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Title: Restoring the Human Context to Literary and Performance Studies: Voices in Everything, Author: Howard Mancing
Title: Engaging Audiences: A Cognitive Approach to Spectating in the Theatre, Author: B. McConachie
Title: Cognition in the Globe: Attention and Memory in Shakespeare's Theatre, Author: E. Tribble
Title: Evolving Hamlet: Seventeenth-Century English Tragedy and the Ethics of Natural Selection, Author: A. Fletcher
Title: Literature, Science, and a New Humanities, Author: J. Gottschall
Title: Kinaesthesia and Visual Self-Reflection in Contemporary Dance, Author: Shantel Ehrenberg
Title: Shakespeare and Consciousness, Author: Paul Budra
Title: Drama, Politics, and Evolution: Cliodynamics in Play, Author: Bruce McConachie
Title: Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science, Author: A. Cook
Title: Performance, Cognitive Theory, and Devotional Culture: Sensual Piety in Late Medieval York, Author: J. Stevenson
Title: Toward a General Theory of Acting: Cognitive Science and Performance, Author: J. Lutterbie
Title: Trusting Performance: A Cognitive Approach to Embodiment in Drama, Author: N. Rokotnitz
Title: Shakespeare and Conceptual Blending: Cognition, Creativity, Criticism, Author: Michael Booth
Title: Cognitive Joyce, Author: Sylvain Belluc
Title: Kinesthetic Spectatorship in the Theatre: Phenomenology, Cognition, Movement, Author: Stanton B. Garner
Title: A Cognitive Approach to John Donne's Songs and Sonnets, Author: M. Winkleman
Title: Cognition, Mindreading, and Shakespeare's Characters, Author: Nicholas R. Helms
Title: Movement in Renaissance Literature: Exploring Kinesic Intelligence, Author: Kathryn Banks
Title: Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold, Author: T. Paavolainen
Title: Bewitched and Bedeviled: A Cognitive Approach to Embodiment in Early English Possession, Author: K. Uszkalo

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