The Yokota Officers Club: A Novel

( 12 )


Chicago Tribune

After a year away at college, military brat Bernadette Root has come “home” to Kadena Air Base in Okinawa, Japan, to spend the summer with her bizarre yet comforting clan. Ruled by a strict, ...

See more details below
Paperback (Reprinted Edition)
$13.09 price
(Save 18%)$16.00 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Paperback)
  • All (68) from $1.99   
  • New (7) from $3.25   
  • Used (61) from $1.99   
The Yokota Officers Club: A Novel

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$11.99 price


Chicago Tribune

After a year away at college, military brat Bernadette Root has come “home” to Kadena Air Base in Okinawa, Japan, to spend the summer with her bizarre yet comforting clan. Ruled by a strict, regimented Air Force Major father, but grounded in their mother’s particular brand of humor, Bernie’s family was destined for military greatness during the glory days of the mid-’50s. But in Base life, where an unkempt lawn is cause for reassignment, one fateful misstep changed the Roots’ world forever. Yet the family’s silence cannot keep the wounds of the past from reemerging . . . nor can the memory fade of beloved Fumiko, the family’s former maid, whose name is now verboten. And the secrets long ago covered up in classic military style–through elimination and denial–are now forcing their way to the surface for a return engagement.

Read More Show Less

Editorial Reviews

From the Publisher

“SARAH BIRD WRITES FICTION WITH SUCH ENERGY AND SNAP, HER NOVELS SEEM TO BE IN MOTION. . . . There’s a wheelbarrow of talent in the writer who can keep a reader laughing right up to the moment of startled apprehension when the depth of sorrow in the family’s history becomes clear.”
The Dallas Morning News

“SWEET, POWERFUL, AND TERRIFYING, Sarah Bird’s talent . . . [is] nothing less than wondrous. This book is a beautiful and breathtaking treasure.”

“A LOVELY READ . . . [This novel] is a coming-of-age story, but one so ably fashioned, so tender at its core, that it can touch off both youthful longings and mature regrets in any reader with the slightest susceptibility to either.”
New York Daily News

Library Journal
Bernie (Bernadette), age 18, flies to Okinawa after a year at college to visit her parents and five younger siblings. It's 1968, and she is as stunned by the changes in her close-knit air force family as they are by her newly acquired radical antiwar convictions. With her parents' marriage in ruins, Bernie begins to unravel the eight-year old mystery that tangled them all in a disastrous web of betrayal and calamity, derailing her father's flying career and wrecking the family's close friendship with their former maid Fumiko. In a scene of exquisitely rendered detail, Bernie wins a dance contest and returns to the Japan of her childhood to track down the truth of what happened. Bird, author of such hits as The Mommy Club, nails the voice of Bernie in a delicate balance of confused, shy child vs. the bright emerging woman she has become. Bird's masterly use of the tricky technique of children revealing adult subtleties is breathtaking. An even trickier technique, smoothly moving from the scene-setting, literally translated "bar-girl" English of Fumiko to the proper English Bernie "hears," puts the reader right in the middle of all the heartache. Expect demand for Bird's previous works once patrons finish this one. Highly recommended. Beth E. Andersen, Ann Arbor Dist. Lib., MI Copyright 2001 Cahners Business Information.
School Library Journal
Adult/High School-Bird has created a deftly choreographed journey of the heart, delicate and nuanced in its disclosure of painful family secrets, yet liberally seasoned with robust humor. Readers travel with 18-year-old Bernie Root as she returns from her freshman year of college in the States to visit her military family, currently stationed on Okinawa. The "fresh eyes" with which she views her parents and five younger siblings will resonate with many teens. Beyond this, the complex range of emotions generated by her reentry into life on a military base, with all its familiar, yet insular and confining, characteristics is poignantly captured. Bernie's distress at her parents' deteriorating marriage and her continuing thorny relationship with her beautiful younger sister provide a sober backdrop that is nevertheless leavened by vignettes and hilarious reminiscences of life on the move and the pitfalls of always being the new kid in town. At the core of the story is the protagonist's attempt to unveil the mystery surrounding the disappearance of a beloved servant who lived with the family 10 years prior when they were stationed in Japan, while the father was assigned to a squadron flying surveillance missions shrouded in secrecy. Bernie intuitively senses that discovering Fumiko's fate is key to understanding the forces that are destabilizing her family. The revelations that ensue lead her along a path of self-discovery to a heartrending confrontation with the harsh consequences of one's actions, and to a new level of maturity. A beautifully paced story, especially recommended for (but not limited to) any locale with a military base nearby.-Lynn Nutwell, Fairfax City Regional Library, VA Copyright 2001 Cahners Business Information.
Kirkus Reviews
A military brat recalls the summer she finally made the break from Mom, Dad, and the Brass-in a fifth appearance for the author of The Mommy Club (1991), etc. It's the 1960s, students are protesting the war in Vietnam, and Bernie Root is wearing dirty jeans with peace-sign patches when she disembarks at the Air Force base on Okinawa after her freshman year in college. But Bernie's no rebel. She loves her family, especially Moe, her mother, and is disturbed by the condition of their new quarters (an uncharacteristic mess) and by the frosty relations between her parents. Mace, her father, is bitter because he hasn't been promoted and, even more importantly, isn't flying anymore. Moe seems to be living on tranquilizers. Younger sister Kit, the family beauty, is running wild. Her three brothers' room looks like a hobo camp. Youngest sister Bosco has anxiety attacks. Everything went wrong, Bernie thinks, after the family suddenly was ordered to leave Yokota Air Base in Japan, then forbidden any contact with their much-loved maid Fumiko. Now, when Bernie's surprising win in a dance contest takes her on a tour of Japanese military bases with has-been comedian Bobby Moses, she conveniently gets the chance to Understand Everything. At Yokota, where her father was a hero for flying dangerous spy missions, Bernie meets with Fumiko, whose story of postwar hardships, a liaison with an American officer (Mace's commander), and the death of her baby daughter makes all clear. Bernie at last feels free of her responsibilities to the family and ready to make a life in the US, away from the military and its far-reaching influence. Bernie is an original with her own voice, a believably awkward mix of sassyattitude and breathless insights, but she marches too much in lockstep with her creator's overly schematic plotting. Like everyone else, she's under orders.
Read More Show Less

