Zel

( 55 )

Overview

High in the mountains, Zel lives with her mother, who insists they have all they need — for they have each other. Zel's life is peaceful and protected — until a chance encounter changes everything. When she meets a beautiful young prince at the market one day, she is profoundly moved by new emotions. But Zel's mother sees the future unfolding — and she will do the unspeakable to prevent Zel from leaving her... "Will leave readers spellbound."— Publishers Weekly, starred review

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Overview

High in the mountains, Zel lives with her mother, who insists they have all they need — for they have each other. Zel's life is peaceful and protected — until a chance encounter changes everything. When she meets a beautiful young prince at the market one day, she is profoundly moved by new emotions. But Zel's mother sees the future unfolding — and she will do the unspeakable to prevent Zel from leaving her... "Will leave readers spellbound."— Publishers Weekly, starred review

Based on the fairy tale Rapunzel, the story is told in alternating chapters from the point of view of Zel, her mother, and the nobleman who pursues her, and delves into the psychological motivations of each of the characters.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
As she has done for The Frog Prince and Hansel and Gretel, Napoli here visits her magic upon the tale of Rapunzel, creating a work of depth and beauty. In mid-16th-century Switzerland, Zel, on the threshold of adolescence, accompanies her mother on a rare trip from their remote cottage to the village. By chance she meets a youth named Konrad; unknown to her, he is the son of the count, and he is charmed by her apparent simplicity and forthright manner. Napoli gently guides the reader through the inevitable consequences of this meeting, mining every movement in the fairy tale for its psychological treasures. Zel's mother, no longer a routine villainess, has sacrificed everything, even her soul, for the witchcraft that enables her to have a daughter; a desperate fear of Konrad's attentions drives her to imprison Zel in the famous tower. Isolated, Zel wavers between recognition of her mother's sacrifices and her own fury, and wanders into madness. Konrad, meanwhile, must discover the difference between love and obsession. Napoli imagines the precise quality of the mother's supernatural powers, the colors of the stones in Zel's tower, the rustle of the trees in the forest. But the genius of the novel lies not just in the details but in its breadth of vision. Its shiveringly romantic conclusion will leave readers spellbound. Ages 11-up. (Sept.)
The ALAN Review - Laura M. Zaidman
This enchanting tale transforms Rapunzel into an intriguing psychological drama of love and its denial. When thirteen-year-old Zel (Rapunzel) goes with Mother beyond their isolated mid-16th century Swiss Alps home to shop in town, the innocent child-woman captures the heart of Count Konrad and enchants his mare Meta. Though sharing the same birthday, he and Zel seem doomed as star-crossed lovers because their parents have other plans for their destinies. Bursting with evocative sensory images of stolen rapunzel (lettuce), ripening melons, moon blood, and secret seeds, Zel resonates with passionate energy. The story's familiar motif of Rapunzel letting down her golden hair twists around themes of awakening sexuality, teens' struggle against parental control, love, betrayal, loss, and renewal. If readers suspend disbelief upon entering this fantasy world, they will delight in the way Napoli skillfully weaves narrative threads into a rich tapestry of the timeless fairytale metamorphosized.
Children's Literature - C. Darren Butler
