Angela's Ashes

Angela's Ashes

by Frank McCourt
Angela's Ashes

Angela's Ashes

by Frank McCourt

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Overview

A Pulitzer Prize–winning, #1 New York Times bestseller, Angela’s Ashes is Frank McCourt’s masterful memoir of his childhood in Ireland.

“When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.”

So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank’s mother, Angela, has no money to feed the children since Frank’s father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy—exasperating, irresponsible, and beguiling—does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father’s tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies.

Perhaps it is story that accounts for Frank’s survival. Wearing rags for diapers, begging a pig’s head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors—yet lives to tell his tale with eloquence, exuberance, and remarkable forgiveness.

Angela’s Ashes, imbued on every page with Frank McCourt’s astounding humor and compassion, is a glorious book that bears all the marks of a classic.

Product Details

ISBN-13: 9780684864839
Publisher: Scribner
Publication date: 12/17/1998
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 368
Sales rank: 44,505
File size: 4 MB

About the Author

About The Author
Frank McCourt (1930–2009) was born in Brooklyn, New York, to Irish immigrant parents, grew up in Limerick, Ireland, and returned to America in 1949. For thirty years he taught in New York City high schools. His first book, Angela’s Ashes, won the Pulitzer Prize, the National Book Critics Circle Award, and the Los Angeles Times Book Award. In 2006, he won the prestigious Ellis Island Family Heritage Award for Exemplary Service in the Field of the Arts and the United Federation of Teachers John Dewey Award for Excellence in Education.

Read an Excerpt


From Chapter IV First Communion day is the happiest day of your life because of The Collection and James Cagney at the Lyric Cinema. The night before I was so excited I couldn't sleep till dawn. I'd still be sleeping if my grandmother hadn't come banging at the door.

Get up! Get up! Get that child outa the bed. Happiest day of his life an' him snorin' above in the bed.

I ran to the kitchen. Take off that shirt, she said. I took off the shirt and she pushed me into a tin tub of icy cold water. My mother scrubbed me, my grandmother scrubbed me. I was raw, I was red.

They dried me. They dressed me in my black velvet First Communion suit with the white frilly shirt, the short pants, the white stockings, the black patent leather shoes. Around my arm they tied a white satin bow and on my lapel they pinned the Sacred Heart of Jesus, a picture with blood dripping from it, flames erupting all around it and on top a nasty-looking crown of thorns.

Come here till I comb your hair, said Grandma. Look at that mop, it won't lie down. You didn't get that hair from my side of the family. That's that North of Ireland hair you got from your father. That's the kind of hair you see on Presbyterians. If your mother had married a proper decent Limerickman you wouldn't have this standing up, North of Ireland, Presbyterian hair.

She spat twice on my head.

Grandma, will you please stop spitting on my head.

If you have anything to say, shut up. A little spit won't kill you. Come on, we'll be late for the Mass.

We ran to the church. My mother panted along behind with Michael in her arms. We arrived at the church just in time to see the last of the boys leaving the altar rail where the priest stood with the chalice and the host, glaring at me. Then he placed on my tongue the wafer, the body and blood of Jesus. At last, at last.

It's on my tongue. I draw it back.

It stuck.

I had God glued to the roof of my mouth. I could hear the master's voice, Don't let that host touch your teeth for if you bite God in two you'll roast in hell for eternity. I tried to get God down with my tongue but the priest hissed at me, Stop that clucking and get back to your seat. God was good. He melted and I swallowed Him and now, at last, I was a member of the True Church, an official sinner.

When the Mass ended there they were at the door of the church, my mother with Michael in her arms, my grandmother. They each hugged me to their bosoms. They each told me it was the happiest day of my life. They each cried all over my head and after my grandmother's contribution that morning my head was a swamp.

Mam, can I go now and make The Collection?

She said, After you have a little breakfast.

No, said Grandma.You're not making no collection till you have a proper First Communion breakfast at my house. Come on.

We followed her. She banged pots and rattled pans and complained that the whole world expected her to be at their beck and call. I ate the egg, I ate the sausage, and when I reached for more sugar for my tea she slapped my hand away.

Go aisy with that sugar. Is it a millionaire you think I am? An American? Is it bedecked in glitterin' jewelry you think I am? Smothered in fancy furs?

