Amis is often grouped with the generation of British-based novelists that emerged during the 1980s and included Salman Rushdie, Ian McEwan, and Julian Barnes; but it is safe to say he has generated more controversy than his esteemed colleagues. No one feels neutral about Amis's novels. In a 1999 profile in Esquire, Sven Birkerts put it this way: "He is seen either as a cynically chugging bubble machine, way overrated for his hammy turns, or else as a dazzler, the next real thing."

In addition to his provocative fiction, Amis has grabbed more than his fair share of attention for antics off the page. Graced with youthful good looks, he enjoyed a reputation as a notorious womanizer (not unlike his famous father). Much photographed and buzzed about, he was dubbed early on the "enfant terrible" of English literature -- two parts writer, one part rock star. He attracted headlines like a magnet when he left his wife and children for a younger woman; when he fired his longtime literary agent, the wife of his good friend Julian Barnes; and when his new agent (unaffectionately nicknamed "the Jackal) secured for him an advance of 500,000 pounds, 20,000 pounds of which Amis spent on expensive American dental surgery.

Although reviewers are divided over Amis's long-range literary legacy, even his harshest critics begrudgingly acknowledge his stylistic genius, verbal agility, and biting, satirical wit. The novels for which he is best known (and most respected) comprise an informal trilogy: Money (1984), London Fields (1989), and The Information (1995). In addition, he has written short stories, essays, a nonfiction work on 20th-century communism, and an acclaimed memoir, Experience, detailing his relationship with his father, his writing career, and his convoluted family life. He also contributes regularly to newspapers, magazines, and journals.

Good To Know

Amis attended more than 13 schools while growing up in Great Britain, Spain and the United States.

He was named the "rock star of English literature" by the London Daily Telegraph in 1996.

Amis was profoundly shocked and grieved to discover that his long-lost, beloved cousin Lucy Partington, thought to have simply disappeared in 1973, had fallen victim to Fred West, one of England's most notorious serial killers.

In a much-publicized reunion in 1996, Amis met for the first time a young woman named Delilah Seale who was his daughter from a brief 1970s affair.

Amis has been influenced by several American novelists, including Philip Roth and John Updike, but none so profoundly as Saul Bellow, who became a mentor and something of a father figure.

Read More Show Less
    1. Also Known As:
      Martin Louis Amis (full name)
    2. Hometown:
      Oxford, England
    1. Date of Birth:
      August 25, 1949
    2. Place of Birth:
      Oxford, England
    1. Education:
      B.A., Exeter College, Oxford

Read an Excerpt

CHAPTER ONE

1. Renaissance Man

But I go to Hollywood but I go to hospital, but you are first but you are last, but he is tall but she is small, but you stay up but you go down, but we are rich but we are poor, but they find peace but they find . . .

Xan Meo went to Hollywood. And, minutes later, with urgent speed, and accompanied by choric howls of electrified distress, Xan Meo went to hospital. Male violence did it.

'I'm off out, me,' he told his American wife Russia.

'Ooh,' she said, pronouncing it like the French for where.

'Won't be long. I'll bath them. And I'll read to them too. Then I'll make dinner. Then I'll load the dishwasher. Then I'll give you a long backrub. Okay?'

'Can I come?' said Russia.

'I sort of wanted to be alone.'

'You mean you sort of wanted to be alone with your girl-friend.

' Xan knew that this was not a serious accusation. But he adopted an ill-used expression (a thickening of the forehead), and said, not for the first time, and truthfully so far as he knew, 'I've got no secrets from you, kid.'

'. . . Mm,' she said, and offered him her cheek.

'Don't you know the date?'

'Oh. Of course.'

The couple stood embracing in a high-ceilinged hallway. Now the husband with a movement of the arm caused his keys to sound in their pocket. His half-conscious intention was to signal an ?.impatience to be out. Xan would not publicly agree, but women naturally like to prolong routine departures. It is the obverse of their fondness for keeping people waiting. Men shouldn't mind this. Being kept waiting is a moderate reparation for their five million years in power . . . Now Xan sighed softly as the stairs above him softly creaked. A complex figure was descending, normal up to the waist, but two-headed and four-armed: Meo's baby daughter, Sophie, cleaving to the side of her Brazilian nanny, Imaculada. Behind them, at a distance both dreamy and self-sufficient, loomed the four-year-old: Billie.

