Ariadne: A Novel

by Jennifer Saint

Overview

A mesmerizing debut novel for fans of Madeline Miller's Circe.

Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice.

When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne’s decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind?

Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.

Product Details

ISBN-13:	9781250773586
Publisher:	Flatiron Books
Publication date:	05/04/2021
Pages:	320
Sales rank:	7,797
Product dimensions:	6.40(w) x 9.10(h) x 1.30(d)

About the Author

Due to a lifelong fascination with Ancient Greek mythology, Jennifer Saint read Classical Studies at King’s College, London. She spent the next thirteen years as an English teacher, sharing a love of literature and creative writing with her students. Ariadne is her first novel.

Editorial Reviews

02/01/2021

Saint’s enchanting debut retells the myth of the minotaur through the eyes of Ariadne, daughter of King Minos of Crete. Ariadne’s life has always been touched by the gods, as her mother, Pasiphae, is the daughter of Helios, god of the sun. She has also witnessed their wrath, unfairly brought down upon Pasiphae by Poseidon, the sea god, because of Minos’s transgressions against him. Her punishment, to fall into obsessive love with a bull, resulted in the Minotaur, Ariadne’s half-human, half-bull brother. When Theseus, prince of Athens, is sent as part of that city’s annual sacrifice to the Minotaur, a smitten Ariadne helps him defeat the monster and they flee Crete together. Ariadne hoped they would bring her sister, Phaedra, with them, but fickle Theseus breaks his promise, leaving Phaedra behind and abandoning Ariadne on the island of Naxos. The island is the home of Dionysus, god of wine and pleasure, and he takes Ariadne as his wife. Phaedra, meanwhile, is reluctantly married off to Theseus in a political maneuver of her father’s. As the women navigate their changing positions of power, they court disaster at the hands of both gods and men. Saint expertly highlights how often the women of this world pay the price for the actions of the men around them. Lovers of mythology should snap this up. (May)

Publishers Weekly

"Ariadne is a shimmering tapestry of two sisters bound by deceit and the shadows of family history. One marries a hero, the other a god. As their lives criss-cross through girlhood and womanhood, the secrets that their husbands keep become a monstrous backdrop to their relationship. With a fresh voice and keen insight, Saint adds flesh and bone to an ancient myth, drawing the reader into an uneasy world of ever-afters."
—Yangsze Choo, New York Times bestselling author of The Night Tiger

“Enchanting…Saint expertly highlights how often the women of this world pay the price for the actions of the men around them. Lovers of mythology should snap this up.”
—Publishers Weekly

“Ariadne gives voice to the misused Princess of Crete who betrayed her father to save Theseus from the Minotaur. Relevant and revelatory.”
—Stylist (UK)

“Saint’s immersive novel thrusts the reader straight into the heart of Greek mythology with this wonderful reimagining of the story of Ariadne.”
—The Independent (UK)

“Abeautiful epic…In aworld ruled by temperamental, petulant gods, Ariadne is a shining beacon offemale strength and courage—making this a story that’s impossible to forget.”
—CultureFly(UK)

From the Publisher

05/07/2021

DEBUT Saint retells stories of the ancient Greek gods from a human—particularly female—perspective. Ariadne is the granddaughter of the sun god and sister of the Minotaur, a monstrous bull with a taste for human blood. She longs to escape Crete and the unappealing marriage her father has planned for her; when Theseus arrives as part of the group to be sacrificed to the Minotaur, she sees her chance and helps him defeat the beast. But on their return to his homeland, Theseus abandons Ariadne on the island of Naxos, and she has lost all hope of rescue when Dionysus, the god of wine, appears. He seems unlike the other gods—considerate, caring, gentle—and they marry. As Dionysus begins to long for a worldwide cult of worshippers, he asks his younger brother Perseus to help him. But Perseus, slayer of the Medusa, refuses to be subjugated, and tragedy ensues. Saint skillfully weaves the Greek mythology of heroism and revenge into whole cloth, making the fabric of interactions among humans and gods compelling and entertaining as she shows us that women often get the blame for men's (and gods') actions. Sisterhood is required for survival. VERDICT Readers of mythology and human relations will enjoy this book. Highly recommended.—Joanna Burkhardt, Univ. of Rhode Island Libs., Providence

Library Journal

2021-02-10
A debut novelist retells timeless tales from a feminine perspective.

Classical mythology endures—at least in part—because of its malleability. Ancient Near Eastern cultures borrowed one another’s deities and transformed them to meet their own needs. Poets, playwrights, and painters have been creating their own iterations of the Olympian gods for thousands of years. One of the difficulties of working with familiar figures and well-known tropes is making them fresh. Writers crafting long-form narratives face the additional challenge of putting flesh on archetypes. In choosing to give a voice to a woman plagued by awful men—her father, King Minos; her first love, the hero Theseus; Dionysus, the god of wine—Saint succeeds in presenting a distinctive version of Ariadne. The author doesn’t quite deliver on making her protagonist—or anyone else in this novel—real. One issue is Saint’s prose style. She uses formal, stilted language that is, perhaps, supposed to create a sense of antiquity but instead just feels unnatural. There is more telling than showing, and characters launch into soliloquies that might make sense in a Greek tragedy but are out of place here. On the whole, Saint is writing in a mode that is neither realist nor fantasy but an awkward place in between. For example, as she offers a detailed depiction of the infancy and development of the Minotaur—Ariadne’s half brother—the monster ceases to be horrifying and instead becomes slightly ridiculous. The reader has leisure to ask such questions as why, since cows are herbivores, a creature with the head of a bull would enjoy a diet of human flesh. Worse, though, is that Saint manages to make Dionysus—a god who inspired bloodthirsty frenzies in his drunken followers—boring. Ariadne becomes his bride soon after she’s dumped by Theseus. After a few years, Ariadne and Dionysus are staying together for the kids and hoping that a couples vacation to Athens will spice things up.

Ambitious but uninspiring.

Kirkus Reviews

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