The food churned in my stomach. I gagged. I ran to her backyard and threw it all up. Out she came.

Look at what he did. Thrun up his First Communion breakfast. Thrun up the body and blood of Jesus. I have God in me backyard. What am I goin' to do? I'll take him to the Jesuits for they know the sins of the Pope himself.

She dragged me through the streets of Limerick. She told the neighbors and passing strangers about God in her backyard. She pushed me into the confession box.

In the name of the Father, the Son, the Holy Ghost. Bless me, Father, for I have sinned. It's a day since my last confession.

A day? And what sins have you committed in a day, my child?

I overslept. I nearly missed my First Communion. My grandmother said I have standing up, North of Ireland, Presbyterian hair. I threw up my First Communion breakfast. Now Grandma says she has God in her backyard and what should she do.

The priest is like the First Confession priest. He has the heavy breathing and the choking sounds.

Ah...ah...tell your grandmother to wash God away with a little water and for your penance say one Hail Mary and one Our Father. Say a prayer for me and God bless you, my child.

Grandma and Mam were waiting close to the confession box. Grandma said, Were you telling jokes to that priest in the confession box? If 'tis a thing I ever find out you were telling jokes to Jesuits I'll tear the bloody kidneys outa you. Now what did he say about God in my backyard?

He said wash Him away with a little water, Grandma.

Holy water or ordinary water?

He didn't say, Grandma.

Well, go back and ask him.

But, Grandma...

She pushed me back into the confessional.

Bless me, Father, for I have sinned, it's a minute since my last confession.

A minute! Are you the boy that was just here?

I am, Father.

What is it now?

My grandma says, Holy water or ordinary water?

Ordinary water, and tell your grandmother not to be bothering me again.

I told her, Ordinary water, Grandma, and he said don't be bothering him again.

Don't be bothering him again. That bloody ignorant bogtrotter.

I asked Mam, Can I go now and make The Collection? I want to see James Cagney.

Grandma said, You can forget about The Collection and James Cagney because you're not a proper Catholic the way you left God on the ground. Come on, go home.

Mam said, wait a minute. That's my son. That's my son on his First Communion day. He's going to see James Cagney.

No he's not.

Yes he is.

Grandma said, Take him then to James Cagney and see if that will save his Presbyterian North of Ireland American soul. Go ahead.

She pulled her shawl around her and walked away.

Mam said, God, it's getting very late for The Collection and you'll never see James Cagney. We'll go to the Lyric Cinema and see if they'll let you in anyway in your First Communion suit. We met Mikey Molloy on Barrington Street. He asked if I was going to the Lyric and I said I was trying. Trying? he said. You don't have money? I was ashamed to say no but I had to and he said, That's all right. I'll get you in. I'll create a diversion.

What's a diversion?

I have the money to go and when I get in I'll pretend to have the fit and the ticket man will be out of his mind and you can slip in when I let out the big scream. I'll be watching the door and when I see you in I'll have a miraculous recovery. That's a diversion. That's what I do to get my brothers in all the time.

Mam said, Oh, I don't know about that, Mikey. Wouldn't that be a sin and surely you wouldn't want Frank to commit a sin on his Communion day.

Mikey said if there was a sin it would be on his soul and he wasn't a proper Catholic anyway so it didn't matter. He let out his scream and I slipped in and sat next to Question Quigley and the ticket man, Frank Goggin, was so worried over Mikey he never noticed. It was a thrilling film but sad in the end because James Cagney was a public enemy and when they shot him they wrapped him in bandages and threw him in the door, shocking his poor old Irish mother, and that was the end of my First Communion day.

Copyright © 1996 by Frank McCourt

What People are Saying About This

Thomas Cahill

Angela's Ashes is a chronicle of grownups at the mercy of life and children at the mercy of grownups, and it is such a marriage of pathos and humor that we never know whether to weep or roar - and find yourself doing both at once.... You will be made happy by some of the most truly marvelous writing you will ever encounter. McCourt deserves whatever glittering prizes are lying around. Give the man a prix de Rome, a croix de Guerre, a Pulitzer, a Nobel, a Templeton - and while you're at it pull him another Guiness!

