In the small town of Amagansett, perched on Long Island's windswept coast, generations have followed the same calling as their forefathers, fishing the dangerous Atlantic waters. Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets.
On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.
|Publisher:||Penguin Publishing Group|
|Product dimensions:||6.00(w) x 9.00(h) x 1.00(d)|
|Age Range:||18 - 17 Years|
About the Author
Mark Mills is a screenwriter; among his credits is the script for "The Reckoning", adapted from Barry Unsworth's novel Morality Play. Mills lives with his family.
Read an Excerpt
By MARK MILLS
G. P. PUTNAM'S SONSCopyright © 2004 Mark Mills
All right reserved.
Chapter One"Conrad. Conrad..."
The first light of dawn was creeping over the horizon when Conrad was roused from his slumber by Rollo's hollering. Conrad only ever slumbered, he never slept, not the sleep of a child, dead to the world, its oversized surroundings. One small part of his brain kept constant vigil, snatching at the slightest noise or shift in smell. It no longer bothered him. He accepted it for what it was: a part of him now, like the scar in his side and the remorseless throb of his damaged knee.
The boards groaned under his feet as he shuffled from his shack onto the narrow deck that ringed it. The sharp salt air stabbed his lungs, raw from too many cigarettes the previous evening. As if in reprimand, an overflowing ashtray still sat on the arm of the slatted wooden chair out front. A book lay facedown on an upturned fish crate beside the molten remains of a candle and an all-but-empty bottle of cheap Imperial whiskey.
He had read deep into the night, the bugs dancing dangerously close to the candle flame until it had finally sputtered and died. The waxing moon, so high and prominent at dusk, had long departed, having run her early course; and for a further hour he had sat in the deep darkness, breathing in time to the beat of the waves beyond the high beach-bank, sleep rising up around him like the unseen tide, his mind numbed by the liquor, his body by the blanket of night dew settling over him.
Conrad stared at the chair, unable to recall the short stroll he must surely have made from the abandoned perch to his bed.
The cries were closer now, carried on the breeze, but Rollo was nowhere to be seen among the tumbling dunes. Conrad guessed that when he finally appeared he'd be flailing his arms like a windmill. He always did, when he was excited or running. Right now, it sounded like he was doing both.
A few moments later Rollo hove in sight. Sure enough, his arms were slicing the air. He bounded down the face of the dune, hurdling a large clump of beach grass, stumbling momentarily but recovering his footing. He was panting, sucking in air, when he finally drew to a halt by the shack. Conrad waited for him to catch his breath.
Rollo's lank dark hair was streaked by the sun and the salt air as it always was at this time of year. When he finally looked up and smiled, his teeth stood out like bleached bone against the deep amber of his skin.
"You're not wearin' no clothes."
"Well, what do you know?" Conrad allowed a note of mild irritation to creep into his voice.
"Go get togged up."
"This better be good."
"Oh, it's good, it's good."
They paused as they reached the top of the high dune that separated Conrad's isolated home from the ocean. Overhead, a handful of stars winked their final farewells in the brightening sky. Beneath them, the broad beach stretched off to the western horizon, one hundred miles of almost unbroken sand, straight as a yardarm, reaching into the heart of New York City.
A few miles to the east, beyond the sandy lowlands of Napeague where they now stood, rose the high ground of Montauk, a noble up-thrust of ridged and pitted glacial moraine at the very tip of the South Fork-Long Island's last defiant cry before it tumbled into the oblivion of the Atlantic. Beyond lay nothing but water... and the lost dreams of the Old World.
The ocean was suspiciously calm and limpid, the towering breakers the only indication of the powerful forces that lurked beneath its pewter skin. Even from here, Conrad could see that the longshore set was still running west to east-a sporadic event that occurred when a tendril of warm water broke free of the Gulf Stream, snaking northwards, assisted on its lazy passage by a sustained southwesterly blow.
