Singer/pianist
Willie Murphy is the kind of artist for whom the term "cult hero" was invented. His career began with a bang back in 1969, when he partnered with guitarist
"Spider" John Koerner to make the head-turning psychedelic Americana album
Running, Jumping, Standing Still for
Elektra. With his group
Willie & the Bumble Bee he backed
Bonnie Raitt and became a blues-rockin' journeyman. With 40 years of hard roads behind him,
Murphy sounds as energized as ever on this double album. Not merely a double-length release, this package is really two separate albums, each with their own title, cover, and agenda. Up front is
A Shot of Love in a Time of Need, a collection of funky, R&B-based tunes, including both covers and
Murphy's own songs. On the flipside -- literally -- is
Autobiographical Notes, a collection of tunes
Murphy's had kicking around for a while but couldn't find a home for until now, mostly because of the varied styles they encompass.
Murphy comes out with all guns blazing on the first disc, unleashing a visceral piano style that seems to get in between the cracks in the keyboard, and a gritty, soul-slathered vocal delivery that's perhaps best triangulated somewhere in the middle of
Leon Russell,
Jim Dickinson, and
Dr. John. He's capable of bringing life even to an overdone tune like
"Land of 1000 Dances," and his original tunes stand up alongside the R&B classics he covers. The second disc is a hodge-podge of honky-tonk, folk-rock ballads, soul, and
Band-esque roots rock, plus a bluesy cover of
Fred Neil's
"The Dolphins" thrown in for good measure. If
Autobiographical Notes isn't as consistent as its funkier partner, that's part of its eccentric, ragtag charm; whatever mode it finds
Murphy in, it portrays him accurately as a true American original doing his thing out there in the margins of the music biz, where a man can really get his mojo working. ~ J. Allen