One of The Guardian 's Best Books of 2017 “This humane and masterly novel by one of Britain's most dazzling writers is . . . deeper than mere philosophy: a praisesong for the magical human predicament exactly as it has been ordained on Earth.” —Cynthia Ozick, The New York Times Book Review (cover review) “A beautiful rumination on what it means to grow old . . . It's a truly lovely novel . . . This isn't a sentimental book, but it's a deeply emotional one.” —Michael Schaub, NPR “Once again, Dame Margaret . . . has created a story that defies its own parameters . Gentler than Muriel Spark’s Memento Mori but no less honest, The Dark Flood Rises examines aging from liver spots to liver failure, but the novel’s humor vaccinates it from chronic bleakness . . . [Drabble is] refreshingly frank about the tragicomedy of aging.” —Ron Charles, Washington Post “The Dark Flood Rises escapes being unbearably depressing by the brilliance of its characterizations, the cleverness of its observations and the indomitable spirit of Fran.” —Patricia Hagen, Minneapolis Star-Tribune "A timely and relevant novel about the way we live (and die) now . . . Reading Drabble is like having a brilliant and companionable acquaintance delve into the ways of the world across a dinner table. The subject may be death, but she still brims with life." —Mike Fasso, Tampa Bay Times “A vein of black humor pulses in Margaret Drabble's The Dark Flood Rises , which, thankfully, makes the novel's reflections on how we age and die as entertaining as a conversation with a dear friend.” —Associated Press "[Drabble is] the English novelist supreme . . . The Dark Flood Rises is a compelling conversation, an example of the kind that many folks over seventy may be having with themselves." —Michael Langan, Buffalo News " "Vital and audacious...Along the way, Drabble interjects her sizeable critical expertise...[and] offers readers a broad medley of different approaches to aging." —Norah Piehl, BookBrowse "Mordant and thought-provoking...More witty than morbid...this wise assessment of aging by one of England’s most respected writers deserves our readerly attention." —Lauren Bufferd, BookPage "The Dark Flood Rises is a kind of Canterbury Tales that involves a pilgrimage towards a vista no one’s keen to contemplate. The upshot is a book full of humanity and humour and compassion that has a lot more variety and urbanity than you have any right to ask for...You will be enthralled by the sheer artistry . . . Young and old should make a point of reading it. This is a wisdom book, which makes it a rare thing indeed." —The Australian “Those who appreciate her able combination of intelligence, wit, and rue will willingly follow Drabble into the sunset.” —Kirkus Reviews (starred review) “Searingly sad but often hilarious . . . Drabble has filled her tale with characters desperately trying to make sense of life and loss, of beauty, talent, missed opportunities, faded passion.” —Publishers Weekly (starred review) “There's plenty of joy to be had in this thoughtful meditation on aging and mortality.” —Barbara Love, Library Journal (starred review) “With intimations of the pending ravages of global warming, Drabble’s incisive grappling with questions of purpose and chance in life and death is peppered with wisdom, pluck, and humor.” —Donna Seaman, Booklist “Mordant wit and a strong humanitarian concern coexist in this novel . . . [The Dark Flood Rises ] is a significant achievement, admirable and truthful.” —New Statesman “Drabble couldn’t have written about the indignities, pains and general ‘uselessness’ of old age any better.” —Lucy Scholes, The Independent “For all its morbidity, The Dark Flood Rises is a reassuringly vital novel . . . Drabble squares up to old age with pragmatism: she shows us its terrible physical pain, loneliness and expense, but lightens what could threaten to be a grim read with observational humour, delighting in her characters’ eccentric pleasures.” —Emily Rhodes, The Spectator “[The main character’s] obsession with death yields a great deal of rich, contradictory, and stimulating contemplation.” —Matthew Adams, The National “Beneath the apparently placid surface, Drabble’s novel seethes with apocalyptic intent . . . these characters are brilliantly drawn.” —Alfred Heckling, The Guardian “A heartfelt rumination on the process of ageing and [the] inevitability of death . . . In this novel, the dark flood is death itself, but trust Margaret Drabble to take even the most worrisome of topics and make it witty, relatable and, most importantly, readable.” —Rebecca Monks, The