The Z Was Zapped: A Play in Twenty-Six Acts

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Overview

A dramatic black- and- white presentation of the alphabet in which the three-time Caldecott medalist depicts a mysterious transformation of each letter.

Depicts how A was in an avalanche, B was badly bitten, C was cut to ribbons, and the other letters of the alphabet suffered similar mishaps.

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Overview

A dramatic black- and- white presentation of the alphabet in which the three-time Caldecott medalist depicts a mysterious transformation of each letter.

Depicts how A was in an avalanche, B was badly bitten, C was cut to ribbons, and the other letters of the alphabet suffered similar mishaps.

Editorial Reviews

Publishers Weekly
Van Allsburg's latest is not an alphabet book but an ``alphabet theatre'': as its title page proclaims, it is ``a play in twenty-six acts, performed by the Caslon Players, written and directed by Mr. Chris Van Allsburg.'' In it, each letter of the alphabet is shown on a draped curtained stage, undergoing some sort of (usually ominous) transformation. Turning the page reveals the text that spells out the alphabetical event: the A was in an avalanche; the B was badly bitter; the C was cut to ribbons; and so on. This is an original and unusual undertaking, executed with both visual and verbal adroitness. In technique it most resembles Van Allsburg's The Mysteries of Harris Burdick; in both books, black pencil is used with remarkable skill to create the richness of texture and shading usually associated with full color. It is perhaps closest to Harris Burdick in ambition as well, in the sense that an imaginative challenge is presented to the reader (here, to come up with a verbal account of the pictured transformation before turning the page to find it). But the imaginative possibilities of the ``alphabet theatre'' are limited; this alphabet book format is more of an intriguing design element than a way to teach the ABCs. The picture and text that belong to a single letter are not on facing pages. While Van Allsburg's visual ingenuity is in full evidence (among his hauntingly realistic images are the evaporating E and the jittery J), there is both a sinister quality and an stagey dimension to the work. Artistically, a virtuoso performance, but one with an undeniably cold cast. All ages. (October)
"Whimsical, sophisticated, this should appeal to a wide audience, from those amused by mayhem in an unusual context to the many fans of this uniquely creative artist."
School Library Journal
Gr 1 Up Returning to the black-and-white medium of conte pencil, Van Allsburg now presents an alphabetical morality play in 26 acts. Each sculptured letter is the subject in an action-packed tableau enacted on a sedately curtained stage. Here is a preview of coming attractions``A was in an Avalanche, B was Badly Bitten, C was Cut to ribbons.'' Children can try to guess what action has occured, thereby increasing their vocabulary and the fun, or they can turn the page and read the text, or better yetdo both. This clever romp resembles old vaudeville theater, with one curious act following the next. The ``Y'' is even yanked offstage by a crook. However, the art reminds one of a still frame from a black-and-white film. In the frame titled ``S was Simply Soaked'' the water hangs in mid-air above the ``S'' as if the projector were shut off in mid-action. There is also a surrealistic quality inherent in the illlustrations. While the younger crowd may be able to guess some of the verbs that Van Allsburg illustrates, this is more an alphabet book for older children, who will enjoy guessing what heinous act is being foisted upon these noble letters. Karen K. Radtke, Milwaukee Public Library

Product Details

  • ISBN-13: 9780395446126
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 10/28/1987
  • Format: Library Binding
  • Edition number: 1
  • Pages: 56
  • Sales rank: 87,602
  • Age range: 5 - 8 Years
  • Product dimensions: 9.00 (w) x 12.00 (h) x 0.50 (d)

Meet the Author

Chris Van Allsburg
Chris Van Allsburg

Chris Van Allsburg is the winner of two Caldecott Medals, for Jumanji and The Polar Express, as well as the recipient of a Caldecott Honor Book for The Garden of Abdul Gasazi. The author and illustrator of numerous picture books for children, he has also been awarded the Regina Medal for lifetime achievement in children’s literature. In 1982, Jumanji won the National Book Award and in 1996, it was made into a popular feature film. Chris Van Allsburg was formerly an instructor at the Rhode Island School of Design. He lives in Rhode Island with his wife and two children.

Biography

Multiple Caldecott Medal winner Chris Van Allsburg grew up in the 1950s in and around Grand Rapids, Michigan. He majored in sculpture at the University of Michigan's College of Architecture & Design and graduated in 1972. He received his M.F.A. in 1975 from Rhode Island School of Design.

After graduate school, Van Allsburgh set up a sculpture studio in Providence, married and settled in the area, and began exhibiting his work in New York City and throughout New England. Around the same time, he became interested in drawing. His wife, Lisa, encouraged him to pursue children's book illustration, putting him in contact with her friend David Macauley, a successful artist and author. Macauley's editor at Houghton Mifflin was impressed by Van Allsburgh's work and advised him to try his hand at illustrating a story of his own. His maiden effort, The Garden of Abdul Gasazi, was published in 1979 and received a Caldecott Honor Medal.

Since that auspicious beginning, Van Allsburgh has gone on to produce a string of wonderfully inventive, critically acclaimed, and award-winning books. He gathers inspiration from unlikely quarters -- the progress of ants across a kitchen counter, crayon streaks in a child's coloring book, a children's board game come to life -- and executes his ideas on a provocative but surefire "What if..." principle.

Among his many awards are two Caldecott Medals -- one for Jumanji, written in 1982 and the other for 1985's The Polar Express; a National Book Award (also for Jumanji); and the Regina Medal for lifetime achievement in children's literature.

Good To Know

Van Allsburg's grandfather owned and operated the East End Creamery and delivered milk and milk products to homes around the Grand Rapids area in yellow and blue trucks.

One of Van Allsburg's childhood homes was a big, Tudor-styled house on a wide, tree-lined street. He used the street as a model for the cover art of what is arguably his most famous book, The Polar Express.

Because so many students at Van Allsburg's high school excelled academically, representatives from the University of Michigan would visit each year to interview interested seniors and admit them on the spot if they met qualifications. During his senior year, Van Allsburg was told about the art program affiliated with the University's College of Architecture & Design and thought it sounded like fun. Although he had never had any formal art classes, he fibbed to the admissions officer, saying he had taken private lessons outside of school.

Two of Van Allsburg's bestselling books, Jumanji and The Polar Express, were subsequently turned into blockbuster movies.

Van Allsburg is not your typical "feel good" children's author. He has been known to handle darker themes, and his stories often involve bizarre worlds and dreamscapes.

In all his stories, Van Allsburg inserts a little white bull terrier modeled after a real-life dog owned by his brother-in-law. (Another popular children's author, David Shannon, does the same thing, but Shannon's pup is a Westie!)

    1. Hometown:
      Providence, Rhode Island
    1. Date of Birth:
      June 18, 1949
    2. Place of Birth:
      Grand Rapids, Michigan
    1. Education:
      University of Michigan College of Architecture & Design, 1972; Rhode Island School of Design, MFA, 1975
    2. Website:

Customer Reviews

Average Rating 4.5
( 7 )

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Sort by: Showing all of 7 Customer Reviews
  • Posted January 23, 2010

    I Love This Book!

    I bought this book for my four year old nephew. I couldn't believe how much fun we had reading it together. Once he caught on he couldn't wait for me to turn the page and get to the next letter. It made learning the alphabet and sounds a lot of fun. This is a great book for new readers and kids going into kindergarten. I know I will buy more copies of this book in the years to come for kids of family and friends.

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