The marked rise in sea temperature was welcomed by the ever-increasing number of "city people" who populated the ocean beach from Memorial Day to Labor Day. It lured them beyond the relative safety of the crashing surf into the deeper water with its counterintuitive jostle of currents. Fortunately, the warmer waters were awash with bait, and with the bait came the predators, bluefish and striped bass, which in turn attracted an even larger predator-man.
Many owed their lives to the happy conjunction of treacherous swimming conditions and increased fishing activity off the ocean beach. Many were those who'd been plucked limp and spluttering from the water into one of the cumbersome little dories used by the local surfmen. Once deposited safely on the beach, embarrassment-more often than not-would get the better of gratitude, and they'd hurry off, eager to banish the memory, casting a few mumbled words of thanks over their shoulders as they went. This wasn't always the case.
Everyone knew the story of Gus Bowyer, how he had returned to his shingled home on Atlantic Avenue one afternoon to find a gleaming new motorcar standing beside the old barn out back. The handwritten note attached to the windshield meant little to Gus, who was unable to read or write, and he'd been obliged to wait two puzzling hours for his wife's return from Montauk, where she worked as a dispatch clerk for the Long Island Rail Road. Within a few minutes of crossing the threshold, Edna Bowyer informed her husband that they were now the proud owners of a Dodge Special Type-B Sedan-a gift from a gangling New York architect whom Gus had saved from near-certain drowning off the ocean beach the previous month.
News of the couple's windfall soon spread, and for the remainder of the summer, bathers who were even so much as tumbled by a wave would find themselves descended upon by a pack of alert and overly obliging local fishermen. Edna, a pillar of Puritan common sense, had urged Gus to return the overstated vehicle to the Halsey Auto Company in East Hampton and recoup the purchase price in cash. God knows, they needed the money. Twenty-two years on, they still needed the money, and Gus was still driving the hulking Dodge around the back roads of Amagansett.
"She's on the turn," said Rollo, meaning the set, not the tide. The wind had come around overnight. By noon the vast body of water in motion would grind to a halt, then slowly turn back on itself. The natural order would prevail once more with the current scouring the coast from east to west. Interesting, but hardly worthy of a predawn rousing.
"Remind me to be angry with you when I wake," muttered Conrad, turning to leave.
Everyone knew the call to arms, though it was no longer heard on the South Fork of Long Island, the days of shore whaling some forty years past. Conrad turned back slowly.
"Bound east'rd inside the bar."
"'Less you saw a fifty-foot bass before," grinned Rollo, pleased with his riposte.
They scanned the ocean in silence, with just the hoarse cries of a few black-backed gulls wheeling overhead on dawn patrol. Suddenly, Rollo's arm shot out. A patch of whorls and eddies ruffled the still surface of the ocean a hundred yards directly offshore. A few moments later, the whale broke water and blew-two distinct jets, fanned by the wind, caught in the sun's earliest rays.
"Right whale," observed Rollo, identifying the species from its forked spout. But Conrad was already gone, padding down the side of the dune onto the beach. The whale blew four more times before sounding.
For over an hour they tracked the leviathan on its journey eastwards, their faces warmed by the rising sun. They walked in silence, not needing to share their thoughts.
Right whales hadn't been sighted off Amagansett for decades. Hunted to near extinction, they had once been a cornerstone of life on the South Fork. Three hundred years previously when a straggle of English families first appeared in the woods a few miles to the west, they found the local Montaukett Indians already preying on the migrating schools that roamed the ocean beach, going off through the treacherous winter surf in their dugout canoes. With the crude geometry of a child, those first white settlers pegged out a community around a slender marsh, fashioning cellar-shelters from the trees they had felled, naming their new home Maidstone, after the English town in the county of Kent where most had sprung from.
Fourteen years later, when the hamlet rechristened itself East Hampton, the dwellings had crept above ground, the early "soddies" replaced by New England saltbox houses clad in cypress shingles and insulated against the sharp winters with seaweed and corncobs; the marsh had been excavated to create the town pond; and the townsmen were in effective control of a small, burgeoning, and highly profitable shore-whaling industry.
