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|Zoot Sims Quintet||Primary Artist|
|Zoot Sims||Indexed Contributor, Saxophone, Alto Saxophone, Tenor Saxophone, Track Performer|
|George Handy||Arranger, Composer|
|Orrin Keepnews||Producer, Liner Notes|
|Carol Reiff Galletly||Cover Photo|
Posted February 4, 2011
George Handy's arrangements give these tunes a structure that is somtimes lacking in Zoot's records. The ensemble playing from the two horns just flat works great. If you dig small group cool jazz, you'll love the sound here.
Zoot Sims was such a great improviser that producers occasionally would ask Zoot to get a group into the studio and just blow! That has a charm as well, and produced some of the most memorable sax solos ever recorded, but these well thought-out arrangements make this album a totally listenable experience from start to finish. And the charts certainly don't inhibit Zoot's creativity. He swings hard as usual. And he never plays an inappropriate phrase!
Nick Travis on trumpet (another Woody Herman alum) keeps up with Zoot quite well in the improvisation department, although his chops weren't the best here. He splatters some notes here and there. But Miles did too! George Handy contributes some nice fills and solos on piano while Ossie Johnson on drums and Wilbur Ware on bass make you wonder why they aren't better known. Zoot's soaring alto work is featured on a couple of the cuts, while his better known tenor is used on the balance.
This album was originally a Riverside label release, recorded in late 1956. Fantasy/Original Jazz Classics reissued the album on LP in the early 1980's and on CD some years later. The sound is good on any of these. If you're new to Zoot Sims, one of the very best jazz saxophonists of all time, this would be a great place to start or continue your appreciation of his talent. There's no waste here - an easy 5 star rating!
Posted October 1, 2010
Interesting set - typical small group early Zoot jazz in most respects, with the addition of some 1950's "modern jazz" arrangements. You'll also get to hear Zoot swinging on alto sax, as well as his usual tenor. Sims had a great sense of "swing" - a really great sense of timing and phraseology.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.