Product Details

  • ISBN-13: 9780345452771
  • Publisher: Random House Publishing Group
  • Publication date: 10/29/2002
  • Series: Ballantine Reader's Circle Series
  • Edition description: Reprinted Edition
  • Pages: 396
  • Sales rank: 463,717
  • Product dimensions: 5.50 (w) x 8.20 (h) x 0.81 (d)

Meet the Author

Sarah Bird

Sarah Bird is the author of four previous novels: Virgin of the Rodeo, The Boyfriend School, Alamo House, and The Mommy Club. She lives in Austin, Texas, with her husband, George, and son, Gabriel.

Read More Show Less

Read an Excerpt

White House

Washington, D.C.

Dear Dependents of the United States Air Force:

Welcome to your new duty assignment, Kadena Air Base, Okinawa.

Okinawa is the principal island of the 160 islands that make up the Ryukyu archipelago. Only 67 miles long and from 2 to 17 miles wide, Okinawa is often referred to as the "Keystone of the Pacific" because of its strategic Far East location roughly 900 miles from Tokyo, Manila, Seoul, and Hong Kong.

Originally an independent nation, Okinawa has endured long periods of both Chinese and Japanese domination. After World War II, the island remained under U.S. military control. The United States will continue its custodianship as long as conditions of threat and tension exist in the Far East.

Bear in mind as you begin your tour that the serviceman's family is just as much a representative of the United States Government as the serviceman himself.

Your President and Commander in Chief,

Lyndon Baines Johnson

On the map on the back of the pamphlet, Japan resembles a horned caterpillar rearing up in the middle of the Pacific Ocean. My destination, the Ryukyu Islands, trails behind like a scatter of droppings. We've been in the air for seventeen hours. Sheets of rain snake across the plastic pane of the window next to me. A light on the wing blinks red in the night. Lulled by the drone of the jet engines taking me to join my family stationed on Kadena Air Base, I slide back into the anesthetized stupor that travel always induces.

Phenobarbital, that was my mother, Moe's, drug of choice for traveling with six children packed into a station wagon when we PCS'd—Permanent Change of Station—six times in eight years. We, her children, took the drug, not Moe. A nurse, she administered the meticulously titrated doses in tiny chips that floated like specks of goldfish food in our cups of apple juice.

"How else was I supposed to keep you from murdering each other?" Moe had answered when I inquired about the peculiar lassitude that always seemed to overtake us upon departing Maxwell Air Force Base, or Travis, or Harlingen, or Brooks, or Kirtland, or Mountain Home Air Force Base. Especially Mountain Home. All I remember about leaving that base was pulling out of Boise, Idaho, with my breath freezing in the predawn mountain chill and regaining consciousness outside of Tonopah, Nevada, with a bib of drool and my nasal linings dried to corn flakes.

"You drugged us? Your children? You drugged us?"

"I thought about running a hose in from the exhaust pipe. That really would have quieted you down."

"You drugged us?"

"Think about it, Bernie. Six kids, two of them in diapers when we transferred out of Japan, crammed into a station wagon with the luggage strapped on top and a maniac behind the wheel who wouldn't stop unless you put a gun to his head. Me passing around the bologna sandwiches and the potty chair, sprinkling the cars behind us when the potty can got full. And the whole time I'm wrestling with a map the size of the Magna Carta and trying to navigate for a guy used to getting directions off a radar screen who keeps barking at me to do something about my children. No, I didn't have a lot of patience left to deal with Kit screaming about you 'breathing' on her or you screaming about Kit 'looking' at you or the twins hammering monkey bumps and noogies and X no-backs into each other and Bosco wailing about whatever hamster or turtle or corn snake she had to leave behind at the last base and Bob reenacting entire episodes Clutch Cargo and someone, usually you, barfing."

"Yeah, but what if you've turned us all into junkies?"

"Well, if I have, all I can say is that I did the best I knew how and you lived to tell the tale. That's all I can say."

It was during an unmedicated moment on the long hot drive out of Idaho that we all, all us sibs, realized we hated our ultra-Hibernian Catholic names. No one else at our new schools would be named after saints famous for being enucleated or having their tongues plucked out with pliers. We wanted regular names. So, as Moe passed around the potty seat, we rechristened ourselves with the most normal, most American names we could each think of. The twins, Frances Xavier and Bryan Patrick, chose Buzz and Abner. Joseph Anthony, just three at the time, selected Bob, since it was not only a great name and easy to spell but also his favorite aquatic activity. No one wanted me to change Bernie. Mary Colleen, our youngest sister, declared that henceforth she would be known as Nancy, her book-loving soul released in ecstasy at the thought of sharing Nancy Drew's name.

"Nancy?" We'd all hooted in unison. We'd already given her the perfect name, Bosco, when she was two and loved Bosco Chocolate Syrup, and we weren't swapping it for some girl detective in a roadster.

