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| Alex Gopher | Primary Artist, Primary Artist, Multi Instruments, Noise |
| Gary "Mudbone" Cooper | Vocals |
| Michael "Clip" Payne | Vocals |
| Joey Eppard | Vocals |
| Mike Birbaum | Guitar, Vocals |
| Chris Bittner | Vocals |
| Flsah Payne | Vocals |
| Rachel Sunmoon | Vocals |
| Sarah Traeger | Vocals |
| Gael Barbieri | Vocals |
| J.B. Dunkel | Keyboards, Choir, Chorus |
| Hamid Saidji | Vocals |
| Alex Gopher | Composer, Engineer, Mastering, Instrumentation |
| Pépé Bradock | Remixing |
| Antoine Bardou-Jacquet | Cover Design, Sleeve Design |
| Mike Birbaum | Engineer |
| Chris Bittner | Engineer |
| Hervé Dutournier | Mastering |
| Ludovic Houplain | Cover Design, Sleeve Design |
| Jacquet Houplain | Sleeve Design |
Editorial Reviews
All Music Guide - John Bush
In danger of quickly becoming the Pete Best of the French electronic scene, Alex Gopher finally made a worldwide splash with his 1998 full-length debut, You, My Baby & I released in the U.S. one year later on V2. The former associate with Air and longtime producer for two linchpins of the Gallic dance world the Solid and Source labels leans toward the Cassius and Dimitri from Paris arm of French dance, heavy on the filtered-disco and good-time funk inspirations instead of the slightly more uptight acid squiggles of Daft Punk and compatriots. But he does have the same Parliament-Funkadelic inclinations as Daft Punk, drafting P-Funk vocalist Michael "Clip" Payne for several...