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Along Came a Spider (Alex Cross Series #1)

Along Came a Spider (Alex Cross Series #1)

4.2 805
by James Patterson, Keith David (Read by)

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When nine-year-old Maggie Rose and her best friend, Michael Goldberg, are kidnapped from theirexclusive school in Washington, D.C., it is clear this is not an ordinarycase. Maggie's mother is a superstar actress, and Michael's father is Secretaryof the Treasury.
Together Alex Cross, deputy chief of detectives, and Jezzie Flanagan, supervisorin the Secret Service


When nine-year-old Maggie Rose and her best friend, Michael Goldberg, are kidnapped from theirexclusive school in Washington, D.C., it is clear this is not an ordinarycase. Maggie's mother is a superstar actress, and Michael's father is Secretaryof the Treasury.
Together Alex Cross, deputy chief of detectives, and Jezzie Flanagan, supervisorin the Secret Service, must race to save the children.

Performed by Keith David. Keith David's remarkable versatility is demonstrated by his Tony nominated performance in Jelly's Last Jam, his singing in Puccini's La Boheme, his numerous Shakespearean portrayals, and his work in such films as Final Analysis and Platoon.

Editorial Reviews

bn.com editor
The first Alex Cross novel, Along Came a Spider, immediately made James Patterson a household name. Cross -- a black Washington, D.C., police detective with a solid background in psychology -- finds love and a whole heap of trouble as a deadly psychopath holds two kidnapped children under his razor-sharp blade. Along Came a Spider hit the silver screen in April 2001, with Morgan Freeman revisiting the role of Alex Cross.
Publishers Weekly - Publisher's Weekly
This second big winter thriller by a writer named Patterson (see Fiction Forecasts, Oct. 19) features a villain (a multiple-personality serial killer/kidnapper) whom the publisher hopes will remind readers of Thomas Harris's Hannibal Lecter, and a hero who is compared to those of Jonathan Kellerman. Unfortunately, the novel has few merits of its own to set against those authors' works. Hero Alex Cross is in fact a black senior detective in Washington, D.C., who is also a psychiatrist and has a facile but not entirely convincing line of sentimental-cynical patter. The villain is Gary Soneji/Murphy (read Hyde/Jekyll), who kills for recognition, and finally kidnaps the kids of prominent parents. Alex is soon on the case, more enraged by Gary's killing of poor ghetto blacks than by the Lindbergh-inspired kidnapping, and becomes involved with a gorgeous, motorcycle-riding Secret Service supervisor who is not what she seems. Soneji/Murphy is eventually captured--but can the bad part of him be proven guilty? There is even a hint at the end that he may survive for a sequel, though the reader has virtually forgotten him by then. Spider reads fluently enough, but its action and characters seem to have come out of some movie-inspired never-never land. If a contemporary would-be nail-biter is to thrill as it should, it urgently needs stronger connections to reality than this book has. Come back, Thomas Harris!
Library Journal
Alex Cross, a black Washington, D.C., police detective with a Ph.D. in psychology, and Jezzie Flanagan, a white motorcycling Secret Service agent, become lovers as they work together to apprehend a chilling psychopath who has kidnapped two children from a posh private school. The psychotic villain, who aspires to become more notorious than Lindbergh baby kidnapper Bruno Hauptmann, is effectively nightmarish. Atypical characters, sex, sometimes shocking violence, and several surprising plot twists are all attention-grabbing, while short chapters with a shifting viewpoint add brisk pacing and genuine suspense. Patterson's storytelling talent is in top form in this grisly escapist yarn. Highly recommended for public libraries. Previewed in Prepub Alert, LJ 11/1/92.-- Will Hepfer, SUNY at Buffalo Libs.
Kirkus Reviews
Catchy title; too bad the psychothriller behind it—despite the publisher's big push—is a mostly routine tale of cop vs. serial-killer. And it's really too bad for Patterson (The Midnight Club , 1988, etc.) that William Diehl's new thriller, Primal Fear (reviewed above), covers some of the same territory with superior energy and skill. A few charms lift this above run-of-the-mill: Patterson's hero, D.C. psychologist/cop Alex Cross, is black, while his lover, Secret Service honcho Jezzie Flanagan, is white; and the narrative moves briskly by cutting between Cross's ambling account and a sharper third-person tracking, mostly of the killer's movements. He is Gary Soneji—a nobody living a deceptively quiet life as Gary "Murphy"—who has killed 200 people and now wants to commit the Crime of the Century and become Somebody: Soneji/Murphy snatches the daughter of a top actress and the son of the US secretary of the treasury. Enter Cross and Flanagan, whose bad luck at finding kids and kidnapper—who, taunting the cops, kills an FBI agent and gets away with a $10-million payoff, while one of the kids turns up dead—changes only when Soneji/Murphy, cracking up, holds hostage to a McDonald's and is wounded by a cop. Here, Patterson's tale begins to mirror Diehl's: Soneji/Murphy turns out to suffer from the same sensational psychosis as Diehl's villain; and in the ensuing trial, Soneji/Murphy's lawyer pursues a defense similar to that of Diehl's attorney-hero. But where Diehl's villain roars on the page, Soneji/Murphy barely smirks; and while Diehl's courtroom crackles with intelligence, Patterson's is almost transcript-dull. Patterson does wind up,however, with a fine noir twist. Cross is a likable hero, but with a watery plot and weak villain—Hannibal Lecter would eat Soneji for breakfast—he doesn't have much to work with here.