"Okay," Bosco had agreed. "But in my mind I'm still calling myself Nancy, and you can't stop me."

"The name represents the self," my father said from the driver's seat, flicking a white Tums out of a foil roll into his mouth. "A rejection of the name represents a rejection of the self. You all hate yourselves."

We exchanged fiendish looks and had to agree. "Yeah, we all hate ourselves."

"Eileen is the only one showing any sense."

But it wasn't sense my middler sister was showing; it was concentration. She glowed like a full-immersion Baptist bursting to the surface of the tank when she finally revealed, "My new name is Kitty."

"Kitty?" Moe echoed.

"Okay, Kit. Kit Root."

As Moe dealt out Sioux Bee honey and peanut butter sandwiches, I glanced at Buzz, Abner, Bob, and Bosco and wondered what we'd unloosed. It was clear that Eileen wasn't getting the joke. Worse, with her platinum-blond hair and Siamese-cat blue eyes, the name Kit fit her too well.

At our new schools, we all registered under our real names and only called one another Buzz, Abner, Bob, Bosco, and Bernie at home. But Eileen died that day and never again answered to anything, anywhere, except Kit.

Maybe it was the phenobarbital; still, even without chemical amendments, moving, the part after the packers left but before I became the new girl, a spot I tended to occupy until the packers came again, was always the coziest time in my life. Just me and the sibs and Moe, sealed up in our mobile incubator hurtling down the highway, stuck to the vinyl seat covers, glued to one another with sweat, everyone oozing together, breathing the breaths a sister or brother had exhaled a hundred miles ago. Just us. No outsiders. Outsiders—which is to say, anyone that Moe had not brought into this world—and my family did not mix. We'd only allowed an outsider into the family once.

Fumiko. Of course I'm thinking about Fumiko again. The first time I crossed the Pacific I was six years old, twelve years ago, and heading for the horned caterpillar itself, not the droppings. Fumiko became part of our family the day we landed in Japan and was one of us for four years. Bob hadn't even been born when we PCS'd out of Japan eight years ago, and Bosco was barely two, so they don't remember Fumiko at all. The twins, who'd hung on to her like orangutan babies for the first three years of their lives, have no memory of her either. Kit probably does, though it's hard to tell since Kit speaks to me as little as possible and Fumiko's name was never mentioned again after we left Japan anyway.

But I know Moe remembers Fumiko, and our father, and me—of course, me. Of course I remember Fumiko.

The Okinawa-bound plane hits an air pocket and belly-flops a few hundred feet. My seatmate, Tammi, grips my arm, digging her pearlized pink nails into my flesh. Tammi looks only slightly older than my sister Kit, who is seventeen. But Tammi is on her way to Okinawa so that her baby daughter, Brandi, can meet her father for the first time. The cabin lights flicker, and Tammi and I look to the front of the plane to see if the stewardi are freaking in any manifest way.

"The pilot just rotated out of Nam." Tammi has made this observation every time the plane wobbled for the past seventeen hours since we left Travis. The implication is that if a pilot is good enough to survive Vietnam, surely he can get a planeload of dependents, mostly wives and small children traveling Space Available, delivered safely to Okinawa.

Tammi looks the way my two sisters and three brothers, certainly my parents, expect me to look. A year ago, they'd left me behind at the University of New Mexico when my father was transferred to Kadena Air Base on Okinawa. They'd said good-bye to a sister, a daughter, who set her Breck-washed hair into a flip on pink foam rollers. Who wore Villager blouses with coordinating pleated kilts held closed with an oversize gold pin above the knee. Who had a pair of tortoiseshell cat's-eye glasses correcting her vision, a white-cotton circular-stitched brassiere shielding her breasts, Weejun loafers covering her clean feet, and Heaven Sent cologne perfuming her thoroughly deodorized and depilated self.

When I stepped off the plane they would behold a vagrant in Levi's with peace-sign patches stitched to her ass and hems frayed to a dirty fringe from being trod upon by a pair of water-buffalo-hide sandals held on by one ring around the big toe. Who parted her straight hair in the middle and left it to hang lank as old drapes on either side of a groovy new pair of John Lennon wire rims. Who'd substituted patchouli oil for Heaven Sent and had discarded deodorant, depilation, and undergarments altogether.

For the past year, I had breathed civilian oxygen for the first time in my life. It caused me to forget that I was the daughter of Major Mason Patrick Root, just as much a representative of the United States as the serviceman himself. It caused me to join an antiwar group on campus, Damsels in Dissent.

I started to remember who I was at Travis Air Force Base, where I had to hang around reading The Confessions of Nat Turner while my request for a Space A flight worked its way through MATS. Just the acronyms for Space Available and Military Air Transport System were enough to resuscitate me with the air I'd inhaled for the past eighteen years. I was returning to a world where officer fathers lost their jobs when sons didn't mow the lawn, when daughters dated GIs, or when mothers misbehaved too often at Happy Hour. Who knew what happened when offspring allied themselves with groups that advised draftees to swallow balls of tinfoil and put laundry detergent in their armpits to fool induction center doctors?

As we fly deeper and deeper into a world that is entirely military, I push that question out of my mind even further than I bury the memory of Fumiko. I've long since finished with Nat Turner and, desperate for the narcotizing effect of moving my eyes across print, I start on the pamphlet again. I don't get very far before lightning flashes outside the window. Almost simultaneously, thunder booms. Baby Brandi trembles, sucks her lip in, and wails. A crack of lightning explodes, and the clouds outside are illuminated in a battlefield flash of pale violet and gray.

