ISBN-10:
0300094019
ISBN-13:
9780300094015
Pub. Date:
05/11/2002
Publisher:
Yale University Press
A Century of Recorded Music: Listening to Musical History

A Century of Recorded Music: Listening to Musical History

by Timothy DayTimothy Day

Paperback

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Overview



A century of recording has fundamentally changed our experience of music—the way we listen to it and the way it is performed. This highly engaging book is the first thorough exploration of the impact of recording technology upon the art of music. Timothy Day chronicles the developments in recording technology since its inception and describes the powerful effects it has had on artistic performance, audience participation, and listening habits. He compares the characteristics of musical life one hundred years ago—before the phonograph—to those of today and offers a fascinating analysis of how performing practices, images of performers, the work of composers, and performance choices in concert halls and opera houses have changed.

The book investigates the work of such great recording engineer-impresarios as Fred Gaisberg and Walter Legge; the recording history of conductors, orchestras, and soloists throughout the century; and the development of the great classical recording labels. Day also addresses a variety of questions raised by the study of recordings: What have people expected of a recorded performance? Do recordings constitute an art form in their own right? What is historical authenticity? What is moral authenticity? Are recordings that endow incompetent artists with flawless techniques somehow fraudulent? Why do artists re-record repertoire? This book will inform and engage a wide range of readers, from those who love music and recordings to performers and scholars and all readers with an interest in the social and artistic history of the twentieth century.

Product Details

ISBN-13: 9780300094015
Publisher: Yale University Press
Publication date: 05/11/2002
Edition description: New Edition
Pages: 336
Product dimensions: 6.00(w) x 9.00(h) x (d)

Table of Contents

Preface ix
Making Recordings
1(57)
The Repertory Recorded
58(84)
Changes in Performing Styles Recorded
142(57)
Listening to Recordings
199(58)
Bibliographical Note 257(3)
A Note on the Recordings 260(2)
Notes 262(27)
Index 289

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