Russia took the baby and said, 'Would you like a lovely yoghurt for your tea?'

'No!' said the baby.

'Would you like a bath with all your floaty toys?'

'No!' said the baby, and yawned: the first lower teeth like twin grains of rice.

'Billie. Do the monkeys for Daddy.'

'There were too many monkeys jumping on the bed. One fell down and broke his head. They took him to the doctor and the doctor said: No more monkeys jumping on the BED.'

Xan Meo gave his elder daughter due praise.

'Daddy'll read to you when he comes back,' said Russia.

'I was reading to her earlier,' he said. He had the front door open now. 'She made me read the same book five times.'

'Which book?'

'Which book? Christ. The one about those stupid chickens who think the sky is falling. Cocky Locky. Goosey Lucy. And they all copped it from the fox, didn't they, Billie.'

'Like the frogs,' said the girl, alluding to some other tale. 'The whole family died. The mummy. The daddy. The nanny. And all the trildren.'

'I'm off out.' He kissed Sophie 's head (a faint circus smell); she responded by skidding a wet thumb across her cheek and into her mouth. And then he crouched to kiss Billie.

Read More Show Less

Table of Contents

Part I
Chapter 1
1. Renaissance Man 3
2. Hal Nine 15
3. Clint Smoker 22
101 Heavy 32
Chapter 2
1. The transfer to Trauma 33
2. Doing Beryl 40
3. On the Royal Train 50
101 Heavy 59
Chapter 3
1. The publicity of knowledge 62
2. The high-IQ moron 69
3. Excalibur 78
101 Heavy 88
Chapter 4
1. The thing which is called world 89
2. His Voluminousness 102
3. Cold Blow Lane 115
101 Heavy 130
Chapter 5
1. In the master bedroom 132
2. Storm in a teacup 145
3. Car-sweat 158
101 Heavy 174
Part II
Chapter 6
1. The Decembrist 179
2. Cora Susan 183
3. Denizen 188
4. At Ewelme 190
5. 101 Heavy 192
6. Apologia--1 194
7. We two 200
8. Use Your Head 203
9. Epithalamium 207
Chapter 7
1. We will go quietly 212
2. Weird sister 217
3. King Bastard 220
4. Cora's call on Pearl 223
5. It's Not Unusual 226
6. Size zero--1 231
7. Size zero--2 238
8. Not knowing again 245
9. To Otherville 248
Chapter 8
1. 101 Heavy 254
2. The face has holes in it 255
3. Apologia--2: Keith the Snake 260
4. Yellow Tongue 266
5. Cur moment 275
6. 101 Heavy 279
Part III
Chapter 9
1. The syrups of the sky 285
2. Sickout at Dolorosa Drive 290
3. The principle of lullabies 293
4. Anger of the just 299
5. The Sextown Sniper 304
6. Men in power 306
Chapter 10
1. 101 Heavy 309
2. Clint prepares 310
3. Waking in the cold 311
4. Leather on willow 312
5. 101 Heavy 313
6. What do princesses want? 314
7. Simon Finger 316
8. The vestal follow 317
9. 101 Heavy 321
Last Chapter
1. Courtly love 323
2. k8 326
3. The edge of the earth 328
4. 101 Heavy 330
5. Yellow dog 332
6. When they were small 338
Read More Show Less

Customer Reviews

Average Rating 2.5
( 3 )
Rating Distribution

5 Star

(1)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(2)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted June 30, 2009

    No text was provided for this review.

  • Anonymous

    Posted September 25, 2009

    No text was provided for this review.

  • Anonymous

    Posted June 3, 2010

    No text was provided for this review.

Sort by: Showing all of 3 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)