Finally, the clouds part, and far below there is, at last, something visible in the darkness. Like a handkerchief tossed onto an endless field of mud, the island of Okinawa appears in the galaxy of black that is the night and the Pacific Ocean.

It seems impossible that they are all down there: my parents; Kit; the twins, Buzz and Abner; my little sister and brother, Bosco and Bob. It seems even more improbable that this plane is going to land on such a minute button of light.

Abruptly the plane slews to the side so violently that luggage bins pop open and diaper bags and duffels shoot into the air. All the babies and children cry. The stewardesses at the front are ashen-faced and stare at each other, wide-eyed, stricken. The smell of vomit, dirty diapers, and fear spikes through the cabin.

The older stewardess speaks into a microphone. "Remain in your seats with your seat belts fastened." She has on chalky lipstick that makes her teeth look yellow. She tries to get the younger stewardess up to help her stuff bags back into overhead bins, but the younger one shakes her head and tightens the belt holding her into her seat facing us. Seeing open fear on a stewardess's face ignites panic in the cabin. The older stewardess crimps her lips in disgust and wades into the aisle.

Lightning flashes continuously on all sides. A bolt crackles against the plane. Women scream as the thunder explodes. The older stewardess tries to speak through her microphone, but a roar of static is all that comes out.

Mascara-blackened tears streak Tammi's cheeks.

The woman behind me begins to pant as if she were giving birth. Another woman sitting on the aisle turns in her seat and tells us in a weirdly conversational tone, "Pray, everyone, okay? Just pray to Jesus."

But I am already praying to the Blessed Virgin Mary. She's much more likely to be interested in a plane filled with mothers and children.

The plane bucks violently and the brave stewardess is thrown to the floor. The panting woman behind me screams like a sleeper trying to wake from the nightmare of her own death. Full-scale panic breaks out, with all the dependent wives and all their children sobbing and ululating like Berbers.

Tammi turns to me and, in a voice as calm as if she were reporting how much apples were selling for at the base commissary, tells me, "We're going to die."

On the plane, all noise and all smells stop. Next to me, Tammi's face is red and squinched up from crying, but all I hear is the roar of an airplane's engine. I look around and see the older stewardess fight to get to her feet and the woman who wanted us all to pray to Jesus snatch at her so the stewardess falls down again, but I hear nothing.

Once again, I am the overwrought, unhealthily imaginative child prone to nervous attacks and stomach disorders with a neurotic attachment to my mother and a dangerous dependence upon sugar that I was on my first trip over these waters, and I understand that we are seconds away from going down in a storm over the East China Sea. That everyone will die except for the cowardly young stewardess, who will trample a set of twins and the pilot to escape before the plane sinks, sucking everyone else into the night-black sea.

Read More Show Less

Interviews & Essays

A Conversation with Sarah Bird

Sarah Bird, in Austin, has a long phone chat with her mother, Colista
Bird, and two sisters, Kay and Martha, who are all in Albuquerque
curled around a speaker phone.

Sarah: You guys just had brunch on the patio? WAAAHHH!! I wish I
could have been there. What did you have?

Martha: Breakfast burritos--

Kay: --and mimosas--

Martha: --and strawberries--

Mom: --and mimosas!


Sarah: So, you're telling me you're all baked.

Kay: Lightly toasted.


Sarah: Okay, well get it together; we're supposed to be talking about
this book inspired by our family.

Kay: Book? You wrote a book? You write? When did this start?

Mom: I thought you were demonstrating electric scissors at Sears. (A
job Sarah had during Christmas break her junior year

Kay: Yeah, you should be about ready to retire now.

Martha: Okay, we should talk about the book.

Kay: That's Martha. She's The Nice One.

Reek-reek, Reek-reek.

Sarah: What's that sound?

Martha: That's Kay. She's making the brown-nose sign at me.

Sarah: All right, questions. Or, actually, I hope this can be more of a
conversation. Of course, we've talked a ton about the book. You all
were reading and approving rough drafts while I was writing it, but
I'd love to ask some questions and get "official" answers. So, first
question: Mom, how on earth could you have let me go off for two
weeks to Tokyo with a pinkie-ringed comedian?


Mom: That's a good question. I musta been out of mymind.

Sarah: No, really.

Mom: Well, you remember, after you won this contest and
announced you were going, we all went over to his house. He
promised he was going to take his maid along as a chaperone.

Sarah: His "maid"? She was his girlfriend, concubine, something.

Mom: Well, he told us she was his maid, and he swore on his mother's
grave that there wouldn't be any funny business of any kind. Then
he said, "Why are you asking me all these questions? You're acting
like I'm some kind of white slaver." And I said, "Well, I want to
make sure you aren't a white slaver." (Laughs.) Sarah, it wasn't a
matter of me "letting" you go. It was a question of you coming
home and telling us you were going.

Sarah: So much for the dictatorial military family.

Kay: Since I was seven at the time, I don't remember much of this
very clearly. Did Mom take you to a sew girl to have a costume

Mom: Oh no, the sew girls came to the house.

Sarah: That's right. I had my characters go to her in the book so that
we could have a little tour through lovely downtown Koza.

Mom: Yes. We had these very short costumes made, and then you
proceeded to whack off about another foot.

Martha: So they went from very short to very, very short.


Sarah: I'm not not saying anything; I'm writing furiously.

Kay: Every word's a gem.

Reek-reek, Reek-reek.

Kay: Now Martha's calling me a brown-nose.

Sarah: Everyone always asks if I really had a sister like Kit. Does anyone
ever assume that one of you was Kit? And, if so, I'm very sorry.