Napoli's captivating retelling of Rapunzel is as true to early versions of the tale as it is to the sanitized story handed down by the Grimms. The author depicts a reasonably authentic, deliciously subtle, historical background: 16th Century Switzerland, during the Reformation. Zel and her "mother," the witch, live together on their farm in the Alps. Trouble begins when Zel reaches an age at which boys pay attention to her and she to them. Unlike some retellings, Zel is neither facile nor predictable. Napoli uses multiple viewpoints (Zel, Mother, and the Prince) to reveal conflicted, absorbing characters. Many readers won't realize that Zel retells Rapunzel until about 80 pages into the book, when the word Rapunzel appears for the first time. Zel's world holds no pat solutions to complex problems. Betrayal and suffering are real. Napoli handles adult themes, e.g., lovemaking and pregnancy, with extraordinary indirectness and skillfulness. The material has adult depth, but remains suitable for young people. Zel is a tour de force of characterization and suspense. Fantasy and magic blend seamlessly with reality. Poetic conceits enrich the reading. A tremendous achievement. Highly recommended.
VOYA - Sarah Flowers
This retelling of Rapunzel explores the story from three points of view: that of Zel (Rapunzel), Mother, and Count Konrad, the young man who loves Zel. The most gripping story-and the only one told in the first person-is Mother's. Far from being the stereotypical wicked witch, Mother is a barren woman who trades her soul for the "way with plants" which enables her, ultimately, to acquire the thing she wants most in all the world-a daughter. She adores Zel, and raises a happy and loving child. When Zel is thirteen, however, and has just met Konrad, Mother moves Zel to a tower to keep her safe and pure until she can convince Zel to freely offer her own soul in exchange for magical powers and thus remain with Mother forever. Napoli describes Zel's descent into madness in the tower and her journey to recovery and forgiveness afterward in simple but effective language. Konrad's years-long search for Zel is also the story of his growth from boy to man. This is an exceptional book that fans of McKinley's Beauty (HarperCollins, 1978) will love. It is also a moving exploration of the age-old question: "What will I do-and what will I give up-to achieve my heart's desire?" VOYA Codes: 5Q 4P J S (Hard to imagine it being any better written, Broad general YA appeal, Junior High-defined as grades 7 to 9 and Senior High-defined as grades 10 to 12).
School Library Journal
Gr 9 UpThis retelling of the story of Rapunzel is no simple fairy tale retold for the entertainment of children. Instead, it is a searing commentary on the evil that can result from human longings gone awry. Napoli sets the novel in 16th-century Switzerland and alternates the various characters' points of view. Zel and Count Konrad's narratives are presented in the third person, while Mother tells her own story. All are told in the present tense. Readers learn that the barren mother's obsession for a child drove her to give herself up to eternal damnation in order to have a daughter. Now, she seeks to keep the child away from the world so that the innocent girl will choose her mother above all others. That this will mean Zel's damnation also does not deter Mother in the least. When the inevitable happens and Zel meets the young man, Mother locks her away in a tower. Unlike most versions, this story realistically portrays the dismal effects of isolation on the girl's mind and spirit. She goes quite mad but is still able to accept Konrad's love when he finds her at last. Konrad's transformation from arrogant noble to a man with an obsessive love for a girl he barely knows is less realistic but follows the traditional story line. In his final confrontation with Mother, evil appears to have triumphed. Even the eventual "happily ever after" ending cannot clear the air of the darkness that pervades this tale. Mother's fatal possessiveness and the horror of Zel's life in the tower are the dominant themes that readers will remember. This version, with its Faustian overtones, will challenge readers to think about this old story on a deeper level. It begs for discussion in literature classes.Bruce Anne Shook, Mendenhall Middle School, Greensboro, NC
Kirkus Reviews
A passionate, painful elaboration of the story of Rapunzel, from the author who did the same for Hansel and Gretel in The Magic Circle (1993).

