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| Hillsong United | Primary Artist |
| Hillsong | Indexed Contributor |
| Peter James | Synthesizer, Piano, Keyboards, Group Member |
| Matt Houston | Bass |
| Michael-Guy Chislett | Synthesizer, Acoustic Guitar, Percussion, Electric Guitar, Keyboards, Background Vocals |
| James Rudder | Percussion, Background Vocals |
| Jay Cook | Background Vocals |
| Jad Gillies | Percussion, Electric Guitar, Background Vocals, Group Member |
| Joel Houston | Synthesizer, Electric Guitar, Keyboards, Background Vocals, Group Member |
| Matt Crocker | Synthesizer, Acoustic Guitar, Percussion, Keyboards, Background Vocals, Group Member |
| Adam Crosariol | Bass, Group Member |
| Timon Klein | Electric Guitar, Group Member |
| Simon Kobler | Percussion, Drums, Group Member |
| Dylan Thomas | Electric Guitar, Group Member |
| Jonathon Douglass | Percussion, Background Vocals, fender rhodes, Group Member |
| David Ware | Background Vocals |
| Ben Tennikoff | Organ, Synthesizer, Piano, Accordion, Keyboards, Background Vocals |
| Laura Toganivalu | Background Vocals |
| Taya Smith | Background Vocals |
| Michaeli Witney | Cello |
| Evie Gallardo | Violin |
| Carli Marino | Background Vocals |
| Stephen Marcussen | Mastering |
| Peter James | Programming |
| Stewart Whitmore | Digital Editing |
| Michael-Guy Chislett | Composer, Programming, Lyricist, Producer, Engineer, String Arrangements |
| James Rudder | Engineer |
| Hillsong United | Arranger |
| Joel Houston | Composer, Lyricist, Executive Producer |
| Sam Knock | Composer, Lyricist |
| Scott Ligertwood | Composer, Lyricist |
| Matt Crocker | Composer, Lyricist |
| Ben Whincop | Engineer |
| Jay Argaet | Art Direction |
| Simon Kobler | Programming |
| Dean Ussher | Composer, Lyricist |
| Jim Monk | Engineer |
| Ben Tennikoff | Composer, Programming, Lyricist |
| Ryan Taubert | Composer, Lyricist, String Arrangements |
| Salomon Ligthelm | Composer, Lyricist |
Editorial Reviews
All Music Guide - David Jeffries
If Hillsong United didn't create the modern alternative rock style of worship music, they certainly were the group that helped take it to the top of the gospel charts, having released a string of live albums that were mostly live and loud and both sonically and secularly comparable to Coldplay and/or U2. Kicking off with an electro-tinged bit of rock called "Relentless," Zion is a risky expansion of their sound, incorporating many different flavors of pop music and offering elaborate, epic numbers like "Oceans (Where Feet May Fail)" that are so busy and big they seem to have stepped off Broadway and wound up here. Tempos are often faster than before but the swell of ...