Martha: Well, I guess because chronologically it would have been
me, people sometimes act like they have the inside story on my
life. That I'm really Kit. Oh, what a joke that is!

Sarah: Yeah, we all know that Kay was really Kit. (Laughs.)

Kay: I was Kit? You were Kit!

Sarah: Right. Remember my program I instituted in high school? I
made myself speak to one person every day who was not a member
of my family? "May I borrow your pencil?" "Do you know what
time it is?"

Martha: More important, who was Bosco?

Kay: And the answer is . . .

Martha & Kay: . . . YOU were Bosco!

Sarah: Maybe the obsessive, anxiety-ridden, noodgy parts of Bosco
are me, but the sweetness--I really modeled that on my little sisters.
You guys were such sweet little girls.

Reek-reek. Reek-reek.

Sarah: Who did that?! Who gave me the brown-nose noise? Okay,
come on, questions.

Kay: Yeah, I have a question: Did the comedian guy really hit on you?

Sarah: Yes.

Martha, Kay, & Mom: Eeeee-YUGG!

Sarah: I know. And he really did tell me that he shot blanks.

Kay: And that's what made the difference. Not just that he's a big, fat,
greasy, fifth-rate comedian. But he's a big, fat, greasy fifth-rate
comedian who--

Kay & Martha: --shoots blanks!!

Sarah: Yeah, how did I resist?

Kay: Hey, Sarah, guess who's coming to Isleta Pueblo Casino?

Sarah: Uh . . . Captain and Tenille?

Kay: Close, Tom Jones!

Sarah: Tom Jones? Oh, now, that's sad. Are you gonna go?

Kay: The only way I'd go is if you come with me.

Sarah: When's he gonna be at the Pweb?

Kay: May.

Sarah: Gotta miss Tom. I'm not coming until June.

Martha: You know, Tom's schedule seems pretty open these days.
We'll get him to stay over for you.

Kay: Yeah, he can move in with Mom. Bring in her breakfast tray.
(Sings) What's new, pussycat? Woo-oo-woo-oo-woo-woo.

Martha: Tom, please, close your robe.

Sarah: Yeah, Mom'll be zinging her undies at him.

Kay: Right, suds these out, Tom.

Sarah: How many mimosas did you all have?

Mom: Counting the ones we're drinking right now?


Sarah: The book, this book I wrote . . .

Kay: Mom, since I wasn't even born when we were in Japan, it was
interesting for me to read that you had this whole life where Dad
would come home and you couldn't say, "Hi, dear, how was your
day?" He couldn't talk about his work and, I assume, you knew it
was dangerous. What was that like?

Mom: Kinda scary.

Kay: When he'd leave on a mission, would you even know when he
was coming back?

Mom: Newp.

Sarah: How much did you know?

Mom: I knew they'd turned in a couple of May Days. Been a few missions
when no one thought they were gonna make it home. That
other crews in the squadron hadn't made it home.

Sarah: Did Dad talk about that?

Mom: No, not directly. He couldn't. But he'd be shook up, drink a
little more than usual, and really get into the family thing in a big
way. But the scariest part of it was when there were casualties. I'm
telling you, the way they made those families disappear . . .

Sarah: The families of the men who--

Mom: --didn't come home. Boy, they were gone overnight.

Sarah: I remember that. How the little girl who'd been sitting next to
you the day before, coloring in the route Vasco da Gama took
to the New World, was just gone with no explanation. One of the
hardest things to convey in the book was how it never occurred to
you to even ask what happened.

Kay: Back to the Go-Go Years, how did it feel going back after that

Sarah: You mean back to UNM?

Kay: Yes, were you missing the little people?

Sarah: (Laughs) Right. That whole experience was so removed from
my real life. The only way I could do it was knowing for absolute
certain that no one I knew would ever see me. I never mentioned
it much once it was over. Especially not after I became a fiction
writer. "I was a go-go dancer in Tokyo." Sounds so completely
made up. What about you guys? What was it like for you coming
back from Okinawa?

Mom: Like being let out of suspended animation after almost three

Kay: All I wanted to do was eat American food: Sweet Tarts, Burger

Martha: Remember that neighbor of ours who brought us back a loaf
of Wonder bread? It was supposed to be such a giant treat. Reeked
of jet fuel. And the chocolate? All the chocolate from "the World"
was all melted and looked like it had sat on a runway in Guam for a
few days, melting in the sun.

Kay: Didn't stop us though, did it?

Sarah: What has been the reaction of your friends and people you
know to the book?

Kay: You're forgetting, Sarah, we don't know people. We're still insulated,
living in our own little world. Seriously, it's been favorable
but a little cautious. People aren't sure what's true.

Sarah: Okay, forget other people. What was it like for you to read the

Kay: It was really moving. Much more so than I thought it would
be, especially the pieces of Mom that you captured and brought

Martha: I liked how it re-created the feel of the family. I know it
wasn't a history of our family, but it all seemed so familiar. I sure
knew where the original threads came from, and that made me
like it all the more.

Kay: It was also reassuring to me.

Sarah: How?

Kay: Just that my sense of not belonging had a reason, and that lots
and lots of other people felt the same way.

Mom: Of course, I always tried to figure out what was reality and
what was just a figment of your imagination. It brought back a lot
of memories. Like it was happening all over again.

Sarah: Anything in particular?

Mom: I tried to remember if I disliked the wives that much or if they
disliked me that much. I do remember feeling like I was sort of an

Kay: So that part was true?

