Ys

Ys

by Joanna Newsom
Ys

Ys

by Joanna Newsom

Vinyl LP(Long Playing Record)

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Overview

The Milk-Eyed Mender was a striking debut that set Joanna Newsom apart from her indie folk contemporaries. Its simplicity and depth, and the way it sounded timeless and fresh, made her a singular figure in that scene. On her second album, Ys (pronounced "ease"), she continues to move in a very different direction than her peers, and even a different one than what her audience might expect. The Milk-Eyed Mender's 12 gentle vignettes sounded like they were basking in sunlight; Ys is epic, restless, and demanding, made up of five dazzling, shape-shifting songs that range from seven to 16 minutes long. Newsom embarks on this adventure of an album with help from talents as diverse as engineer Steve Albini, arranger Van Dyke Parks, and producer Jim O'Rourke (who, come to think of it, is the perfect meeting point between Albini and Parks). Ys' boldly intricate sound plays like an embellished, illuminated, expanded version of Newsom's previous work. Parks' lavish, but never intrusive, orchestral arrangements sometimes make the album feel -- in the best possible way -- like a Broadway musical based on The Milk-Eyed Mender, particularly on the album closer, "Cosmia." Crucially, though, Ys isn't any less "real" than Newsom's other music just because it's more polished. The nature and craft imagery in her lyrics, the transporting sense of wonder and the one-of-a-kind voice of The Milk-Eyed Mender are here too, just in a much more refined and ambitious form: Ys is a gilt-edged, bone china teacup to Mender's earthenware mug. Along with the beautifully filigreed arrangements and melodies, which mingle strings, jew's-harps, and spaghetti Western horns with Appalachian, Celtic, and even Asian influences, the album shows Newsom's development as a singer. She has more nuance and control, particularly over the keening edge of her voice, which is recorded so clearly that when it cracks, it tears the air like a tangible exclamation point. Ys' daring, plentiful wordplay makes it even more of a rarity: an extremely musically accomplished album with lyrics to match. On "Only Skin" alone, Newsom goes from rhyming "fishin' poles" with "swimmin' holes" to "heartbroken, inchoate." These songs are so full of words and plot twists that sometimes it feels more like you're reading them instead of listening to them, and indeed, actually reading the lyrics in the book-like liner notes reveals that Ys has a library's worth of children's stories, myths, romances, and of course, fairy tales woven into its words. As the album unfolds, it seems like Newsom can't get more ambitious (and more importantly, pull it off), but with each song, she does. Two of the best moments: the darkly whimsical fable "Monkey & Bear," a forest romp that boasts some of the album's best storytelling and some of Parks' liveliest arrangements, and "Sawdust & Diamonds," which is surreally sensual and coltish, with surprisingly direct lyrics: "From the top of the flight/Of the wide, white stairs/For the rest of my life/Do you wait for me there?" Ys isn't exactly a reinvention of Newsom's music, but it's so impressive that it's like a reintroduction to what makes her talent so special. Its breathtaking scope makes it a sometimes bewildering embarrassment of riches, or as one of "The Monkey and the Bear"'s lyrics puts it, "a table ceaselessly being set." Yes, Ys is a demanding listen, but it's also a rewarding and inspiring one. Letting it unfold and absorbing more each time you hear it is a delight. ~ Heather Phares

Product Details

Release Date: 11/14/2006
Label: Drag City
UPC: 0781484030317
Rank: 29828

Tracks

  1. Emily
  2. Monkey & Bear
  3. Sawdust & Diamonds
  4. Only Skin
  5. Cosmia

Album Credits

Performance Credits

Joanna Newsom   Primary Artist,Harp,Vocals,Pedal Harp
Bill Callahan   Vocal Harmony
Jeff Driskill   Clarinet
Don Heffington   Percussion
John Rosenberg   Conductor
Leland Sklar   Bass (Electric)
Julie Rogers   Violin
Matt Cartsonis   Banjo,Mandolin
Briana Bandy   Viola
Miriam Mayer   Viola
Cameron Patrick   Violin
John Wittenberg   Violin
Bart Samolis   Bass
David Stenske   Viola
Terry Schonig   Marimba,Cimbalom
Caroline Buckman   Viola
Grant Geissman   Guitar (Electric)
Peter Kent   Violin
Van Dyke Parks   Accordion,Conductor
Jessica van Velzen   Viola
Laurence Greenfield   Violin
Shari Zippert   Violin
Robert O'Donnell   Trumpet
John Mitchell   Bassoon
Steve Durnin   French Horn
Robert O'Donnell, Jr.   Trumpet
Francine Walsh   Violin
Vladimir Polimatidi   Violin
David R. Stone   Bass
Marda Todd   Viola
Karen Elaine   Viola
Peter Nevin   Clarinet
Gina Kronstadt   Violin
John D. Mitchell   Bassoon
Terrence Schonig   Marimba,Cymbalom
Susan Greenberg   Flute
Peter Doubrovsky   Bass
Adriana Zoppo   Violin
Edmund Stein   Violin
Sharon Jackson   Violin
Patricia Cloud   Flute
Phillip Fethar   Oboe
Erika Duke-Kirkpatrick   Cello
Emily Newsom   Vocal Harmony
Giovanna Clayton   Cello

Technical Credits

Steve Albini   Engineer,Vocal Engineer
John Rosenberg   Contractor
Nick Webb   Mastering,Mastering Engineer,Mastering
TJ Doherty   Mixing Assistant
Tim Boyle   Engineer
Jim O'Rourke   Mixing,Mixing Engineer
Joanna Newsom   Leader,Composer,Producer
Van Dyke Parks   Arranger,Producer,Orchestral Arrangements
William T. Stromberg   Copy,Copyist
Richard Good   Design
Benjamin A. Vierling   Paintings
Rich Good   Design
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