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| Shirley Caesar | Primary Artist, Synthesizer, Vocals, Choir Director |
| Eric Darken | Percussion |
| Bernard Sterling | Vocals |
| Barry Green | Trombone |
| Jim Horn | Baritone Saxophone |
| Derrick Lee | Piano, Choir Director |
| Michael E. Mathis | Organ, Synthesizer, Chimes, Vocals, Orchestra Bells |
| Doug Moffet | Tenor Saxophone |
| Steve Patrick | Trumpet |
| Maurice Rogers | Synthesizer, Piano |
| Percy Gray Jr. | Choir Director |
| Vinnie Ciesielski | Trumpet |
| Melvin Gray | Bass, Bass Guitar |
| Rick Carter | Bass, Bass Guitar, Drum Loop |
| Calvin Napper | Drums |
| Tom Wanca | Synthesizer, Keyboards |
| Rick Watford | Guitar, Rhythm Guitar |
| Caesar Singers | Track Performer |
| Eternity | Vocals |
| Lisa Butts | Vocals |
| Gene Conyers | Vocals |
| New Direction | Vocals |
| Danny Graham | Choir Director |
| Donald Gore | Vocals |
| Shirley Caesar | Producer, Choir Arrangement |
| Lloyd Barry | Horn Arrangements |
| Derrick Lee | Choir Arrangement |
| Michael E. Mathis | Producer, Choir Arrangement |
| Bubba Smith | Producer, Executive Producer |
| Ed Stasium | Engineer, Vocal Engineer |
| Bert Stevens | Engineer, Percussion Engineer |
| Mark Williams | Engineer, Synthesizer Engineer, Vocal Engineer |
| Percy Gray Jr. | Choir Arrangement |
| Jeff Lane | Engineer, Vocal Engineer |
| Bobby Lee Jones | Choir Arrangement |
| Alvin Williams | Executive Producer |
| Beth Lee | Art Direction |
| David Hamilton | String Arrangements |
| Gene Conyers | Director |
| Johnny Williams Jr. | Mastering |
| Marc Lacuesta | Vocal Engineer |
| Danny Graham | Choir Arrangement |
| Hank Williams | Mastering |
Anonymous
Posted October 1, 2010
Dear Shirley Caesal I love all fo your songs but one song just tough my heart is I can make it. When my mother die I though I couid not make but just that one song chang my life my I no I can make it now Thank you Shirley I love you
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Editorial Reviews
All Music Guide - William Ruhlmann
Shirley Caesar has a masterful command of gospel praise song, and "Lift Him Up," which comes right in the middle of You Can Make It, is a practically generic example of the style, with its frantic tempo, excited chorus, and repeated exhortations to "Praise His name!" Caesar, of course, both leads the choir and provides emotive variations. You might say that the album breaks down into two types of songs, ones like "Lift Him Up" that start out at a pitch of excitement and stay there throughout, and others like the title song that proceed at a slower pace and begin more quietly, only to build to a fervent climax. But within the strictures of the form, Caesar demonstrates ...