Here again, the "witch" is the tragic figure: A woman unable to bear children but unable to exist without a child sells her soul for an eldritch power over all plants, bullies her terrified neighbors into giving up their newborn daughter, and spirits her away to a remote Swiss farm. Lovingly nurtured, Zel grows into a joyful, creative child, wholeheartedly devoted to the only mother she knows until she meets Konrad on a rare visit to town. Brutally torn between love and need, the witch imprisons Zel, and watches in anguish as the child's sanity begins to slip away with the seasons. Writing in present tense, using three alternating points of view, Napoli (Jimmy, The Pickpocket of the Palace, 1995, etc.) makes each incident immediate, each character's needs and longings sharply felt. She adheres closely to the traditional plot and, to a story already abrim with symbol and metaphor, she adds even more. This rich, complex reading may require an adult's sensibility and level of experience to absorb fully, but it powerfully renders the tale's inherent terror and tragedy.

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Product Details

  • ISBN-13: 9780141301167
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 11/28/1998
  • Series: Puffin Novel Series
  • Edition description: Reprint
  • Pages: 240
  • Sales rank: 322,891
  • Age range: 12 - 15 Years
  • Product dimensions: 4.41 (w) x 7.14 (h) x 0.46 (d)

Read an Excerpt




Chapter One


Oh, Mother, the goose is on her nest again." Zel rests her weight on the windowsill and leans out. Her feet dance on tiptoe. The goose stretches her neck forward and smacks the bottom of her bill on the rocky soil. "Goose!" Zel shouts. "Dear goose. You're terribly confused." Zel hears a thunk. She spins around.

    Mother has just put a bowl of apricots on the center of the table. "Forget that goose. Eat well. You'll need your energy."

    "I will?" Zel grabs a fruit from the cool water it floats in. She eats greedily, her teeth sharp as the shells she has collected on their visits to the lake. She sees that Mother wears her good shoes. "Oh, we're going to town today!" She laughs. And now her dancing feet take her around the table, around Mother, impelled by the rare joy of town. Zel sings, "Today today today today."

    Mother catches the tips of Zel's braids and gives a playful tug. Holding tight, she dips her fingers in the water in the bowl and smooths the curls that have sprung free back into place. Then she turns to the shelf and takes down the dark loaf. She saws with a long, strong knife.

    Zel sniffs the air, lifting her nose like the lone chamois she watched one day last month when she climbed high into the Alps. "I love the smell of bread. Sweet, sweet bread."

    "Nourishing bread." Mother puts two pieces on the table.

    Zel takes a bite of bread, then ties on her shoes. She has already tended to the rabbits and hens, so there is nothing to delay her and Mother. "I Wonder if the crier withthe melons will be there." She would love to see the crier's wide chest and hear his rough voice.

    "The first melons might be ripe already." Mother speaks distractedly.

    "Tell me: will he?" Zel chooses a second apricot and rolls it on the table, making a design of its wet trail. She takes hold of her wooden chair by the half-moon hole in its back, pulls it out from under the table, and sits.

    Mother smiles. She closes her eyes. When she opens them, she says, "At least a few melons are ripe. He'll be there."

    "Mother." Zel's eyes hold Mother's with insistence. "I want to be able to close my eyes and know things, like you. But when I close my eyes, all I do is stumble."

    Mother picks up her own hunk of bread. She eats, quick and silent.

    Zel stands with her eyes closed and bumbles her way across the room, through the doorway, purposely bumping into baskets and beds. She opens her eyes and laughs. "Let's go."

    Mother takes a cloth sack off the peg on the wall. She picks up the piece of bread that Zel has left on the table and slips it in Zel's pocket as she walks past and out the door.

    On the side of the next mountain to the east, a herd of long-horned goats skips over stone loosened by spring rains. There is little grass on that mountain, but on Zel's and Mother's meadow the grass is thick as moss. No place on earth is as fine as their alm. Zel skips through the grass, mimicking the goats.

    "Keep clean, Zel. We must be presentable for town."

    "Everyone else will be caked with grime."

    "We aren't everyone else."

    Zel doesn't understand Mother's passion for cleanliness. No one else seems to share it. Still, she returns to the path.

    "Pay homage to the cypresses." Mother nods toward the row of tall trees.

    Zel bows her head. These are the only cypresses Zel has ever seen in all her mountain wanderings. They define the edge of their alm. One winter night the thunder of snow breaking from the mountainside woke Mother and Zel, and by the time they managed to rush from the cottage, the avalanche was over—blocked by the looming trees. Zel was sure the trees had not been there before that night, but Mother said it's easy not to notice trees and plants until you need them. Mother notices every tree everywhere, it seems. Zel has little sense of trees, but gratitude renders her reverent before these cypresses, which seem to grow thicker by the day.

    The goose swings her neck and gazes at them. Beyond the goose, the gray tomcat moves in a silent crouch on the bridge. But there's no cause for alarm: The goose isn't unaware; Zel can see that from the angular movements of the goose's head. Rather, the goose is flustered: Which threat is greater, humans who might eat eggs or a tom who attacks birds? In an instant she's made her decision. She spreads her wings and leaps onto the bridge, charging the cat with raucous honks. The tom turns and runs. Foolish cat to have even thought of attacking. No cat is a match for a goose. Still, Zel admires the cat's saucy spirit.