Mary Gordon

I was moved and dazzled by the somber and lively beauty of the book; it is a story of survival and growth beyond all odds. A chronicle of surprising triumphs, written in language that is always itself triumphant.

Thomas Keneally

From the time we meet the embattled McCourts and their eldest son Frank, we are beset by the same tides of folly, passion, hilarity and loss that mark their lives. Once opened the brilliant and seductive book will not let you rest until Frank emerges, more or less reared, at the close of boyhood.

Reading Group Guide


Reading Group Discussion Points
  1. Countless memoirs have been published recently, yet Angela's Ashes stands out. What makes this memoir so unique and compelling?
  2. Discuss the originality and immediacy of Frank McCourt's voice and the style he employs -- i.e., his sparing use of commas, the absence of quotation marks. How, through a child's voice and perspective, does McCourt establish and maintain credibility?
  3. Ever present in Angela's Ashes is the Catholic Church. In what ways does the Catholic Church of McCourt's Ireland hurt its members and limit their experience? How does the Church protect and nurture its followers? What is Frank's attitude toward the Church?
  4. McCourt writes: "I think my father is like the Holy Trinity with three people in him, the one in the morning with the paper, the one at night with the stories and prayers, and then the one who does the bad thing and comes home with the smell of whiskey and wants us to die for Ireland." Was this your impression of Frank McCourt's father? How can Frank write about his father without bitterness? What part did Malachy play in creating the person that Frank eventually became?
  5. Women -- in particular mothers -- play a significant role in Angela's Ashes. Recall the scenes between Angela and her children; the MacNamara sisters (Delia and Philomena) and Malachy; Aunt Aggie and young Frank; Angela and her own mother. In what ways do these interactions reflect the roles of women within their families? Discuss the ways in which Angela struggles to keep her family together in the most desperate of circumstances.
  6. McCourt titles his memoir Angela's Ashes, after his mother. What significance does the phrase "Angela's Ashes" acquire by the end of the book?
  7. Despite the McCourts' horrid poverty, mind-numbing starvation, and devastating losses, Angela's Ashes is not a tragic memoir. In fact, it is uplifting, triumphant even. How does McCourt accomplish this?
  8. Irish songs and lyrics are prominently featured in Angela's Ashes. How do these lyrics contribute to the unique voice of this memoir? How does music affect Frank's experiences? How do you think it continues to influence his memories of his childhood?
  9. Frank spent the first four years of his life in the United States. How do his experiences in America affect Frank's years in Ireland?
Recommended Readings

The Horse's Mouth, Joyce Cary

Stop-Time, Frank Conroy

The Barrytown Trilogy, Roddy Doyle

Dubliners, James Joyce

The Liars' Club, Mary Karr

Ironweed, William Kennedy

Up in the Old Hotel and Other Stories, Joseph Mitchell

Mother of Pearl, Mary Morrissey

A Fanatic Heart: Selected Stories of Edna O'Brien, Edna O'Brien

Later the Same Day, Grace Paley

Family Sins, William Trevor

Carry On Jeeves, P. G. Wodehouse

Look Homeward, Angel, Thomas Wolfe

This Boy's Life, Tobias Wolff

Interviews

Before the live bn.com chat, Frank McCourt agreed to answer some of our questions:

Q:  If you were a tree -- no, scratch that. Could you settle the great debate? Guinness or Murphy's.

A:  Is there a great debate? I wasn't aware. I'd have to say Guinness. Murphy's is too sweet, too sugary. You prefer Murphy's, don't you?

Q:  Er, yes.

A:  I knew you were going to say that.

Q:  Okay, in the schoolyard: ten-year-old Frank McCourt versus Paddy Clarke. Who would win?

A:  Oh, that's easy. Frank McCourt, for his sheer ferocity.

Q:  Is there a Dublin/Limerick rivalry?

A:  Absolutely. Dubliners can't stand Limerickmen. Limerickmen don't give Dubliners much thought, but people from Limerick drive Dubliners crazy. It's because Limerick is undefinable, and Dubliners so love to pigeonhole everything: "Galway is the most Irish part of Ireland, Dublin is the cosmopolitan center of it all." But they don't know what to say about Limerick, and this infuriates them. Limerick remains aloof.

Q:  Have you been to the new Stuyvesant High School building?

