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2940013684225
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America Finding Her Way

America Finding Her Way

by Karen Sunde

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Overview

SWEET LAND OF FIRE: Rebellion. New York, 1970 : the 24 hours before the “Weatherman house” on 11th street explodes.
NATIVE LAND: Rejuvenation. The rebirth of a family to serve their nation by following their delinquent child’s dreams.
TRACKING BLOOD WHITE: Making magic in America, now: A dying red-neck town’s struggle with its Native American neighbors and the killer bear that haunts the mountain they share.
SWEET LAND OF FIRE explores the question: what tips exceptional young people toward political violence? The play is an imagining of what could have gone on in this elegant New York townhouse during the 24 hours before it exploded – shaking the nation – on a solar eclipse day in March 1970. At that time, the anguish of our brightest youths – over wrongful war, race divisions, poverty, and greed in this country – led them to plant bombs, (the police found enough dynamite to blow up half a block) with which they ruined their lives in an attempt to alter what they found unacceptable for America. I wanted to know “why?” – because understanding them then may help us now.

NATIVE LAND: Passionate, swift, funny rebirth of a midwest urban American family into the service of its crumbling nation by way of the mother's fierce trust. Each brilliant, stifled person in this family rips away generations of greed and betrayal to find that embracing their rebel child’s dreams will not only revive him, but rekindle them all.

Kate, once charismatic sparkplug of Viet Nam protests, now a tamed neurologist studying dreams, which her publisher husband, Alan, and their children tolerate. But when wartime buddy Mike, now a prominent lawyer, resurfaces to ask Alan to run for Governor, his daughter Jen, 19, (eager to play politics), and son Jamy, 13, (who haunts an urban excavation, bringing home an unstable vagrant), both lobby Alan to run against Kate’s wishes...until Jamy runs away, falls in the excavation, and is comatose. The evolution of the family while Kate insists they must follow Jamy’s dreams, saves everyone.

TRACKING BLOOD WHITE: Depressed south-west hunters, unemployed after drought and fire, take off from their raucous red-neck tavern to bring down a legendary killer bear that guards the timberline of their stripped “holy (to Indians) mountain.” Their skeptical women stay behind, one with a child terminally ill after being lost in the woods. They resent the Native Americans with whom they share the mountain, and who are faring better on the “Rez” (with a casino and a girl healer). The sick child’s mother defies the town, gets astonishing aid from this Indian girl healer while the hunters, attacked by the gigantic raging bear, race terrified back down the mountain, but find the Indian girl gathering herbs in a meadow, and take brutal revenge for all their humiliations. The horrible fall-out for all, and the guilty hunters’ ascent back to the mountain top to face their mystical nemesis, Blood White, bring a devastating and transcendent battle before peace returns to the People.

PRODUCTION HISTORY
SWEET LAND OF FIRE has had readings in New York –at Ensemble Studio Theatre as Day Before Noon, at Abingdon Theatre Company as The Flower’s Last Child, and as Sweet Land Of Fire in a Concert Reading at La MaMa E.T.C.
NATIVE LAND was commissioned by Michael Miner at Actor’s Theater of St. Paul, has had readings at Ensemble Studio Theatre, New York as House Of Eeyore, and as Native Land in a staged reading at Actors Stock Company/New York.
TRACKING BLOOD WHITE was commissioned by Ken Marini for the Cheltenham Center For The Arts, PA, and workshopped there as Daddy’s Gone A-Hunting. A series of concert readings were produced by Playwrights Theatre of New Jersey. The Lark Play Development Center, New York presented it as a staged reading during their Playwright’s Week. La MaMa ETC, New York, did the first concert reading of Tracking Blood White


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Product Details

BN ID: 2940013684225
Publisher: Karen Sunde
Publication date: 01/22/2012
Sold by: Barnes & Noble
Format: NOOK Book
File size: 1 MB

About the Author

Karen Sunde is an actor turned writer who performed many roles Off-Broadway, was Associate Director of CSC Repertory, New York. Her plays produced Off-Broadway, in regional theatres, on a USA tour, and abroad - in eleven countries and seven languages.
Published plays: DARK LADY, produced Abbey Theatre, Ireland, Aalborg State Theatre, Denmark; BALLOON, won 3 VILLAGER awards Off Broadway, nominated Best Play by Outer Critics Circle, aired Radio France; HAITI: A DREAM in FACING FORWARD, produced Seven Stages, Atlanta, aired WNYC, WHYY, NPR; TO MOSCOW, premiered Ankara National Theatre, Turkey, Chain Lightning, NYC; OH WILD WEST WIND in ROWING TO AMERICA, produced Playwrights Theatre of New Jersey. PLAYS BY KAREN SUNDE includes TRUTH TAKES A HOLIDAY, read at La MaMa, NYC; IN A KINGDOM BY THE SEA*, and HOW HIS BRIDE CAME TO ABRAHAM* (re-published singly), produced PTNJ, Praxis Theatre Project, NYC, The Unicorn, Kansas City, THE FASTEST WOMAN ALIVE, produced Luna Stage, NJ, Praxis, NYC, KABUKI LADY MACBETH, Chicago Shakespeare Theater, 2 JEFF awards. KABUKI OTHELLO, Peoples Light and Theatre, Annenberg Center, Philadelphia, Wisdom Bridge, Chicago. ANTON, HIMSELF Actors Theatre of Louisville, Moscow Art Theatre, Yalta Festival, Russia, PLT, PA. Scenes: TO MOSCOW; ANTON, HIMSELF; MASHA, TOO, and HOW HIS BRIDE CAME TO ABRAHAM in Meriwether “BEST NEW PLAY” audition books. Smith & Kraus BEST STAGE MONOLOGUES.
Among others: for Actors Theatre of Louisville, The Acting Company, NYC, Peoples Light and Theatre Co, PA: KABUKI MACBETH, KABUKI KING RICHARD, and ACHILLES, which toured Hungary, Cyprus, and Japan. Musical QUASIMODO, at Byrdcliffe Festival, Woodstock, and Lahti City Theatre, Finland. For Cheltenham Center for the Arts, PA, LA PUCELLE (ME & JOAN) and DADDY'S GONE A-HUNTING (TRACKING BLOOD WHITE). In New York: Chain Lightning, WHEN REAL LIFE BEGINS, The Working Theatre, 2020 SEXCARE as part of FREE MARKET; for Table and Chair Handmade Theatre , PLEASE GOD, NO WEDDING OR SHOOTING AT THE END!, opera: SPA, A JOY OF WOMEN’S DESIRING with Michael Roman Dilthey; La MaMa’s SWEET LAND OF FIRE.
Of Sunde’s screenplays, four optioned see www.howardshulman.com; also COUNTDOWN, PARALLEL LOVES. DREAM HOUSE, TRIPPING TAMMY, FINAL QUEST: THE MOUNTAIN OF THE GODS, LOVE HITS EARTH, NEXT!, adaptations of HOW HIS BRIDE CAME TO ABRAHAM (www.AbrahamFilm.org), IN A KINGDOM BY THE SEA.

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