    Zel points at the nest and counts. "Five. This year she's got five. Last year it was only four."

    The goose now pivots, her wings wide, and charges Zel and Mother. Zel backs away to give the goose wide berth. But Mother pulls Zel behind her and stays on the path. Mother hisses loudly. The goose halts, honks. Mother hisses more fiercely. The goose returns to her nest. Mother crosses the bridge.

    Zel feels betrayed by the goose's attack and even more by the goose's obedience to Mother. She looks over her shoulder and calls, "Silly goose. Who'd want to steal your rocks anyway? No matter how long you sit on them, they'll always be rocks."

    The goose swings her head dumbly.

    Zel is sorry for her words. The goose cannot possibly understand them, but that makes them worse. "What makes her gather rocks, Mother?"

    "I don't know, Zel. Probably her mate was killed and she can't give up the instinct for nesting."

    "Maybe she had a nest of real eggs once. Maybe a fox attacked and killed them all." Zel shudders. She thinks about her own future family. She will have many children. And a husband, of course, not like Mother. He will play with the children, like their billy goat nudges his kids. Zel looks again at the goose, alone on a nest that will never be filled with goslings. "She makes me sad."

    Mother stoops and picks a purple aster. She gently works it into Zel's right braid, so that it sits above her ear. She straightens Zel's smock. "Do you wish the goose wouldn't come back next year?" She swings her empty sack over her shoulder and walks on.

    Zel stretches her arms out behind her, fingers spread like goose feathers in landing. She runs a few paces, then drops her arms. "No, I like her."

    The path feels new. After all, they travel this path only twice a year. Zel looks around. Berry bushes tangle the underbrush, but they are empty. The berries dried up weeks ago. Few fruits are more lovely than summer berries. Zel eyes the brush, her wish fervent and acute. But they wind their way downward, always through empty canes. She says softly, half to herself, "I'm hungry for raspberries."

    "Look carefully." Mother's tone is light, much cooler than the midsummer air.

    A tiny breeze stirs the leaves of an aspen. Its base is surrounded by prickly canes. Zel goes forward and gathers the berries. Just enough to fill both hands. "You knew they were here, didn't you?" She fills her mouth and walks beside Mother again. The berry juice runs down her chin. She wipes it away and licks her fingers. "How could you know these berries would be here, when all the other bushes are dry as dust?"

    Mother opens her mouth as if to speak. But she says nothing. Her eyes are troubled.

    A young hedgehog races from under a bush. At that moment the overhanging branch of a tree breaks and falls on it.

    "No!" Zel runs and rolls the branch away. The little creature is stunned. It blinks at Zel, who coos as she checks its limbs. It scurries off. Zel returns to Mother's side. "I saw fear in its eyes. I wish I could have made it understand I meant no harm. I love animals, Mother. I want to talk to them."

    "You practically do, Zel."

    "In their language, I mean."

    Mother smiles vaguely. She moves along more quickly and lightly now, taking Zel's hand. But Zel is too excited to walk. She drops Mother's hand and skips. She will be with people today all day long.

    Zel loves seeing people. No one ever comes to visit their alm, but still Zel gets to see people often. So far this summer she has spied at least one of the herd boys every day. These are boys who live in the lower hills in winter. But in fair weather they take up residence with the mountain people in their scattered cabins. Once a week each boy takes a turn driving the communal herd across the alms for grazing. Zel has always wished that she and Mother had a cow to contribute to the herd so that the boys would stop by their alto. But Mother prefers goats. And whenever a herd boy crosses their grasses, Mother shoos him away before they can even exchange names.

    But in town Mother can't shoo people away. Zel will get to see everyone, talk with everyone. Oh, town is wonderful.