Mom: Well, I certainly was an outcast when I took that job as school
nurse at Kadena Elementary on Okinawa. I definitely was made to
feel that I'd deserted the ranks. The president of the Wives Club
would call and ask if I could "pour" between the hours of two and
four, when some general's wife was going to be in town.

Kay: "Pour"?

Martha: At a tea.

Kay: Oh, so mostly you'd just try and remember which cup your shot
of bourbon was in.

Mom: You needed one at those affairs. I'd tell them I worked
between the hours of two and four, and there would be a very long
silence. Working? An officer's wife? Horrors!

Kay: What did you think about Moe?

Mom: Well, she's got to be one of the worst housekeepers in history.

Kay: Funny you should pick up on that. I don't recall housekeeping
being a big thing for you. Did you like Moe?

Mom: Oh yeah.

Martha: Sarah, are you ever asked, given that so much of the book is
true, why you didn't just write a memoir?

Sarah: Yeah, and I tell them to mind their own freaking business.
Actually, I never really wanted to write a memoir for a couple of
reasons. The first is that, as anyone who's ever had a sister or
brother will tell you, at some point after you're grown, you start
exchanging memories and you wonder, "Did we grow up in the
same family? Did we eat the same bowls of cereal and watch the
same cartoons?" So I didn't want to write The Official History of
Our Family for that reason. But also I wanted to go beyond the
puny details of my own puny life and try to tell a bigger story.

Martha: Which you did with Fumiko. I know I've told you this before,
but that was my favorite part. I couldn't put the book down.

Sarah: Any reason why?

Kay: Yeah, it was just good writing.

Martha: Sarah, I have a comment: I think you made it real clear in the
book that moving so much, always being uprooted, always being
the "new kid," made the family incredibly tight.

Mom: It was good that during all these troop movements, we took our
own troop with us!

Kay: Mom, you've always emphasized us sticking together, being
friends. Was that because of who you were or because we moved
so much.

Mom: Probably a bit of both. It's always been important to me that
you guys were friends. A lot of times you had to be friends cuz
there wasn't gonna be anybody else!

Martha: And also no one else outside our family "got" us. I clearly
remember learning that I couldn't tell the same joke outside the
family that was funny inside the family. People would just think
you're weird.

Kay: That hasn't changed much.

Martha: Have you learned anything about our family from writing the

Kay: Has your view of the family changed?

Sarah: Well put. Very good question.

Kay: I used to be a reporter.

Sarah: And it shows. For me the great gift of this book was learning
about Dad, about his reconnaissance work. So much of it I'd
always taken for granted. Like the Distinguished Flying Cross--I
remember when he got that. But since all those missions were
classified, it was never specified what he got it for, so I just
assumed it was something all the dads got. For perfect attendance
or something. It wasn't until I did the research for this book that I
found out a DFC is just one step below a Medal of Honor, and that
it is incredibly rare to receive one in peacetime and even more
unusual for the flyer to be alive to receive it.

Mom: I hope you know how very proud he was of you.

Kay: Incredibly proud.

Sarah: One of the important moments of my life was that night after
I'd sent you all the manuscript and he got on the line. I was so nervous.
He said, "Well, I've read the book." Then there was this big
dramatic pause, and my heart stops. He goes on and says, "And I
think it's a magnificent achievement. I'm very proud of you." That
still undoes me. It was like something out of a made for TV movie.
One of those utterly perfect moments that you don't think happens
in real life. I'm so grateful it did. I loved what he appreciated
about the book. He kept asking how I'd come to understand so
well how political a military career is, and how I'd gotten the information
about the kind of reconnaissance work he did, since he
would never talk specifically about the missions he'd been on.
Much of that material had been declassified by the time I was
doing the research, and I was reading books, reading about missions
that I'm certain if he wasn't actually on, he knew the men
who were. I'd tell him stories from the books and say, "Dad, look,
it's declassified. You can talk about your missions. Tell me how you
got the DFC. These other guys are writing books." I'll never forget
his answer: "That's their choice. I took the oath." "I took the oath,"
that level of loyalty, that complete lack of cynicism--it awes me.

Mom: Well, when you were doing the research, he told you stories
that I'd never heard.

Sarah: That was wonderful, that we had something we could talk

Mom: I think it brought you two a lot closer together, because I think
you both were looking for a way to be closer.

Martha: It got to the core of his career.

Kay: The core of his identity, his rules of honor and behavior were so
in step with the military. You're loyal, you don't ask questions.
Sarah: But I also think that his sense of humor, that subversive sense
of humor that he passed on to us, was how he was able to accept
that life.

Mom: I guess you need to write an epilogue.

Sarah: What would that be?

Mom: You could tell what happened to all the Roots: Bernie is teaching
English, Bob is a nuclear physicist, the twins are doing time.

Sarah: Great idea. I'll write that up. Okay, anything anyone wants to
add? Subtract? I'm gonna write this up for posterity.

Kay: Oh, Sarah, didn't I mention? This is all off the record.

Sarah: Talk to my lawyer.

Kay: Talk to my lawyer!

Sarah: Bye, babies, I love you. Thank you.

Reek-reek, Reek-reek.

Dedicated to Lt. Col. John Aaron Bird
June 12, 1920--October 1, 2001
The Yokota Officers Club
Read More Show Less

Reading Group Guide

1. Smells play a major role in The Yokota Officers Club. They are even used as titles for each chapter. What effect did they have on you as a reader?