Daily Mail
"Brilliantly terrifying! So exciting that I had to stay up all night to finish it! Packed with white-knuckle twists."
Clive Cussler
"An incredibly suspenseful read with a one-of-a-kind villain who is as terrifying as he is intriguing. One of the best thrillers of the year."
Ed McBain
"Terror and suspense that grab the reader and won't let go. Just try running away from this one."
From the Publisher
"Patterson's storytelling talent is in top form in this grisly escapist yarn."—Library Journal

"Brilliantly terrifying! So exciting that I had to stay up all night to finish it! Packed with white-knuckle twists."—Daily Mail

"An incredibly suspenseful read with a one-of-a-kind villain who is as terrifying as he is intriguing. One of the best thrillers of the year."—Clive Cussler

"Terror and suspense that grab the reader and won't let go. Just try running away from this one."—Ed McBain

Product Details

HarperCollins Publishers
Publication date:
Alex Cross Series
Edition description:
Abridged, 2 Cassettes
Product dimensions:
4.55(w) x 7.12(h) x 0.85(d)

Read an Excerpt


Let's Play Make-Believe

New Jersey, near Princeton; March 1932
The Charles Lindbergh farmhouse glowed with bright, orangish lights. It looked like a fiery castle, especially in that gloomy, fir wooded region of Jersey. Shreds of misty fog touched the boy as he moved closer and closer to his first moment of real glory, his first kill.

It was pitch-dark and the grounds were soggy and muddy and thick with puddles. He had anticipated as much. He'd planned for everything, including the weather.

He wore a size nine man's work boot. The toe and heel of the boots were stuffed with torn cloth and strips of the Philadelphia Inquirer.

He wanted to leave footprints, plenty of footprints. A man's footprints. Not the prints of a twelve-year-old boy. They would lead from the county highway called the Stoutsburg-Wertsville Road, up to, then back from, the farmhouse.

He began to shiver as he reached a stand of pines, not thirty yards from the sprawling house. The mansion was just as grand as he'd imagined: seven bedrooms and four baths on the second floor alone. Lucky Lindy and Anne Morrow's place in the country.

Cool beans, he thought.

The boy inched closer and closer toward the dining-room window. He was fascinated by this condition known as fame. He thought a lot about it. Almost all the time. What was fame really like? How did it smell? How did it taste? What did fame look like close up?

"The most popular and glamorous man in the world" was right there, sitting at the table. Charles Lindbergh was tall, elegant, and fabulously golden haired, with a fair complexion. "Lucky Lindy" truly seemed above everyone else.

So did his wife, Anne Morrow Lindbergh. Anne had short hair. It was curly and black, and it made her skin look chalky white. The light from the candles on the table appeared to be dancing around her.

Both of them sat very straight in their chairs. Yes, they certainly looked superior, as if they were God's special gifts to the world. They kept their heads high, delicately eating their food. He strained to see what was on the table. It looked like lamb chops on their perfect china.

"I'll be more famous than either of you pitiful stiffs," the boy finally whispered. He promised that to himself. Every detail had been thought through a thousand times, at least that often. He very methodically went to work.

The boy retrieved a wooden ladder left near the garage by workingmen. Holding the ladder tightly against his side, he moved toward a spot just beyond the library window. He climbed silently up to the nursery. His pulse was racing, and his heart was pounding so loud he could hear it.

Light cast from a hallway lamp illuminated the baby's room. He could see the crib and the snoozing little prince in it. Charles Jr., "the most famous child on earth."

