One of the most important but least studied of medieval chant repertories is that of the Kyrie. With their Latin texts, Kyrie melodies represented musical ambitions manifested alongside of and subsequent to Gregorian chant - ambitions which achieved stylistic and formal distinction. This study illuminates those features of the early Kyrie that give it its distinctive character and set it apart not only from Gregorian chant but also from other types of medieval chant.
The repertory focused on in this book is a group of twenty-two West Frankish sources which are believed to have originated in several Aquitanian locations. The tradition represented by these manuscripts and their repertory of Kyrie melodies can be followed across a century and a half, from 950 to 1100. The Aquitanian manuscript tradition is significant because these sources represent by far the largest group of closely interrelated musical sources from the period, and the musical notation gives reliable indication of pitch up to a century earlier than other manuscripts of the time. By incorporating both a detailed musical study and transcriptions of these sources this book will be of interest to those who are concerned with the construction of these pieces as well as to those who wish to appreciate them, or even perform them, as superb melodies.
|Publisher:||Taylor & Francis|
|Product dimensions:||6.89(w) x 9.92(h) x 1.06(d)|
Table of Contents
Clemens rector aeterne
Some other early D-final Kyries
Rex magne domine
Other early E-final Kyries
The Christe supplices Mel. 55
Some other early G-final Kyries
Eleventh-century additions to the Aquitanian Kyrie repertory
Endnotes for chapters 1-8
Inventories of the Aquitanian sources
Concordances for the Aquitanian Kyrie repertory
Abbrevations and list of works consulted
Transcriptions of the Aquitanian Kyries
Index of Kyries.