The Apothecary (Apothecary Series #1)

The Apothecary (Apothecary Series #1)

by Maile Meloy
The Apothecary (Apothecary Series #1)

The Apothecary (Apothecary Series #1)

by Maile Meloy


    Qualifies for Free Shipping
    Choose Expedited Shipping at checkout for delivery by Thursday, December 7
    Check Availability at Nearby Stores

Related collections and offers


It's 1952 and the Scott family has just moved from Los Angeles to London. Here, fourteen-year-old Janie meets a mysterious apothecary and his son, Benjamin Burrows - a fascinating boy who's not afraid to stand up to authority and dreams of becoming a spy. When Benjamin's father is kidnapped, Janie and Benjamin must uncover the secrets of the apothecary's sacred book, the Pharmacopoeia, in order to find him, all while keeping it out of the hands of their enemies - Russian spies in possession of nuclear weapons. Discovering and testing potions they never believed could exist, Janie and Benjamin embark on a dangerous race to save the apothecary and prevent impending disaster.

Together with Ian Schoenherr's breathtaking illustrations, this is a truly stunning package from cover to cover. Contains a teaser chapter of the sequel, The Apprentices.

Product Details

ISBN-13: 9780142422069
Publisher: Penguin Young Readers Group
Publication date: 02/12/2013
Series: The Apothecary Series , #1
Edition description: Reprint
Pages: 384
Sales rank: 90,604
Product dimensions: 5.68(w) x 8.08(h) x 0.98(d)
Lexile: 740L (what's this?)
Age Range: 10 - 14 Years

About the Author

Maile Meloy is the award-winning author of The Apothecary and The Apprentices as well as the adult short story collections Both Ways Is the Only Way I Want It and Half in Love, and the novels Liars and Saints and A Family Daughter. You can visit Maile at


Los Angeles, California

Date of Birth:


Place of Birth:

Helena, Montana


M.F.A. in Fiction, University of California, Irvine, 2000

Read an Excerpt

Chapter 2


The Apothecary

It’s safe to say I was not graceful about the move to London. I was no witty, patient, adaptable Jane Austen. And if I was anything like Katharine Hepburn, it was in the scenes where she’s being a giant pest. I cried in the taxi all the way to the airport, past the churning oil rigs on La Cienega. I cried on the first airplane I’d ever been on, which should have been exciting, and was exciting—all those tiny buildings below—but I wasn’t going to give my parents the satisfaction of knowing that I was enjoying it.

At Heathrow Airport in London, there was a framed picture of the brand-new Queen Elizabeth II on the wall.

“She’s not that much older than you are,” my mother said.

“And she’s been through a war, and her father’s dead, and

now she has to be queen, poor thing.”

“See?” my father said. “Your life could be worse.”

I looked at the picture of the young queen. We had escaped ahead of the U.S. marshals, locking up the house and packing only the things we could carry. My parents were going to be writing for the BBC under fake names—fake names, when my mother wouldn’t even put yellow food coloring in margarine! We were living like criminals or spies. Although I was angry, standing there looking at the plucky young queen’s portrait, I allowed myself to think that my mother was right, and it might be an adventure.

But February in London crushed those hopes. We took a taxi through streets that were still bomb-scarred and desolate, seven years after the war’s end, to a tiny third-floor flat on St. George’s Street in Primrose Hill. Across the street was a haberdasher—my father said he was like a tailor—standing outside his shop with his hands behind his back and a look on his face as if no one would ever come in.

Our new landlady, Mrs. Parrish, took off her apron and patted a wild cloud of hair to show us around. She said the gas water heater over the kitchen sink was broken, and we would have to heat pots of water on the stove. The kitchen was along one side of the living room, no bigger than a closet, and could be closed away just like a closet. The rooms were freezing and the walls seemed damp. The brown wallpaper was water-stained near the ceiling.

We must have looked dismayed, because the distracted Mrs. Parrish suddenly focused on us. She was not going to let some spoiled Americans fail to appreciate their good fortune.

“You’re lucky to get the place, you know,” she said.

“Of course,” my mother said quickly. “We’re very grateful.” “People are queuing up for a flat like this, with its own

lavatory, and separate bedrooms, and a working telephone line. But the BBC asked to hold it, specially.” It was clear that we did not deserve such a bounty, when her countrymen, who had lost so much, were still going without private bathrooms.

“We’re very grateful,” my mother repeated.

“Do you have your ration cards for the marketing?”

“Not yet,” my mother said.

“You’ll need those,” the landlady said. “And you’ll find that

the butcher sells out first thing in the morning, ration cards or no.” She lowered her voice. “I can sell you some eggs, if you like. They’re hard to get, but I know someone with hens.”

“That would be very nice.”

Mrs. Parrish showed us where to put penny coins into the gas heater in the wall, to make it work. We didn’t have any English pennies, but said we would get some.

“Mark you,” she said, brushing dust from the heater off her hands, “it doesn’t do much. Apart from eat up pennies. You’ll want your hot water bottles for the beds.”

“We don’t have hot water bottles,” my mother said.