On one side, to keep away drafts, was a colorful screen with illustrations of barnyard animals.

He felt sly and cunning. "Here comes Mr. Fox," the boy whispered as he quietly slid open the window.

Then he took another step up the ladder and was inside the nursery at last.

Standing over the crib, he stared at the princeling. Curls of golden hair like his father's, but fat. Charles Jr. was gone to fat at only twenty months.

The boy could no longer control himself Hot tears streamed from his eyes. His whole body began to shake, from frustration and rage--only mixed with the most incredible joy of his life.

"Well, daddy's little man. It's our time now," he muttered to himself.

He took a tiny rubber ball with an attached elastic band from his pocket. He quickly slipped the odd-looking looped device over Charles Jr.'s head, just as the small blue eyes opened.

As the baby started to cry, the boy plopped the rubber ball right into the little drooly mouth. He reached down into the crib and took Baby Lindbergh into his arms and went swiftly back down the ladder. All according to plan.

The boy ran back across the muddy fields with the precious, struggling bundle in his arms and disappeared into the darkness.

Less than two miles from the farmhouse, he buried the spoiled-rotten Lindbergh baby--buried him alive.

That was only the start of things to come. After all, he was only a boy himself.

He, not Bruno Richard Hauptmann, was the Lindbergh baby kidnapper. He had done it all by himself.

Cool beans.


EARLY ON THE MORNING of December 21, 1992, I was the picture of contentment on the sun porch of our house on 5th Street in Washington, D.C. The small, narrow room was cluttered with mildewing winter coats, work boots, and wounded children's toys. I couldn't have cared less. This was home.

I was playing Gershwin on our slightly out-of-tune, formerly grand piano. It was just past 5 A.M., and cold as a meat locker on the porch. I was prepared to sacrifice a little for "An American in Paris."

The phone jangled in the kitchen. Maybe I'd won the D.C., or Virginia, or Maryland lottery and they'd forgotten to call the night before. I play all three games of misfortune regularly.

"Nana? Can you get that?" I called from the porch.

"It's for you. You might as well get it yourself," my testy grandmother called back. "No sense me gettin' up, too. No sense means nonsense in my dictionary."

That's not exactly what was said, but it went something like that. It always does.

I hobbled into the kitchen, sidestepping more toys on morning-stiff legs. I was thirty-eight at the time. As the saying goes, if I'd known I was going to live that long, I would have taken better care of myself.

The call turned out to be from my partner in crime, John Sampson. Sampson knew I'd be up. Sampson knows me better than my own kids.

"Mornin', brown sugar. You up, aren't you?" he said. No other I.D. was necessary. Sampson and I have been best friends since we were nine years old and took up shoplifting at Park's Corner Variety store near the projects. At the time, we had no idea that old Park would have shot us dead over a pilfered pack of Chesterfields. Nana Mama would have done even worse to us if she'd known about our crime spree.

"If I wasn't up, I am now," I said into the phone receiver. "Tell me something good."

"There's been another murder. Looks like our boy again," Sampson said. "They're waitin' on us. Half the free world's there already."

"It's too early in the morning to see the meat wagon," I muttered. I could feel my stomach rolling. This wasn't the way I wanted the day to start. "S--t. F--k me."

Nana Mama looked up from her steaming tea and runny eggs. She shot me one of her sanctimonious, lady-of-the-house looks. She was already dressed for school, where she still does volunteer work at seventy-nine. Sampson continued to give me gory details about the day's first homicides.

"Watch your language, Alex," Nana said. "Please watch your language so long as you're planning to live in this house."

"I'll be there in about ten minutes," I told Sampson. "I own this house," I said to Nana.

She groaned as if she were hearing that terrible news for the first time.

"There's been another bad murder over in Langley Terrace. It looks like a thrill killer. I'm afraid that it is," I told her.

"That's too bad," Nana Mama said to me. Her soft brown eyes grabbed mine and held. Her white hair looked like one of the doilies she puts on all our living-room chairs. "That's such a bad part of what the politicians have let become a deplorable city. Sometimes I think we ought to move out of Washington, Alex."

"Sometimes I think the same thing," I said, "but we'll probably tough it out."

"Yes, black people always do. We persevere. We always suffer in silence."

"Not always in silence," I said to her.

I had already decided to wear my old Harris Tweed jacket. It was a murder day, and that meant I'd be seeing white people. Over the sport coat, I put on my Georgetown warm-up jacket. It goes better with the neighborhood.

