Yesterday Morning: A Very English Childhood [NOOK Book]

Overview

A remarkable, truthful and vivid recollection of childhood, from the author of Stet, After a Funeral, Don't Look at Me Like That and Instead of a Letter. Here Athill goes back to the beginning in a sharp evocation of a childhood unfashionably filled with happiness - a Norfolk country house, servants, the pleasures of horses, the unfolding secrets of adults and sex. This is England in the 1920s seen (with a clear and unsentimental eye) from the vantage point of England in 2001. It was a privileged and loving life:...
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Yesterday Morning: A Very English Childhood

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Overview

A remarkable, truthful and vivid recollection of childhood, from the author of Stet, After a Funeral, Don't Look at Me Like That and Instead of a Letter. Here Athill goes back to the beginning in a sharp evocation of a childhood unfashionably filled with happiness - a Norfolk country house, servants, the pleasures of horses, the unfolding secrets of adults and sex. This is England in the 1920s seen (with a clear and unsentimental eye) from the vantage point of England in 2001. It was a privileged and loving life: but did it equip the author to be happy?
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Editorial Reviews

Kirkus Reviews
The fourth slim volume of memoirs (Stet, 2001, etc.) from the veteran London editor looks back on a mostly blissful English country childhood, concluding that early happiness is life's best preparation for death. Beginning with the passing of her mother ("that a woman of ninety-six was lucky enough to die an easy death without losing her wits . . . there was nothing much to mourn in that"), Athill, 85, offers a series of upbeat accounts of what it's like to be "a mobile reservoir of experience" ("you can so easily let your mind drift") before examining her first 17 years. The eldest of five children born to an upper-middle-class family in Norfolk, Athill offers lush, episodic recollections that drift over the flora and fauna surrounding her grandparent's large country estate, touch on her real and imaginary adventures with siblings, her closeness with horses, and her sensitivity to the varying moods within the many rooms of her grandparents' huge manor house, which she contrasts to the smaller but no less interesting farmhouse that her parents occupied. Things that could have been sources of trauma don't become so here (a malignant "ghost" glimpsed during potty-training; a fussy French governess; a funereal doctor who mistakenly diagnoses her childhood coughs and sniffles as tuberculosis); nor do the exciting but carefully constrained fumblings of teenage love become anything more than momentary interruptions in a childhood rich with the rhythms of nature, the mostly kind, if occasionally incomprehensible, administrations of servants and teachers, and the aloof but unquestioned affection from parents. All these gave Athill a sense of self, and of place, before adult uncertainties intrudedand, as she puts it, "the gates of Eden clanged shut." Graceful recollections of a privileged English childhood that was "directed by common sense as well as with love." (15 b&w photos)
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Product Details

  • ISBN-13: 9781847085771
  • Publisher: Granta Books
  • Publication date: 10/6/2011
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 176
  • Sales rank: 1,230,043
  • File size: 2 MB

Meet the Author

DIANA ATHILL was born in 1917. She helped Andre Deutsch establish the publishing company that bore his name and worked as an editor for Deutsch for four decades. Athill's distinguished career as an editor is the subject of her acclaimed memoir Stet, which is also published by Granta Books, as are five volumes of memoirs, Instead of a Letter, After a Funeral, Yesterday Morning, Make Believe, Somewhere Towards the End and a novel, Don't Look at Me Like That. In January 2009, she won the Costa Biography Award for Somewhere Towards the End, and was presented with an OBE. She lives in London.
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