Negative Life: The Cinema of Extinction
How films help us understand the inevitable death of Earth and humanity

Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around the concept of negative life, a sundering of human and nonhuman relations. Engaging a philosophical and cinematic corpus that rejects the pastoralism of “entanglement” or “enmeshment,” Steven Swarbrick and Jean-Thomas Tremblay counter ecocritical pieties and cut a new path for theory. They examine films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Mathai, Paul Schrader, and others that exemplify the existential contradictions currently intensifying amid the sixth mass extinction. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the cases reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies—where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.

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Negative Life: The Cinema of Extinction
How films help us understand the inevitable death of Earth and humanity

Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around the concept of negative life, a sundering of human and nonhuman relations. Engaging a philosophical and cinematic corpus that rejects the pastoralism of “entanglement” or “enmeshment,” Steven Swarbrick and Jean-Thomas Tremblay counter ecocritical pieties and cut a new path for theory. They examine films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Mathai, Paul Schrader, and others that exemplify the existential contradictions currently intensifying amid the sixth mass extinction. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the cases reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies—where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.

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Negative Life: The Cinema of Extinction

Negative Life: The Cinema of Extinction

Negative Life: The Cinema of Extinction

Negative Life: The Cinema of Extinction

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Overview

How films help us understand the inevitable death of Earth and humanity

Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around the concept of negative life, a sundering of human and nonhuman relations. Engaging a philosophical and cinematic corpus that rejects the pastoralism of “entanglement” or “enmeshment,” Steven Swarbrick and Jean-Thomas Tremblay counter ecocritical pieties and cut a new path for theory. They examine films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Mathai, Paul Schrader, and others that exemplify the existential contradictions currently intensifying amid the sixth mass extinction. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the cases reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies—where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.


Product Details

ISBN-13: 9780810147195
Publisher: Northwestern University Press
Publication date: 08/15/2024
Series: Superimpositions
Pages: 224
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

STEVEN SWARBRICK is an assistant professor of English at Baruch College, City University of New York. He is the author of The Environmental Unconscious: Ecological
Poetics from Spenser to Milton.


JEAN-THOMAS TREMBLAY is an assistant professor of environmental humanities at York University. He is the author of Breathing Aesthetics.

Table of Contents

Preface
Introduction Ecocriticism against The Wall 
Chapter 1 First Cow at the End of the World 
Interlude The Horror of Entanglement I: Annihilation, In the Earth
Chapter 2 Familiar Afterlives in Minari and Bhopal Express
Interlude The Horror of Entanglement II: Antichrist, Lamb, X
Chapter 3 The Queer Impossibility of First Reformed
Acknowledgments
Notes
References 
Illustration Credits 
Index

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