On the bureau, by the bed, was a picture of Maria Cross. Three years before, my wife had been murdered in a drive-by shooting. That murder, like the majority of murders in Southeast, had never been solved.

I kissed my grandmother on the way out the kitchen door. We've done that since I was eight years old. We also say good-bye, just in case we never see each other again. It's been like that for almost thirty years, ever since Nana Mama first took me in and decided she could make something of me.

She made a homicide detective, with a doctorate in psychology, who works and lives in the ghettos of Washington, D.C.

I AM OFFICIALLY a Deputy Chief of Detectives, which, in the words of Shakespeare and Mr. Faulkner, is a lot of sound and fury, signifying nada. The title should make me the number six or seven person in the Washington Police Department. It doesn't. People wait for my appearance at crime scenes in D.C., though.

A trio of D.C. Metro blue-and-whites were parked helter-skelter in front of 41-15 Benning Road. A crime-lab van with blackened windows had arrived. So had an EMS ambulance. MORTUARY was cheerfully stenciled on the door.

There were a couple of fire engines at the murder house. The neighborhood's ambulance-chasers, mostly eye-f--king males, were hanging around. Older women with winter coats thrown over their pajamas and nightgowns, and pink and blue curlers in their hair, were up on their porches shivering in the cold.

The row house was dilapidated clapboard, painted a gaudy Caribbean blue. An old Chevette with a broken, taped-up side window looked as if it had been abandoned in the driveway.

"F--k this. Let's go back to bed," Sampson said. "I just remembered what this is going to be like. I hate this job lately."

"I love my work, love Homicide," I said with a sneer. "See that? There's the M.E. already in his plastic suit. And there are the crime lab boys. And who's this coming our way now?"

A white sergeant in a puffy blue-black parka with a fur collar came waddling up to Sampson and me as we approached the house. Both his hands were jammed in his pockets for warmth.

"Sampson? Uh, Detective Cross?" The sergeant cracked his lower jaw the way some people do when they're trying to clear their ears in airplanes. He knew exactly who we were. He knew we were S.I.T. He was busting our chops.

"Wuz up, man?" Sampson doesn't like his chops being busted very much.

"Senior Detective Sampson," I answered the sergeant. "I'm Deputy Chief Cross."

The sergeant was a jelly-roll-belly Irish type, probably left over from the Civil War. His face looked like a wedding cake left out in the rain. He didn't seem to be buying my tweed jacket ensemble.

"Everybody's freezin' their toches off," he wheezed. "That's wuz up."

"You could probably lose a little of them toches," Sampson advised him. "Might give Jenny Craig a call."

"F--k you," said the sergeant. It was nice to meet the white Eddie Murphy.

"Master of the riposte." Sampson grinned at me. "You hear what he said? F--k you?"

Sampson and I are both physical. We work out at the gym attached to St. Anthony's--St. A's. Together, we weigh about five hundred pounds. We can intimidate, if we want to. Sometimes it's necessary in our line of work.

I'm only six three. John is six nine and growing. He always wears Wayfarer sunglasses. Sometimes he wears a raggy Kangol hat, or a yellow bandanna. Some people call him "John-John" because he's so big he could be two Johns.

We walked past the sergeant toward the murder house. Our elite task force team is supposed to be above this kind of confrontation. Sometimes we are.

A couple of uniforms had already been inside the house. A nervous neighbor had called the precinct around four-thirty. She thought she'd spotted a prowler. The woman had been up with the night hitters. It comes with the neighborhood.

The two uniformed patrolmen found three bodies inside. When they called it in, they were instructed to wait for the Special Investigator Team. S.I.T. It's made up of eight black officers supposedly slated for better things in the department.

The outside door to the kitchen was ajar. I pushed it all the way open. The doors of every house have a unique sound when they open and close. This one whined like an old man.

It was pitch-black in the house. Eerie. The wind was sucked through the open door, and I could hear something rattling inside.

"We didn't turn on the lights, sir," one of the uniforms said from behind me. "You're Dr. Cross, right?"

I nodded. "Was the kitchen door open when you came?" I turned to the patrolman. He was white, baby-faced, growing a little mustache to compensate for it. He was probably twenty-three or twenty-four, real frightened that morning. I couldn't blame him.

"Uh. No. No sign of forced entry. It was unlocked, sir."

The patrolman was very nervous. "It's a real bad mess in there, sir. It's a family."

One of the patrolmen switched on a powerful milled-aluminum flashlight and we all peered inside the kitchen.