"Away with you. Hoooo. Woooo."
Conrad was dimly aware that they'd passed the Napeague Coast Guard station. Now Rollo was striding towards the water's edge, waving his arms in front of him. The whale had altered its course and was heading inshore at an angle to the beach. With a lazy flick of its giant flukes, it sounded.
"She's goin' to beach," cried Rollo. He started running, set on heading the whale off.
When Conrad caught up with him, he was standing in the wash, oblivious to the waves breaking around him, scouring the ocean. Without warning, the whale surfaced beyond the white water to their left. At this short distance, the sheer bulk of the creature was overwhelming. It filled their field of vision, deadening all other senses.
"Hooo. Woooo. Yaaaaa. YAAAA-"
A rogue wave caught Rollo broadside, slapping the wind from his lungs, sending him sprawling. Conrad hauled him to his feet, dragging him up the beach, but Rollo pulled free, Stumbling back into the wash. The waves became clouded with rile, churned sand where the whale had grounded.
Conrad was struck by the bitter irony of the sight-Rollo Kemp, grandson of the legendary whaleman Cap'n Josh Kemp, the last man to take a whale off the ocean beach; Rollo Kemp pathetically hurling handfuls of wet sand in a vain bid to save a creature his grandfather had devoted a lifetime to slaughtering. Laughter filled his head. It was a few moments before he realized the sound was coming from behind him.
Gabe Cowan, chief boatswain's mate of the Napeague Coast Guard station, stood chortling uncontrollably, his creased face like weathered oilskin. A good-natured man, and a first-rate fiddler till arthritis turned his hands to gnarled claws, Conrad's reproachful look seemed only to amuse him further.
"It's them krill," said Gabe.
"Come up on the Gulf Stream then pushed inshore. She's feedin', off of the krill." He laughed some more.
Beyond the prancing figure of Rollo, the whale had turned parallel to the beach, sieving its breakfast from the ocean.
Conrad hurried over to Rollo. "Rollo, she's feeding..."
Deaf to his words, Rollo's face was wet with spray and tears. Conrad seized him, binding his arms to his sides, holding him tight.
"It's okay, she's just feeding on krill," he said gently. Rollo's struggles subsided, his eyes searching Conrad's face.
"Never seen it before," muttered Gabe, appearing beside them. "Sight to behold, boys, sight to behold."
Conrad only released Rollo when he started to laugh. "Go get 'em," he yelled. "Go get 'em krill!"
Maybe his cries startled the whale; more than likely she had had her fill; but with some difficulty she swung herself around and headed offshore, presenting first her small end and then the giant fan of her tail as she kicked below the surface. They waited, watching. She showed briefly just beyond the outer bar, blowing only once before disappearing for good.
A summer flounder flapped weakly at the edge of the wash, stunned by its encounter with the whale.
"Well, what do you know..." said Gabe, taking two nimble strides and stamping down with the heel of his boot. "Lunch."
They accompanied Gabe back to the Coast Guard station, reflecting on what they had just witnessed. As far as any of them knew, the coastal wanderings of right whales had always been confined to the colder months, June at the very latest. What was it doing here at this time of year? Had it been alone? Where was it headed? Conrad contributed his share of idle banter, but his thoughts were elsewhere. The episode was somehow emblematic of the times. It was as though the turbulence of the past years had infected the ocean as well, disturbing the natural rhythms, disorienting its occupants.
"You boys figure on haulin' down?" asked Gabe.
Rollo looked to Conrad to reply. They had planned to take the morning off, treat themselves to a well-earned rest, maybe set a gill net off Shagwong later in the day.
"Seeing as we're up," said Conrad, and Rollo beamed.
"Set's on the turn. Be one hell of a chop out there come noon."
"How else we going to make you earn that wage?"
"That ain't no wage, it's a goddamn insult."
"Man your age, scavenging for his lunch?" said Conrad. "The shame of it."
Gabe glanced at the dead flounder and laughed. "That's the truth."
