Bassist
Ron McClure has always had an open mind when it comes to playing in different genres and styles. In the late '60s, he was part of the
Charles Lloyd quartet, along with
Keith Jarrett and
Jack DeJohnette, and a member of the
Fourth Way, where he replaced
Cecil McBee. Both outfits enjoyed success with jazz and rock audiences. During one stretch in the '70s,
McClure worked with
Thelonious Monk, then
Sarah Vaughan, before joining
Blood, Sweat and Tears for three years as an arranger, composer, and bassist.
McClure's broad outlook continues to inform his more current work.
Pink Cloud from 1996 finds
McClure's outstanding quartet exploring the bassist's original hard bop, modal, and mainstream themes, and occasionally branching off into
ECM-style impressionism. His partners form a cohesive unit that communicates at the highest level.
Rick Margitza (tenor and soprano saxophone) has a mastery of the soprano on a par with
Wayne Shorter's and
Jan Garbarek's. His tone is full, rich, and controlled. Pianist
Jon Davis wears his
Bill Evans,
McCoy Tyner, and
Richie Beirach influences proudly. He's incorporated their lessons into a personal sound that fits well with
McClure's free-ranging conception. Drummer
Jeff Williams is, like
McClure, a
Dave Liebman alumnus. He is not as free as
Paul Motian, but he shares
Motian's ability to move the music forward with subtle accents and shifts in the pulse of the basic tempo.
McClure's playing has been justifiably compared with the quick, clear, light touch that the late
Scott LaFaro brought to prominence as a member of
Bill Evans' celebrated trio from 1959 to 1961. Like
LaFaro with
Evans,
McClure's work is key his group's sound. As well, he has long been a writer of thoughtful, dynamic compositions. Eight of his pieces are effectively developed by the quartet on
Pink Cloud. The recording on this
Naxos release captures the quartet's close-knit, intimate sound very well, as it ranges over
McClure's swinging, introspective, atmospheric and straight-ahead modern jazz vistas. ~ Jim Todd