There was a cheap Formica breakfast table with matching lime green vinyl chairs. A black Bart Simpson clock was on one wall. It was the kind you see in the front windows of all the People's drugstores. The smells of Lysol and burnt grease melded into something strange to the nose, though not entirely unpleasant. There were a lot worse smells in homicide cases.

Sampson and I hesitated, taking it all in the way the murderer might have just a few hours earlier.

"He was right here," I said. "He came in through the kitchen. He was here, where we're standing."

"Don't talk like that, Alex," Sampson said. "Sound like Jeane Dixon. Creep me out."

No matter how many times you do this kind of thing, it never gets easier. You don't want to have to go inside. You don't want to see any more horrible nightmares in your lifetime.

"They're upstairs," the cop with the mustache said. He filled us in on who the victims were. A family named Sanders. Two women and a small boy.

His partner, a short, well-built black man, hadn't said a word yet. His name was Butchie Dykes. He was a sensitive young cop I'd seen around the station.

The four of us entered the death house together. We each took a deep breath. Sampson patted my shoulder. He knew that child homicide had me shook.

The three bodies were upstairs in the front bedroom, just off the top of the stairs.

There was the mother, Jean "Poo" Sanders, thirty-two. Even in death, her face was haunting. She had big brown eyes, high cheekbones, full lips that had already turned purplish. Her mouth was stretched open in a scream.

Poo's daughter, Suzette Sanders, fourteen years on this earth. She was just a young girl but had been prettier than her mother. She wore a mauve ribbon in her braided hair and a tiny nose earring to prove she was older than her years. Suzette was gagged with dark blue panty hose.

A baby son, Mustaf Sanders, three years old, was lying face up, and his little cheeks seemed stained with tears. He was wearing a "pajama bag" like my own kids wear.

Just as Nana Mama had said, it was a bad part of what somebody had let become a bad city. In this big bad country of ours. The mother and the daughter were bound to an imitation brass bedpost. Satin underwear, black and red mesh stockings, and flowery bed sheets had been used to tie them up.

I took out the pocket recorder I carry and began to put down my first observations. "Homicide cases H234 914 through 916. A mother, teenage daughter, little boy. The women have been slashed with something extremely sharp. A straight razor, possibly.

"Their breasts have been cut off. The breasts are nowhere to be found. The pubic hair of the women has been shaved. There are multiple stab wounds, what the pathologists call 'patterns of rage.' There is a great deal of blood, fecal matter. I believe the two women, both the mother and daughter, were prostitutes. I've seen them around."

My voice was a low drone. I wondered if I'd be able to understand all the words later.

"The little boy's body seems to have been casually tossed aside. Mustaf Sanders has on hand-me-down pajamas that are covered with Care Bears. He is a tiny, incidental pile in the room." I couldn't help grieving as I looked down at the little boy, his sad, lifeless eyes staring up at me. Everything was very noisy inside my head. My heart ached. Poor little Mustaf, whoever you were.

"I don't believe he wanted to kill the boy," I said to Sampson. "He or she."

"Or it." Sampson shook his head. "I vote for it. It's a Thing, Alex. The same Thing that did Condon Terrace earlier this week."

What People are Saying About This

Clive Cussler
An incredibly suspenseful read with a one-of-a-kind villain who is as terrifying as he is intriguing. One of the best thrillers of the year.
Ed McBain
Terror and suspense that grab the reader and won't let go. Just try running away from this one.

Meet the Author

James Patterson is the CEO of J. Walter Thompson, an advertising agency in New York. He has written several successful fiction and nonfiction books, including The New York Times best seller The Day America Told the Truth.

Brief Biography

Palm Beach, Florida
Date of Birth:
March 22, 1947
Place of Birth:
Newburgh, New York
B.A., Manhattan College, 1969; M.A., Vanderbilt University, 1971

