|Publisher:||Knopf Doubleday Publishing Group|
|Product dimensions:||5.10(w) x 7.60(h) x 0.80(d)|
About the Author
Read an Excerpt
My serial number is 6545-01-522. I was unpacked from a plastic case, pulled open, checked and reassembled. A black marker wrote BA5799 O POS on me and I was placed in the left thigh pocket of BA5799’s combat trousers. I stayed there; the pocket was rarely unfastened.
I spent eight weeks, two days and four hours in the pocket. I wasn’t needed yet. I slid against BA5799’s thigh, back and forth, back and forth, mostly slowly but sometimes quickly, bouncing around. And there was noise: bangs and cracks, high-pitched whines, shouts of excitement and anger.
One day I was submerged in stagnant water for an hour.
I went in vehicles, tracked and wheeled, winged and rotored. I was soaked in soapy water then hung out to dry on a clothesline and did nothing for a day.
At 0618 on 15 August, when I was sliding alongside BA5799’s thigh, I was lifted into the sky and turned over. And suddenly I was in the light. There was dust and confusion and shouting. I was on the ground beside him. He was face down; he was incomplete. I was beside him as rocks and mud fell around us.
I was in the dust as a dark red liquid zigzagged towards me over the cracked mud. I was there when no one came and he was alone and couldn’t move. I was still there as fear and pathetic hopelessness gripped BA5799, as he was turned over and two fingers reached into his mouth, as his chest was pumped up and down and they forced air into his lungs.
I was picked up by a slippery hand, fumbled back to the ground, then picked up again. I was pulled open by panicked fingers and covered in the thick liquid. I was placed on BA5799. I was turned. I tightened. I closed around his leg until his pulse pushed up against me. And he grimaced and whimpered through gritted teeth. I was wound tighter, gripping his thigh; stopping him bleed out into the dust.
I clung to him while he was lifted onto a stretcher and he bit deeply into the arm of a man who carried him, when he no longer made any noise. I clung to him as we boarded the helicopter. I was wound again then, and gripped him harder.
I clung to him as we flew low across the fields and glinting irrigation ditches and the wind rushed around the helicopter, when he pleaded with God to save him and metal pads were placed on his chest and his body jolted. And I clung to him when the machine read no output, when there was no pulse against me.
I was there when they ran across to the helicopter and took us into the cool of the hospital.
I was there when the doctors looked worried. I clung to him when he came back, when he had output and his faltering heart pulsed again. I was still there when they hung the bag of blood above BA5799 and they cut the remains of his leg away.
And then I was unwound and loosened and I was no longer there; BA5799 no longer needed me.
My serial number is 6545-01-522. I was at the bottom of a surgical bin and then I was burnt.
Reading Group Guide
The questions, discussion topics, and reading list that follow are intended to enhance your reading group’s conversation about Anatomy of a Soldier, Harry Parker’s stunning and visceral debut novel that explores the complex and myriad facets of a soldier’s life—from the mundane to the tragic.
1. Discuss the narrative perspective that the author employs in Anatomy of a Soldier. How did Parker’s use of the objects as narrators help to create both a peripheral and intimate perspective on war and how it affects soldiers?
2. In the opening chapter of the book, Barnes is introduced to the reader as BA5799, and he is referred to by both names interchangeably throughout the novel. Why do you think Parker chose to do this? What effect did it have on you as a reader?
3. How would you describe Captain Tom Barnes? Given the fractured narrative structure, how did your understanding of the character evolve over the course of the novel?
4. Discuss the importance of ritual in the life of Captain Barnes pre-injury and post-injury. When is the change in his daily routine most acutely felt after his injury?
5. The relationship between the British soldiers and the local citizens is fraught with tension. How does mistrust of the British soldiers factor into daily interactions? How does fear permeate the atmosphere in Faridun’s community?
6. Describe Barnes’s support system after his injury. Who or what comforts him most? How do his relationships with his peers change? His relationship with his family?
7. What attracted Latif to the path he chose in life? When does he feel most conflicted about his decision? How would you describe his relationship with Aktar?
8. In chapter 24, Kushan Hhan takes a serious risk by inviting Captain Barnes into his home. How would you describe their interaction? How does Aadela, Kushan’s wife, feel about their visit?
9. Discuss the scene in chapter 38 where Barnes has a tense discussion with his friend James. What angers Barnes most about James’s comment about Barnes’s internal strength? How is this interaction—and other interactions with friends—colored with a sense of isolation and loss?
10. What does Parker’s use of objects as narrators assert about the impersonal aspect of modern warfare? How does technology factor into the way we fight wars today?
11. Key passages in Anatomy of a Soldier are graphic in their corporeal description. How does Parker’s visceral realism help to paint a clear portrait of wartime tragedy? What scene was most impactful for you?
12. Captain Barnes grapples with issues of confidence after his injury. How does his sense of self change over the course of the novel? By the end of Anatomy of a Soldier, would you assert that he has a positive self-image?
13. Discuss the scene where Barnes receives the medal of bravery for service in the military. Describe his emotions during the ceremony. How did Parker’s choice to have the narration from the point of view of the medal itself help to emphasize Barnes’s emotional distance from the award?
14. Anatomy of a Soldier is told in a nonlinear fashion, with jumps in time, place, and perspective. How does this create a sense of anxiety during the reading experience? How does the slow reveal of details reflect Barnes’s complicated journey of healing?
15. Though the journey of Captain Barnes is at the heart of Anatomy of a Soldier, it is also a novel about the human toll of warfare more generally. How does Parker explore the concept of loss? How does it affect each of the novel’s characters?
16. Discuss the last chapter of the book. How would you describe Barnes’s emotional state during this scene? Describe your own emotional journey during the read. What did you find to be the most important lesson or message that this novel imparted?
Most Helpful Customer Reviews
In "Anatomy of a Soldier," the wounding and subsequent rehabilitation of British soldier Captain Tom Barnes is told, in non-chronological order, from the perspective of the objects that come into contact with him, from the IED that rips off his legs to the prosthetics that he is eventually fitted with. Along the way we meet those who engineered the attack, the friends and family members of both sets of fighters, and the strangers who work to save Tom's life. The conceit behind "Anatomy of a Soldier" is clever, and the subject matter is fairly gory, but the book avoids hiding behind either clever conceit or gruesome depictions of violence, whether military or medical (although the squeamish may have a hard time reading about the surgeries that Tom undergoes). Highly detailed and seemingly detached, it nonetheless conveys the pathos of both Tom's life-shattering experience, and the tragedy of the shattered lives of those on the other side. Like a number of works about recent conflicts, the focus is not on the characters' courage and plucky fight against the odds, but on how all the courage and pluck in the world cannot, in fact, protect you from the damage caused by modern explosives. Tom had imagined getting wounded before it actually happened, but had always envisioned it as a flesh wound from a bullet, which he would bravely shrug off and lead his soldiers back to safety before seeking treatment. The reality is quite different, the catastrophic nature of his injuries rendering all possibility of courage moot. This could be a depressing narrative, and it is indeed bittersweet, but the multiple points of view work to suggest that, far from being alone, we are all living in an animate, interconnected world, something that even war cannot, fundamentally, destroy.