2. The central image/metaphor of the book is the perfume factory.
At the end of the book, Bernie says: "That honeysuckle is but one link in an endless limbic chain that contains all the smells of my family and of our life together." Then she goes on to name all the smells in the book, concluding that "each smell is a blossom that combines with all the other smells the same way real flowers would in a real perfume factory where the days of sunshine and growing, the days of storm and drought, the times of plenty, times of want, what the flowers got, what they didn't get, they're all squeezed together under preposterous pressure or boiled or tinctured or distilled into a few drops of a smell so beautiful it can make you remember everything." Do you agree with this metaphor of how family unity/memories are created?

3. Understanding what you do about Moe, Macon, Fumiko, and
Bernie, is there anything any of them could have done to change their fate?

4. Are the pressures a military life puts on soldiers—particularly the kind of military life Macon Root had, involving highly classified,
highly dangerous missions—compatible with being a warm and loving spouse? Parent?

5. Have you known any military families? How much did you know about their lives? Did the novel give you a greater appreciation of those lives?

6. It seems that military brats enjoyed their peripatetic childhoods in direct relation to how extroverted they were. The more outgoing they naturally were, the more they thrived on the constant moving. How do you think you would have fared as a military child? As a military wife?

7. Have you ever had an experience similar to the one Bernie had when you return to the scene of a childhood memory and find it strangely shrunken or diminished in some way? How is this idea of a diminution, of a degradation, of, in some cases, a fall from grace, carried out in other ways in the book? In Bernie's experience of Okinawa as contrasted with her memories of Japan? In
Mace's career? In the military in general from World War II to the Vietnam War? In Moe's experience both with the military and with her marriage?

8. Did you ever reveal a secret as a child? What were the consequences?
Can Bernie or any child of that age be held responsible for unkept secrets?

9. Moe and Mace seem to have come to a stalemate in their marriage.
Who is responsible? What do you predict will happen to them? What do you think should happen?

10. Contrast the two mothers in the book, Moe and Fumiko's mother.
How does each one react to the stresses placed upon her and her family by their respective countries?

11. One of the themes of the novel is silence, the silence of men flying reconnaissance missions, but more especially the silence of the women around them. How does each of these characters find her voice: Bernie? Moe? Fumiko?

12. This novel straddles the line between fiction and memoir. Does it take the best from each approach or the worst? What do you like and dislike about the two different approaches?

13. Did you believe that Mace and Fumiko had had an affair? Were you relieved that they hadn't?

14. Since Bernie could not have ever seen her father acting as
Wingo's co-pilot, how is the crucial relationship they had in flight demonstrated?

15. Humor and tragedy collide throughout the novel. Do you prefer fiction that blends these parts of life or keeps them separate?

Read More Show Less

Customer Reviews

Average Rating 4.5
( 12 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 13 Customer Reviews
  • Anonymous

    Posted October 28, 2003

    You can't go home again

    Sara Bird has exposed the heart and soul of kids that have survived as dependants in the military. I picked up the book to read about my home from 1966 to 1970. I was one of the lucky extroverted ones ('Kit' in the book). I went to 13 schools in 12 years. I never realized,in my adult life, why I always felt like I was on the outside looking in, until I met Bernie in the book. Sara's book 'fills in the holes' and answers the questions, 'just where is Daddy going now?' Blending fact & fiction I found this a wonderful read. Laughting and crying in the same chapter is very cleansing. And the use of 'smells' envoked powerful memories. My love,affection and respect for my Japanese friends is only deepened. I am humbled by Fumiko's story. Thank you Sara for your literary tallent. I am on line to find another gem to read.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 29, 2002

    Military Dependents here's, a look in the mirror

    Sarah Bird¿s The Yakota Officer¿s Club is an exquisitely painful and hilarious journey into a dysfunctional and yet proudly resourceful military family¿s secrets. I am also an Air Force brat (though we called ourselves dependents, not brats at the time), who lived in Japan during the 1950¿s and have never seen a book about our peculiar life style so heartrendingly accurate. My dad, as a young lieutenant, installed my Mom, younger sister and I on Wherry housing outside of Johnson AFB at the end of 1955 through the summer of 1957. I was 10 to 12 years old at that time and like the young Bernie Root found Japan to be at first as foreign as living on the moon. Japan was still raw with WWII wounds, broken down, bursting with smells, sights and sounds that were dangerous and exotic to me. Bernie¿s first trips out with the family maid recalled my own strange memories of roaming through the little villages next to the base looking for forbidden adventures with little Japanese girls. We couldn¿t speak each other¿s languages, but found commonality playing in the rain, mud and exchanging dolls. As an older teenager, Bernie has the opportunity to return to Yakota Air Base to resolve a mystery concerning the family maid, Fumiko. My family also had a young teenage maid, Chioko, who must have gotten in trouble with her GI boyfriend(s) and was fired by my parents. When Bernie visits her parents Moe and Mace and her wild menagerie of brothers and sisters on Okinawa, her description of the military daughter¿s role was almost painful for me to read. Every detail rang so true about the insular and peculiar extended military ¿family¿ living in our guarded and barbed wired mini cities. No matter what country we were stationed in, the Base (Post, etc) was an untainted little America, an island unto itself. I was pulled back in time reading Bird¿s description of the sameness of every military base with the commissary, BX, grassy yards, cramped housing made of cinder blocks, Officer¿s Club with swimming pool, DOD schools and teachers, the pecking order according to your father¿s rank, and my worst nightmare - seeing the moving truck pull up to my or my best friend¿s house. Bernie¿s siblings became my many forgotten pals who shared precious hours at the BX, theater, swimming pool and teen club. I remember spending my hard earned weekly allowance of 25 cents on candy bars, ¿Betty and Veronica¿ comic books, and those titillating sounds of Elvis Presley on size 45rpm records at the Base Exchange. Alternate weeks, my allowance went for a 10-cent movie, 10-cent popcorn and 5-cent coke at the base theater where we stood and put our hands over our hearts to listen to the national anthem before the cartoon came on. Reading this story was like seeing my own past exposed to the world. It was a thrilling and yet embarrassing experience at the same time, like someone had stolen my personal diary and published it. I have had very little contact with other military brats in my adult civilian life, so reading this book was like reminiscing with an old friend. I am left wanting to read more adventures of Bernie Root and her nomadic family. Write on, Sarah Bird!