    The path through the woods comes out on the road. Far ahead two oxen pull a cart piled high with goods under an oilskin. On the road behind, Zel hears voices. She glances at the family that walks beside a donkey loaded almost as high as the oxen cart. The market ahead will be full of donkeys like him, gossiping donkeys. "Hurry, Mother." Zel takes Mother's hand and pulls ahead.

    Finally they pass through the covered bridge over the great river that empties into their lake, footsteps and voices resounding on the stone. When they emerge, the lake shines opaque green down to their left. It is long and flat this morning. Sometimes the lake moves from one end to the other like a thin good-weather quilt in a spring wind. There is a precipice near their home from which Zel can see almost the entire lake. When it moves in that special way, she wonders if the next lake over also moves. Perhaps today that lake is flat, too, inviting the foolish to walk on it.

    The road winds along the side of the hill, passing below the opening of the grottoes. The son of the traveling handyman who patches their steep roof told Zel of those frigid hollows. The boy climbed through holes so narrow, he had to pull himself along on his stomach. He swam in black pools full of lime and vomited afterward. Zel listened and shivered. The boy gave her a cave rock, red from iron. But when Zel showed it to Mother, Mother snatched it and threw it from a cliff. Mother won't abide gifts. Zel painted caves dripping with purple-red mulberry stain for weeks after. When she looked at them, she shivered. And when she shivered, she remembered his question; he asked how she could bear living with no one but Mother way out on their alm. He said, "Don't you mountain people get lonely?"

    Passing the grottoes, Zel drops Mother's hand and hugs herself with both arms to fend off the shivers.

    At last, Zel and Mother arrive in town. They follow the cobblestones, winding through people and animals. The huge clock in the town tower seems to look down on the market square like an open eye. Zel and Mother stop at table after table—here piled high with paprika, bunches of parsley, savory, oregano; here covered with neat pyramids of cheese balls. The zesty smell of the Gruyère Mother buys tickles Zel's nose. They munch sweet rolls of white flour with raisins, citron, and cinnamon, glazed shiny with egg yolk.

    Zel hums. She feels absorbed by the throng of people. She stops a moment, enjoying the sense of warmth and envelopment. But Mother nudges her along.

    And here's the fruit stall they always visit. A girl Zel has talked with before hugs her warmly. A boy who looks to be the girl's brother sneaks strawberries into Zel's hand, the small, wild, exquisitely sweet kind. Mother grabs Zel by the wrist and the berries drop in the dust. How can Mother rush when it's been so long since they last came to town—six long, long months? Zel lags behind, forcing Mother to slow her pace.

    Another vendor insists on slipping a licorice stick into Zel's pocket. Mother feigns ignorance of the act, perhaps because she knows Zel would protest if Mother refused this favorite of treats.

    A third vendor, a woman Mother's age, leans forward. "The season's first grapes." She drops a small bunch of the green fruit in Zel's outstretched hands. Zel has them in her mouth before Mother can say no. But Mother doesn't seem to want to say no now. She presses through the crowds to the edge of the square.

    Zel looks ahead. Her eyes alight on the mare that whinnies in protest as the blacksmith ties the fourth rope holding her in place. Merchants often leave their horses to be shod or to have their hooves filed while they sell their wares. Zel knows this because she and Mother have stood and watched the smith on past visits to town. "Mother, can we go watch?"

    "I have errands to run. Stay here without me while I do them, will you?"

    Zel's chest tightens. She has never been without Mother in town. Yet Zel has seen children walk unattended through the streets. Why, there, in front of the flower merchant, a child much smaller than Zel chooses foxgloves in blue and pink and white. And over there a girl of maybe fourteen or fifteen buys a slab of pork. Zel feels suddenly silly. "Of course, Mother. I'll be fine." And she will. This will be an adventure.

    Mother touches Zel's cheek and a look of pure tenderness fills her eyes. She leaves.

    Zel enters the smithy with a sense of anticipation that makes her almost giddy.