List “Full of characteristically arresting descriptions . . . there is a sharpness about most of this, a sense of serious things being addressed without sentiment or wool-pulling.” —The Times “As the novel sets sail, Drabble quietly, wittily and searchingly portrays her crew. There is a gentleness about her touch, a mood of sympathy and understanding, as if the wisdom of years have allowed a kindly perspective. As always with her work, she is acute on the problems of today, and possibly of tomorrow . . . Indeed, [the novel's] sophistication and understanding of human nature are what make this such a satisfying, rich read.” —Herald Scotland “A thought-provoking, witty and surprisingly acerbic read.” —Press and Journal “A darkly witty and exhilarating novel … bleak but bracing . . . Its sharp perceptions and macabre verve make it an often exhilarating read.” —Sunday Times “An acerbic, sharp, meditation on what it means to lead a good life and how to ensure a good death.” —Observer “Surprisingly uplifting, this profound novel has an unforgettable central character.” —Sunday Telegraph “Masterly, poignant and uplifting.” —Mail on Sunday
Fran is an unwitting Virgil who leads us through the circles of the hell of aging…The Dark Flood Rises …is not a therapeutic, eschatological, sociological, political or even philosophical novel. Never mind that it can be mistaken for any or all of these. In one way, it is a hymn to an inherited England, to its highways, gardens, streets, hotels, neighborhoods, landscapes, parking lots, stoneworks, cottages, secluded and public spaces. Fran is "in love with England, with the length and breadth of England…She wants to see it all before she dies." But this humane and masterly novel by one of Britain's most dazzling writers is something else as well, deeper than mere philosophy: a praisesong for the tragical human predicament exactly as it has been ordained on Earth, our terminal house.
The New York Times Book Review - Cynthia Ozick
Shrewd and timely - the best novel I've read in ages. Ferociously well written, and hugely entertaining
Now 77 and on her 19th novel, Drabble is skillful at creating brilliantly drawn, three-dimensional characters in this thought-provoking and witty read
Sharp observation and pessimistic pondering . . .There is a gloomy, undeniable truthfulness to this novel
Ageing and dying in style . . . Margaret Drabble's sharply drawn characters look back on lives lived and forwards to achieving a good death
Masterly, poignant and uplifting
Witty and intelligent . . . brimming with relevance
An absolute tour de force
Guardian, Best Books of the Year - LINDA GRANT
Her distinctive narrative voice and soaring prose remain electrifying
Masterly
100 Notable Books of 2017 New York Times
Drabble's brilliance . . . builds up a sense of wide horizons that one has never seen in quite the same way before
A thought-provoking, witty and surprisingly acerbic read
A significant achievement, admirable and truthful
A heartfelt rumination on the process of ageing and inevitability of death
Drabble has pulled off a quietly revolutionary portrait of an age-group whose lives are just as urgent as anyone's but are rarely considered *****
Heartbreaking and hilarious
With its echoes of Simone de Beauvoir and Samuel Beckett, this quiet meditation an old age seethes with apocalyptic intent . . . Brilliant
Written with tremendous energy . . . Drabble has always been an observant chronicler of human life. Meditations on what makes a good death . . . are enthusiastically explored in a text that roves fluidly between past and present. Inquisitive and erudite
A vein of black humour pulses . . . as entertaining as a conversation with a dear friend
Her distinctive narrative voice and soaring prose remain electrifying
This masterly novel by the great English author Margaret Drabble is beautifully served by Anna Bentinck’s low-key and sensitive performance, which permits the book’s language and meaning to shine. Ostensibly about Fran, a “woman of a certain age” who assesses sheltered housing for the elderly, and her relationships with friends, relatives, and acquaintances, the novel is a consideration of the choices we make in youth and age, and a paean to surviving those choices—including how to make one’s way through being old. It’s a lovely, considered novel for listeners of all ages. When needed, Bentinck gives unique voices to different characters, but it’s mostly her rhythm, pacing, and audible love of the book that make her performance glow. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2017, Portland, Maine