A new learning resource for students of Arabic literature on an important figure in modern Arab culture.

Brilliant . . . This translation of such difficult, multimasked poetry is a real gem.

In these elegant, passionate, and metaphorically inventive poems history intersects with contemporary life in ways that will surprise anyone interested in either literature or the Middle East. At turns haunting and inspiring, they give us a deeper present and a more informed future than we had before.

Faithful and sensitive. An added attraction to this excellent performance is the printing of the Arabic text facing the English translation.

"In these elegant, passionate, and metaphorically inventive poems history intersects with contemporary life in ways that will surprise anyone interested in either literature or the Middle East. At turns haunting and inspiring, they give us a deeper present and a more informed future than we had before." -- Cary Nelson, author of Revolutionary Memory: Recovering the Poetry of the American Left (Routledge) and editor of the Anthology of Modern American Poetry (Oxford University Press)

"Brilliant... This translation of such difficult, multimasked poetry is a real gem." -- Sonallah Ibrahim, Egyptian novelist and essayist with photographer Jean-Pierre Ribiere of Cairo from Edge to Edge

"'The night overtook the day,' and Abdul Wahab Al-Bayati overtakes the reader with his deeply somber and vivid poems that never cease to ask: 'why did the nightingale of love fly away...why do we cry...what did the song say?' The work in this collection is carved with light and darkness, taking us to the cracks of a nation, where 'in the coffeehouse of the East [they] were defeated by the war of words' to the pulse of exile, where 'no one knows another,' were killed 'before [they] loved each other.' Bayati tells us that in exile we encounter death, in this death we find life, and love carries us through it all. For the poet, exile like love and death is a prison and an infinity. Bassam K. Frangieh's translation renders the passion of these poems beautifully, and we know now, when 'the poet departed...his footsteps drew the map of things,' and we are forever led 'blind into exile: eye of the sun.'" -- Nathalie Handal, author of The Never Field and editor of The Poetry of Arab Women: A Contemporary Anthology5

"Faithful and sensitive. An added attraction to this excellent performance is the printing of the Arabic text facing the English translation." -- Irfan Shahid , Sultanate of Oman Professor of Arabic Language and Literature, Georgetown University, andauthor of Byzantium and the Arabs in the Sixth Century

"A new learning resource for students of Arabic literature on an important figure in modern Arab culture." -- Ibrahim Ibrahim, professor of contemporary Arab studies

'The night overtook the day,' and Abdul Wahab Al-Bayati overtakes the reader with his deeply somber and vivid poems that never cease to ask: 'why did the nightingale of love fly away. . .why do we cry. . .what did the song say?' The work in this collection is carved with light and darkness, taking us to the cracks of a nation, where 'in the coffeehouse of the East [they] were defeated by the war of words' to the pulse of exile, where 'no one knows another,' were killed 'before [they] loved each other.' Bayati tells us that in exile we encounter death, in this death we find life, and love carries us through it all. For the poet, exile like love and death is a prison and an infinity. Bassam K. Frangieh's translation renders the passion of these poems beautifully, and we know now, when 'the poet departed. . .his footsteps drew the map of things,' and we are forever led 'blind into exile: eye of the sun.'