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Table of Contents

Zel Part 1. The Gift
Switzerland, mid-1500's

Part 2. Rejection

Part 3. Lonely

Part 4. Obsessed

Part 5. The Kiss

Part 6. Love

Part 7. Scattering

Part 8. Gathering

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Customer Reviews

Average Rating 4
( 55 )
Rating Distribution

5 Star

(32)

4 Star

(10)

3 Star

(6)

2 Star

(5)

1 Star

(2)

Your Rating:

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See All Sort by: Showing 1 – 20 of 55 Customer Reviews
  • Posted August 4, 2010

    more from this reviewer

    Disgusting, Horrible Book

    This book gave me nightmares after I read it. It was possibly one of the worst books I've read in my life. I mean, Zel smashing her head with bricks, period blood, them lying naked, description of urination???...Donna Jo Napoli SLAUGHTERED a good story by turning it into this hyper-descriptive, awful book. I had to force myself to drag through this terrible piece of literary manure.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 23, 2008

    'Zel' is truly magical yet believable

    'Zel' is a fantastic book for everyone, especially the fantasy and fairy tale lovers. It is believable, charming, emotional, romantic, and even suspenseful. It brings a whole new side to a classic and beloved fable, and Donna Jo Napoli's writing style enhances and exhilarates. You will be mesmerized at the detail. Spectacular!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 25, 2007

    What a fantastic book!

    I thought the story Zel was great. I didnt get board the first time I read it.It was so romantic that Count Konrad kept looking for Zel for years. It shows true love conquers all. If you like history and fairytales this is for you.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 14, 2000

    Sorry

    I liked the book but..... Donna's writing style doesn't fit with me so I kinda got bored with it. I like the romance but I think Zel is retarded.

    1 out of 1 people found this review helpful.

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  • Posted August 10, 2010

    Rapunzel revamped.

    This imaginative retelling of a classic fairy tale is best described as intriguing. This book is short but extremely interesting and once you pick it up you won't want to put it down.

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  • Posted February 24, 2010

    What girl with braids?

    Zel is a mesmerizing book, filled with fantasy and many different types of love. Zel, of course, is the main character and she has lived with Mother for almost 13 years. Her life is shielded from many things such as boys, religion and marriage. When Zel goes to town a couple days before her 13th birthday she meets a young boy about the age of fifteen. That was the day her life changed forever. Zel's "mother" doesn't want Zel to marry or to leave her, so she put Zel in a save, very lonely tower. She is left in this tower for 2 years with a daily visit from "mother". Longing to escape the dreadful tower she believes she sees a fantasy, the young boy coming to rescue her, but it's not a fantasy its real! He has come to take her away but Mother appears and has the trees take her far, far away. The boy, Konrad, comes back and finds his love is gone without a trace. The old woman is dieing and can't say much but the Konrad is knocked out the window. Konrad isn't dead but badly injured, he can't see because he was caught by brambles. Zel is dropped very near the sea and starts to walk because now she is free! Free from the tower, but far, far away from Konrad. He spends 3 years looking, blindly, for his lost love. Then one day he hears familiar laugh and embraces with Rapunzel, and his twin daughters. Zel tears run in his eyes and he can see again! I love how this book ends, with almost everyone happy and alive. I would recommend this book to anyone who loves lettuce, and braids.

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  • Posted May 22, 2009

    more from this reviewer

    I Also Recommend:

    Not satisfying

    I did not like this book. The characters were completely unrealistic, and they all were overdramatic. I saw reviewers saying how this novel had plot twists and was exciting and unpredictable. Uh, no. If you know the story of Rapunzel at all, you know the enitre book. I at least expected refreshing insight into the characters, but again was disappointed. It seemed to be okay in the beginning, but the pace and tone of the novel was uneven and the end was incredibly rushed. The first 75 pages takes place in the course of one day, but the last twenty pages covered a span of 3 years. It was just bad and unsatisfying.