Everyone knew that Gabe had squirreled away a small fortune over the years, largely thanks to a case of temporary blindness contracted during Prohibition.
"Wouldn't bank on much of a haul," said Gabe. "When the wind's from the east, the fish is least."
He wandered up the beach to the Coast Guard station, a grandiose weatherboard affair perched high on the frontal dune.
Conrad turned to Rollo. "Thanks" he said.
"For waking me."
Rollo smiled. "Told you it was good."
They ate a full breakfast on the front deck of Conrad's house as they did every morning, weather permitting. The menu never changed-pork belly and eggs fried side by side in a skillet, sourdough bread smeared with butter, and strong coffee, black as caulking tar, thick enough to float a nail. Afterwards, over a smoke, they would discuss the fishing prospects for the day ahead, trading the little hearsays that were the lifeblood of the fishing community. "Old Emmett took a full charge of cow bass on the Two Mile Hollow set, none of them under thirty pound," Rollo would say, or "Lindy says the bluefish is running off of Cedar Point."
To Conrad, there was something deeply pleasing about the mundanity of his morning routine with Rollo, its repetitive, unchanging nature. He would have been disappointed if, having hauled on his stiff black waders, Rollo hadn't promptly struggled out of them again, announcing that he needed to relieve himself-the click of the chest straps acting as some kind of Pavlovian trigger that also spared him the chore of loading the gear.
The equipment was stored in a barn behind the house. Windblown sand had banked up against its sides, giving the impression it had risen up out of the ground, pushing its way through the soft mantel. The barn's clean hard lines belied the muddle inside.
Excerpted from AMAGANSETT by MARK MILLS Copyright © 2004 by Mark Mills. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Reading Group Guide
Conrad Labarde is a first-generation Basque fisherman who casts his nets in the treacherous waters of the Atlantic. He is a working-class man in a region of Long Island sharply divided between those who inhabit this isolated finger of land year-round, and the rich who claim it every summer.
But in postwar America, things are changing quickly. And lives too will change—affecting everyone in the community—when Conrad’s nets pull in the body of a beautiful young woman, seaweed entwined in her hair…
“An excellently dark and thoughtful story.” —Chicago Tribune
“A timeless story of love and death in a divided community…a beautifully written and haunting tale.” —Nelson DeMille
“An evocative tale of love and murder in America’s legendary summer playground.” —People (Critics Choice)
ABOUT MARK MILLS
Mark Mills is a screenwriter; among his credits is the script for The Reckoning, adapted from Barry Unsworth's novel Morality Play. Mills lives with his family and is at work on his second novel.
- Antagonism between the South Fork’s social classes is a major theme in Amagansett. It surfaces in the fishing community’s campaign against the wealthy “sports” and their proposed fishing ban, the growing Jewish aristocracy vs. the establishment; in general, the new vs. the old. How do Hollis and Conrad exploit different power struggles in order to accomplish their objectives?
- The author makes a point of exploring the source of a family’s wealth, focusing on George Wallace’s sugar investments, the elder Labarde’s lucrative friendship with the corrupt Eusebio, and the Kemps’s whaling dynasty. Does the way in which families earn money have a bearing on their respectability in the context of this novel?
- It is suggested that Hollis climbed as far as he could go professionally when he was a detective in New York City, and that his move to Amagansett is essentially a retreat from scandal. Discuss the role of regret and missed opportunity in Hollis’s life. What motivates him to take on the investigation? Why is he drawn to Mary Calder?
- Although it could be argued that he exemplifies the privileged Golden Boy gone amok, is it possible to have sympathy for Manfred Wallace? Who deserves the most blame for Lillian’s death?
- What would you have done in Lillian’s position?
- The common thread of self-imposed isolation runs through the lives of all three protagonists: Conrad lives in an isolated house and seems to have only one friend in Rollo; Hollis chooses a “quiet life” in Amagansett over the city that shunned and shamed him; and Lillian Wallace rebels against her whole family by staying in the summer house through winter, not to mention seeing a lower-class fisherman on the sly. How is isolation a position of strength for these characters? How may it also be a position of weakness?