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Along Came a Spider (Alex Cross Series #1) 4.2 out of 5 based on 0 ratings. 805 reviews.
MoGirl More than 1 year ago
This is the first book in the Alex Cross series. Read it and you are immediately hooked and caught up in the Alex Cross series. As soon as you finish one you'll want to move on to the next one. By the time you've read three or four you feel like you personally know Alex Cross.
slaydon More than 1 year ago
I love this book. there were some moments where it seemed a bit slow but sticking through it i truly found i enjoyed it. even if you have seen the movie by all means take the time to read. the constraints of a 2 hour movie can not possibly have the twists that the book allows for and so this book has so much more twists and turns and interesting details in one book that i have seen in a while. the romance was there but not over powering. the real issues the character dealt with and the look into his life how he would see the world and how he would interact was very real and i love that. i now realize why he is so popular and he is now a classic in my library.
Anonymous More than 1 year ago
This book is a great read for any gender! It is a classic murder mystery with all kinds of twists that can hook anybody. All the characters are introduced extremely well and it is so easy to get to know Alex Cross. The dialogue becomes difficult to understand at times but does not take away the great story line that will suck you in. Read Along Came a Spider to find out what happens with the high profile kidnapping with Alex Cross!
Guest More than 1 year ago
James Patterson at his best. This thriller was an incredible read. The twist and turns to the story line made it hard to put down. Highly recommend.
Anonymous More than 1 year ago
James Patterson. A strong writter. Forever remaining great. I started reading him when I was little. Most would be shoked. I however, find his langage fine. If you own his books, and your kids want to read, DO NOT DENY THEM!!!!!!!!!!!!!!!! Patterson is great for all ages. Black out the words, do something. They will love Patterson. He will have them hooked. James Pattrrson for life. No matter what he writed. WooHooo!!!!!!!!!!!!!!!!!
DocJimFord More than 1 year ago
In depth characters, detailed plots and a story line that keeps you on the edge. When you pick this up you won't put it down until the last page. The story puts you in the middle, you are as if you are living in the story, you are there. The book has taught me one thing, The entire Alex Cross series is a MUST READ series. You won't regret buying and reading this book. I'm already on book 2 in the series, Kiss the Girls, but that review is for another page, another time.
Anonymous More than 1 year ago
Its normally a good read for kids 14 and over because of strong language and violence but if u r an advanced reader and ur parents hav no problem with language or violence this a very good read. A warning tho the next book in the series Kiss the Girls contains worse material.
Springrunner More than 1 year ago
Just started reading James Patterson. Read a few of his current Alex Cross books, but wanted to see how it all began. Great plot development. A page turner for. Those who like suspense thrillers. Not for the weak at heart.
Anonymous More than 1 year ago
It was really good. So hard to put down.
HayleyF More than 1 year ago
First off let me say I really enjoy reading James Patterson books. But just like your favorite band, you usually like the songs that are on their cds that no one else knows about better then their single that plays on the radio a million times. I thought I'd try this book out because everyone who I know who's read it seemed to like it. The story line is pretty interesting, but what I struggle with is the characters. I felt the main character, Dec. Cross was written a little over-dramatic and cliche. It was hard for me to continue reading because the way he was written felt too fake. On the other hand, I really liked the murderer and felt he was written better. I think the book does a good job of showing and not telling, but for me it was a little too boring and cliche for my taste.
Anonymous More than 1 year ago
I’m a latecomer to James Patterson books. My recent introduction to his writing involved the three excellent NYPD Red novels, which he wrote with co-author Marshall Karp. Those were great books. They were fast paced and plausible. Everything was neatly tied up at the end. Since I enjoyed those novels, I decided to read Patterson’s original Alex Cross novel, "Along Came a Spider." What a disappointment! As other reviewers have mentioned, the romance was excessive. There was a trial in the middle that dragged on too long. But the worst part was the highly implausible ending. There was a dreadful execution scene of someone who never would have been executed in real life. On the other hand, in order to set up a sequel, a different person who was not executed surely would have been in reality. I felt cheated by that tacky ending.
Anonymous More than 1 year ago
This was the first james patterson book that I have read. They were short chapters and a page turner.it was a good read.I would highly recommened it to read.
Anonymous More than 1 year ago
Very well written books with one or two twists , which were veey well executed and thought out. This is a must read!!
Anonymous More than 1 year ago
I thought the movie was good and the book was GREAT!! I used to always read the book before the seeing the movie, but this one and Series #2 I have seen the movies first. As always, books give so much more details, descriptions and background of the characters and the reasons why someone does what they do. I am still a huge fan of the Alex Cross stories, but more importantly, HUGE fan of James Patterson.
Anonymous 7 days ago
I couldn't put the book down once starting to read it! Great story line can't wait to read the rest!
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Anonymous More than 1 year ago
Not only the thrill that kept me at the edge of my seat, but the great choice of wording and the twists and turns! Im definatly going to read the whole seires
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Anonymous More than 1 year ago
All time favorite author
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Anonymous More than 1 year ago
Kept me going the entire time!
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Anonymous More than 1 year ago
OH MY GOSH I LOVE THIS BOOK you wont want to put it down until the very end
Anonymous More than 1 year ago