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  • Posted April 17, 2009

    more from this reviewer

    a classic tale

    Zel written by Donna Jo Napoli is set in the high mountains and countryside of Switzerland in the mid 1500's. Zel is a modern twist on a classic tale. It is told in alternating parts by zel, her mother, and the young noble. A mother who can "see" things and a handsome noble obsessed with her all factor into Zel's world. In this story Zel, a graceful young girl, and her mother live alone high in the mountains on a little farm with a horse, some chickens, and a goose that can't lay eggs. They only go to the market when they need things. Her life is peaceful and protected. Zel thinks she has everything she could ever want on her little farm. That is until one day she meets a prince in a chance encounter. To her mothers dismay she falls in love with him while her mother does everything to desperately keep her daughter at her side. A secret wedding lands Zel locked in a room where she fears she will never see her love again. The confusion of why her mother is so against love leaves Zel searching through her past to find the truth only leaving her to discover nothing is what it has seemed. Zel is a classic love story and fairy tale with a modern twist. It has you turning pages through the entire book. This book is mostly for young teens or preteens.

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  • Posted February 28, 2009

    I Also Recommend:

    Nothing Special

    I must confess that I adore fairy-tale stories. Fairy-tales bring me to a different world and immerse me in them, but I cannot say that this happened when I read Zel. The story of Rapunzel has to be one of my least favorite fairy-tale stories, but I decided to give this book a try. What I read only made me bored and wonder at how this story was even a retelling or unique in any way. I found the characters dull and not to sound heartless, but I did not even care what happened to the characters. I do not recommend this book to fairy-tales lovers like me, because there are so many other good fairy-tale books to choose from.

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  • Anonymous

    Posted July 17, 2007

    A reviewer

    i didn't like this book at all! It was really sad, its kind of mean at the end and some people reccomended it to me but overall i didn't like it.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 18, 2007

    A reviewer

    I thought this book was going to be good, and the first like 30 pgs were, but then it got soo boring. I kept reading it and was thinking, it's going to get good, it's going to get good, but it never happened. The style of writing is dull and there were no real exciting parts. Not very good, but thats just my opinion I suggest you find out for yourself.

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  • Anonymous

    Posted December 23, 2006

    wow

    This is one of my favorite books by Donna jo Napoli. I love how the characters have a point of veiw instead of just seeing the story in Zel perspective. Its a refreshing spin on a classic tale. Please, read this book if you love fairy tales as much as i do.

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  • Anonymous

    Posted June 6, 2006

    Brilliantly Told!

    This is one of my favorite books, Donna Jo Napoli is a wonderful author. Zel is a fantastic retelling of a classic tale! The different viewpoints allow you to relate to the characters and know their fellings. I highly recommed this story to any book worm!

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  • Anonymous

    Posted June 23, 2005

    Bedazzlingly perfect

    OMG. This book is simply superb. I really didn't espect much from it, but as soon as i opened it I found it hard to stop turning the pages. This books enchaning,magical, romantic, everything a girl could ever want in a book, IT'S EXCELLENT!

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  • Anonymous

    Posted August 2, 2005

    Expected more

    I don't believe I have ever read a book w/ so many completely obsessed main characters. Geez.

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  • Anonymous

    Posted August 2, 2005

    Romantic Rapunzel

    this book was really good, i finished it in a day it was interesting. I like how everything tied into itself, that was something that made you want to keep reading, this was an enthralling version of an othervise boring fairy tale and is definetly one of my favorites.

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  • Anonymous

    Posted May 5, 2005

    Enthralling!!!!!!!!!!!!!!!!!!!!!!!Superb!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!

    This book was fantastic! Definitely a must read!Enchanting, delightful, and a book that takes your imagination to a whole new level!!!!!

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  • Anonymous

    Posted February 27, 2005

    perfect!!!!!!

    i love this book!!!! i got it at the library then i could not put it done for two days!!![i finshed it sadly] then i read it four more times! its so romantic! i recemend it to any one over 12.

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  • Anonymous

    Posted February 27, 2005

    So Romantic....

    This book was so creatively written! its awesome and truley romantic! i loved it!

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  • Anonymous

    Posted March 30, 2005

    Brilliant

    A truly captivating novel of love, insanity, and the close relationship of a mother and daughter. The perspectives of all three characters will have you wandering who is the craziest of all. This is just one of those books that when your finished you just shut the book and say 'wow' and sigh with satisfaction and yet you want more. This is one of the best, don't let it pass you by.

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