- Why do you think Conrad Labarde is referred to as “the Basque” on and off throughout the novel?
- What binds Conrad and Rollo together as friends? Is it simply their shared history, or is it something more?
- Does being at one with the land and its history give characters an advantage?
- Conrad is tormented by the memory of those he has left behind: his mother, Antton, his brothers in arms during the war—especially the Professor—and finally, Lillian. How does his deeply personal survivor’s guilt influence his actions?
- Did it surprise you when the Wallaces offered Conrad the bribe? Does he seem like a man who can be bought? Discuss the preconceptions that led to this turn of events.
- At a crucial moment, Conrad drops the name of Lizzie Jencks in conversation with Hollis—but he says nothing more, leaving Hollis to discover the connection on his own. Why doesn’t Conrad say more when he has the chance to speed up the investigation?
- In their capacity as detectives, what strengths do Hollis and Conrad each possess? Could one have solved the case without the other?
- If you knew what Hollis comes to know about Conrad’s mental health, would you trust him? Why does Hollis trust him?
- In the end, we do not learn the name of the person who’s thought to have had an affair with Lizzie Jencks. Who do you think it is?
- Is there any indication of what the future holds for Conrad?
Most Helpful Customer Reviews
Exceptionally well-written. I found myself becoming attached to the characters, as though I were related to them and personally concerned with their well-being. The plot line was captivating, and the author's rich descriptions had me re-reading portions simply for the beauty contained in his descriptions. In my opinion, this book is well worth reading...
By 1947, Amagansett, like much of this part of Long island, is undergoing a radical change as Manhattan¿s rich and famous invade the small fishing villages and farmlands that have made up this area. While the farmers and fishermen toil year round, the wealthy have made the Hamptons a summer playground to escape the urban heat.................................................. Still the catch in the Atlantic remains terrific though dangerous so fishermen like immigrant Basque Conrad Labarde and his helper Rollo cast nets almost daily to earn a living. This time Conrad catches the body of a young woman. Deputy Chief of Police Tom Hollis investigates the death to ascertain whether a murder has occurred. To accomplish his assignment, Tom must enter the sanctimonious sanctuary of the opulent newcomers though he feels out of his element as he is made to feel like a working stiff questioning his betters in their feudal society. Not that Tom¿s attitude is different since he snobbishly sees the outsiders as being stars of a Fitzgerald novel especially when the family of the deceased prefers to hide the truths involving their dead daughter............................ Though on the surface AMAGANSETT is a historical village police procedural, the story line is actually more of a character study at a time when great upheaval impacts this part of Long Island as centuries old lifestyle is changing. Thus, the tale reads more like a a post World War II whodunit with an emphasis on the history. The cast is a delightful lot that enables the audience to compare the beleaguered working class of farmers and fishermen to the wealthy invaders as revolution has come to the Hamptons...................................... Harriet Klausner
I hope he keeps writing. He has a talent for atmosphere.
I found this book hard to put down. Any book that immediately gets my attention and is hard to put down is a good book in my mind. I would agree that the character development was a little drawn out at times but I still found it interesting and a worthwhile read. I am not usually one for mysteries but the combination of historical fiction and mystery worked well in this book. I also found the ending to be quite good - a bit different than expected.
I just finished reading this book and it is absolutely top notch. Information is carefully doled out bit by bit. The suspense is chilling and the plot is absorbing. I'm not one who is easily impressed. I'm a retired librarian who has read 2-3 books a week since childhood. Am greatly looking forward to this author's next book.