“Try the apothecary,” the landlady said. “Around the corner, on Regent’s Park. He’ll have pennies, too.”

And she left us alone.

My mother started investigating the closet kitchen, and my father and I put on every warm thing we had, which wasn’t much, to go find the apothecary, which my father said was like a pharmacy. The sky over St. George’s Street was gray, and the buildings were gray, and people wore gray. It sounds like a cliché, but it was true. Going from Los Angeles to London in 1952 was like leaving a Technicolor movie and walking into a black-and-white one.

Around the corner on Regent’s Park Road, just as the landlady said, we came to a storefront with two bay windows full of glass bottles. A painted sign over one window said APOTHECARY, and one over the other window said ESTABLISHED 1871. My father pushed the paned glass door open and held it for me. The shop had a strange smell, musty and herbal and metallic all at once. Behind the counter was a wall of jars. A balding man on a wheeled ladder, halfway up the wall, pulled a jar down. He seemed not to have noticed us, but then he spoke. “I’ll just be a moment,” he said.

He carefully climbed down the ladder with the jar in one hand, set it on the counter, and looked up at us, ready for our needs. He had wire-rimmed glasses and the air of someone who didn’t rush things, who paid close attention to each particular task before moving on to the next.

“We’re looking for three hot water bottles,” my father told


“Of course.”

“And how about some chocolate bars?” The apothecary shook his head.

“We have them sometimes. Not often, since the war.”

“Since the war?” my father said, and I could see him calculating: twelve years without a steady supply of chocolate. He looked a little faint. I wondered if he could get a prescription for chocolate from a doctor. Then I could have some, too.

“Come back again,” the apothecary said, seeing his dismay. “We may have some soon.”

“Okay,” my father said. “We’d better get some aspirin, too.” I could tell he was embarrassed by his undisguised need for candy, and he always made jokes when he was embarrassed. I could feel one coming. “And how about something for my daughter, to cure homesickness?”

“Dad,” I said. The apothecary looked at me.

“You’re American?” I nodded.

“And you’ve moved here to a cold flat with cold bedrooms that need hot water bottles?”

I nodded again, and the apothecary guided the ladder along the back wall on its metal wheels.

“I was joking,” my father said.

“But you are homesick?” the apothecary asked, over his shoulder.

“Well—yes,” I said.

He climbed the ladder and chose two jars, tucking one beneath his arm to climb down. At the counter, he unscrewed the lids and measured two different powders, one yellow and one brown, into a small glass jar. “The brown is aspen, the yellow is honeysuckle,” he said. To my father, he said, “Neither will hurt her.” To me, he said, “Put about a dram of each—do you know how much a dram is? About a teaspoon of each in a glass of water. It won’t take effect right away, but it might make you feel better. And it might not. People have different constitutions.”

“We really don’t—” my father said.

“It’s free of charge,” the apothecary said. “It’s for the young lady.” Then he rang up the hot water bottles and the bottle of aspirin.

“Thank you,” I said.

“You’ll want some pennies, too, for the wall heater,” he said, handing me our change in a fistful of big brown coins that clinked, rather than jingled, into my hand.


Excerpted from "The Apothecary"
by .
Copyright © 2013 Maile Meloy.
Excerpted by permission of Penguin Young Readers Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

From the Publisher

Praise for Maile Meloy’s THE APOTHECARY:
A New York Times Bestseller
E.B. White Read-Aloud Book Award Winner
2011 Publishers Weekly Best Book of the Year
2011 Wall Street Journal Best of the Year
2011 Chicago Public Library Best of the Best Reading List
 “Inventive, smart and fun, an absolute delight.”
REBECCA STEAD, Newbery Award-winning author of WHEN YOU REACH ME
“[Meloy] brings to her first book for young readers the same emotional resonance that has won acclaim for her adult fiction, grounding her story in the intricacies of family love, friendship and loyalty blended here with the complicated fluctuations of adolescence.”
“Maile Meloy’s sly commingling of the real and the imaginary make this a witty and entertaining Cold War romp—with a touch of age-appropriate romance.”
“The title of Maile Meloy’s smartly written, page-turning adventure/fantasy refers to a magical druggist in London in 1952. . . . It’s for curious readers who, like Meloy’s characters, can make room in their imaginations and ‘allow for the possibilities.’”
“[A] thoroughly enjoyable adventure, filled with magic, humor, memorable characters, and just a bit of sweet romance. With evocative, confident prose and equally atmospheric spot art from Schoenherr, adult author Meloy’s first book for young readers is an auspicious one.”
“Those who know little about blacklisting, the Cold War, and European life after WWII will just have to dive into the fantasy-adventure pool, which runs long and deep. Magic elixirs, transformational disguises, and everyday cunning help Janie, Benjamin, and several scientists elude capture.”
“[I]ts blend of history, culture and the anxiety of the time with magical “science” will keep readers just as spellbound as the characters.”
“[G]ood, strong historical fiction spiced with intrigue, magical realism, mystery, suspense, and science…the spies and historical twist give it a lot of flavor.  The illustrations are fluid and delightful.”

From the B&N Reads Blog

Customer Reviews