In the early days of motion pictures—before superstars, before studio conglomerates, before even the advent of sound—there was a woman named Pearl White (1889–1938). A quintessential beauty of the time, with her perfectly tousled bob and come-hither stare, White's rise to stardom was swift; her assumption of the title of queen of American motion picture serials equally deserved.
Born the youngest of five children in a small, rural Missouri farm town, White first began performing in high school. She would eventually make the decision to cut her education short, dropping out to go on the Trousdale Stock Company. A bit player in the early years of her career, she was eventually spotted by the Powers Film Company in New York. She made her film debut in 1910 and soon set herself apart from her female colleagues with her reputation for fearless performances that often involved her own stunt work.
It was that same daring attitude that would put her on the map internationally as an actress. From flying airplanes to swimming across rapid rivers, to racing cars in serials like The Perils of Pauline (1914), White was undaunted by the demands of her onscreen career. She went on to star in popular serial classics such as The New Exploits of Elaine (1915), The Iron Claw (1916), The Fatal Ring (1917), and The Lightning Raider (1919). As active socially as she was professionally, White would also lend her audacious spirit to activism as she took part in the early feminist movement. Her bravery and mastery of her craft made her a positive role model for suffragettes who battled for women's rights in the United States.
The Woman Who Dared: The Life and Times of Pearl White, Queen of the Serials, is the first full-length biography of this pioneering star. In this study of film history and female agency, Drew delves into the cultural impact of White's work and how it evolved along a concurrent trajectory with the social upheavals of the Progressive Era.
William M. Drew is a film historian who has written extensively on the subject of early cinema. He is the author of numerous books including Speaking of Silents: First Ladies of the Screen, At the Center of the Frame: Leading Ladies of the Twenties and Thirties, and The Last Silent Picture Show: Silent Films on American Screens in the 1930s.
Table of Contents
Introduction 1. Prairie Daughter 2. The Actress 3. On the Road 4. The Picture Player 5. Movie Star 6. The Perils of Pauline 7. "Elaine, My Moving Picture Queen" 8. The National Heroine 9. Love and War 10. The House of Hate 11. Farewell to Serials 12. The Year of Change 13. "Travelin' Around" 14. Fox's "Marvel of the Screen" 15. The Break-Up 16. The Darling of Paris 17. Farewell to America 18. One More Cinematic Adventure 19. Back on the Boards 20. A Gilded Exile 21. "The World's Her Oyster" 22. One More Journey 23. "The Reel Runs Back" 24. The Aftermath
