Apocalypse Jukebox: The End of the World in American Popular Music

Apocalypse Jukebox: The End of the World in American Popular Music

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Overview

Apocalypse Jukebox: The End of the World in American Popular Music by Edward Whitelock, David Janssen

From its indefinite beginnings through its broad commercialization and endless reinterpretation, American rock-and-roll music has been preoccupied with an end-of-the-world mentality that extends through the whole of American popular music. In Apocalypse Jukebox, Edward Whitelock and David Janssen trace these connections through American music genres, uncovering a mix of paranoia and hope that characterizes so much of the nation’s history.
From the book’s opening scene, set in the American South during a terrifying 1833 meteor shower, the sense of doom is both palpable and inescapable; a deep foreboding that shadows every subsequent development in American popular music and, as Whitelock and Janssen contend, stands as a key to understanding and explicating America itself.
Whitelock and Janssen examine the diversity of apocalyptic influences within North American recorded music, focusing in particular upon a number of influential performers, including Bob Dylan, Leonard Cohen, John Coltrane, Devo, R.E.M., Sleater-Kinney, and Green Day. In Apocalypse Jukebox, Whitelock and Janssen reveal apocalypse as a permanent and central part of the American character while establishing rock-and-roll as a true reflection of that character.

Product Details

ISBN-13: 9781593762216
Publisher: Soft Skull Press, Inc.
Publication date: 01/13/2009
Edition description: Original
Pages: 256
Product dimensions: 5.40(w) x 8.20(h) x 0.90(d)

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