A Living Exhibition: The Smithsonian and the Transformation of the Universal Museum available in Paperback
- Pub. Date:
- University of Massachusetts Press
Since its founding in 1846 "for the increase and diffusion of knowledge," the Smithsonian Institution has been an important feature of the American cultural landscape. In A Living Exhibition, William S. Walker examines the tangled history of cultural exhibition at the Smithsonian from its early years to the chartering of the National Museum of the American Indian in 1989. He tracks the transformation of the institution from its original ideal as a "universal museum" intended to present the totality of human experience to the variegated museum and research complex of today. Walker pays particular attention to the half century following World War II, when the Smithsonian significantly expanded. Focusing on its exhibitions of cultural history, cultural anthropology, and folk life, he places the Smithsonian within the larger context of Cold War America and the social movements of the 1960s, '70s, and '80s. Organized chronologically, the book uses the lens of the Smithsonian's changing exhibitions to show how institutional decisions become intertwined with broader public debates about pluralism, multiculturalism, and decolonization.
Yet if a trend toward more culturally specific museums and exhibitions characterized the postwar history of the institution, its leaders and curators did not abandon the vision of the universal museum. Instead, Walker shows, even as the Smithsonian evolved into an extensive complex of museums, galleries, and research centers, it continued to negotiate the imperatives of cultural convergence as well as divergence, embodying both a desire to put everything together and a need to take it all apart.
About the Author
William S. Walker is assistant professor of history, Cooperstown Graduate Program, SUNY Oneonta.
Table of Contents
Introduction: The Changing Universal Museum 1
1 The Universal Museum: Shaping Cultural Exhibition at the Smithsonian 11
2 History and Technology: A New Museum, a New Era 44
3 Open Education: The Festival of American Folklife and the Transformation of Space at the Smithsonian 86
4 Inclusion or Separation? The Anacostia Neighborhood Museum and the Festival of American Folklife's American Indian Programs 118
5 Finding National Unity through Cultural Diversity: The Smithsonian and the Bicentennial 153
6 A Family of Humankind: The Making and Unmaking of a Museum of Man at the Smithsonian 196
Epilogue: Is It Possible to See It All? 227
What People are Saying About This
A Living Exhibition offers new insight into the workings of the Smithsonian Institution, putting it into the context of the history of ideas. William Walker provides a new coherence to the institution's history, making sense of its recent decades as a part of a century-long debate over the proper balance of universalism and specificity.