A:  Yes. It's a disaster. It's like public education the world over -- it's anti-kid. It's the whole adversarial relationship between schools and their students. I fail to understand why they insist on building these prison-like edifices and expect kids to learn in them.

Q:  I understand you've written a book. Has success changed you?

A:  Boy, you're really on top of things over there at Barnes & Noble, aren't you? Well, yes. I'm much, much busier than I expected to be. I'm not complaining, mind you. It's just that I'm a great lounger, and I do so like to walk around and sniff flowers and the like. I'll do it a bit different next time.

Q:  One of the things I remember most about your book is the shocking state of your teeth. Did you ever get them fixed?

A:  Oh yes, when I came back over here the Army fixed 'em up for me.

Q:  Any thoughts on the current state of Irish dentistry?

A:  It's gotten much better. Used to be the slightest thing wrong with your teeth and whoops! Out it came. You'd see people walking around bleeding from the mouth all the time. I had three teeth yanked out for no good reason. It's better today, though England and Ireland are still the leading sugar consumers in the world, and until that changes dentists will still make a good living over there.

Introduction

Reading Group Discussion Points

  1. Countless memoirs have been published recently, yet Angela's Ashes stands out. What makes this memoir so unique and compelling?

  2. Discuss the originality and immediacy of Frank McCourt's voice and the style he employs—i.e., his sparing use of commas, the absence of quotation marks. How, through a child's voice and perspective, does McCourt establish and maintain credibility?

  3. Ever present in Angela's Ashes is the Catholic Church. In what ways does the Catholic Church of McCourt's Ireland hurt its members and limit their experience? How does the Church protect and nurture its followers? What is Frank's attitude toward the Church?

  4. McCourt writes: "I think my father is like the Holy Trinity with three people in him, the one in the morning with the paper, the one at night with the stories and prayers, and then the one who does the bad thing and comes home with the smell of whiskey and wants us to die for Ireland." Was this your impression of Frank McCourt's father? How can Frank write about his father without bitterness? What part did Malachy play in creating the person that Frank eventually became?

  5. Women—in particular mothers—play a significant role in Angela's Ashes. Recall the scenes between Angela and her children; the MacNamara sisters (Delia and Philomena) and Malachy; Aunt Aggie and young Frank; Angela and her own mother. In what ways do these interactions reflect the roles of women within their families? Discuss the ways in which Angela struggles to keep her family together in the most desperate of circumstances.

  6. McCourt titles his memoir Angela's Ashes, after his mother. What significance does the phrase "Angela's Ashes" acquire by the end of the book?

  7. Despite the McCourts' horrid poverty, mind-numbing starvation, and devastating losses, Angela's Ashes is not a tragic memoir. In fact, it is uplifting, triumphant even. How does McCourt accomplish this?

  8. Irish songs and lyrics are prominently featured in Angela's Ashes. How do these lyrics contribute to the unique voice of this memoir? How does music affect Frank's experiences? How do you think it continues to influence his memories of his childhood?

  9. Frank spent the first four years of his life in the United States. How do his experiences in America affect Frank's years in Ireland?

Recommended Readings

The Horse's Mouth

Joyce Cary

Stop-Time

Frank Conroy

The Barrytown Trilogy

Roddy Doyle

Dubliners

James Joyce

The Liars' Club

Mary Karr

Ironweed

William Kennedy

Up in the Old Hotel and Other Stories

Joseph Mitchell

Mother of Pearl

Mary Morrissey

A Fanatic Heart: Selected Stories of Edna O'Brien

Edna O'Brien

Later the Same Day

Grace Paley

Family Sins

William Trevor

Carry On Jeeves

P. G. Wodehouse

Look Homeward, Angel

Thomas Wolfe

This Boy's Life

Tobias Wolff

Frank McCourt was born in 1930 in Brooklyn, New York, to Irish immigrant parents, grew up in Limerick, Ireland, and returned to America in 1949. For thirty years he taught in New York City high schools. His first book, Angela's Ashes, won the Pulitzer Prize, the National Book Critics Circle Award and the L.A. Times Book Award. In 2006, he won the prestigious Ellis Island Family Heritage Award for Exemplary Service in the Field of the Arts and the United Federation of Teachers John Dewey Award for Excellence in Education. He lives with his wife, Ellen, in New York and Connecticut.

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