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| Muddy Waters | Primary Artist, Guitar, Vocals |
| James Cotton | Harmonica |
| Willie Dixon | Bass, Vocals |
| Earl Hooker | Guitar |
| Casey Jones | Drums |
| Little Walter | Harmonica |
| A.C. Reed | Tenor Saxophone |
| Boyd Atkins | Tenor Saxophone |
| Jackie Brenston | Baritone Saxophone |
| Francis Clay | Drums |
| Al Duncan | Drums |
| Pat Hare | Acoustic Guitar, Guitar |
| George Hunter | Drums |
| Earnest Johnson | Bass |
| Lafayette Leake | Piano |
| Milton Rector | Bass |
| Jimmy Rogers | Guitar |
| Willie "Big Eyes" Smith | Drums |
| Otis Spann | Piano, Vocals |
| Andrew Stephenson | Bass |
| Lafayette Thomas | Guitar |
| Luther Tucker | Guitar |
| Johnny "Big Moose" Walker | Organ |
| Matt Murphy | Guitar |
| Marcus Johnson | Tenor Saxophone |
| Bobby Little | Drums |
| Lucille Bogan | Composer |
| Eddie Boyd | Composer |
| Big Bill Broonzy | Composer |
| Leroy Carr | Composer |
| Willie Dixon | Composer, Producer |
| Curtis Jones | Composer |
| J.B. Lenoir | Composer |
| Langston Hughes | Composer |
| Mary Katherine Aldin | Liner Notes |
| Leonard Chess | Producer |
| Phil Chess | Producer |
| McKinley Morganfield | Composer |
| Walter Roland | Composer |
| Carl Wright | Composer |
| Erick Labson | Remastering |
| McKinley | Composer |
| Waymon Glasco | Composer |
| Ryan Null | Photo Coordination |
| Harriett Melka | Composer |
| Fred Rothwell | Source Material |
| Preston Foster | Composer |
| Phil Wright | Source Material |
| James Oden | Composer |
| James B. Oden | Composer |
| Sujata Murthy | Publicity |
| Otis Smothers | Composer |
| John T. Brown | Composer |
Editorial Reviews
All Music Guide - Thom Jurek
You Shook Me, the third volume in UMG's Muddy Waters' Chess Masters reissue series, offers a portrait of both the artist and the label coming to grips with the still relatively new LP format between 1958 and 1963. As a genre, blues, like R&B, was primarily issued on 45 rpm singles, sold in mom-and-pop stores, to jukebox vendors and in department stores. Concentrating on long-form recordings proved to be a challenge that Waters and his ever-changing backing band embraced while never losing sight of the appeal of the single. There are plenty of the latter here. This two-disc set surveys that terrain and presents him at another creative peak. The earliest of these sessions ...