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted August 21, 2010

    more from this reviewer

    It was okay

    A good book, but the chapters are very long.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 10, 2003

    A hilarious book

    This book is a good, funny book. I would recommend it to others. In the book Bernie is a college student home for the summer with her family. Her father is in the air force, so her family is always moving. She goes back to her old home, Japan, because she won a dance contest with a trip to Japan as the prize. She renters her life as a young girl in Japan, and finds secrets of the past. This is a good book that is sure to keep you interesed. I would suggest it. I didn't give the book a five star rating, because the book got confusing sometimes and boring.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 9, 2003

    You Can't Go Back Home Again

    I happened upon this book while looking for Ken Mochizuki's Beacon Hill Boys. When I saw the word Okinawa, I picked up this book. I was born on Okinawa in 1955 and lived there until 1973. Although my dad worked as a Civil Service employee for the U.S. Army, I am very familiar with the themes in this book, the intrigues, the paranoid anti- communist propaganda and all of the other inane things one had to do in those days. In 1992, I returned to Okinawa and like Bernie, all I saw was the familiar places haunted by people I didn't recognize. The book helped me remember much of the good and bad of living in an American Raj. The only real criticism I have of the book ( and it's a minor one ) was that her geography was outright wrong at times. She claims that Highway 1 runs on the Pacific side of the island or when Bernie and Kit drive to the Suicide Cliffs way south of Naha and then back to the dance contest in less than 2 hours. Just details, I guess. However, I do recommend this book to fellow 'brats' that lived overseas.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 17, 2003

    great for even a younger generation

    I'm sixteen, and I just finished this amazing book. It definitely seemed a little 'adult' at times, but I would still reccommend it to anyone, young or old. To tell the truth, I happened upon this novel by complete chance: I was in the library looking for a book that my mom wanted me to check out for her, and the binding/cover design caught my eye. I didn't have anything to read a the moment, so I checked it out. I'd have to say that was either pure coincidence or fate, because this book was amazing! Though this is a subject that I would previously have had no interest in, I laughed frequently as I read, associating the vivid characters with others from my life. This novel brought me such a broad range of emotions; the last few chapters struck a part of my heart that I'm sure I won't forget for a while to come. I'm definitely considering reading another by Sarah Bird one of these days, and hopefully one I choose will compare to this gem...

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 26, 2002

    Great Book!

    I had never read Sarah Bird before, but now I am going to try and find every book of hers. I would recommend this book to anyone!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 21, 2001


    I enjoyed this book. Not what I usually read, but I'm glad I did. Excellent humor, strong characters and very poignant.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 12, 2001

    Sarah Bird's Best Ever - Highly recommended

    'The Yokota Officers Club' is Sarah Bird's best ever, surpassing even 'The Boyfriend School' and 'Virgin of the Rodeo.' I found myself laughing out loud in a crowded airport terminal, transported from the tedium of flight delays to the compelling and often hilarious world of US overseas military bases. <BR><BR> The story weaves back and forth between the present, set in 1968, and the past of the 1950s. The suspense mounts as the story progresses and the main character Bernie Root pieces together the events which sidelined her father's promising career and left her parents estranged from each other. The author uses the time-shift device to advantage to let the reader see events through the child's eyes and then filtered through the reflective eyes of a young adult who is coming to understand their significance. <BR><BR> You don't have to be a military brat to enjoy this book. Although I didn't grow up in a military family, I could easily relate to the story's family dynamics and insights into the tensions between career and family life. The book is full of the vivid smells, sights, songs, and vernacular of the early Vietnam era. <BR><BR> Pop music buffs will enjoy testing themselves on tune recall. You'll never hear 'Brown-Eyed Girl' again without superimposing the pirated lyrics which the Taiwanese transcriber rendered as 'Hey Roderigo! Dates when no raking!' instead of 'Hey where did we go, days when the rain came.' <BR><BR> Even the shoe size incident struck home. It made me remember the time when a giggling sales clerk ushered me over to the men's section of a Tokyo shoe store because she knew that nothing in the women's section would be big enough to fit my size 9s. At least I didn't have to squeeze my feet into go go boots four sizes too small and dance onstage like our heroine Bernie Root. <BR><BR> But beware - the story will draw you in. The final chapters were so engrossing that I nearly missed my flight. Absorbed in the book, I tuned out all the boarding announcements till the final call. Then I went scrambling to the jet bridge, careful not to lose my place as I handed my boarding pass to the gate agent. Better to miss a flight than to miss this book, the latest effort from this extraordinary author.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 6, 2001

    Right On

    If you were ever a teen dependent stationed in Okinawa during the war, this book will blow your socks off. The vernacular of a special time in my life just came roaring back. It was so much fun to hear old phrases agin that required no translation at all. Any military dependent, (we weren't brats in the Marine Corps!), will really enjoy this book!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 16, 2011

    No text was provided for this review.

  • Anonymous

    Posted August 9, 2012

    No text was provided for this review.

  • Anonymous

    Posted February 17, 2012

    No text was provided for this review.

Sort by: Showing all of 13 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)