You'll Grow Out of It

You'll Grow Out of It

4.5 2
by Jessi Klein
     
 

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INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER!

YOU'LL GROW OUT OF IT hilariously, and candidly, explores the journey of the twenty-first century woman.

As both a tomboy and a late bloomer, comedian Jessi Klein grew up feeling more like an outsider than a participant in the rites of modern femininity.

In YOU'LL

Overview

INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER!

YOU'LL GROW OUT OF IT hilariously, and candidly, explores the journey of the twenty-first century woman.

As both a tomboy and a late bloomer, comedian Jessi Klein grew up feeling more like an outsider than a participant in the rites of modern femininity.

In YOU'LL GROW OUT OF IT, Klein offers-through an incisive collection of real-life stories-a relentlessly funny yet poignant take on a variety of topics she has experienced along her strange journey to womanhood and beyond. These include her "transformation from Pippi Longstocking-esque tomboy to are-you-a-lesbian-or-what tom man," attempting to find watchable porn, and identifying the difference between being called "ma'am" and "miss" ("Miss sounds like you weigh ninety-nine pounds").

Raw, relatable, and consistently hilarious, YOU'LL GROW OUT OF IT is a one-of-a-kind book by a singular and irresistible comic voice.

Editorial Reviews

The New York Times Book Review - Sloane Crosley
…now that numerous writers have entered into a symbiotic relationship with the internet—trading personal revelations for page views—the confessional essay has lost some of its dignity. Too many invite only rubbernecking; the source of their power is their graphic or shocking revelations. Then a book like Jessi Klein's You'll Grow Out of It comes along to remind us just what an artful confessional essay can do…In these 24 short pieces, her irreverent and inventive brand of humor almost seamlessly transfers to essay form. Riffs on dating, aging, marriage, infertility and childbirth have the zing-and-run rhythm of sketch comedy, but structured for the page…One of the higher echelons of praise for confessional essays is that they mimic the experience of listening to your best friend. Klein's read as if you're texting with her and have been for your whole life.
Publishers Weekly
★ 05/09/2016
Comedian Klein, head writer of Comedy Central’s Inside Amy Schumer, hilariously navigates the world of 21st-century adulthood, adding levity to the difficult stage of life for millennial women in the thick of it. From mundane topics (lingerie) to more significant ones (childbirth), Klein’s refreshing anecdotes explore the facets of being a modern woman with raw honesty and indelible wit. She proffers sound advice on love lost, fashion, sexism, and careers, mining her own experiences with oddball introspection. Readers journey along with Klein as she shares stories, such as attending her sister’s conservative Jewish wedding ceremony at Disney World, as well as the everyday elements of life, such as an exploration of her recent, somewhat guilt-ridden relationship with internet porn. Never afraid to share insights and reveal the raw truth behind her own stories, Klein makes readers laugh while inspiring them, a feat that calls to mind the work of the late Nora Ephron. This uplifting and uproarious collection of personal essays will be repeatedly shared among friends. (July)
Library Journal
06/01/2016
Klein, a comedian and head writer of Comedy Central's Inside Amy Schumer, in her debut essay collection centers on her awkward coming of age, which she cheekily admits extends well into her 30s. As a self-identified "late bloomer" and "tom man" (a tomboy who "never grows out of it"), Klein reflects on her bumpy path to womanhood in order to comment on American gender roles and gender role expectations during this time of third-wave feminism, that is, during a time when there aren't supposed to be gender expectations. The tension leaves many women, as she sharply observes, not feeling like women at all. As Klein was born and raised in Manhattan during the 1970s and 1980s, she has lived through this transition and contradictory messaging toward women. While some readers may feel alienated by the author's white, middle-class perspective, her humor often strikes on the universal. VERDICT A complete pleasure to read; it's hard to not keep turning the page, impossible to not laugh out loud. [See Prepub Alert, 11/30/15.]—Meagan Lacy, Guttman Community Coll., CUNY
Kirkus Reviews
★ 2016-05-10
From childhood to motherhood, comedian Klein's fresh takes on the perplexities of womanhood in America.Head writer and executive producer of the Emmy Award-winning Inside Amy Schumer, the author demonstrates storytelling verve and instincts for the absurd as she targets outlandish ideas about and expectations of women. With her polished skills, honed on the gritty comedy club circuit, The Moth radio series, and as a TV writer, Klein crafts spirited gems that run through readers' heads like a sharp sitcom. In "How I Became a Comedian," the author tracks her career in vignettes of ambition, insecurity, and fear of performing. She has been told that doing stand-up is a brave act, but she disagrees. Any courage she has found grew out of a "desperate, aching need," and it took her years of therapy before she could get onstage. In the meantime, she was successful writing comedy for other people. Joan Rivers' "force and lust and decisiveness" were inspirations for Klein to finally make the leap. Throughout the book, there is no shortage of ludicrous behavior to riff on. Having never quite outgrown her tomboy spirit, she's confounded by the objectified images of women that persistently invade the female psyche, hers included. In "Bar Method and the Secrets of Beautiful Women," Klein chronicles her suffering through tortuous exercise in hopes of a tighter backside. In the hilarious "Lingerie Dilemma," the author, a cotton underwear sort of gal, prepares for a date with a new paramour by braving a French lingerie store where she tries on scanty undies under the watchful eyes of the "impossibly thin and beautiful" Frenchwomen who all look like Charlotte Gainsbourg. Ultimately, she writes, "lingerie is never really worth the agita." In the end, though, all the aggravation that comes her way pays off in this lively, irreverent collection, leaving the impression of a strong woman with a sharp eye for the ludicrous. A gifted comedian turns the anxieties, obsessions, insecurities, and impossible-to-meet expectations that make up human nature into laughter.
From the Publisher
"This collection of hilariously truthful life stories is by another in the lineage of female comedians turned memoir writers. Klein is a writer and producer for Inside Amy Schumer, and like the show, her essays offer a sharp commentary on womanhood in today's world."—Boston Globe