Also published under the title 'The Whaleboat House' Amagansett is a clever story set in 1947, in a small working class village east of the Hamptons. The white sandy beaches and dunes have been inhabited by rugged fishermen for years and have come to attract the wealthy and cultured city folk during their summer vacation. As travel became easier, a different class of people frequented the area, rich sports fisherman put a strain on locals whose livelihood depended on the ocean's bounty for their survival. Where tension grows, trouble is sure to follow'.. Its central plot: part mystery, part thriller and part historical fiction involves money, elite members of society, conniving bad guys, corrupt law enforcement, a war hero and a sexy cop. It opens when Conrad Labarde and Rollo Kemp, fishermen, snag what appears to be a dead weight. When they pull it out of the water much to their horror they discover the body of Lillian Wallace, a beautiful socialite and daughter of a powerful man. Deputy Chief Tom Hollis is lead investigator and one of his first priorities is to question family and friends. This turns out to be quite a challenge, the locals are not cooperative and all appear to be hiding something. To make things worse, his superiors pressure him from the other side, they want him to wrap up his investigation without delay and declare the incident an accidental drowning and move on. Something smells fishy'.. The storyline meanders at times, slowly unraveling into a 'who-done-it' coloured with local myths that are expertly told through fisherman folklore and tales of the sea that go back to the times of the Montaukette Indians. A flashback to the war and other nuggets of history and some tender love moments all add colour to the story. This tale is powerfully told and shines in its depiction of the fishermen's ways of life and their sacrifices during the war. The dialogue, characterization and plotting are riveting. Some may find the pacing to be a bit slow, I did at first but soon found myself absorbed in this intricately woven tale. This is an excellent and captivating novel.
I can appreciate where the author was taking the reader. The book gets unnecessarily bogged down in character descriptions - I couldn't tell if it was going to come into play later or not. Unfortunately, I didn't find that it did. Of course, I also don't really get the ending - the very ending, that is. Anyway, it's a good read, but I don't know that it warrants any more than three stars.
THIS BOOK IS VERY CAPTIVATIING AND RICHLY WRITTEN.
Poor fisherman and rich socialite fall in love. Best quote, " The thing about the Italians is, they've seen civilizations rise and fall and they know it's all crap."
Kind of a "livre noir" murder mystery set in the late 1940s. Above average writing and complex characters made this story hard to put down.
2 fishermen out at sea find a dead woman in their nets off Long Island Sound. Although deemed to be a suicide, something just doesn't feel right to local policeman, Tom Hollis and he starts to ask around for more information about this woman, who, as it turns out, is the daughter of a wealthy tycoon. At the same time, one of the fishermen decides to investigate her death on his own.Secrets abound and are unraveled as the guilty try to cover tracks and stay one step or more ahead of getting caught.
Enjoyable. Lies, secrets, affairs, murder and class conflict in a post-World War II New England summer town. Recommended by People magazine and seems to have gained popular appeal based on that.
If you like detailed scenery and/or the Hamptons, you might enjoy this book more than I did. I skimmed the description to get to the plot, which was very good. I wish the author spent more time on character development than setting. Even the character we learn most about - Conrad - still feels distant by the end of the novel. The time sequence of the storyline jumps all over and there are three female characters with names beginning with "L" - confusing!
I tried reading this book twice, but could never get past the first 50 pages. It is boring. The story rambles on and on about the landscape and the backdrop and fishing. If the writing cannot grab me in the first fifty pages, I don't bother. I don't want to have to wade through the writing to get to a plot. I gave it two stars because I feel guilty that I could not finish it.
excellent sense of place and descriptions of local fishermen. A mix of mystery and Fitzgerald's East Egg.
Loner fisherman from Long Island fishing community nets the dead body of local debutant. Both he and Deputy Police Chief investigate this as murder rather than drowning. Novelist very effective in rolling out the story and how woman found herself in the ocean.
It has a good story line. Character development is done with depth, which is one of the things that made this a good read for me. My only criticism (as a landlubber, born and raised in Kansas) is the level of detail devoted to fishing. Just not one of my things.
Rambling character descriptions left me wondering what page I was on, not enough action. Just when I thought I was getting somewhere, another long drawn out character evolvement stopped the action. I bought this book months ago and am still trying to get through it.
Enjoyed the style for first effort from this author. Thought I was on to a little of modern day F. Scott. Plot and character development ended up disappointing and weak. Better luck next time.