Zen Culture

( 23 )

Overview

Anyone who examines the Zen arts is immediately struck by how modern they seem. The ceramics of 16th-century Zen artists could be interchanged with the rugged pots of our own contemporary crafts movement; ancient calligraphies suggest the monochromes of Franz Kline or Willem de Kooning; the apparent nonsense and illogic of Zen parables (and No theater and Haiku poetry) established the limitations of language long before the theater of the absurd; 400-year-old Zen architecture seems to be a copy of modern design ...
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Zen Culture

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Overview

Anyone who examines the Zen arts is immediately struck by how modern they seem. The ceramics of 16th-century Zen artists could be interchanged with the rugged pots of our own contemporary crafts movement; ancient calligraphies suggest the monochromes of Franz Kline or Willem de Kooning; the apparent nonsense and illogic of Zen parables (and No theater and Haiku poetry) established the limitations of language long before the theater of the absurd; 400-year-old Zen architecture seems to be a copy of modern design ideas such as modular space and a California marriage of house and garden.
Zen values experiencing things over analyzing them. Perhaps if we can take the power of direct perception, sharpened by the devices of Zen art, back to everyday activities, we will find a beauty in common objects that we previously ignored.

Selected Reviews

The notoriously grumpy Kirkus Reviews said, “Thomas Hoover has a considerable gift for expressing his appreciation and understanding of various arts associated with Zen. . . . These are deftly treated, with a concise synopsis of the historical development of each; and together Hoover’s discussions provide an excellent introduction to the aesthetics of Japanese culture.”

Library Journal said, “Hoover covers the ground in an easy and informative way, describing the origins of Zen itself and the Zen roots of swordsmanship, architecture, food, poetry, drama, ceramics, and many other areas of Japanese life. The book is packed with facts, the bibliography is excellent, the illustrations few but most appropriate, and the style clear and smooth. A most useful book for all collections.”

Asian Studies declared, “Highly recommended. ZEN CULTURE moves easily from the political climate that gave rise to Zen to the cultural areas – art, architecture, theatre, literature, flower arrangement, design, archery, swordsmanship – where Zen has manifested itself.”

As for the influence of the Zen aesthetic, the Houston Chronicle said, “Hoover suggests we need only look around. Modern furniture is clean, simple lines in unstained, unadorned woods. And that old fad became a habit, houseplants. These are all expressions of ideas born with Zen: understatement, asymmetry, intuitive perception, nature worship, disciplined reserve.”

“Highly recommended,” said The Center for Asian Studies.

“Western intellectuals have tried to represent the height of Buddhist mysticism within the pages of mere books, reducing an ineffable experience into a written report. Predictably such attempts have failed miserably. ZEN CULTURE by Thomas Hoover comes the closest to succeeding,” said Hark Publishing

“ZEN CULTURE, concerned as it is with the process of perception as much as with actual works of art, can open our sense so that we experience anew the arts of both East and West, ancient and modern.” declared the Asian Mail.

And to go multi-media, NYC-FM in New York said, “Hoover takes us on a grand tour of Zen archery and swordsmanship, flower arranging, drama, food, gardening, painting, poetry, architecture. His book is essentially one by a connoisseur.”

Tags: Zen History, Haiku, Zen, Ceramics, Archery, Landscape Garden, Stone Garden, Ink Landscape, Zen Architecture, Sword, Katana, No Theater, Noh Theater, Japanese Tea Ceremony, Flower arranging, Ikebana, Zen Ceramic Art, Raku, Shino, Ryoanji-ji
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Editorial Reviews

Kirkus Reviews
“Highly recommended”
The Center for Asian Studies

“A connoisseur”
NYC-FM

“Hoover provides an excellent introduction to the aesthetics of Japanese culture”
Kirkus Reviews
Kirkus Reviews
“Highly recommended”
The Center for Asian Studies

“A connoisseur”
NYC-FM

“Hoover provides an excellent introduction to the aesthetics of Japanese culture”
Kirkus Reviews
Read More Show Less

Product Details

  • ISBN-13: 9781236705471
  • Publisher: General Books LLC
  • Publication date: 9/13/2013
  • Pages: 90
  • Product dimensions: 7.44 (w) x 9.69 (h) x 0.19 (d)

Meet the Author

Thomas Hoover lives in New York. See:

www.thomashoover.info
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Customer Reviews

Average Rating 3
( 23 )
Rating Distribution

5 Star

(4)

4 Star

(5)

3 Star

(5)

2 Star

(5)

1 Star

(4)

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See All Sort by: Showing 1 – 20 of 23 Customer Reviews
  • Anonymous

    Posted April 17, 2012

    Good Zen history

    Interesting read.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted April 17, 2012

    Doctorate in Zen Culture not dabek.

    Read it twice at the least! A Zen Koan lifetime ¿ 2 if lucky! Down with hackers, no room in zen for idiots like dandy andy dabek what a waste of a life or duck & cover. Dabek needs his snip & cut in Amsterdam. We wait with zen patience!

    1 out of 5 people found this review helpful.

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  • Posted June 20, 2011

    Luigi

    Allright not my favorite though

    1 out of 8 people found this review helpful.

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  • Posted July 18, 2013

    Very interesting book by Thomas Hoover about the influence of Ze

    Very interesting book by Thomas Hoover about the influence of Zen on Japanese art and culture. Everything from the ceramics to the architecture has been influenced by Zen thinking. Such an informative book. It was well researched and I felt confident Mr Hoover was not deceptive in his expertise on the subject. 




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  • Posted July 17, 2013

    Thomas Hoover takes a comprehensive look at how Zen philosophy h

    Thomas Hoover takes a comprehensive look at how Zen philosophy has created the modern Japan we see today. Not a bad book, but at times rather dull. 

    Was this review helpful? Yes  No   Report this review
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