Product Details

ISBN-13:
9781455531189
Publisher:
Grand Central Publishing
Publication date:
07/12/2016
Pages:
304
Sales rank:
20,633
Product dimensions:
5.90(w) x 8.30(h) x 1.20(d)

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Meet the Author

Jessi Klein is the Emmy and Peabody award-winning head writer and an executive producer of Comedy Central's critically acclaimed series Inside Amy Schumer. She's also written for Amazon's Transparent as well as Saturday Night Live. She has been featured on the popular storytelling series The Moth, and has been a regular panelist on NPR's Wait Wait...Don't Tell Me! She's been published in Esquire and Cosmopolitan, and has had her own half-hour Comedy Central stand-up special.

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You'll Grow Out of It 4.5 out of 5 based on 0 ratings. 2 reviews.
Anonymous 29 days ago
Great read
bookchickdi 6 months ago
Jessi Klein is the head writer and executive producer of the very funny Comedy Central show Inside Amy Schumer. For that reason alone I wanted to read her book, You'll Grow Out Of It. The book is a series of essays about how Jessi got to be where and who she is. The first essay, The Tom Man, recounts what happens when a tomboy grows up. People like tomboys, tom men not so much. She didn't care much what she looked like, wearing "her dad's old button-down cowboy shirts with enormous shapeless jeans and combat boots" in high school. When she got a real office job, she still dresses " a smidge like a rodeo clown" and thought that Hanes Her Way bikini underwear was the height of sexiness. Finally, when she met a girlfriend at a bar, and her friend told her that she loved her, but her maroon backpack overflowing with papers and books hurt her feelings, she got the message. Jessi decided that if she wanted to date a Grown Man then she'd have to make an attempt to look like a Grown Woman. "But when I looked at what it would mean to become a woman- one of those standard grown-up ladies, like the ones from commercials for gum or soda or shampoo- it all seemed to involve shrinking rather than growing." Klein's observations are thoughtful, like in her essay The Bath, about how women loves baths because for women, the bath is "where you go when you run out of options", when you don't have a room of your own to go to. "This is why Virginia Woolf stressed the importance of having a room of one's own. If you don't fight for it, don't insist on it, don't sacrifice for it, you might end in that increasingly tepid water, pruning and sweating while you dream of other things." Klein is a comedy writer, so there are many funny lines in here, like describing a woman who was "just rounding third from medium drunk to very drunk." (I'm a sucker for a baseball metaphor.) In talking about attending a Bar Method exercise class, she observes that "women have problem areas in a way that men don't. We have big hips and muffin tops. Men just have the thing where they create wars and wreak havoc all over the globe." In The Cad, she advises that "when you encounter a man wearing loafers with no socks, run. I once heard that the late Tim Russert also believed that a sockless man is not to be trusted, which means that it is definitively true." One of her funniest essays is Types, where she describes the different types of men she likes and their celebrity inspiration. I don't normally read anything about the TV show The Bachelor, but her take on it made me think, as did her essay on porn. The one essay that spoke to me the most was Ma'am, abut that time in all our lives when we move from being called miss to being called ma'am by department store clerks, waiters, bank tellers, etc. I just kept saying "amen" throughout this essay, like Klein was a preacher in church and I was agreeing wholeheartedly with her sermon. The book ends with Klein preparing to attend the Emmy Awards, just a few weeks after giving birth to her son. She was panicked about choosing a dress, and when her friend told her that the one Jessi liked best made her look like Mrs. Roper, she nearly gave up hope. Anyone who likes the backstory on Hollywood will love that essay. You'll Grow Out Of It made me laugh and made me think, just like when I watch Amy Schumer's show. It's a little Tina Fey mixed with Amy Poehler mixed with Nora Ephron, and it's a great gift to give to