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| Paul McCartney | Composer |
| Andy Fraser | Composer |
| Paul Haig | Composer |
| 808 State | Producer |
| Paul Hardiman | Producer |
| Trevor Horn | Arranger, Producer, Executive Producer |
| Luis Jardim | Producer |
| Arif Mardin | Producer |
| Dave Meegan | Engineer |
| Orchestral Manoeuvres in the Dark | Producer |
| Andrew Poppy | Composer, Producer |
| Strong | Composer |
| Brian Tench | Producer |
| Stuart Bruce | Engineer |
| Paul Morley | Composer |
| Malcolm Ross | Composer |
| Instinct | Producer |
| Morley | Composer |
| Pigalle | Composer |
| Propaganda | Arranger |
| Waddell | Composer |
| Humphreys | Composer |
| O'Toole | Composer |
| Stephen Lipson | Producer |
| Philip Marshall | Packaging |
| Ian Peel | Liner Notes |
| Troy Tempest | Composer, Producer |
| Nicky Squire | Engineer |
Editorial Reviews
All Music Guide - David Jeffries
While the first volume from the vanguard '80s label stuck with in-house artists, this second volume of ZTT's favorite 12"s collects some "related" material, as when in-house act the Art of Noise remixed Sir Paul McCartney ("Spies Like Us"). Elsewhere, there's Godley & Creme's extended "Cry," which features Art of Noise members on its backing tracks along with label head Trevor Horn as its producer, and Scritti Politti's "Absolute" is included thanks to its remix from AoN member Gary Langan. It all lets synth pop historians examine that short sliver of time when every remix wanted to be a ZTT remix with narration, pompous literary quotes, and isolation of each track ...